View allAll Photos Tagged Backdrop
Traditionally, Nō theater has a backdrop with a drawing of a pine tree. Here, it was substituted with a green flowing fabric, hanging from a bamboo structure.
Product : Rajmandir Stage Backdrops - 12 Nos.
Price: $91 - Rajamandir Stage Backdrops - 12 Nos. - Prices inclusive of FOB Sea Shipping Internationally.
Sizes : Rajamandir Stage Backdrops - 15 feet long x 12 feet high.
Quantity : 12 Pcs. M.O.Q.
Make : Handicrafts Backdrops Rajmandir stage Parda / curtain / drapes made of Industry Standard best quality heavy Lycra fabrics.
FREE Shipping : Ship-Pack-Transport is FREE
Online Ordering : www.angloindianramchairs.com/orders/fabrics-supply/rajama...
Contact : SuNeil Chaudhary
Call Us : +91-7665556222 (WhatsApp)
Email : sonilchaudhry@gmail.com
Finally finished painting the backdrop at like 2am the morning of the shoot! Like 6 hrs before shooting! Ha
I just got a white seamless backdrop and did a test shoot with Brent to see how to use it, and these are the results.
we threw a chair into the mix to see how it would cool. Brent is the best at modeling a chair haha.
Strobist: SB800 cam right bounced off umbrella, SB600 cam left bounced off umbrella, triggered via V4
The boys with their recently...
Our Daily Challenge - Aug 9, 2015 - "Organized"
... fabrics - a project from last month that was definitely worth the effort.
The top bin contains my main backdrop fabrics - everything you typically see in my stream except the all-important black stretchy velvet, which is hanging behind them. These are my workhorse fabrics and the first half-dozen or so images in my recently compiled "Backdrops" Album: www.flickr.com/photos/bztraining/sets/72157655444000498. In the middle of the bin are the sheer, shiny, and sparkly fabrics that don't wrinkle.
Next bin down contains the solid-color crushed velvets. It's great fabric as it is cheap, wrinkle proof, washable, and comes in a variety of colors. I've used it for backdrops, table cloths, capes, Santa Sacks... etc.
Third down are the seasonal and specialty print fabrics. Things I really should use more often, but don't. Paw prints, snow flakes, Christmas ivy... etc.
Last are the vinyl and heavy suede/faux leather fabrics. They are generally more expensive, although I buy as remnants and on sale). I always have great hopes for them but ultimately chicken out when it comes to cutting into the fabric, and so there they sit. (sigh)
What's missing?
All the fleece fabrics (in a very large bin in the garage) and the heavy-weight animal prints (mid-sized bin in the my closet).
Daily Dog Challenge 1379. "Familiar"
Stop on by Zachary and Henry's blog: bzdogs.com - The Secret Life of the Suburban Dog
The boys with their recently...
Our Daily Challenge - Aug 9, 2015 - "Organized"
... fabrics - a project from last month that was definitely worth the effort.
The top bin contains my main backdrop fabrics - everything you typically see in my stream except the all-important black stretchy velvet, which is hanging behind them. These are my workhorse fabrics and the first half-dozen or so images in my recently compiled "Backdrops" Album: www.flickr.com/photos/bztraining/sets/72157655444000498. In the middle of the bin are the sheer, shiny, and sparkly fabrics that don't wrinkle.
Next bin down contains the solid-color crushed velvets. It's great fabric as it is cheap, wrinkle proof, washable, and comes in a variety of colors. I've used it for backdrops, table cloths, capes, Santa Sacks... etc.
Third down are the seasonal and specialty print fabrics. Things I really should use more often, but don't. Paw prints, snow flakes, Christmas ivy... etc.
Last are the vinyl and heavy suede/faux leather fabrics. They are generally more expensive, although I buy as remnants and on sale). I always have great hopes for them but ultimately chicken out when it comes to cutting into the fabric, and so there they sit. (sigh)
What's missing?
All the fleece fabrics (in a very large bin in the garage) and the heavy-weight animal prints (mid-sized bin in the my closet).
Daily Dog Challenge 1379. "Familiar"
Stop on by Zachary and Henry's blog: bzdogs.com - The Secret Life of the Suburban Dog
Loom+Woman (The Weaver), 1912-13
Natalia Goncharova (June to September 2019)
Goncharova found acclaim early in her career. Aged just 32 she established herself as the leader of the Russian avant-garde with a major exhibition in Moscow in 1913. She then moved to France where she designed costumes and backdrops for Sergei Diaghilev’s Ballet Russes. She lived in Paris for the rest of her life, becoming a key figure in the city’s cutting-edge art scene.
Goncharova’s artistic output was immense, wide-ranging and at times controversial. She paraded the streets of Moscow displaying futurist body art and created monumental religious paintings. She took part in avant-garde cinema, experimented with book designs and designed for fashion houses in Moscow and Paris.
[Tate Modern]