View allAll Photos Tagged BOSOM
⊠her stunning eyes catch mine⊠her ample bosoms busting through her top⊠playfully asking⊠knowing I canât resist her offer⊠and opens the door for me⊠as I crawl in beside her⊠her delicious feminine scent fills the car⊠and she puts her hand on my leg⊠close to my manhood⊠as it begins to swell with desire⊠she leans over⊠presses her gorgeous lips against mine⊠and kisses me deeply⊠her hand move between my legs⊠and she admires my desireâŠ
An old antique lamp in Cory's Theo's (Greek for Uncle) collection. I love the glow and beads.
Altars of Light
by Pierre Joris
If the light is the soul
then soul is what's
all around me.
It is you,
it is around you too,
it is you.
The darkness is inside me,
the opaqueness of organs folded
upon organs--
to make light in the house of
the body--
thus to bring the
outside in,
the impossible job.
And the only place to become
the skin
the border, the in between, where
dark meets light, where I meets
you.
In the house of world the
many darknesses are surrounded
by light.
To see the one, we need
the other
it cuts both ways
light on light is blind
dark on dark is blind
light through dark is not
dark through light is movement
dark through light becomes,
is becoming,
to move through
light is becoming,
is all
we can know.
A couple of young girls who live in the same neighborhood and most likely are best friends, momentarily look directly into my camera while they are playing on the roadside of an inner village street in Subic, Zambales, Philippines.
"Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun; . . . ."
- John Keats: 'To Autumn'
HOLLY - CARD DESIGN - From a photo taken 24 September 2021 on a nature shoot along hedgerows and roadside verges.
Borders added for a Greeting Card design.
Reduced size for web posting.
Personal reference: 20210924-D85_5853-CardDesignSmallForWeb
A pair of young boys - ages 8 (l) and 11 years old - enthusiastically pose after I acceded to the older lad's request to take his photo together with his first cousin, who he said is also his best friend.
Taken at a village seashore in Subic, Zambales, Philippines.
Soothes like the warmth of a motherâs bosom - wp.me/31YwA
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© Leanne Boulton, All Rights Reserved
Candid street photography from Glasgow, Scotland. Love is in the air on this commercially created day to sell more cards, chocolate and gifts. Enjoy!
I think that I shall never see
A poem lovely as a tree.
A tree whose hungry mouth is prest
Against the sweet earth's flowing breast;
A tree that looks at God all day,
And lifts her leafy arms to pray;
A tree that may in summer wear
A nest of robins in her hair;
Upon whose bosom snow has lain;
Who intimately lives with rain.
Poems are made by fools like me,
But only God can make a tree."
- Joyce Kilmer, 1886-1918, Trees
Out of the bosom of the Air, Out of the cloud-folds of her garments shaken, Over the woodlands brown and bare, Over the harvest-fields forsaken, Silent, and soft, and slow Descends the snow.
Henry Wadsworth Longfellow
just a few images of the snow event remaining . have a great weekend all
To Autumn
John Keats
I
Season of mists and mellow fruitfulness,
Close bosom-friend of the maturing sun ;
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run ;
To bend with apples the mossâd cottage-trees,
And fill all fruit with ripeness to the core ;
To swell the gourd, and plump the hazel shells
With a sweet kernel ; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has oâer-brimmâd their clammy cells.
II
Who hath not seen thee oft amid thy store ?
Sometimes whoever rocks abroad may find
Thee sitting careless on a granary floor.
Thy hair soft-lifted by the winnowing wind ;
Or on a half-reapâd furrow round asleep,
Drowsâd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers :
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook ;
Or by a cyder-press, with patient look,
Thou watchest the last oozings hours by hours.
III
Where are the songs of Spring ? Ay, where are they ?
Think not of them, thou hast thy music too, â
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with cosy hue ;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies ;
And full-grown lambs loud bleat from hilly bourn ;
Hedge-crickets sing ; and now with treble soft
The red-breast whistles from a garden-croft ;
And gathering swallows twitter in the skies.
*
A lâautomne
I
Saison de brumes et de moelleuse fécondité,
Amie trÚs intime du soleil qui mûrit ;
Tu conspires avec lui afin de bĂ©nir dâun fardeau
De fruit la vigne qui court sous la saillie du toit de chaume ;
De faire ployer de pommes les arbres moussus de la chaumiĂšre,
Et dâemplir tout fruit de maturitĂ© jusquâau cĆur ;
Dâenfler la gourde et de bonder les coques des noisettes
Dâun douce amande ; de faire toujours davantage
Bourgeonner les fleurs tardives pour les abeilles,
JusquâĂ ce quâelles pensent que les jours de chaleur jamais ne cesseront,
Car lâĂ©tĂ© sature leurs poisseuses alvĂ©oles.
II
Qui ne tâa pas vue souvent parmi tes provisions ?
Parfois quiconque cherche au-dehors risque de te trouver
Assise sans souci sur le sol dâun grenier,
Ta chevelure ondulant au vent vanneur qui la soulĂšve :
Ou sur un sillon à moitié moissonné profondément endormie,
Assoupie Ă lâexhalaison des pavots, tandis que ta faucille
Epargne le prochain andain et toutes ses fleurs enroulées :
Et quelquefois telle un glaneur tu maintiens
Ta tĂȘte chargĂ©e en travers dâun ruisseau ;
Ou prĂšs dâun pressoir Ă cidre, dâun regard patient,
Tu observes dâheure en heure les derniers suintements.
III
OĂč sont les chants du printemps ? Oui, oĂč sont-ils ?
Nây pense pas ; toi aussi, tu as ta musique, â
Tandis que des nuages striées fleurissent la douce mort du jour,
Et caressent dâune teinte rosĂ©e les chaumes sur la plaine ;
Alors en un chĆur plaintif pleurent les menus moucherons en deuil
Parmi les saules sur la rive, soulevés
Ou bien sombrant au gré du vent léger, vivant ou mourant ;
Et les agneaux grandis bĂȘlent avec force prĂšs du ru sur la colline ;
Les grillons des haies chantent ; et dĂ©sormais dâun doux soprano
Le rouge-gorge siffle dans le clos dâun jardin ;
Et les hirondelles qui se rassemblent pépient dans les cieux.
The TV chef is seen sporting some heavy frames to match her equally well endowed bust :)
Big, bold and beautiful.
UPDATE: 1ST AUGUST 2013. Whoopee! Nigella is now divorced from that dreadful violent Charles Saatchi and is single! Now, any chance of meeting up with her would be a dream, she would be my Domestic Goddess
"This girl single-handedly could make bosoms a thing of the past!" - Billy Wilder. From Life's "Legends". Photograph by Norman Parkinson.
Peaceful Field.
Sanfte Seufzer bosomed Farben feierlichen GrĂŒns dargestellt Goldgelb suspendiert goldenen Farben,
lointains blues délicieux nature ombres tranquille mystérieux tranquillité somnolent lumiÚre du matin,
ÙÙۧۥ ۧÙŰłŰčۧۯ۩ ŰčŰšÙ Ű§ÙÙ ŰȘŰčŰ© ۧÙÙŰŻÙŰ§Ù ŰȘÙۧ۱ۧŰȘ ۧÙŰŁÙÙۧ۱ ŰȘÙŰ±Ù Ű§ÙÙ ŰŹÙŰŻŰ© ۧÙŰÙÙۧÙۧŰȘ ۚ۳ÙŰ·Ű© Ù۱ۚ,
Iluminado estrellas alto willowy alegrĂas hermoso oriental nubes interminable pinos torciendo flores espirales,
ŚŚšŚŚ ŚĄŚȘŚŚŚŚȘ ŚŚȘŚŚŚŚŚŚȘ ŚŚŚŠŚšŚŚȘ ŚŚšŚŚŚ§ ŚŚšŚ Ś©ŚšŚŚ§Ś ŚšŚŚ ŚŚŚŚŚŚȘ ŚŚȘŚ€Ś©ŚŚŚȘ ŚŚŚ,
ĐĐžŃаŃДлŃĐœŃĐ” ŃŃŃĐșŃŃ ĐșĐŸŃĐŒĐžŃŃ ĐČДлОŃĐ”ŃŃĐČĐ”ĐœĐœŃĐ” ĐŒĐ”ŃŃŃ ŃДлДŃŃ ŃŃĐČŃŃĐČа ĐżĐŸĐșĐŸŃĐžĐČŃОД ĐČзглŃĐŽŃ Đ±Đ”ŃĐșĐŸĐœĐ”ŃĐœĐŸĐ” ĐČĐŸĐŸĐ±ŃĐ°Đ¶Đ”ĐœĐžĐ” Đ±ĐŸŃĐŸĐ·ĐŽĐžĐ» Đ·Đ”ĐŒĐ»Ń,
sussurrando margherite odorose d'incenso tenera eteree belle fioriture ascolto minuti sorrisi di sole ora,
éăźç ăăææ«ăăæĄć€§ăăăéèćčłéăȘè©©æăè¶ăźćż«é©ăȘćčłæ°ăźă”ăă ăăȘçźăźèżă.
Steve.D.Hammond.
Have you ever seen a flight of herons
Silhouted against the azure blue sky,
And the placid lagoon down below,
Which mirrors its flapping wings floating high?
My winged thoughts couldn't discern,
As heaven and earth both seemed one!
My soul in its etherial flight, lost....
In the bosom of white-streaked time!
Raj Nandy
Keats got it right
Season of mists and mellow fruitfulness
Close bosom-friend of the maturing sun
Conspiring with him how to load and bless
With fruit the vines that round the thatch-eves run;
To bend with apples the moss'd cottage-trees,
And fill all fruit with ripeness to the core;
To swell the gourd, and plump the hazel shells
With a sweet kernel; to set budding more,
And still more, later flowers for the bees,
Until they think warm days will never cease,
For Summer has o'er-brimm'd their clammy cells.
Who hath not seen thee oft amid thy store?
Sometimes whoever seeks abroad may find
Thee sitting careless on a granary floor,
Thy hair soft-lifted by the winnowing wind;
Or on a half-reap'd furrow sound asleep,
Drows'd with the fume of poppies, while thy hook
Spares the next swath and all its twined flowers:
And sometimes like a gleaner thou dost keep
Steady thy laden head across a brook;
Or by a cider-press, with patient look,
Thou watchest the last oozings hours by hours.
Where are the songs of Spring? Ay, where are they?
Think not of them, thou hast thy music too,â
While barred clouds bloom the soft-dying day,
And touch the stubble-plains with rosy hue;
Then in a wailful choir the small gnats mourn
Among the river sallows, borne aloft
Or sinking as the light wind lives or dies;
And full-grown lambs loud bleat from hilly bourn;
Hedge-crickets sing; and now with treble soft
The red-breast whistles from a garden-croft;
And gathering swallows twitter in the skies.
Naughty Little Monkey is the patient model
"Sacred Goddess, Mother Earth,
Thou from whose immortal bosom
Gods and men and beasts have birth,
Leaf and blade, and bud and blossom,
Breathe thine influence most divine
On thine own child, Proserpine.
If with mists of evening dew
Thou dost nourish these young flowers
Till they grow in scent and hue
Fairest children of the Hours,
Breathe thine influence most divine
On thine own child, Proserpine."
-- Percy Bysshe Shelley
------------------------------------------------------------------------------------------------------------------------
Thanks a lot for visits and comments, everyone... Enjoy your Sunday...!
Please don't use this image on websites, blogs or other media without
my explicit permission. © All rights reserved
Hereâs hoping you all are still nestled in the bosom of your family and stuffed from the Thanksgiving banquet. Enjoy those leftovers!
When time comes for the drive home from Grandmaâs house, you may want to stop by Peteâs Holiday Village. It is easy to find, just follow the signs.
For many classic roadside attractions, clever and insistent use of billboards, dozens of them, scattered across the landscape for hundreds of miles in all directions was the best way to ensure your kids would start chanting, âARE WE THERE YET?â
This is a forced perspective photograph of 1/24 scale die-cast model cars in front of a real background.
1953 Studebaker Commander Starliner is Danbury Mint
1947 Buick Roadmaster Estate Wagon is Danbury Mint
1930âs 1/24 scale billboard is scratch built
It's just me and you and the moonlight
I'm starin' at ya, starin' at the stars tonight
The sun that fell so hard has now disappeared
And you and I can start this evening right
What I say out loud's only half of what's in my head
Tonight, I'd rather look at you instead
I can't get enough of you
And every little thing you do
You, the night, and this candlelight is all I really need
'Cause I'm lovin' you, lovin' me
Adapted from an original upload
DSC00054-004_pe2
3 Jun 20
Out of the bosom of the Air.
Out of the cloud-folds of her garments shaken,
Over the woodlands brown and bare,
Over the harvest-fields forsaken,
Silent and soft and slow
Descends the snow.
- Snowflakes, by Henry Wadsworth Longfellow
We really live in a beautiful place.
I have become very fond of my H cups and they love me wearing them! As such, I think that it is fair to say that we have become "Bosom Buddies!"đđđ
A Curious Vigilance p1
Grammarly another role play story idea
A Curious Vigilance
Part One of Two
A Watchman Cometh
âIf you canât take the heat, donât be tickling dragons !â
Acte 1
Ginny and I had, several weeks ago, received invitations to a fellow student's upscale, formal evening wedding.
Since we both love to get dressed up, it was a no-brainer to accept. Even though we really werenât players in her circle.
Probably just wanted the gifts. The git.
So I borrowed my twin brothers antique roadster, drove up the road a short way, and picked up Ginny.
As she walked up to the car I couldnât help but think how we both were dressed for the kill.
I had on my smart purple silk dress with the long pleated slinky knee-length skirt and spaghetti straps. The dress came with a cuffed long-sleeved, waist-length, black satin jacket with rhinestone buttons.
I had put in a diamond pin on one side of the jacket. It was in the shape of a bursting star, giving off a pleasing shimmer.
My other jewels consisted of my silver v shaped necklace. The v was set with small round rhinestones with 3 kite shaped sapphires set hanging down the center of the V. I also had in the necklacesâs matching semi-long earrings. Also worn was my diamond tennis bracelet on my right wrist, while gracing my left was a wide rhinestone bracelet. One ring, diamonds surrounding a gold rose(my best ring) gracing the ring finger on my left hand, completed the look.
Ginny?
Well, our Ginny girl was smashing.
She had poured her lithe figure into the sleek satin high shoulder sleeve sheath dress she had bought to wear in a play she acted in last spring. It was midnight black with a brite lime green inner lining and tight lime green Lycra pants. The only decoration on the elegant dress was a glittery silver rhinestone Dragon, with green slanted eyes and a red fiery tongue. It was embroidered crawling up one side of the dress, grasping claws reaching around up towards her bosom.
âNaughty Dragon.â
Ginny had green mascara above her eyes, around which she drew lines of black mascara to give them a slanted look. The whole effect looked a lot like Shirley Jackson did in the Michael Caine movie Gambit. Right up to the solid gold headpiece in Gunnyâs reddish hair.
Ginny also had in her emerald drop earrings, along with her wide emerald bracelet loosely dangling along an otherwise bare left wrist, and a fancy emerald cocktail ring flashing from the pinkie on her left hand.
But it was her necklace that stole the show.
The opulently handsome necklace was the estate auction won, long pendant that had neatly set her back a month's wages. We both had opened bids on it at the same time, with me immediately backing off so she would win it.
It was a very shimmery piece of jewellery, with its long rhinestone encrusted chain hanging past her breasts, ending with a dangling pendant which held a birds egg size synthetic oval-shaped emerald, surrounded by long rhinestone fringes that resembled the silver beard of the dragon on her dress.
It was a very striking effect, especially when it stopped swaying and hung straight down, appearing just out of reach from the grasping front rhinestone claw of the gem greedy dragon.
^^^^^^^^
The church and reception hall was only about a 60-minute drive away green m our village.
We arrived in the city where it was located early and stopped at a pub for a glass of wine, which we drank outside at a garden table.
We then left, arriving at the church with plenty of time to walk around and soak in the surroundings.
Acte 2
The wedding Proper was pretty normal, with the usual pomp, circumstance, and rigid schedule only the upper class seem to achieve with nothing atoll coming close to being original and new.
The reception was more of the same. Ginny, per normal, snagged more time on the dance floor than me. Though I was
by no means being ignored. The bar was free, so we made good use of that.
By around 7:30 we were a pair of happily well-fed, well-partied, and well-liquored-up young ladies.
The reception for the most part was the usual fun and the usual routine flow that goes on at such affairs.
There was only one incident of note, well actually I guess, two, that have a bearing on my story.
The first was this:
A young girl was wearing what must have been a previously worn, hideously yellow, satin bridesmaid gown. She also was wearing a nice set of real diamonds. Ginny was really impressed with the jewelry she was wearing. As the party went, and the more we drank, the more Ginny prattled on over different ways someone could try lifting some of those diamonds from the lady.
Sensing there may be trouble soon brewing, I was getting tired of holding Ginny back from her obsession, that I suggested we should be heading out.
Then I was asked to dance, and lost track of her. When I found her, she was chatting up the lady in yellow satin and diamonds. The lady was holding up Ginnyâs shimmery pendant, and I saw that Ginny had a hand placed lightly on the ladyâs wrist, next to her diamond bracelet
Telling myself:
âEnough of that missy!â
I went up and pried Ginny away.
âDonât be tickling that Dragon, even if you were thinking of doing it as a prank.â
I scolded.
My twin brother is always saying âIf you are not prepared to take the heat, donât tickle a dragon!â In other words, donât invite trouble if you are not sure you would welcome the outcome.
I started suggesting to her we might be heading home soon.
âStop at our pub(The Poet & Peasant),â I suggested.
Ginny said we should do one betterâŠ
We could stop at the old cemetery where we liked to role-play various games of both pickpockets, and jewel thievery. Sometimes combining the two. There she could nick my jewels to her heartâs content.
I admitted that sounded promising.
Then came the second incident on the heels of her suggestion.
Ginny said pleasantly, if weâre not doing the pub, then we should take something to drink with us. That way we donât need a pub.
Suspiciously, I asked my grinning childhood friend.
âWhatâs you on about? â
âI mean Cade, nick a bottle while I distract the bartender. Heâs working over there alone for a few minutes.â
I sighed, but it may be fun, so game onâŠ.
We pulled it off. It was far easier than it should have been.
As Ginny flirted with the young man tending the open bar, so I kept moving till his back was to me, and I ended up sitting on the far end.
I took a deep breath, scurried around and grabbed a bottle from the supply bin on the floor, and walked straight out the nearest exit.
I circled around the building to the lot and found Ginny at the roadster waiting.
She had placed her black beaded purse, opened, on the bonnet of the car and was bending over to put lipstick on using the car's outside mirror.
âWhat did you snag luv?â
Breathless, I looked at the bottle for the first time. It was a bottle of Penderyn.
Slightly disappointed, I would have preferred wine over a single malt. But it would do.
Meanwhile, I was standing between Ginny and the roadstersâ bonnet.
I handed the bottle to her, and as she looked I reached out behind me and dipping my fingers into her purse pulled out her wallet.
Holding it behind, suppressing a desire to laugh, I circled around to the right side and got into the driver's seat.
Ginny put her lipstick inside her purse and snapped it close with one hand still holding the bottle. Then picking up the purse and got inside the passengerâs seat.
She never noticed her wallet was gone, and by then I had it inside my own purse.
Still totally clueless, Ginny asked as we drove away :
âDo you think we should include your brother in with us?â
I said he was practicing darts with Brian(my boyfriend) and their friend, teammate, and one of our fellow players, Derrick.
Ginny giggled, hoisting up the bottle.
âMore for us then.â
Acte 3
We arrived at the cemetery with plenty of light left in the evening. Parking in the open lot, we made our way past the open wrought iron gates.
The almost 40 Hectares square-shaped cemetery is no longer in use, its main gates are permanently opened to the public, but besides us, only very few ever visit it. Judging by the dates on the gravestones, the last burial was not too long after the Victorian age officially ended. No way of truly establishing when its first burial was.
It lays along a lane called Abbots Chase.
Where a highwayman by the name of Craig Abbot used to roam several hundred years ago. It is said he is buried here in this very cemetery. Though most of the old stones are so blackened the names are not legible.
My dad is a direct descendant of Craig Abbot, and much to the chagrin of my mumâs Irish catholic family, my twin brother was named after him. Destiny?
The other end off Abbots Chase lane, west of the cemetery goes past the large old manor house some 5 kilometers away from the cemetery. The manor is now a private menâs seminary college.
^^^^^^^^^^^
We hung out at the cemetery and its interior, and surrounding woods, as kids, walking the 2 Kilometers along from the east end of the lane, where the local village was.
Both Ginny and I grew up in houses located on the opposite side of the village.
We use this private cemetery for our role-playing game adventures. We had the run of the area. Not only because of its solitude, and lack of visitors, but also because there were no roads in it. Only narrow overgrown horse-drawn cart paths. And a few cobblestone footpaths. Both of which are blocked by fallen gravestones.
The games have evolved. But they mostly are based on pickpocketing and other forms of thievery. Mainly related to lifting or the nicking of jewels that the one portraying the victim is wearing. We take turns being one or the other.
Originally there were just the 3 of us, Ginny, my twin brother, and myself. We would bring various costumes, play jewelry, and other various items. Backpacking them in from our homes.
We have since added four more âplayersâ to our group, though only a few times have we all met here in force.
There are also times as we grew older that we have stopped to play after being somewhere dressed up. The motivation can be anything from too much to drink, or something that evening triggered the idea.
Like tonight, with Ginny taking a fancy to a young ladyâs diamonds.
Acte 4
Ginny and I entered through the main gate and walked the 75 meters up to the marble pagoda sitting on a small hill.
In years long past, this pagoda would have served as the last service area for the deceased being buried here.
There is a set of steps leading up to the platform which is eye level. On the ground, flanking the steps are a pair of long marble benches. With old wrought iron ones scattered about surrounding the octagonal platform.
As per normal, no sign that anyone had been here in a while. Though we did have a bit of a jump when a fox ran out from underneath the pagoda, giving us the evil green eye before slipping off into some tall grass.
I had brought a blanket which we laid on the stairs. We put down our purses on one of the marble benches.
Sitting on the stairs, Ginny opened the bottle and took a small sip. Followed by a bigger one.
âWhew, that burns going down.â
She exclaimed passing it to me.
It smelled strong.
âShould have brought some water to cut it.â
I said taking a hit, feeling it burn warmly.
We each took several more sips before getting down to business.
I place a hand on Ginnyâs arm, looking her in the eyes.
She starts to giggle. As do I also, both of us falling into each otherâs arms, hugging as our figures are being racked by our uncontrollable laughter.
Meanwhile, I was busy. My hand running down her arm, I reached her her emerald bracelet and nimbly opened the clasp, easily pulling it off and cuffing it in my fist, moving that hand to her backside, using it to hold her quivering figure close.
Finally, we broke away, settling down. As I stroked her sleek backside with my hand, I say:
âOk lass, are you ready to lift some of my diamonds?â
Taking a belt from the bottle ( it was not a sip, nor a gulp, somewhere in between)
Ginny nodded her head, earrings sparkling with intensity, like the look in her eyes just before she said:
âLetâs dance.â
Acte 5
I went over and pulled the cell from my purse, seeing a text from my brother asking if:
âUs girls were having fun?â
I sent one back:
âSmashing fun, wish you could be here, now I have to go and see a lady about doing a lift on some jewels she is wearingâŠâ
That should make him stop in his tracks and ponder. I would imagine his own game now being off all of a sudden.
Giggling mischievously, I laid the cell in front of my purse on the marble seat, I selected âAnd we dancedâ by the Hooters.
Ginny was already on the platform, strutting her stuff. I went to the stairs, grabbed the bottle, took a swig, and ran up to join her.
She bumped into me with her hip, then went behind me, her hands running along my figure, then pulling me against her she ran her hands down along the satin sleeve of my jacket. I only felt it because I knew it was coming. After all, as her hand slipped along my wrist, she expertly whisked off my diamond bracelet.
I pushed her away using my hinney, then turned and began dancing close to her, wriggling up against and away from her figure. Her eyes had been opened quite wide, from the thrill of the bracelet lift, but she closed them as I rubbed my figure up along hers.
I had been eyeing her dazzling dripping jeweled pendant. My arms went up behind her back. Pulling down the clasp I unhooked it and reaching my hands up, pulled it away from her gownâs rhinestone dragonâs clutches
I had it pocketed before she reopened her eyes.
The music ended, and arm in arm we went back to the stairs, passing the bottle to each other.
We were becoming quite happily intoxicated by now, giggling at everything.
Acte 6
Ginny sets down the bottle, then stares at her bare wrist.
âI donât suppose this bracelet fell off on its own?â
I chuckled, looking at where her necklace should have been dangling, picking up the bottle.
âNo, it had a bit of help, I felt inside my pocket and pulled it out, replacing it as Ginny held up the bottle and asked:
âAnother round?â
We both took several swigs before I decided it was time to have a bit more role play.
I place a hand on Ginnyâs chest...
âGive me a lead luvâŠâ
Ginny thinks a minute, long enough for us to take another swig each from the fast becoming 3/4 full bottle.
Looking me over, she tells me.
âTake a walk..â
I stand (maybe a little wobbly), and manage to do so, taking the path around the pagoda.
She comes up behind me, putting her hands over my eyes.
âGuess who Abigail?â
I answered...
Iâm not Abigail?â
The voice behind me, as the hands are lifted from my eyes and reach down to my chest..â
âIâm so sorry, of course, your not, my bad.â
I turn around to face GinnyâŠ
Placing a hand on my chest( lifting off my broach from the lapel of the jacket) Ginny says:
âIâm so sorry, I canât believe I made a mistake like that. â
I feel her placing the broach in my pocket, as I say(thinking that counted as two lifts)
âThatâs ok luv, we all make mistakes.â
Quite pleased with herself Ginny went back to the steps.
She thought I was following as she talked to me.
I did not, rather I hid in the bushes and watched her.
Ginny picked up the bottle and took a swig, handing it to meâŠ
It was then she realized I wasnât there.
âWhere are you, you silly ninny?â
She called out, then began to walk back the way she had come.
I jump out of the bushes behind her my hand in the satin jacket's pocket( I can feel the cold necklace inside. I point my fingers In the pocket like I am â packing heatâ.
Prodding my finger in her back I say
âStick 'em up, pretty lady!â
Ginny giggles,
âSpeaking of sticks. Is that one or are you just happy to see me?
âFunny lady, now turn around. â
She did and gave a fake gasp, hand to her mouth, ring sparkly.
âThere you go, now be a good Lass and hand over those jewels around your wrist and finger. â
She lifted her wrist and undid the bracelet, then slips off her ring. As she hands them to me:
âMy this bracelet is popular with thieves this evening.â
She then pulls out her gold hairpiece, shaking down her hair as I take it:
âHere thief. The thing was starting to pull on my hair and bothering me anyways.â
I smirk:
âThanks, lady !â
We both have a laugh over this latest sequence of events, while I give her back the bracelet and ring.
I lead her, as her laughing satin clad figure leans into me, over to the steps.
But as we approach, Ginny stops and grabs my arm, her, heavily mascaraâd eyes suddenly bugging out, placing a hand to her mouth, she really Gasped.
âCade,Look, over by the gate!â
I did, feeling the hairs on my scalp rise by what I saw!
To be ContinuedâŠ
To be ContinuedâŠ