View allAll Photos Tagged BaroqueArchitecture
July 5, 2023 - A view of Santuário de Nossa Senhora dos Remédios from Jardim da Avenida Visconde Guedes Teixeira.
"Built on top of Mount St. Stephen (Monte de Santo Estêvão), between the 18th and 20th centuries, this Marian shrine is visited by pilgrims from all over the country - especially on September 8, the day of the Nativity of the Virgin and the high point of the feasts in honour of Our Lady of Remedies, which usually include fireworks, musical shows and various sports and recreational activities amidst the dense grove of the pleasant Santo Estêvão Park. The Procession of the Triumph, with its richly adorned paraders, is a highpoint.
Already during the Middle Ages catholic worship was celebrated there, in an old hermitage dedicated to Santo Estevão that was erected in 1361. At risk of collapsing, it was demolished in the 16th century and the construction of a new hermitage in the same spot was started, by the Bishop of Lamego, where an image of the Virgin and Child was placed. Worship of St. Stephen was thus progressively replaced by Marian Devotion. In 1750, the construction of the present sanctuary began, and was only finished in 1905.
The monumental Baroque staircase (with 686 steps) that gives access to the sanctuary is divided over several levels, punctuated by sculptural elements, such as statues of the kings, the backrests of the eight fountains (among which the Remédios, by Nicolau Nasoni) and various allegorical representations. Half way is the Chapel of Desterro.
Inside the temple is Rocaille in style and entirely dedicated to Marian iconography: on the main altar in gilded carving, in the altarpieces dedicated to the Virgin's parents, in the three stained glass windows with images of Our Lady of the Conception, the Sacred Heart of Jesus and the Annunciation, and in the tiles of the Conimbrigan artist Miguel Costa that represent key moments in Mary’s life.
The tomb of the founder of the sanctuary, Canon Jose Teixeira Pinto, is at the entrance of the nave." Previous description: www.visitportugal.com/en/node/134774
Spectacular garden view from castle “rotunda” lounge roof, the highest point of the castle. It's stunning to see the lanscape along the three-kilometer long axis of the estate. The roof section is one of the most impressive spots to visit and worth the climb.
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Vaux-le-Vicomte (Est.1658) - a baroque French château on a 33 hectares (100 acres) estate with formal gardens along a three-kilometer axis. Built between 1658 to 1661 as a symbol of power and influence and intended to reflect the grandeur of Nicolas Fouquet, Marquis de Belle Île, Viscount of Melun and Vaux, the superintendent of finances of Louis XIV.
The château was an influential work of architecture in mid-17th-century Europe. The architect Louis Le Vau, the landscape architect André le Nôtre, and the painter-decorator Charles Le Brun worked together on this large-scale project. This marked the beginning of the "Louis XIV style" combining architecture, interior design and landscape design. Their next following project was to build Versailles.
See: en.wikipedia.org/wiki/Vaux-le-Vicomte
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About Pixels - #castle #garden #landscape #art - #VLV #Maincy #FR
Designed by Flemish architect Frans Geffels.
From Wiki Ped Ia:
"Frans Geffels, known in Italy as Francesco Geffels (1624 –1694) was a Flemish painter, printmaker, architect, stage designer and designer of ephemeral structures for solemn and festive occasions. After training in his native Antwerp, he was mainly active in Mantua, where he was "prefetto delle fabbriche" to the Duke, a role that gave him the direction of the artistic and construction activities undertaken by the Ducal court. He worked also on projects for the local aristocratic class of Mantua. In addition, he completed projects for the Liechtenstein princes and for the imperial court in Vienna.
He was both a canvas and fresco painter. He created portraits, history subjects, military scenes, architectural scenes and genre art, in particular merry companies. Geffels is mainly remembered as the designer of some of the key examples of Baroque architecture in Mantua."
Le Musée des équipages with authentic carriages, harnesses, harnessed horses, coachmen, valets and passengers revive, the time of the visit, the art of master body builders. The cars of the 17th, 18th and 19th centuries are presented in decorations on the themes of the city, the countryside and hunting.
The estate offers an exhibition of two trades: the saddler-saddler and the blacksmith. Finally, an exhibition of equipment for horses. Harnesses, bridles, bits and other maintenance equipment.
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Vaux-le-Vicomte (Est.1658) - a baroque French château on a 33 hectares (100 acres) estate with formal gardens along a three-kilometer axis. Built between 1658 to 1661 as a symbol of power and influence and intended to reflect the grandeur of Nicolas Fouquet, Marquis de Belle Île, Viscount of Melun and Vaux, the superintendent of finances of Louis XIV.
The château was an influential work of architecture in mid-17th-century Europe. The architect Louis Le Vau, the landscape architect André le Nôtre, and the painter-decorator Charles Le Brun worked together on this large-scale project. This marked the beginning of the "Louis XIV style" combining architecture, interior design and landscape design. Their next following project was to build Versailles.
See: en.wikipedia.org/wiki/Vaux-le-Vicomte
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About Pixels - #architecture #stables #monument - #VLV #Maincy #FR
Santuário do Bom Jesus do Monte, Sanctuary of Bom Jesus do Monte
Braga, Portugal
photo taken using filter from PhotoDirector app
2017-11-17-05-22-49-575
French Baroque ceiling fresco's, many of these can be found in the castle.
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Details
Vaux-le-Vicomte (Est.1658) - a baroque French château on a 33 hectares (100 acres) estate with formal gardens along a three-kilometer axis. Built between 1658 to 1661 as a symbol of power and influence and intended to reflect the grandeur of Nicolas Fouquet, Marquis de Belle Île, Viscount of Melun and Vaux, the superintendent of finances of Louis XIV.
The château was an influential work of architecture in mid-17th-century Europe. The architect Louis Le Vau, the landscape architect André le Nôtre, and the painter-decorator Charles Le Brun worked together on this large-scale project. This marked the beginning of the "Louis XIV style" combining architecture, interior design and landscape design. Their next following project was to build Versailles.
See: en.wikipedia.org/wiki/Vaux-le-Vicomte
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About Pixels - #architecture #castle #monument #fresco - #VLV #Maincy #FR
Formal garden and castle, the garden is designed by landscape architect André le Nôtre. To visit a very nice walk and to enjoy the many sculptures and statues, ponds, fountains bushes and much more.
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Details
Vaux-le-Vicomte (Est.1658) - a baroque French château on a 33 hectares (100 acres) estate with formal gardens along a three-kilometer axis. Built between 1658 to 1661 as a symbol of power and influence and intended to reflect the grandeur of Nicolas Fouquet, Marquis de Belle Île, Viscount of Melun and Vaux, the superintendent of finances of Louis XIV.
The château was an influential work of architecture in mid-17th-century Europe. The architect Louis Le Vau, the landscape architect André le Nôtre, and the painter-decorator Charles Le Brun worked together on this large-scale project. This marked the beginning of the "Louis XIV style" combining architecture, interior design and landscape design. Their next following project was to build Versailles.
See: en.wikipedia.org/wiki/Vaux-le-Vicomte
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About Pixels - #architecture #park #art #monument - #VLV #Maincy #FR
, Greenwich, London, England, United Kingdom, UK
The historic Old Royal Naval College in Greenwich, London, stands majestically along the banks of the River Thames on a bright June afternoon. Visitors can be seen enjoying the riverside promenade in front of the iconic baroque architecture.
The complex, a UNESCO World Heritage site, presents a striking facade under a sky dotted with fair-weather clouds, showcasing a popular view for those exploring London's maritime history.
Decoration in the South Parterre
The Palace of Versailles was created at the instruction of Louis XIV, and was the centre of French government and power from 1682, when Louis XIV moved from Paris, until Louis XVI and the royal family was forced to return to the capital in 1789.
The chateau is built around a hunting lodge established by by Louis XIII, and was created in four phases: 1664–68, 1669–72, 1678–84 and 1699–1710, by the architects Le Vau, Le Nôtre, and Le Brun.
French Baroque castle (Est.1658) from the main entrance side. From this point you can't see the medieval moat surrounding the castle and a large square in front of it. The ongoing restoration planning shows a castle in a perfect state but still so many hard to see small details have to be done.
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Details
Vaux-le-Vicomte (Est.1658) - a baroque French château on a 33 hectares (100 acres) estate with formal gardens along a three-kilometer axis. Built between 1658 to 1661 as a symbol of power and influence and intended to reflect the grandeur of Nicolas Fouquet, Marquis de Belle Île, Viscount of Melun and Vaux, the superintendent of finances of Louis XIV.
The château was an influential work of architecture in mid-17th-century Europe. The architect Louis Le Vau, the landscape architect André le Nôtre, and the painter-decorator Charles Le Brun worked together on this large-scale project. This marked the beginning of the "Louis XIV style" combining architecture, interior design and landscape design. Their next following project was to build Versailles.
See: en.wikipedia.org/wiki/Vaux-le-Vicomte
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About Pixels - #castle #architecture #monument - #VLV #Maincy #FR
The New Palace (German: Neues Palais) is a palace situated on the western side of the Sanssouci royal park in Potsdam. The building was begun in 1763, after the end of the Seven Years' War, under Frederick the Great and was completed in 1769. It is considered to be the last great Prussian baroque palace.
the Archbishop's Palace
Olomouc, Moravia
Built or rebuilt after the Thirty Years War by Charles/ Karel II of Liechtenstein-Castelcorno (1624-95) - the bishop of Olomouc in the years 1664-1695.
not his coat of arms though... It is that of Wolfgang Hannibal von Schrattenbach, Bishop 1711-1738. He was succeeded by another Liechteinstein-Castelcorno
20240401_123407
Bristol Open House 2010, Photograph by James Russiello, September 11, 2010
The Royal Fort House is a historic house in Tyndalls Park, Bristol. The building currently houses the University of Bristol's Faculty of Science offices, Elizabeth Blackwell Institute for Health Research and the Cabot Institute.
The house was built for Thomas Tyndall KCB, in the 18th century, on the site of bastions which were fought over during the English Civil War and demolished in 1655. The Baroque, Palladian and Rococo styles of architecture are because of the work of three different architects: James Bridges, Thomas Paty, John Wallis. The garden was laid out by Humphry Repton around 1800.
The design of the mid-eighteenth-century house by James Bridges, for Thomas Tyndall KCB, was a compromise between the separate designs of architects Thomas Paty, John Wallis and himself. This led to different classical styles: Baroque, Palladian and Rococo, for three of the facades of the house. It was built between 1758 and 1761, by Thomas Paty with plasterwork by Thomas Stocking.
A later Colonel Thomas Tyndall employed Humphry Repton from 1799 to landscape the gardens which form a small part of Tyndall's Park, which extended to Whiteladies Road in the west, Park Row in the south and Cotham Hill to the north. Over the years large parts of the park were sold for housing development, as the site for the Bristol Grammar School, purchased in 1877, and only a small part of the original area remains, as Royal Fort Gardens. The siting of drives in the Royal Fort park is still reflected in street plans today.
The current stone gatehouse, built in the Victorian era and known as the Royal Fort Lodge, stands at the entrance to the driveway leading to Royal Fort House. It currently houses the University of Bristol security services.
The house has been designated by Historic England as a grade I listed building.