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The NASA/ESA Hubble Space Telescope has snapped the best ever image of the Antennae Galaxies. Hubble has released images of these stunning galaxies twice before, once using observations from its Wide Field and Planetary Camera 2 (WFPC2) in 1997, and again in 2006 from the Advanced Camera for Surveys (ACS). Each of Hubble’s images of the Antennae Galaxies has been better than the last, due to upgrades made during the famous servicing missions, the last of which took place in 2009. The galaxies — also known as NGC 4038 and NGC 4039 — are locked in a deadly embrace. Once normal, sedate spiral galaxies like the Milky Way, the pair have spent the past few hundred million years sparring with one another. This clash is so violent that stars have been ripped from their host galaxies to form a streaming arc between the two. In wide-field images of the pair the reason for their name becomes clear — far-flung stars and streamers of gas stretch out into space, creating long tidal tails reminiscent of antennae. This new image of the Antennae Galaxies shows obvious signs of chaos. Clouds of gas are seen in bright pink and red, surrounding the bright flashes of blue star-forming regions — some of which are partially obscured by dark patches of dust. The rate of star formation is so high that the Antennae Galaxies are said to be in a state of starburst, a period in which all of the gas within the galaxies is being used to form stars. This cannot last forever and neither can the separate galaxies; eventually the nuclei will coalesce, and the galaxies will begin their retirement together as one large elliptical galaxy. This image uses visible and near-infrared observations from Hubble’s Wide Field Camera 3 (WFC3), along with some of the previously-released observations from Hubble’s Advanced Camera for Surveys (ACS).
I just got a white seamless backdrop and did a test shoot with Brent to see how to use it, and these are the results
Busted out all 3 lights for this one.
Strobist: SB800 bare,high and back cam right, SB600 same but on the left, Vivitar 285 bounced off umbrella cam right. triggered via V4's
Ignore the pipes and white box. The photo is taken from the catwalk up on the grid. This is the backdrop for BARBECUE KING.
All of crew worked on it, mostly second years though.
SHOW: THE BARBECUE KING
White Solid Colored Muslin backdrops create a smooth background for any situation in which backdrop is needed. 24*7 call support available in AU
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