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Mark of the Devil (German: Hexen bis aufs Blut gequält, lit. "Witches Are Tortured to Death") is a West German horror film released in 1970.
It is most remembered for US marketing slogans devised by Hallmark Releasing Corp. that included "Positively the most horrifying film ever made" and "Rated V for Violence", while sick bags were given free to the audience upon admission.
Set in early 18th-century Austria, the story is about a Witchfinder and his young apprentice. The two travel the countryside, terrorising people suspected of devil worship. When the Witchfinder goes too far by trying to rape a local girl, his apprentice rebels.
The production was filmed during the summer of 1969 in Austria. From the beginning production was difficult, including that at least half a dozen languages were spoken on set, which caused problems for the cast and crew. To give the film some historical accuracy, it was filmed in an Austrian castle where actual witchfinding interrogations had taken place. This castle also served as a museum with authentic torture tools that were used in the film.
The film has been criticized by many reviewers for being too violent to contain any message and far too exploitative whilst dealing with a serious historical subject. Other reviews praise the film for its filming locations, consisting of the mountainous Austrian countryside and stately castles.
Udo Kier is a witch hunter apprentice to Herbert Lom. He believes strongly in his mentor and the ways of the church but loses faith when he catches Lom strangling Reggie Nalder to death for calling him impotent. Kier begins to see for himself that the witch trials are nothing but a scam of the church to rob people of their land, money, and other personal belongings of value and seduce beautiful big breasted women. Eventually, the townspeople revolt, Herbert Lom escapes but poor Udo is captured by the towns people. This film contains very strong graphic torture including a women's tongue being ripped out of her head,nuns being raped(in the opening credits), and lots of beatings
Soldiers of 2nd Brigade Combat Team, 10th Mountain Division were reunited with their Families during a Welcome Home Ceremonies following a nine month deployment, July 23, 2019, at Fort Drum, New York. Last fall around 2,000 Soldiers from 2BCT deployed to Kosovo and Afghanistan in support of an ongoing North Atlantic Treaty Organization peacekeeping mission and Operation Resolute Support. (U.S. Army photo by Staff Sgt. Paige Behringer)
Soldiers of 4th Battalion, 31st Infantry Regiment, 2nd Brigade Combat Team, 10th Mountain Division, bid farewell to Command Sgt. Maj. Gavin Holmes, and welcomed Command Sgt. Maj. Jerry Heim, the Polar Bear battalion's new senior noncommissioned officer, during a Change of Responsibility ceremony, November 27, 2019, at Fort Drum, New York. (U.S. Army photo by Staff Sgt. Paige Behringer)
Soldiers of 4th Battalion, 31st Infantry Regiment, 2nd Brigade Combat Team, 10th Mountain Division, bid farewell to Command Sgt. Maj. Gavin Holmes, and welcomed Command Sgt. Maj. Jerry Heim, the Polar Bear battalion's new senior noncommissioned officer, during a Change of Responsibility ceremony, November 27, 2019, at Fort Drum, New York. (U.S. Army photo by Staff Sgt. Paige Behringer)
Behringer-Crawford gets three windows from Wolfgang Ritschel
Internationally known artist Wolfgang A. Ritschel's foray into stained glass began about 10 years ago when he remodeled a bathroom in his Clifton home. To break up a monotonous teal green tile wall, Ritschel decided a large, leaded-glass window was in order. The only problem was, Ritschel, an accomplished painter and sculptor with degrees in pharmacy and medicine, had never tried that medium.
So the Austrian native took a couple of glass-staining classes from Cliff Kennedy, the owner of Kaleidoscope Stained Glass Studios in Covington's MainStrasse Village. After making a large leaded-glass window for his home, Ritschel went on to create whimsical sculptures that combined elements of stained glass with outdated, stainless steel medical instruments.
Some of those sculptures caught the eye of Laurie Risch, executive director of the Behringer-Crawford Museum, during a visit to Ritschel's studio in Cincinnati's Pendleton Art Center last year.
Risch had visited Ritschel to ask if the 11-year participant in the museum's annual FRESHart event would contribute some acrylic paintings of Northern Kentucky scenes to display in the museum, as it undergoes a $2.8 million expansion. But when Risch saw Ritschel's work in stained glass, she asked if he'd create three large stained glass windows instead.
"When we talked and I saw his stained glass, I thought it would be wonderful if we could get some of that work for our collection,'' Risch said.
Ritschel offered to create three stained glass windows depicting scenes in Northern Kentucky's history. He is donating the labor, which has totaled about 200 hours so far, and Kennedy is contributing the materials. The windows will be installed next fall in the hallway linking Behringer-Crawford's original building to its addition.
The 6 by 6 foot archaeology window will depict a bison, a mammoth and other animals climbing out of a marshy area that was typical of Northern Kentucky during the Ice Age. It will be flanked on each side by two 6 by 3 foot stained glass windows . The left panel, "People,'' will depict an Indian, slave, frontiersman and Civil War soldier, while "Transportation'' will trace the evolution of local transportation from the era of flatboats, steamboats and railroads to airplanes.
Raised in Vienna, Austria, Ritschel's first love was art. He sold his first painting at 16, and after graduation from Junior College, one of his paintings was acquired by the Board of Education of Vienna. However, to escape the poverty that gripped many in post World War II-Austria, Ritschel studied pharmacy and medicine. He never practiced either, instead devoting his career to research in Pharmacokinetics, or the study of how different people metabolize drugs, initially in Europe and later at the University of Cincinnati.
Throughout his university studies, Ritschel continued to paint and sketch in his spare time. When visiting professorships and lectures took him to dozens of cities from Europe to Asia to South America, he carried his sketch pad and a set of watercolors.
switch on left/bottom is for bridging the 2 channels into 1.
really insane people are known to convert a 250watt/ch amp into a single 500w mono'block' amp. of course you need two amps for stereo.
I don't plan to run in 'bridged' mode but its nice to know its already built into the unit.
My behringer Xenyx 502 five channel mixer, hooked up to the UCA200 USB audio interface hidden underneath.
I am using a mixing board and a Apple Composite AV Cable I am able to record audio to my iPhone. Only use the "Red" connector as that will hold the audio signal for your iPhone. You need to use the mixing board to normalize the audio before recording. Learn more at: www.macusersguide.com/2009/06/iphone-voice-memo/
VOICE RECORDING-
RØDE NT1-A to
PreSonus TUBEPRE
w/ GT 12AX7 preamp
to
EV T 5212 Stereo Mixer for mains to TASCAM Portastudio 424 mk II to
Peavey ProFX8 Mixer for monitors to . . .
GUITAR RECORDING-
AXE to Pedalboard to
THD Tube Amp to
2X12 Cab w/ Celestion Vintage 30s to
Shure SM-57 Dynamic mic
to TUBEPRE to EVT to
TASCAM Portastudio 424 mkII to Peavey ProFX8 mixer . . .
12-Space Angled Effects Rack, Furman PL-8C Power conditioner, PFpower D10-PFP Power distributer, Eleven Rack Guitar Proc, Focusrite Saffire PRO 40 Firewire audio interface, Buslink Fire Wire External Hard Drive w/160GB Seagate Barracuda drive, Alesis 3632 Compressor/limiter, Alesis Midiverb III multi effects proc, Behringer ULTRAPATCH PRO multi-functional48-pt PATCHBAY Model: PX2000, Samson SERVO-170 85W per ch Studio Stereo Power Amp Peavey CS800X Professional Series 840 watt per channel POWER AMP into 2 -JBL MR925 8 ohm 350W continuous 1000W peak PA Speakers. YES, IT'S LOUD AND IT WILL PISS OFF THE ENTIRE WESTERN SIDE OF OREGON & WASHINGTON, FROM EUGENE TO DAMN NEAR SEATTLE.
WARNING-
BYOEP(bring your own ear protection)
El Maestro mientras trabajaba en el Monumento en honor a Clara González de Behringer (2002), primera mujer abogada y primera universitaria, gestora principal del sufragio femenino y del Tribunal de Menores de la República de Panamá.
there's my new DIY headphone amp in a nice blue cabinet next to my ebay DTS/spdif decoder.
the remote control is for my headphones amp and that big silver knob is remote controlled by the 2 bottom buttons on that handheld remote. the IR window is that small black round cut-out; that's where you aim the remote to change the headphones volume. or, you could just turn the knob if you happen to be near the thing.. ;)
Here's what (Secret) Santa brought me for Christmas 2007 - a Behringer BDI21 bass guitar pre-amp. I don't usually play bass much (except when I'm recording demos and playing most or all of the parts myself). so I don't have a bass amplifier, and wanted something which would give me a nice tone with bass guitar without needing to mike up an amp.
This unit does just that, and I can also use it as a DI box (via the XLR output on the back) should I ever need to take the bass outside the house. You should start hearing the output of this box on recordings of mine quite soon...
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A Dell Ultrabook running RadioDJ, a 4 mic Behringer mixer, and 2x Behringer mics. Portable and workable. This can probably be fine-tuned further to a single USB mic if necessary.