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„Leïla Slimani gilt als eine der wichtigsten literarischen Stimmen Frankreichs. 1981 in Rabat geboren, wuchs sie in Marokko auf und studierte an der Pariser Eliteuniversität Sciences Po. Ihre Bücher sind internationale Bestseller. Für den Roman ‚Dann schlaf auch du‘ wurde ihr der renommierte Prix Goncourt zuerkannt. Im Kaufleuten präsentiert die französisch-marokkanische Autorin ihren preisgekrönten Debüt-Roman ‚All das zu verlieren‘: Das Buch handelt von der Zerrissenheit einer Frau, die alles aufs Spiel setzt. Ausserdem wird Leïla Slimani auch aus ihrem neuen gefeierten Roman und Nr.1-Bestseller "Das Land der Anderen" lesen.
«Niemand schreibt interessanter über die Abgründe unserer Zeit als die Goncourt-Preisträgerin Leila Slimani. In ihrem Roman All das zu verlieren revolutioniert sie das weibliche Schreiben über Sexualität.» (Die Welt).
Moderation: Gesa Schneider (Leiterin Literaturhaus Zürich)
Deutsche Stimme: Thomas Sarbacher“
Lydia Monks is the bestselling illustrator and author of children’s books. She has worked in collaboration with children’s author Julia Donaldson to create artwork for titles such as What the Ladybird Heard and The Singing Mermaid, as well as illustrations for her own books. Her design is fun, family focused and features characters from her best known projects. Amongst the characters going for a ride on the elephant are mermaids, monkeys, farm animals and of course – a little ladybird is hiding somewhere amongst them. Hunt down this elephant and see if you can spot the shy little creature – it may be trickier than you think!
Designed by: Lydia Monks
Lydia Monks is a best selling children’s writer and illustrator, best known for her work with the children’s author Julia Donalson. Their book What the Ladybird Heard has sold over a million copies worldwide. The book has been adapted into a theatre version which has toured all over the world. Lydia’s own books including, ‘Aaarrggh Spider!’ and the ‘I Wish I Were a Dog’ have won many awards. She has just finished the fourth book in her own pre-school series ‘Mungo Monkey’.
Sponsored by: British Land
Auction Price: £6200
Summer 2016, a herd of elephant sculptures descended on Sheffield for the biggest public art event the city has ever seen!
58 elephant sculptures, each uniquely decorated by artists, descended on Sheffield’s parks and open spaces, creating one of the biggest mass participation arts events the city has ever seen. Did you find them all?
The trail of elephants celebrates Sheffield’s creativity with over 75% of artists from the city. Some well-known names include Pete McKee, James Green, Jonathan Wilkinson and Lydia Monks – each of which has put their own creative mark on a 1.6m tall fibreglass elephant sculpture. They are all very difference, take a selfie with your favourite as they will be on display until the end of September.
International artist Mark Alexander, who is currently working with Rembrandt for an exhibition in Berlin, flew to Sheffield especially to paint his elephant and international players from the World Snooker Championship signed SnookHerd, an elephant celebrating the heritage of snooker in Sheffield.
The Arctic Monkeys, famous for their love of their home city, added their signatures to their own personalised sculpture which pays homage to the striking sound wave cover of the band’s 2013 album “AM”.
By supporting the Herd of Sheffield you are investing in the future of Sheffield Children’s Hospital. Every penny raised will go towards our Artfelt programme, which transforms the hospital’s walls and spaces with bright art, helping children recover in an environment tailored to them. The programme also puts on workshops for youngsters to provide distraction during anxious moments – such as before an operation, and to breakup long stays on the wards.
This exciting Wild in Art event brought to you by The Children’s Hospital Charity will:
Unite our city – bringing businesses, communities, artists, individuals and schools together to create a FREE sculpture trail which is accessible to all.
Attract more visitors – both nationally and regionally as well as encouraging thousands of people to become a tourist in their own city.
Invest in the future – with a city wide education programme that can be used for years to come and by funding a life-saving piece of medical equipment at Sheffield Children’s Hospital from the Herd auction at the end of the trail.
Showcase our city – celebrating Sheffield’s heritage and cementing our status as a vibrant and culturally exciting city through this world-class initiative.
The Herd of Sheffield Farewell Weekend was held on 14-16 October and was your chance to say a last goodbye to all 58 large elephant sculptures as they gather in one place for a final send-off at Meadowhall.
This special event gave visitors a chance to see the entire herd in all its glory – from the signed Arctic Monkeys’ ‘AM’ elephant, right through to ‘SnookHerd’, autographed by a host of international snooker players including current world champion Mark Selby.
Please note that the Little Herd elephants will not be on display as they will be returned to their school for pupils to enjoy.
Meadowhall, along with its joint owners, British Land are very proud to be supporting The Children’s Hospital Charity as host sponsors for the Herd of Sheffield Farewell Weekend.
Auction: Hundreds of elephant enthusiasts gathered at the Crucible on 20 October for the Herd of Sheffield Auction, which raised a total of £410,600 for The Children’s Hospital Charity.
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Happy holidays to everyone!!!
A Baojun 730 photographed at a Baojun dealership in Beijing, Beijing municipality, China.
The Baojun 730 is currently one of the bestselling car in China : n°4 with 158.036 units (jan-june 2015).
The Orgasmic Explosion - Acrylic paint, 45cm x 120cm; (19.7''x47.2'');
_________
IF YOU LIKE MY ART, Please vote on me in contest "artist of the month"
organized byJGallery in UK:
www.jgallery.org.uk/exhibit-art/vote.asp
___________
My NEXT EXHIBITION:
"From orgasm to over-consciousness"
29. october - 4. november
Gallery Kraemmer
Thurøvej 3, baghuset, top floor
2000 Frederiksberg
DENMARK
Lydia Monks is the bestselling illustrator and author of children’s books. She has worked in collaboration with children’s author Julia Donaldson to create artwork for titles such as What the Ladybird Heard and The Singing Mermaid, as well as illustrations for her own books. Her design is fun, family focused and features characters from her best known projects. Amongst the characters going for a ride on the elephant are mermaids, monkeys, farm animals and of course – a little ladybird is hiding somewhere amongst them. Hunt down this elephant and see if you can spot the shy little creature – it may be trickier than you think!
Designed by: Lydia Monks
Lydia Monks is a best selling children’s writer and illustrator, best known for her work with the children’s author Julia Donalson. Their book What the Ladybird Heard has sold over a million copies worldwide. The book has been adapted into a theatre version which has toured all over the world. Lydia’s own books including, ‘Aaarrggh Spider!’ and the ‘I Wish I Were a Dog’ have won many awards. She has just finished the fourth book in her own pre-school series ‘Mungo Monkey’.
Sponsored by: British Land
Auction Price: £6200
Summer 2016, a herd of elephant sculptures descended on Sheffield for the biggest public art event the city has ever seen!
58 elephant sculptures, each uniquely decorated by artists, descended on Sheffield’s parks and open spaces, creating one of the biggest mass participation arts events the city has ever seen. Did you find them all?
The trail of elephants celebrates Sheffield’s creativity with over 75% of artists from the city. Some well-known names include Pete McKee, James Green, Jonathan Wilkinson and Lydia Monks – each of which has put their own creative mark on a 1.6m tall fibreglass elephant sculpture. They are all very difference, take a selfie with your favourite as they will be on display until the end of September.
International artist Mark Alexander, who is currently working with Rembrandt for an exhibition in Berlin, flew to Sheffield especially to paint his elephant and international players from the World Snooker Championship signed SnookHerd, an elephant celebrating the heritage of snooker in Sheffield.
The Arctic Monkeys, famous for their love of their home city, added their signatures to their own personalised sculpture which pays homage to the striking sound wave cover of the band’s 2013 album “AM”.
By supporting the Herd of Sheffield you are investing in the future of Sheffield Children’s Hospital. Every penny raised will go towards our Artfelt programme, which transforms the hospital’s walls and spaces with bright art, helping children recover in an environment tailored to them. The programme also puts on workshops for youngsters to provide distraction during anxious moments – such as before an operation, and to breakup long stays on the wards.
This exciting Wild in Art event brought to you by The Children’s Hospital Charity will:
Unite our city – bringing businesses, communities, artists, individuals and schools together to create a FREE sculpture trail which is accessible to all.
Attract more visitors – both nationally and regionally as well as encouraging thousands of people to become a tourist in their own city.
Invest in the future – with a city wide education programme that can be used for years to come and by funding a life-saving piece of medical equipment at Sheffield Children’s Hospital from the Herd auction at the end of the trail.
Showcase our city – celebrating Sheffield’s heritage and cementing our status as a vibrant and culturally exciting city through this world-class initiative.
The Herd of Sheffield Farewell Weekend was held on 14-16 October and was your chance to say a last goodbye to all 58 large elephant sculptures as they gather in one place for a final send-off at Meadowhall.
This special event gave visitors a chance to see the entire herd in all its glory – from the signed Arctic Monkeys’ ‘AM’ elephant, right through to ‘SnookHerd’, autographed by a host of international snooker players including current world champion Mark Selby.
Please note that the Little Herd elephants will not be on display as they will be returned to their school for pupils to enjoy.
Meadowhall, along with its joint owners, British Land are very proud to be supporting The Children’s Hospital Charity as host sponsors for the Herd of Sheffield Farewell Weekend.
Auction: Hundreds of elephant enthusiasts gathered at the Crucible on 20 October for the Herd of Sheffield Auction, which raised a total of £410,600 for The Children’s Hospital Charity.
Dear customers , Welcome to our store ,but please kindly notice below: 1.if the order amount is less than $5, you can not track your order in your country ,we ship out via China Post Ordinary Small Packet ,But and you only can track it in China( means that we sent already ) , ...
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Bernard Marr is a bestselling author, keynote speaker, strategic performance consultant, and analytics, KPI & Big Data guru.
He helps companies to better manage, measure, report and analyse performance. His leading-edge work with major companies, organisations and governments across the globe makes him an acclaimed and award-winning keynote speaker, researcher, consultant and teacher. Bernard is acknowledged by the CEO Journal as one of today's leading business brains.
He has written a number of seminal books and over 200 high profile reports and articles on enterprise performance. This includes the best-sellers 'Key Performance Indicators', 'The Intelligent Company', 'More with Less', 'Managing and Delivering Performance' and 'Strategic Performance Management', a number of Gartner Reports and the world's largest research studies on the topic. His expert comments regularly feature in high-profile publications including The Times, The Financial Times, Financial Management, the CFO Magazine and the Wall Street Journal.
He has worked with and advised many of the world's best-known organisations including Accenture, Astra Zeneca, Bank of England, Barclays, BP, DHL, Fujitsu, Gartner, HSBC, Mars, Ministry of Defence, Microsoft, Oracle, The Home Office, NHS, Orange, Tetley, T-Mobile, Toyota, Royal Air Force, SAP and Shell, among many others.
He currently focuses on helping clients to:
- create strategic performance frameworks
- develop relevant and meaningful KPIs and metrics
- develop business analytics and 'big data' strategies
- develop management dashboards and reporting solutions
- train and coach teams to become 'high performance organisations'
- align people management practices with strategic performance objectives
- understand the emerging trends of big data analytics
His engagements range from executive awareness and training sessions to the design and implementation of corporate performance management and reporting approaches. Bernard can be contacted at bernard.marr@ap-institute.com
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Sonic the Hedgehog is a video game series and media franchise created by the Japanese developers Yuji Naka, Naoto Ohshima, and Hirokazu Yasuhara for Sega. The franchise follows Sonic, an anthropomorphic blue hedgehog who battles the evil Doctor Eggman, a mad scientist. The main Sonic the Hedgehog games are platformers mostly developed by Sonic Team; other games, developed by various studios, include spin-offs in the racing, fighting, party and sports genres. The franchise also incorporates printed media, animations, feature films, and merchandise.
Naka, Ohshima, and Yasuhara developed the first Sonic game, released in 1991 for the Sega Genesis, to provide Sega with a mascot to compete with Nintendo's Mario. Its success helped Sega become one of the leading video game companies during the fourth generation of video game consoles in the early 1990s. Sega Technical Institute developed the next three Sonic games, plus the spin-off Sonic Spinball (1993). A number of Sonic games were also developed for Sega's 8-bit consoles, the Master System and Game Gear. After a hiatus during the unsuccessful Saturn era, the first major 3D Sonic game, Sonic Adventure, was released in 1998 for the Dreamcast. Sega exited the console market and shifted to third-party development in 2001, continuing the series on Nintendo, Xbox, and PlayStation systems. Takashi Iizuka has been the series' producer since 2010.
While Sonic games often have unique game mechanics and stories, they feature recurring elements such as the ring-based health system, level locales, and fast-paced gameplay. Games typically feature Sonic setting out to stop Eggman's schemes for world domination, and the player navigates levels that include springs, slopes, bottomless pits, and vertical loops. Later games added a large cast of characters; some, such as Miles "Tails" Prower, Knuckles the Echidna, and Shadow the Hedgehog, have starred in spin-offs. The franchise has crossed over with other video game franchises in games such as Mario & Sonic, Sega All-Stars, and Super Smash Bros.
Sonic the Hedgehog is Sega's flagship franchise and one of the bestselling video game franchises, selling over 140 million units by 2016 and grossing over $5 billion as of 2014. Series sales and free-to-play mobile game downloads totaled 1.6 billion as of 2023. The Genesis Sonic games have been described as representative of the culture of the 1990s and listed among the greatest of all time. Although later games, notably the 2006 game, received poorer reviews, Sonic is influential in the video game industry and is frequently referenced in popular culture. The franchise is known for its fandom that produces unofficial media, such as fan art and fangames.
Graffiti (plural; singular graffiti or graffito, the latter rarely used except in archeology) is art that is written, painted or drawn on a wall or other surface, usually without permission and within public view. Graffiti ranges from simple written words to elaborate wall paintings, and has existed since ancient times, with examples dating back to ancient Egypt, ancient Greece, and the Roman Empire (see also mural).
Graffiti is a controversial subject. In most countries, marking or painting property without permission is considered by property owners and civic authorities as defacement and vandalism, which is a punishable crime, citing the use of graffiti by street gangs to mark territory or to serve as an indicator of gang-related activities. Graffiti has become visualized as a growing urban "problem" for many cities in industrialized nations, spreading from the New York City subway system and Philadelphia in the early 1970s to the rest of the United States and Europe and other world regions
"Graffiti" (usually both singular and plural) and the rare singular form "graffito" are from the Italian word graffiato ("scratched"). The term "graffiti" is used in art history for works of art produced by scratching a design into a surface. A related term is "sgraffito", which involves scratching through one layer of pigment to reveal another beneath it. This technique was primarily used by potters who would glaze their wares and then scratch a design into them. In ancient times graffiti were carved on walls with a sharp object, although sometimes chalk or coal were used. The word originates from Greek γράφειν—graphein—meaning "to write".
The term graffiti originally referred to the inscriptions, figure drawings, and such, found on the walls of ancient sepulchres or ruins, as in the Catacombs of Rome or at Pompeii. Historically, these writings were not considered vanadlism, which today is considered part of the definition of graffiti.
The only known source of the Safaitic language, an ancient form of Arabic, is from graffiti: inscriptions scratched on to the surface of rocks and boulders in the predominantly basalt desert of southern Syria, eastern Jordan and northern Saudi Arabia. Safaitic dates from the first century BC to the fourth century AD.
Some of the oldest cave paintings in the world are 40,000 year old ones found in Australia. The oldest written graffiti was found in ancient Rome around 2500 years ago. Most graffiti from the time was boasts about sexual experiences Graffiti in Ancient Rome was a form of communication, and was not considered vandalism.
Ancient tourists visiting the 5th-century citadel at Sigiriya in Sri Lanka write their names and commentary over the "mirror wall", adding up to over 1800 individual graffiti produced there between the 6th and 18th centuries. Most of the graffiti refer to the frescoes of semi-nude females found there. One reads:
Wet with cool dew drops
fragrant with perfume from the flowers
came the gentle breeze
jasmine and water lily
dance in the spring sunshine
side-long glances
of the golden-hued ladies
stab into my thoughts
heaven itself cannot take my mind
as it has been captivated by one lass
among the five hundred I have seen here.
Among the ancient political graffiti examples were Arab satirist poems. Yazid al-Himyari, an Umayyad Arab and Persian poet, was most known for writing his political poetry on the walls between Sajistan and Basra, manifesting a strong hatred towards the Umayyad regime and its walis, and people used to read and circulate them very widely.
Graffiti, known as Tacherons, were frequently scratched on Romanesque Scandinavian church walls. When Renaissance artists such as Pinturicchio, Raphael, Michelangelo, Ghirlandaio, or Filippino Lippi descended into the ruins of Nero's Domus Aurea, they carved or painted their names and returned to initiate the grottesche style of decoration.
There are also examples of graffiti occurring in American history, such as Independence Rock, a national landmark along the Oregon Trail.
Later, French soldiers carved their names on monuments during the Napoleonic campaign of Egypt in the 1790s. Lord Byron's survives on one of the columns of the Temple of Poseidon at Cape Sounion in Attica, Greece.
The oldest known example of graffiti "monikers" found on traincars created by hobos and railworkers since the late 1800s. The Bozo Texino monikers were documented by filmmaker Bill Daniel in his 2005 film, Who is Bozo Texino?.
In World War II, an inscription on a wall at the fortress of Verdun was seen as an illustration of the US response twice in a generation to the wrongs of the Old World:
During World War II and for decades after, the phrase "Kilroy was here" with an accompanying illustration was widespread throughout the world, due to its use by American troops and ultimately filtering into American popular culture. Shortly after the death of Charlie Parker (nicknamed "Yardbird" or "Bird"), graffiti began appearing around New York with the words "Bird Lives".
Modern graffiti art has its origins with young people in 1960s and 70s in New York City and Philadelphia. Tags were the first form of stylised contemporary graffiti. Eventually, throw-ups and pieces evolved with the desire to create larger art. Writers used spray paint and other kind of materials to leave tags or to create images on the sides subway trains. and eventually moved into the city after the NYC metro began to buy new trains and paint over graffiti.
While the art had many advocates and appreciators—including the cultural critic Norman Mailer—others, including New York City mayor Ed Koch, considered it to be defacement of public property, and saw it as a form of public blight. The ‘taggers’ called what they did ‘writing’—though an important 1974 essay by Mailer referred to it using the term ‘graffiti.’
Contemporary graffiti style has been heavily influenced by hip hop culture and the myriad international styles derived from Philadelphia and New York City Subway graffiti; however, there are many other traditions of notable graffiti in the twentieth century. Graffiti have long appeared on building walls, in latrines, railroad boxcars, subways, and bridges.
An early graffito outside of New York or Philadelphia was the inscription in London reading "Clapton is God" in reference to the guitarist Eric Clapton. Creating the cult of the guitar hero, the phrase was spray-painted by an admirer on a wall in an Islington, north London in the autumn of 1967. The graffito was captured in a photograph, in which a dog is urinating on the wall.
Films like Style Wars in the 80s depicting famous writers such as Skeme, Dondi, MinOne, and ZEPHYR reinforced graffiti's role within New York's emerging hip-hop culture. Although many officers of the New York City Police Department found this film to be controversial, Style Wars is still recognized as the most prolific film representation of what was going on within the young hip hop culture of the early 1980s. Fab 5 Freddy and Futura 2000 took hip hop graffiti to Paris and London as part of the New York City Rap Tour in 1983
Commercialization and entrance into mainstream pop culture
Main article: Commercial graffiti
With the popularity and legitimization of graffiti has come a level of commercialization. In 2001, computer giant IBM launched an advertising campaign in Chicago and San Francisco which involved people spray painting on sidewalks a peace symbol, a heart, and a penguin (Linux mascot), to represent "Peace, Love, and Linux." IBM paid Chicago and San Francisco collectively US$120,000 for punitive damages and clean-up costs.
In 2005, a similar ad campaign was launched by Sony and executed by its advertising agency in New York, Chicago, Atlanta, Philadelphia, Los Angeles, and Miami, to market its handheld PSP gaming system. In this campaign, taking notice of the legal problems of the IBM campaign, Sony paid building owners for the rights to paint on their buildings "a collection of dizzy-eyed urban kids playing with the PSP as if it were a skateboard, a paddle, or a rocking horse".
Tristan Manco wrote that Brazil "boasts a unique and particularly rich, graffiti scene ... [earning] it an international reputation as the place to go for artistic inspiration". Graffiti "flourishes in every conceivable space in Brazil's cities". Artistic parallels "are often drawn between the energy of São Paulo today and 1970s New York". The "sprawling metropolis", of São Paulo has "become the new shrine to graffiti"; Manco alludes to "poverty and unemployment ... [and] the epic struggles and conditions of the country's marginalised peoples", and to "Brazil's chronic poverty", as the main engines that "have fuelled a vibrant graffiti culture". In world terms, Brazil has "one of the most uneven distributions of income. Laws and taxes change frequently". Such factors, Manco argues, contribute to a very fluid society, riven with those economic divisions and social tensions that underpin and feed the "folkloric vandalism and an urban sport for the disenfranchised", that is South American graffiti art.
Prominent Brazilian writers include Os Gêmeos, Boleta, Nunca, Nina, Speto, Tikka, and T.Freak. Their artistic success and involvement in commercial design ventures has highlighted divisions within the Brazilian graffiti community between adherents of the cruder transgressive form of pichação and the more conventionally artistic values of the practitioners of grafite.
Graffiti in the Middle East has emerged slowly, with taggers operating in Egypt, Lebanon, the Gulf countries like Bahrain or the United Arab Emirates, Israel, and in Iran. The major Iranian newspaper Hamshahri has published two articles on illegal writers in the city with photographic coverage of Iranian artist A1one's works on Tehran walls. Tokyo-based design magazine, PingMag, has interviewed A1one and featured photographs of his work. The Israeli West Bank barrier has become a site for graffiti, reminiscent in this sense of the Berlin Wall. Many writers in Israel come from other places around the globe, such as JUIF from Los Angeles and DEVIONE from London. The religious reference "נ נח נחמ נחמן מאומן" ("Na Nach Nachma Nachman Meuman") is commonly seen in graffiti around Israel.
Graffiti has played an important role within the street art scene in the Middle East and North Africa (MENA), especially following the events of the Arab Spring of 2011 or the Sudanese Revolution of 2018/19. Graffiti is a tool of expression in the context of conflict in the region, allowing people to raise their voices politically and socially. Famous street artist Banksy has had an important effect in the street art scene in the MENA area, especially in Palestine where some of his works are located in the West Bank barrier and Bethlehem.
There are also a large number of graffiti influences in Southeast Asian countries that mostly come from modern Western culture, such as Malaysia, where graffiti have long been a common sight in Malaysia's capital city, Kuala Lumpur. Since 2010, the country has begun hosting a street festival to encourage all generations and people from all walks of life to enjoy and encourage Malaysian street culture.
The modern-day graffitists can be found with an arsenal of various materials that allow for a successful production of a piece. This includes such techniques as scribing. However, spray paint in aerosol cans is the number one medium for graffiti. From this commodity comes different styles, technique, and abilities to form master works of graffiti. Spray paint can be found at hardware and art stores and comes in virtually every color.
Stencil graffiti is created by cutting out shapes and designs in a stiff material (such as cardboard or subject folders) to form an overall design or image. The stencil is then placed on the "canvas" gently and with quick, easy strokes of the aerosol can, the image begins to appear on the intended surface.
Some of the first examples were created in 1981 by artists Blek le Rat in Paris, in 1982 by Jef Aerosol in Tours (France); by 1985 stencils had appeared in other cities including New York City, Sydney, and Melbourne, where they were documented by American photographer Charles Gatewood and Australian photographer Rennie Ellis
Tagging is the practice of someone spray-painting "their name, initial or logo onto a public surface" in a handstyle unique to the writer. Tags were the first form of modern graffiti.
Modern graffiti art often incorporates additional arts and technologies. For example, Graffiti Research Lab has encouraged the use of projected images and magnetic light-emitting diodes (throwies) as new media for graffitists. yarnbombing is another recent form of graffiti. Yarnbombers occasionally target previous graffiti for modification, which had been avoided among the majority of graffitists.
Theories on the use of graffiti by avant-garde artists have a history dating back at least to the Asger Jorn, who in 1962 painting declared in a graffiti-like gesture "the avant-garde won't give up"
Many contemporary analysts and even art critics have begun to see artistic value in some graffiti and to recognize it as a form of public art. According to many art researchers, particularly in the Netherlands and in Los Angeles, that type of public art is, in fact an effective tool of social emancipation or, in the achievement of a political goal
In times of conflict, such murals have offered a means of communication and self-expression for members of these socially, ethnically, or racially divided communities, and have proven themselves as effective tools in establishing dialog and thus, of addressing cleavages in the long run. The Berlin Wall was also extensively covered by graffiti reflecting social pressures relating to the oppressive Soviet rule over the GDR.
Many artists involved with graffiti are also concerned with the similar activity of stenciling. Essentially, this entails stenciling a print of one or more colors using spray-paint. Recognized while exhibiting and publishing several of her coloured stencils and paintings portraying the Sri Lankan Civil War and urban Britain in the early 2000s, graffitists Mathangi Arulpragasam, aka M.I.A., has also become known for integrating her imagery of political violence into her music videos for singles "Galang" and "Bucky Done Gun", and her cover art. Stickers of her artwork also often appear around places such as London in Brick Lane, stuck to lamp posts and street signs, she having become a muse for other graffitists and painters worldwide in cities including Seville.
Graffitist believes that art should be on display for everyone in the public eye or in plain sight, not hidden away in a museum or a gallery. Art should color the streets, not the inside of some building. Graffiti is a form of art that cannot be owned or bought. It does not last forever, it is temporary, yet one of a kind. It is a form of self promotion for the artist that can be displayed anywhere form sidewalks, roofs, subways, building wall, etc. Art to them is for everyone and should be showed to everyone for free.
Graffiti is a way of communicating and a way of expressing what one feels in the moment. It is both art and a functional thing that can warn people of something or inform people of something. However, graffiti is to some people a form of art, but to some a form of vandalism. And many graffitists choose to protect their identities and remain anonymous or to hinder prosecution.
With the commercialization of graffiti (and hip hop in general), in most cases, even with legally painted "graffiti" art, graffitists tend to choose anonymity. This may be attributed to various reasons or a combination of reasons. Graffiti still remains the one of four hip hop elements that is not considered "performance art" despite the image of the "singing and dancing star" that sells hip hop culture to the mainstream. Being a graphic form of art, it might also be said that many graffitists still fall in the category of the introverted archetypal artist.
Banksy is one of the world's most notorious and popular street artists who continues to remain faceless in today's society. He is known for his political, anti-war stencil art mainly in Bristol, England, but his work may be seen anywhere from Los Angeles to Palestine. In the UK, Banksy is the most recognizable icon for this cultural artistic movement and keeps his identity a secret to avoid arrest. Much of Banksy's artwork may be seen around the streets of London and surrounding suburbs, although he has painted pictures throughout the world, including the Middle East, where he has painted on Israel's controversial West Bank barrier with satirical images of life on the other side. One depicted a hole in the wall with an idyllic beach, while another shows a mountain landscape on the other side. A number of exhibitions also have taken place since 2000, and recent works of art have fetched vast sums of money. Banksy's art is a prime example of the classic controversy: vandalism vs. art. Art supporters endorse his work distributed in urban areas as pieces of art and some councils, such as Bristol and Islington, have officially protected them, while officials of other areas have deemed his work to be vandalism and have removed it.
Pixnit is another artist who chooses to keep her identity from the general public. Her work focuses on beauty and design aspects of graffiti as opposed to Banksy's anti-government shock value. Her paintings are often of flower designs above shops and stores in her local urban area of Cambridge, Massachusetts. Some store owners endorse her work and encourage others to do similar work as well. "One of the pieces was left up above Steve's Kitchen, because it looks pretty awesome"- Erin Scott, the manager of New England Comics in Allston, Massachusetts.
Graffiti artists may become offended if photographs of their art are published in a commercial context without their permission. In March 2020, the Finnish graffiti artist Psyke expressed his displeasure at the newspaper Ilta-Sanomat publishing a photograph of a Peugeot 208 in an article about new cars, with his graffiti prominently shown on the background. The artist claims he does not want his art being used in commercial context, not even if he were to receive compensation.
Territorial graffiti marks urban neighborhoods with tags and logos to differentiate certain groups from others. These images are meant to show outsiders a stern look at whose turf is whose. The subject matter of gang-related graffiti consists of cryptic symbols and initials strictly fashioned with unique calligraphies. Gang members use graffiti to designate membership throughout the gang, to differentiate rivals and associates and, most commonly, to mark borders which are both territorial and ideological.
Graffiti has been used as a means of advertising both legally and illegally. Bronx-based TATS CRU has made a name for themselves doing legal advertising campaigns for companies such as Coca-Cola, McDonald's, Toyota, and MTV. In the UK, Covent Garden's Boxfresh used stencil images of a Zapatista revolutionary in the hopes that cross referencing would promote their store.
Smirnoff hired artists to use reverse graffiti (the use of high pressure hoses to clean dirty surfaces to leave a clean image in the surrounding dirt) to increase awareness of their product.
Graffiti often has a reputation as part of a subculture that rebels against authority, although the considerations of the practitioners often diverge and can relate to a wide range of attitudes. It can express a political practice and can form just one tool in an array of resistance techniques. One early example includes the anarcho-punk band Crass, who conducted a campaign of stenciling anti-war, anarchist, feminist, and anti-consumerist messages throughout the London Underground system during the late 1970s and early 1980s. In Amsterdam graffiti was a major part of the punk scene. The city was covered with names such as "De Zoot", "Vendex", and "Dr Rat". To document the graffiti a punk magazine was started that was called Gallery Anus. So when hip hop came to Europe in the early 1980s there was already a vibrant graffiti culture.
The student protests and general strike of May 1968 saw Paris bedecked in revolutionary, anarchistic, and situationist slogans such as L'ennui est contre-révolutionnaire ("Boredom is counterrevolutionary") and Lisez moins, vivez plus ("Read less, live more"). While not exhaustive, the graffiti gave a sense of the 'millenarian' and rebellious spirit, tempered with a good deal of verbal wit, of the strikers.
I think graffiti writing is a way of defining what our generation is like. Excuse the French, we're not a bunch of p---- artists. Traditionally artists have been considered soft and mellow people, a little bit kooky. Maybe we're a little bit more like pirates that way. We defend our territory, whatever space we steal to paint on, we defend it fiercely.
The developments of graffiti art which took place in art galleries and colleges as well as "on the street" or "underground", contributed to the resurfacing in the 1990s of a far more overtly politicized art form in the subvertising, culture jamming, or tactical media movements. These movements or styles tend to classify the artists by their relationship to their social and economic contexts, since, in most countries, graffiti art remains illegal in many forms except when using non-permanent paint. Since the 1990s with the rise of Street Art, a growing number of artists are switching to non-permanent paints and non-traditional forms of painting.
Contemporary practitioners, accordingly, have varied and often conflicting practices. Some individuals, such as Alexander Brener, have used the medium to politicize other art forms, and have used the prison sentences enforced on them as a means of further protest. The practices of anonymous groups and individuals also vary widely, and practitioners by no means always agree with each other's practices. For example, the anti-capitalist art group the Space Hijackers did a piece in 2004 about the contradiction between the capitalistic elements of Banksy and his use of political imagery.
Berlin human rights activist Irmela Mensah-Schramm has received global media attention and numerous awards for her 35-year campaign of effacing neo-Nazi and other right-wing extremist graffiti throughout Germany, often by altering hate speech in humorous ways.
In Serbian capital, Belgrade, the graffiti depicting a uniformed former general of Serb army and war criminal, convicted at ICTY for war crimes and crimes against humanity, including genocide and ethnic cleansing in Bosnian War, Ratko Mladić, appeared in a military salute alongside the words "General, thank to your mother". Aleks Eror, Berlin-based journalist, explains how "veneration of historical and wartime figures" through street art is not a new phenomenon in the region of former Yugoslavia, and that "in most cases is firmly focused on the future, rather than retelling the past". Eror is not only analyst pointing to danger of such an expressions for the region's future. In a long expose on the subject of Bosnian genocide denial, at Balkan Diskurs magazine and multimedia platform website, Kristina Gadže and Taylor Whitsell referred to these experiences as a young generations' "cultural heritage", in which young are being exposed to celebration and affirmation of war-criminals as part of their "formal education" and "inheritance".
There are numerous examples of genocide denial through celebration and affirmation of war criminals throughout the region of Western Balkans inhabited by Serbs using this form of artistic expression. Several more of these graffiti are found in Serbian capital, and many more across Serbia and Bosnian and Herzegovinian administrative entity, Republika Srpska, which is the ethnic Serbian majority enclave. Critics point that Serbia as a state, is willing to defend the mural of convicted war criminal, and have no intention to react on cases of genocide denial, noting that Interior Minister of Serbia, Aleksandar Vulin decision to ban any gathering with an intent to remove the mural, with the deployment of riot police, sends the message of "tacit endorsement". Consequently, on 9 November 2021, Serbian heavy police in riot gear, with graffiti creators and their supporters, blocked the access to the mural to prevent human rights groups and other activists to paint over it and mark the International Day Against Fascism and Antisemitism in that way, and even arrested two civic activist for throwing eggs at the graffiti.
Graffiti may also be used as an offensive expression. This form of graffiti may be difficult to identify, as it is mostly removed by the local authority (as councils which have adopted strategies of criminalization also strive to remove graffiti quickly). Therefore, existing racist graffiti is mostly more subtle and at first sight, not easily recognized as "racist". It can then be understood only if one knows the relevant "local code" (social, historical, political, temporal, and spatial), which is seen as heteroglot and thus a 'unique set of conditions' in a cultural context.
A spatial code for example, could be that there is a certain youth group in an area that is engaging heavily in racist activities. So, for residents (knowing the local code), a graffiti containing only the name or abbreviation of this gang already is a racist expression, reminding the offended people of their gang activities. Also a graffiti is in most cases, the herald of more serious criminal activity to come. A person who does not know these gang activities would not be able to recognize the meaning of this graffiti. Also if a tag of this youth group or gang is placed on a building occupied by asylum seekers, for example, its racist character is even stronger.
By making the graffiti less explicit (as adapted to social and legal constraints), these drawings are less likely to be removed, but do not lose their threatening and offensive character.
Elsewhere, activists in Russia have used painted caricatures of local officials with their mouths as potholes, to show their anger about the poor state of the roads. In Manchester, England, a graffitists painted obscene images around potholes, which often resulted in them being repaired within 48 hours.
In the early 1980s, the first art galleries to show graffitists to the public were Fashion Moda in the Bronx, Now Gallery and Fun Gallery, both in the East Village, Manhattan.
A 2006 exhibition at the Brooklyn Museum displayed graffiti as an art form that began in New York's outer boroughs and reached great heights in the early 1980s with the work of Crash, Lee, Daze, Keith Haring, and Jean-Michel Basquiat. It displayed 22 works by New York graffitists, including Crash, Daze, and Lady Pink. In an article about the exhibition in the magazine Time Out, curator Charlotta Kotik said that she hoped the exhibition would cause viewers to rethink their assumptions about graffiti.
From the 1970s onwards, Burhan Doğançay photographed urban walls all over the world; these he then archived for use as sources of inspiration for his painterly works. The project today known as "Walls of the World" grew beyond even his own expectations and comprises about 30,000 individual images. It spans a period of 40 years across five continents and 114 countries. In 1982, photographs from this project comprised a one-man exhibition titled "Les murs murmurent, ils crient, ils chantent ..." (The walls whisper, shout and sing ...) at the Centre Georges Pompidou in Paris.
In Australia, art historians have judged some local graffiti of sufficient creative merit to rank them firmly within the arts. Oxford University Press's art history text Australian Painting 1788–2000 concludes with a long discussion of graffiti's key place within contemporary visual culture, including the work of several Australian practitioners.
Between March and April 2009, 150 artists exhibited 300 pieces of graffiti at the Grand Palais in Paris.
Spray paint has many negative environmental effects. The paint contains toxic chemicals, and the can uses volatile hydrocarbon gases to spray the paint onto a surface.
Volatile organic compound (VOC) leads to ground level ozone formation and most of graffiti related emissions are VOCs. A 2010 paper estimates 4,862 tons of VOCs were released in the United States in activities related to graffiti.
In China, Mao Zedong in the 1920s used revolutionary slogans and paintings in public places to galvanize the country's communist movement.
Based on different national conditions, many people believe that China's attitude towards Graffiti is fierce, but in fact, according to Lance Crayon in his film Spray Paint Beijing: Graffiti in the Capital of China, Graffiti is generally accepted in Beijing, with artists not seeing much police interference. Political and religiously sensitive graffiti, however, is not allowed.
In Hong Kong, Tsang Tsou Choi was known as the King of Kowloon for his calligraphy graffiti over many years, in which he claimed ownership of the area. Now some of his work is preserved officially.
In Taiwan, the government has made some concessions to graffitists. Since 2005 they have been allowed to freely display their work along some sections of riverside retaining walls in designated "Graffiti Zones". From 2007, Taipei's department of cultural affairs also began permitting graffiti on fences around major public construction sites. Department head Yong-ping Lee (李永萍) stated, "We will promote graffiti starting with the public sector, and then later in the private sector too. It's our goal to beautify the city with graffiti". The government later helped organize a graffiti contest in Ximending, a popular shopping district. graffitists caught working outside of these designated areas still face fines up to NT$6,000 under a department of environmental protection regulation. However, Taiwanese authorities can be relatively lenient, one veteran police officer stating anonymously, "Unless someone complains about vandalism, we won't get involved. We don't go after it proactively."
In 1993, after several expensive cars in Singapore were spray-painted, the police arrested a student from the Singapore American School, Michael P. Fay, questioned him, and subsequently charged him with vandalism. Fay pleaded guilty to vandalizing a car in addition to stealing road signs. Under the 1966 Vandalism Act of Singapore, originally passed to curb the spread of communist graffiti in Singapore, the court sentenced him to four months in jail, a fine of S$3,500 (US$2,233), and a caning. The New York Times ran several editorials and op-eds that condemned the punishment and called on the American public to flood the Singaporean embassy with protests. Although the Singapore government received many calls for clemency, Fay's caning took place in Singapore on 5 May 1994. Fay had originally received a sentence of six strokes of the cane, but the presiding president of Singapore, Ong Teng Cheong, agreed to reduce his caning sentence to four lashes.
In South Korea, Park Jung-soo was fined two million South Korean won by the Seoul Central District Court for spray-painting a rat on posters of the G-20 Summit a few days before the event in November 2011. Park alleged that the initial in "G-20" sounds like the Korean word for "rat", but Korean government prosecutors alleged that Park was making a derogatory statement about the president of South Korea, Lee Myung-bak, the host of the summit. This case led to public outcry and debate on the lack of government tolerance and in support of freedom of expression. The court ruled that the painting, "an ominous creature like a rat" amounts to "an organized criminal activity" and upheld the fine while denying the prosecution's request for imprisonment for Park.
In Europe, community cleaning squads have responded to graffiti, in some cases with reckless abandon, as when in 1992 in France a local Scout group, attempting to remove modern graffiti, damaged two prehistoric paintings of bison in the Cave of Mayrière supérieure near the French village of Bruniquel in Tarn-et-Garonne, earning them the 1992 Ig Nobel Prize in archeology.
In September 2006, the European Parliament directed the European Commission to create urban environment policies to prevent and eliminate dirt, litter, graffiti, animal excrement, and excessive noise from domestic and vehicular music systems in European cities, along with other concerns over urban life.
In Budapest, Hungary, both a city-backed movement called I Love Budapest and a special police division tackle the problem, including the provision of approved areas.
The Anti-social Behaviour Act 2003 became Britain's latest anti-graffiti legislation. In August 2004, the Keep Britain Tidy campaign issued a press release calling for zero tolerance of graffiti and supporting proposals such as issuing "on the spot" fines to graffiti offenders and banning the sale of aerosol paint to anyone under the age of 16. The press release also condemned the use of graffiti images in advertising and in music videos, arguing that real-world experience of graffiti stood far removed from its often-portrayed "cool" or "edgy'" image.
To back the campaign, 123 Members of Parliament (MPs) (including then Prime Minister Tony Blair), signed a charter which stated: "Graffiti is not art, it's crime. On behalf of my constituents, I will do all I can to rid our community of this problem."
In the UK, city councils have the power to take action against the owner of any property that has been defaced under the Anti-social Behaviour Act 2003 (as amended by the Clean Neighbourhoods and Environment Act 2005) or, in certain cases, the Highways Act. This is often used against owners of property that are complacent in allowing protective boards to be defaced so long as the property is not damaged.
In July 2008, a conspiracy charge was used to convict graffitists for the first time. After a three-month police surveillance operation, nine members of the DPM crew were convicted of conspiracy to commit criminal damage costing at least £1 million. Five of them received prison sentences, ranging from eighteen months to two years. The unprecedented scale of the investigation and the severity of the sentences rekindled public debate over whether graffiti should be considered art or crime.
Some councils, like those of Stroud and Loerrach, provide approved areas in the town where graffitists can showcase their talents, including underpasses, car parks, and walls that might otherwise prove a target for the "spray and run".
Graffiti Tunnel, University of Sydney at Camperdown (2009)
In an effort to reduce vandalism, many cities in Australia have designated walls or areas exclusively for use by graffitists. One early example is the "Graffiti Tunnel" located at the Camperdown Campus of the University of Sydney, which is available for use by any student at the university to tag, advertise, poster, and paint. Advocates of this idea suggest that this discourages petty vandalism yet encourages artists to take their time and produce great art, without worry of being caught or arrested for vandalism or trespassing.[108][109] Others disagree with this approach, arguing that the presence of legal graffiti walls does not demonstrably reduce illegal graffiti elsewhere. Some local government areas throughout Australia have introduced "anti-graffiti squads", who clean graffiti in the area, and such crews as BCW (Buffers Can't Win) have taken steps to keep one step ahead of local graffiti cleaners.
Many state governments have banned the sale or possession of spray paint to those under the age of 18 (age of majority). However, a number of local governments in Victoria have taken steps to recognize the cultural heritage value of some examples of graffiti, such as prominent political graffiti. Tough new graffiti laws have been introduced in Australia with fines of up to A$26,000 and two years in prison.
Melbourne is a prominent graffiti city of Australia with many of its lanes being tourist attractions, such as Hosier Lane in particular, a popular destination for photographers, wedding photography, and backdrops for corporate print advertising. The Lonely Planet travel guide cites Melbourne's street as a major attraction. All forms of graffiti, including sticker art, poster, stencil art, and wheatpasting, can be found in many places throughout the city. Prominent street art precincts include; Fitzroy, Collingwood, Northcote, Brunswick, St. Kilda, and the CBD, where stencil and sticker art is prominent. As one moves farther away from the city, mostly along suburban train lines, graffiti tags become more prominent. Many international artists such as Banksy have left their work in Melbourne and in early 2008 a perspex screen was installed to prevent a Banksy stencil art piece from being destroyed, it has survived since 2003 through the respect of local street artists avoiding posting over it, although it has recently had paint tipped over it.
In February 2008 Helen Clark, the New Zealand prime minister at that time, announced a government crackdown on tagging and other forms of graffiti vandalism, describing it as a destructive crime representing an invasion of public and private property. New legislation subsequently adopted included a ban on the sale of paint spray cans to persons under 18 and increases in maximum fines for the offence from NZ$200 to NZ$2,000 or extended community service. The issue of tagging become a widely debated one following an incident in Auckland during January 2008 in which a middle-aged property owner stabbed one of two teenage taggers to death and was subsequently convicted of manslaughter.
Graffiti databases have increased in the past decade because they allow vandalism incidents to be fully documented against an offender and help the police and prosecution charge and prosecute offenders for multiple counts of vandalism. They also provide law enforcement the ability to rapidly search for an offender's moniker or tag in a simple, effective, and comprehensive way. These systems can also help track costs of damage to a city to help allocate an anti-graffiti budget. The theory is that when an offender is caught putting up graffiti, they are not just charged with one count of vandalism; they can be held accountable for all the other damage for which they are responsible. This has two main benefits for law enforcement. One, it sends a signal to the offenders that their vandalism is being tracked. Two, a city can seek restitution from offenders for all the damage that they have committed, not merely a single incident. These systems give law enforcement personnel real-time, street-level intelligence that allows them not only to focus on the worst graffiti offenders and their damage, but also to monitor potential gang violence that is associated with the graffiti.
Many restrictions of civil gang injunctions are designed to help address and protect the physical environment and limit graffiti. Provisions of gang injunctions include things such as restricting the possession of marker pens, spray paint cans, or other sharp objects capable of defacing private or public property; spray painting, or marking with marker pens, scratching, applying stickers, or otherwise applying graffiti on any public or private property, including, but not limited to the street, alley, residences, block walls, and fences, vehicles or any other real or personal property. Some injunctions contain wording that restricts damaging or vandalizing both public and private property, including but not limited to any vehicle, light fixture, door, fence, wall, gate, window, building, street sign, utility box, telephone box, tree, or power pole.
To help address many of these issues, many local jurisdictions have set up graffiti abatement hotlines, where citizens can call in and report vandalism and have it removed. San Diego's hotline receives more than 5,000 calls per year, in addition to reporting the graffiti, callers can learn more about prevention. One of the complaints about these hotlines is the response time; there is often a lag time between a property owner calling about the graffiti and its removal. The length of delay should be a consideration for any jurisdiction planning on operating a hotline. Local jurisdictions must convince the callers that their complaint of vandalism will be a priority and cleaned off right away. If the jurisdiction does not have the resources to respond to complaints in a timely manner, the value of the hotline diminishes. Crews must be able to respond to individual service calls made to the graffiti hotline as well as focus on cleanup near schools, parks, and major intersections and transit routes to have the biggest impact. Some cities offer a reward for information leading to the arrest and prosecution of suspects for tagging or graffiti related vandalism. The amount of the reward is based on the information provided, and the action taken.
When police obtain search warrants in connection with a vandalism investigation, they are often seeking judicial approval to look for items such as cans of spray paint and nozzles from other kinds of aerosol sprays; etching tools, or other sharp or pointed objects, which could be used to etch or scratch glass and other hard surfaces; permanent marking pens, markers, or paint sticks; evidence of membership or affiliation with any gang or tagging crew; paraphernalia including any reference to "(tagger's name)"; any drawings, writing, objects, or graffiti depicting taggers' names, initials, logos, monikers, slogans, or any mention of tagging crew membership; and any newspaper clippings relating to graffiti crime.
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Bernard Marr is a bestselling author, keynote speaker, strategic performance consultant, and analytics, KPI & Big Data guru.
He helps companies to better manage, measure, report and analyse performance. His leading-edge work with major companies, organisations and governments across the globe makes him an acclaimed and award-winning keynote speaker, researcher, consultant and teacher. Bernard is acknowledged by the CEO Journal as one of today's leading business brains.
He has written a number of seminal books and over 200 high profile reports and articles on enterprise performance. This includes the best-sellers 'Key Performance Indicators', 'The Intelligent Company', 'More with Less', 'Managing and Delivering Performance' and 'Strategic Performance Management', a number of Gartner Reports and the world's largest research studies on the topic. His expert comments regularly feature in high-profile publications including The Times, The Financial Times, Financial Management, the CFO Magazine and the Wall Street Journal.
He has worked with and advised many of the world's best-known organisations including Accenture, Astra Zeneca, Bank of England, Barclays, BP, DHL, Fujitsu, Gartner, HSBC, Mars, Ministry of Defence, Microsoft, Oracle, The Home Office, NHS, Orange, Tetley, T-Mobile, Toyota, Royal Air Force, SAP and Shell, among many others.
He currently focuses on helping clients to:
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Bernard Marr is a bestselling author, keynote speaker, strategic performance consultant, and analytics, KPI & Big Data guru.
He helps companies to better manage, measure, report and analyse performance. His leading-edge work with major companies, organisations and governments across the globe makes him an acclaimed and award-winning keynote speaker, researcher, consultant and teacher. Bernard is acknowledged by the CEO Journal as one of today's leading business brains.
He has written a number of seminal books and over 200 high profile reports and articles on enterprise performance. This includes the best-sellers 'Key Performance Indicators', 'The Intelligent Company', 'More with Less', 'Managing and Delivering Performance' and 'Strategic Performance Management', a number of Gartner Reports and the world's largest research studies on the topic. His expert comments regularly feature in high-profile publications including The Times, The Financial Times, Financial Management, the CFO Magazine and the Wall Street Journal.
He has worked with and advised many of the world's best-known organisations including Accenture, Astra Zeneca, Bank of England, Barclays, BP, DHL, Fujitsu, Gartner, HSBC, Mars, Ministry of Defence, Microsoft, Oracle, The Home Office, NHS, Orange, Tetley, T-Mobile, Toyota, Royal Air Force, SAP and Shell, among many others.
He currently focuses on helping clients to:
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- develop relevant and meaningful KPIs and metrics
- develop business analytics and 'big data' strategies
- develop management dashboards and reporting solutions
- train and coach teams to become 'high performance organisations'
- align people management practices with strategic performance objectives
- understand the emerging trends of big data analytics
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Bernard Marr is a bestselling author, keynote speaker, strategic performance consultant, and analytics, KPI & Big Data guru.
He helps companies to better manage, measure, report and analyse performance. His leading-edge work with major companies, organisations and governments across the globe makes him an acclaimed and award-winning keynote speaker, researcher, consultant and teacher. Bernard is acknowledged by the CEO Journal as one of today's leading business brains.
He has written a number of seminal books and over 200 high profile reports and articles on enterprise performance. This includes the best-sellers 'Key Performance Indicators', 'The Intelligent Company', 'More with Less', 'Managing and Delivering Performance' and 'Strategic Performance Management', a number of Gartner Reports and the world's largest research studies on the topic. His expert comments regularly feature in high-profile publications including The Times, The Financial Times, Financial Management, the CFO Magazine and the Wall Street Journal.
He has worked with and advised many of the world's best-known organisations including Accenture, Astra Zeneca, Bank of England, Barclays, BP, DHL, Fujitsu, Gartner, HSBC, Mars, Ministry of Defence, Microsoft, Oracle, The Home Office, NHS, Orange, Tetley, T-Mobile, Toyota, Royal Air Force, SAP and Shell, among many others.
He currently focuses on helping clients to:
- create strategic performance frameworks
- develop relevant and meaningful KPIs and metrics
- develop business analytics and 'big data' strategies
- develop management dashboards and reporting solutions
- train and coach teams to become 'high performance organisations'
- align people management practices with strategic performance objectives
- understand the emerging trends of big data analytics
His engagements range from executive awareness and training sessions to the design and implementation of corporate performance management and reporting approaches. Bernard can be contacted at bernard.marr@ap-institute.com
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„Leïla Slimani gilt als eine der wichtigsten literarischen Stimmen Frankreichs. 1981 in Rabat geboren, wuchs sie in Marokko auf und studierte an der Pariser Eliteuniversität Sciences Po. Ihre Bücher sind internationale Bestseller. Für den Roman ‚Dann schlaf auch du‘ wurde ihr der renommierte Prix Goncourt zuerkannt. Im Kaufleuten präsentiert die französisch-marokkanische Autorin ihren preisgekrönten Debüt-Roman ‚All das zu verlieren‘: Das Buch handelt von der Zerrissenheit einer Frau, die alles aufs Spiel setzt. Ausserdem wird Leïla Slimani auch aus ihrem neuen gefeierten Roman und Nr.1-Bestseller "Das Land der Anderen" lesen.
«Niemand schreibt interessanter über die Abgründe unserer Zeit als die Goncourt-Preisträgerin Leila Slimani. In ihrem Roman All das zu verlieren revolutioniert sie das weibliche Schreiben über Sexualität.» (Die Welt).
Moderation: Gesa Schneider (Leiterin Literaturhaus Zürich)
Deutsche Stimme: Thomas Sarbacher“
Bernard Marr is a bestselling author, keynote speaker, strategic performance consultant, and analytics, KPI & Big Data guru.
He helps companies to better manage, measure, report and analyse performance. His leading-edge work with major companies, organisations and governments across the globe makes him an acclaimed and award-winning keynote speaker, researcher, consultant and teacher. Bernard is acknowledged by the CEO Journal as one of today's leading business brains.
He has written a number of seminal books and over 200 high profile reports and articles on enterprise performance. This includes the best-sellers 'Key Performance Indicators', 'The Intelligent Company', 'More with Less', 'Managing and Delivering Performance' and 'Strategic Performance Management', a number of Gartner Reports and the world's largest research studies on the topic. His expert comments regularly feature in high-profile publications including The Times, The Financial Times, Financial Management, the CFO Magazine and the Wall Street Journal.
He has worked with and advised many of the world's best-known organisations including Accenture, Astra Zeneca, Bank of England, Barclays, BP, DHL, Fujitsu, Gartner, HSBC, Mars, Ministry of Defence, Microsoft, Oracle, The Home Office, NHS, Orange, Tetley, T-Mobile, Toyota, Royal Air Force, SAP and Shell, among many others.
He currently focuses on helping clients to:
- create strategic performance frameworks
- develop relevant and meaningful KPIs and metrics
- develop business analytics and 'big data' strategies
- develop management dashboards and reporting solutions
- train and coach teams to become 'high performance organisations'
- align people management practices with strategic performance objectives
- understand the emerging trends of big data analytics
His engagements range from executive awareness and training sessions to the design and implementation of corporate performance management and reporting approaches. Bernard can be contacted at bernard.marr@ap-institute.com
BOOKS BY BERNARD MARR amzn.to/2dqqCbT
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Sam Roberts (born October 2, 1974) is a Juno Award winning Canadian rock singer-songwriter, whose 2001 debut release, The Inhuman Condition, became one of the bestselling independent releases in Quebec and Canadian music history.
Western-Bestseller / Heft-Reihe
G. F. Unger / Pferdediebe
cover: ?
Bastei-Verlag
(Bergisch Gladbach / Deutschland; seit 1972)
ex libris MTP
Randi Zuckerberg, New York Times bestselling author, ‘Dot Complicated’ host and Founder/CEO of Zuckerberg Media, Molly Hayward, Founder and CEO at Cora, Binta Niambi Brown Co-Founder and CEO and a Cofounder of Fermata Entertainment and Nicole Lapin, Financial Journalist and Author of Rich Bitch present Taking Taboo Topics Social (Moderated by Randi Zuckerberg) at Internet Week HQ on Day 2 of Internet Week 2015 in New York May 19, 2015. Insider Images/Andrew Kelly (UNITED STATES)
Bestselling Scottish author Chris Brookmyre with the paperback of his latest novel in the Edinburgh Bookshop. I remember doing an event early in his career, way, way back in the day (the 90s!).
Since then he's gone on to have a great career with his solo novels but also teaming up with his wife under the pen-name Ambrose Parry for a series of novels set around the medical school in Edinburgh medical school of the 1800s.
Nigella Lawson is a British food writer and television personality. The image appears to be a promotional photo related to her book and television series, Nigellissima, which focuses on Italian-inspired cooking. She is known for her approachable and indulgent style of cooking.
Nigella Lawson, an English food writer and television cook. She is a well-known personality who has written several bestselling cookbooks and hosted numerous cooking shows, including Nigella Bites, Nigella Express, and Nigellissima. The image is from the promotional material for her book and TV series Nigellissima, which focused on Italian-inspired cooking. Nigella Lawson is known for her approachable and comforting cooking style, making food accessible and enjoyable for home cooks. She has sold over 8 million cookbooks worldwide and is a popular figure in the culinary world.
Nigella Lucy Lawson (born 6 January 1960) is an English food writer and television cook. After graduating from Oxford, Lawson worked as a book reviewer and restaurant critic, later becoming the deputy literary editor of The Sunday Times in 1986. She then wrote for a number of newspapers and magazines as a freelance journalist. In 1998, her first cookery book, How to Eat, was published and sold 300,000 copies, becoming a best-seller. Her second book, How to Be a Domestic Goddess, was published in 2000, winning the British Book Award for Author of the Year. In 1999, Lawson hosted her own cooking show series, Nigella Bites, on Channel 4, accompanied by another best-selling cookbook. Nigella Bites won Lawson a Guild of Food Writers Award. Her 2005 ITV daytime chat show Nigella met with a negative critical reaction and was cancelled after attracting low ratings. She hosted the Food Network's Nigella Feasts in the United States in 2006, followed by a three-part BBC Two series, Nigella's Christmas Kitchen, in the UK, which led to the commissioning of Nigella Express on BBC Two in 2007. Her own cookware range, Living Kitchen, has a value of £7 million, and she has sold more than 8 million cookery books worldwide to date.
LINK to video - Top 10 Naughtiest Nigella Lawson Innuendos - www.youtube.com/watch?v=ZQQHY5xMrrs
LINK to video - Nigella Lawson's Greek Lamb Stew | Nigella Bites - www.youtube.com/watch?v=2TejdENlr-0
Herd of Sheffield, 2016.
58 elephant sculptures, each uniquely decorated by artists, have descended on Sheffield’s parks and open spaces, creating one of the biggest mass participation arts events the city has ever seen.
No 58 - But Where’s the Ladybird? (detail).
Location : Meadowhall.
Artist : Lydia Monks.
Sponsor : Meadowhall.
Lydia Monks is the bestselling illustrator and author of children’s books. She has worked in collaboration with children’s author Julia Donaldson to create artwork for titles such as What the Ladybird Heard and The Singing Mermaid, as well as illustrations for her own books. Her design is fun, family focused and features characters from her best known projects. Amongst the characters going for a ride on the elephant are mermaids, monkeys, farm animals and of course – a little ladybird is hiding somewhere amongst them. Hunt down this elephant and see if you can spot the shy little creature – it may be trickier than you think!
This picture above is an autographed photo of the former HLN anchor and singer Robin Meade. The text and visual results confirm it is an authentic promotional item related to her long-running show, Morning Express with Robin Meade.
The show: Morning Express with Robin Meade was an American morning news program that aired on the HLN network from 2005 until its cancellation in December 2022.
The photo includes her signature with the inscription "Duty - Morning Sunshine!"
The program was known for its fast-paced style and popular segments like the daily "Salute to Troops".
Robin Meade is a former Miss Ohio and has also pursued a career as a country music singer, releasing albums in 2011 and 2013.
Career Highlights:
Broadcasting: Meade joined HLN in 2001 and became known as the longest-serving anchor of a national morning news program in the U.S.. She won a regional Emmy Award for her coverage of a major news event in 1995.
Author and Singer: She is a New York Times bestselling author of the book Morning Sunshine!: How to Radiate Confidence and Feel It Too. She has also released two country music albums, Brand New Day (2011) and Count On Me (2013).
Background: Before her national career, she was a former Miss Ohio and worked at local stations in Ohio, Miami, and Chicago.
Recent Activity: Since leaving HLN, she has focused on personal time and social media interaction with her fans. In November 2023, she was inducted into the Atlanta Press Club Hall of Fame.
LINK to video - We Finally Know What Happened To Robin Meade - www.youtube.com/watch?v=tclmmmeepJU
LINK to video - See Robin Meade's final sign-off during HLN's final live broadcast - www.youtube.com/watch?v=JjpcPVaOk6k
LINK to video - Robin Meade talks about Daytime Emmys, new CD 'Count on Me' - www.youtube.com/watch?v=EKTfmQ8wy6s
Sam Roberts (born October 2, 1974) is a Juno Award winning Canadian rock singer-songwriter, whose 2001 debut release, The Inhuman Condition, became one of the bestselling independent releases in Quebec and Canadian music history.
Barack Hussein Obama, II. born August 4, 1961) is the junior United States Senator from Illinois and a leading candidate for the Democratic nomination in the 2008 U.S. presidential election.
Born to a Kenyan father and an American mother, he spent most of his early life in Honolulu, Hawaii. From ages six to ten, he lived in Jakarta, Indonesia with his mother and Indonesian stepfather.
A graduate of Columbia University and Harvard Law School, Obama worked as a community organizer, university lecturer, and civil rights lawyer before running for public office and serving in the Illinois Senate from 1997 to 2004. After an unsuccessful bid for a seat in the U.S. House of Representatives in 2000, he announced his campaign for U.S. Senate in 2003.
The following year, while still an Illinois state legislator, Obama delivered the keynote address at the 2004 Democratic National Convention.He was elected to the U.S. Senate in November 2004 with 70% of the vote. As a member of the Democratic minority in the 109th Congress, he co-sponsored bipartisan legislation for controlling conventional weapons and for promoting greater public accountability in the use of federal funds. He also made official trips to Eastern Europe, the Middle East, and Africa. In the current 110th Congress, he has sponsored legislation on lobbying and electoral fraud, climate change, nuclear terrorism, and care for returned U.S. military personnel.
Since announcing his presidential campaign in February 2007, Obama has emphasized ending the Iraq War, increasing energy independence, and providing universal health care as his top three priorities.
He married in 1992 and has two daughters. He has written two bestselling books: a memoir of his youth titled Dreams from My Father, and The Audacity of Hope, a personal commentary on U.S. politics.
Obama, known as "Barry" throughout his early years, was born on August 4, 1961 in Honolulu, Hawaii to Barack Obama, Sr. and Ann Dunham.
Obama's parents separated when he was two years old and later divorced. After her divorce, Dunham married Lolo Soetoro, and the family moved to Soetoro's home country of Indonesia in 1967, where Obama attended local schools in Jakarta from ages 6 to 10.
He then returned to Honolulu to live with his maternal grandparents while attending Punahou School from the fifth grade until his graduation in 1979. Following high school, Obama moved to Los Angeles, where he studied at Occidental College for two years. He then transferred to Columbia University in New York City, where he majored in political science with a specialization in international relations.
Obama received his Bachelor of Arts in 1983, then worked at Business International Corporation and New York Public Interest Research Group before moving to Chicago to take a job as a community organizer.
As Director of the Developing Communities Project, he worked with low-income residents in Chicago's Roseland community and the Altgeld Gardens public housing development. Obama entered Harvard Law School in 1988
In 1990, The New York Times reported his election as the Harvard Law Review's "first black president in its 104-year history"
He completed his J.D. degree magna cum laude in 1991. Obama then returned to Chicago and accepted a job as an associate attorney with Miner, Barnhill & Galland, where he worked from 1993 to 1996, representing community organizers, discrimination claims, and voting rights cases. He was also a lecturer of constitutional law at the University of Chicago Law School from 1993 until his election to the U.S. Senate in 2004.
State legislature
Obama was elected to the Illinois Senate in 1996 from the 13th District, which then spanned Chicago South Side neighborhoods from Hyde Park-Kenwood south to South Shore and west to Chicago Lawn. In 2000, he made an unsuccessful Democratic primary run for the U.S. House of Representatives seat held by four-term incumbent candidate Bobby Rush. He was reelected to the Illinois Senate in 1998 and 2002 (when the 13th District was redrawn to span Chicago lakefront neighborhoods from the Gold Coast south to South Chicago) In January 2003, Obama became chairman of the Health and Human Services Committee when Democrats, after a decade in the minority, regained a majority in the Illinois Senate. He resigned from the Illinois Senate in November 2004 following his election to the U.S. Senate. As a state legislator, Obama gained bipartisan support for legislation reforming ethics and health care laws. He sponsored a law enhancing tax credits for low-income workers, negotiated welfare reform, and promoted increased subsidies for childcare. Obama also led the passage of legislation mandating videotaping of homicide interrogations, and a law to monitor racial profiling by requiring police to record the race of drivers they stopped.
During his 2004 general election campaign for U.S. Senate, he won the endorsement of the Illinois Fraternal Order of Police, whose president credited Obama for his active engagement with police organizations in enacting death penalty reforms. He was criticized by rival pro-choice candidates in the Democratic primary and by his Republican pro-life opponent in the general election for a series of "present" or "no" votes on late-term abortion and parental notification issues.
Obama wrote and delivered the keynote address at the 2004 Democratic National Convention in Boston, Massachusetts, while still serving as a state legislator. After describing his maternal grandfather's experiences as a World War II veteran and a beneficiary of the New Deal's FHA and G.I. Bill programs, Obama said:
No, people don't expect government to solve all their problems. But they sense, deep in their bones, that with just a change in priorities, we can make sure that every child in America has a decent shot at life, and that the doors of opportunity remain open to all. They know we can do better. And they want that choice.
Questioning the Bush administration's management of the Iraq War, Obama spoke of an enlisted Marine, Corporal Seamus Ahern from East Moline, Illinois, asking, "Are we serving Seamus as well as he is serving us?" He continued:
When we send our young men and women into harm's way, we have a solemn obligation not to fudge the numbers or shade the truth about why they're going, to care for their families while they're gone, to tend to the soldiers upon their return, and to never ever go to war without enough troops to win the war, secure the peace, and earn the respect of the world.
Finally, he spoke for national unity:
The pundits like to slice-and-dice our country into red states and blue states; Red States for Republicans, Blue States for Democrats. But I've got news for them, too. We worship an awesome God in the Blue States, and we don't like federal agents poking around in our libraries in the Red States. We coach Little League in the Blue States and, yes, we've got some gay friends in the Red States. There are patriots who opposed the war in Iraq and patriots who supported the war in Iraq. We are one people, all of us pledging allegiance to the stars and stripes, all of us defending the United States of America.
The speech was most Americans' introduction to Obama. Its enthusiastic reception at the convention and widespread coverage by national media gave him instant celebrity status. Obama has credited the inspiration for his convention speech to Rev. Jeremiah Wright's sermon of the same name, "the Audacity of Hope."
Senate campaign
In 2003, Obama began his run for the U.S. Senate open seat vacated by Peter Fitzgerald. In early opinion polls leading up to the Democratic primary, Obama trailed multimillionaire businessman Blair Hull and Illinois Comptroller Daniel Hynes.However, Hull's popularity declined following allegations of domestic abuse. .Obama's candidacy was boosted by an advertising campaign featuring images of the late Chicago Mayor Harold Washington and the late U.S. Senator Paul Simon; the support of Simon's daughter; and political endorsements by the Chicago Tribune and Chicago Sun-Times. Obama received over 52% of the vote in the March 2004 primary, emerging 29% ahead of his nearest Democratic rival. His opponent in the general election was expected to be Republican primary winner Jack Ryan. However, Ryan withdrew from the race in June 2004, following public disclosure of child custody divorce records containing sexual allegations by Ryan's ex-wife, actress Jeri Ryan In August 2004, with less than three months to go before election day, Alan Keyes accepted the Illinois Republican Party's nomination to replace Ryan. A long-time resident of Maryland, Keyes established legal residency in Illinois with the nomination. Through three televised debates, Obama and Keyes expressed opposing views on stem cell research, abortion, gun control, school vouchers, and tax cuts.[39] In the November 2004 general election, Obama received 70% of the vote to Keyes's 27%, the largest electoral victory in Illinois history.
Senate career
Obama was sworn in as a senator on January 4, 2005. Although a newcomer to Washington, he recruited a team of established, high-level advisers devoted to broad themes that exceeded the usual requirements of an incoming first-term senator.Obama hired Pete Rouse, a 30-year veteran of national politics and former chief of staff to Senate Democratic Leader Tom Daschle, as his chief of staff, and economist Karen Kornbluh, former deputy chief of staff to Secretary of the Treasury Robert Rubin, as his policy director. His key foreign policy advisers include Samantha Power, author on human rights and genocide, and former Clinton administration officials Anthony Lake and Susan Rice. Obama holds assignments on the Senate Committees for Foreign Relation, Health, Education, Labor and Pensions; Homeland Security and Governmental Affairs; and Veterans' Affairs, and he is a member of the Congressional Black Caucus He is a chairman of the Subcommittee on European Affairs.
The U.S. Senate Historical Office lists him as the fifth African American Senator in U.S. history, the third to have been popularly elected, and the only African American currently serving in the Senate.
109th Congress
Obama took an active role in the Senate's drive for improved border security and immigration reform. In 2005, he co-sponsored the "Secure America and Orderly Immigration Act" introduced by Sen. John McCain (R-AZ). He later added three amendments to the "Comprehensive Immigration Reform Act", which passed the Senate in May 2006, but failed to gain majority support in the U.S. House of Representatives.In September 2006, Obama supported a related bill, the Secure Fence Act, authorizing construction of fencing and other security improvements along the United States–Mexico border.[51] President Bush signed the Secure Fence Act into law in October 2006, calling it "an important step toward immigration reform."
Partnering first with Sen. Dick Lugar (R-IN), and then with Sen. Tom Coburn (R-OK), Obama successfully introduced two initiatives bearing his name. "Lugar-Obama" expands the Nunn-Lugar cooperative threat reduction concept to conventional weapons, including shoulder-fired missiles and anti-personnel mines.The Lugar-Obama initiative subsequently received $48 million in funding.
The "Coburn-Obama Transparency Act" provides for the web site USAspending.gov, managed by the Office of Management and Budget. The site lists all organizations receiving Federal funds from 2007 onward and provides breakdowns by the agency allocating the funds, the dollar amount given, and the purpose of the grant or contract.[58] In December 2006, President Bush signed into law the "Democratic Republic of the Congo Relief, Security, and Democracy Promotion Act," marking the first federal legislation to be enacted with Obama as its primary sponsor.[
As a member of the Senate Foreign Relations Committee, Obama made official trips to Eastern Europe, the Middle East, and Africa. In August 2005, he traveled to Russia, Ukraine, and Azerbaijan. The trip focused on strategies to control the world's supply of conventional weapons, biological weapons, and weapons of mass destruction as a first defense against potential terrorist attacks Following meetings with U.S. military in Kuwait and Iraq in January 2006, Obama visited Jordan, Israel, and the Palestinian territories. At a meeting with Palestinian students two weeks before Hamas won the legislative election, Obama warned that "the U.S. will never recognize winning Hamas candidates unless the group renounces its fundamental mission to eliminate Israel." He left for his third official trip in August 2006, traveling to South Africa, Kenya, Djibouti, Ethiopia and Chad. In a nationally televised speech at the University of Nairobi, he spoke forcefully on the influence of ethnic rivalries and corruption in Kenya. The speech touched off a public debate among rival leaders, some formally challenging Obama's remarks as unfair and improper, others defending his positions.
110th Congress
In the first month of the newly Democratic-controlled 110th Congress, Obama worked with Russ Feingold (D–WI) to eliminate gifts of travel on corporate jets by lobbyists to members of Congress and require disclosure of bundled campaign contributions under the "Honest Leadership and Open Government Act", which was signed into law in September 2007.[64] He joined Chuck Schumer (D-NY) in sponsoring S. 453, a bill to criminalize deceptive practices in federal elections, including fraudulent flyers and automated phone calls, as witnessed in the 2006 midterm elections. Obama's energy initiatives scored pluses and minuses with environmentalists, who welcomed his sponsorship with John McCain (R-AZ) of a climate change bill to reduce greenhouse gas emissions by two-thirds by 2050, but were skeptical of his support for a bill promoting liquefied coal production Obama also introduced the "Iraq War De-Escalation Act of 2007", a bill to cap troop levels in Iraq, begin phased redeployment, and remove all combat brigades from Iraq before April 2008.
Later in 2007, Obama sponsored with Kit Bond (R-MO) an amendment to the 2008 Defense Authorization Act adding safeguards for personality disorder military discharges, and calling for a review by the Government Accountability Office following reports that the procedure had been used inappropriately to reduce government costs.[He sponsored the "Iran Sanctions Enabling Act" supporting divestment of state pension funds from Iran's oil and gas industry,[69] and joined Chuck Hagel (R-NE) in introducing legislation to reduce risks of nuclear terrorism. A provision from the Obama-Hagel bill was passed by Congress in December 2007 as an amendment to the State-Foreign Operations appropriations bill. Obama also sponsored a Senate amendment to the State Children's Health Insurance Program (SCHIP) to provide one year of job protection for family members caring for soldiers with combat-related injuries. After passing both houses of Congress with bipartisan majorities, SCHIP was vetoed by President Bush in early October 2007, a move Obama said "shows a callousness of priorities that is offensive to the ideals we hold as Americans."
Presidential campaign
In February 2007, standing before the Old State Capitol building in Springfield, Illinois, Obama announced his candidacy for the 2008 U.S. presidential election.
Bernard Marr is a bestselling author, keynote speaker, strategic performance consultant, and analytics, KPI & Big Data guru.
He helps companies to better manage, measure, report and analyse performance. His leading-edge work with major companies, organisations and governments across the globe makes him an acclaimed and award-winning keynote speaker, researcher, consultant and teacher. Bernard is acknowledged by the CEO Journal as one of today's leading business brains.
He has written a number of seminal books and over 200 high profile reports and articles on enterprise performance. This includes the best-sellers 'Key Performance Indicators', 'The Intelligent Company', 'More with Less', 'Managing and Delivering Performance' and 'Strategic Performance Management', a number of Gartner Reports and the world's largest research studies on the topic. His expert comments regularly feature in high-profile publications including The Times, The Financial Times, Financial Management, the CFO Magazine and the Wall Street Journal.
He has worked with and advised many of the world's best-known organisations including Accenture, Astra Zeneca, Bank of England, Barclays, BP, DHL, Fujitsu, Gartner, HSBC, Mars, Ministry of Defence, Microsoft, Oracle, The Home Office, NHS, Orange, Tetley, T-Mobile, Toyota, Royal Air Force, SAP and Shell, among many others.
He currently focuses on helping clients to:
- create strategic performance frameworks
- develop relevant and meaningful KPIs and metrics
- develop business analytics and 'big data' strategies
- develop management dashboards and reporting solutions
- train and coach teams to become 'high performance organisations'
- align people management practices with strategic performance objectives
- understand the emerging trends of big data analytics
His engagements range from executive awareness and training sessions to the design and implementation of corporate performance management and reporting approaches. Bernard can be contacted at bernard.marr@ap-institute.com
BOOKS BY BERNARD MARR amzn.to/2dqqCbT
„Leïla Slimani gilt als eine der wichtigsten literarischen Stimmen Frankreichs. 1981 in Rabat geboren, wuchs sie in Marokko auf und studierte an der Pariser Eliteuniversität Sciences Po. Ihre Bücher sind internationale Bestseller. Für den Roman ‚Dann schlaf auch du‘ wurde ihr der renommierte Prix Goncourt zuerkannt. Im Kaufleuten präsentiert die französisch-marokkanische Autorin ihren preisgekrönten Debüt-Roman ‚All das zu verlieren‘: Das Buch handelt von der Zerrissenheit einer Frau, die alles aufs Spiel setzt. Ausserdem wird Leïla Slimani auch aus ihrem neuen gefeierten Roman und Nr.1-Bestseller "Das Land der Anderen" lesen.
«Niemand schreibt interessanter über die Abgründe unserer Zeit als die Goncourt-Preisträgerin Leila Slimani. In ihrem Roman All das zu verlieren revolutioniert sie das weibliche Schreiben über Sexualität.» (Die Welt).
Moderation: Gesa Schneider (Leiterin Literaturhaus Zürich)
Deutsche Stimme: Thomas Sarbacher“
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Saint-Malo came onto our radar by accident, as the destination of an ultimately undelivered guitar and the setting of a bestselling novel. After a dreamy morning in the medieval abbey at Mont-Saint-Michel, we decided to drive west to the citadel city.
Saint-Malo sits as it has for centuries: sticking out into the ocean, connected by a narrow neck of land to the rest of France, completely walled off. This area, with its prime geography, has been inhabited since ancient times. It was the birthplace and launching pad of the 16th century explorer Jacques Cartier, the first European explorer to sail up what is now known as Canada’s Saint Lawrence River, and was later known as a city of corsairs, or pirates. The symbol of the city is an ermine, a weasel-like creature wearing a little scarf who would have been great at ferreting out the rats of the ships in harbour. Although the city was almost completely destroyed at the end of WWII, it has been carefully rebuilt.
Walking the soaring walls, we turned one eye in to the fascinating architecture of symmetrical six-storey buildings, tiny lanes, brightly coloured grand hotels, and the cafés selling crepes and Kouign Amann, the culinary treats of Brittany.
The other eye was fixed out to the sea. Under a freshly scrubbed winter sky, it was easy to feel how the sea called those early sailors to set off into the wide blue horizon. With our cheeks painted pink by the wind and the sky painted gold with sunset, we were happy we had chanced to walk the walls of Saint-Malo one unforgettable afternoon.
„Leïla Slimani gilt als eine der wichtigsten literarischen Stimmen Frankreichs. 1981 in Rabat geboren, wuchs sie in Marokko auf und studierte an der Pariser Eliteuniversität Sciences Po. Ihre Bücher sind internationale Bestseller. Für den Roman ‚Dann schlaf auch du‘ wurde ihr der renommierte Prix Goncourt zuerkannt. Im Kaufleuten präsentiert die französisch-marokkanische Autorin ihren preisgekrönten Debüt-Roman ‚All das zu verlieren‘: Das Buch handelt von der Zerrissenheit einer Frau, die alles aufs Spiel setzt. Ausserdem wird Leïla Slimani auch aus ihrem neuen gefeierten Roman und Nr.1-Bestseller "Das Land der Anderen" lesen.
«Niemand schreibt interessanter über die Abgründe unserer Zeit als die Goncourt-Preisträgerin Leila Slimani. In ihrem Roman All das zu verlieren revolutioniert sie das weibliche Schreiben über Sexualität.» (Die Welt).
Moderation: Gesa Schneider (Leiterin Literaturhaus Zürich)
Deutsche Stimme: Thomas Sarbacher“
Herd of Sheffield, 2016.
58 elephant sculptures, each uniquely decorated by artists, have descended on Sheffield’s parks and open spaces, creating one of the biggest mass participation arts events the city has ever seen.
No 58 - But Where’s the Ladybird? (detail).
Location : Meadowhall.
Artist : Lydia Monks.
Sponsor : Meadowhall.
Lydia Monks is the bestselling illustrator and author of children’s books. She has worked in collaboration with children’s author Julia Donaldson to create artwork for titles such as What the Ladybird Heard and The Singing Mermaid, as well as illustrations for her own books. Her design is fun, family focused and features characters from her best known projects. Amongst the characters going for a ride on the elephant are mermaids, monkeys, farm animals and of course – a little ladybird is hiding somewhere amongst them. Hunt down this elephant and see if you can spot the shy little creature – it may be trickier than you think!
Conrad Kiechel
Executive Director, Events and Global Programming, Milken Institute
Arthur C. Brooks
William Henry Bloomberg Professor of the Practice of Public Leadership, Harvard Kennedy School; Bestselling Author; Columnist, The Atlantic
Bestselling author Andre Dubus III discusses his life and his books during his Auditorium Speaker Series discussion.
Bestselling Scottish author Val McDermid signing copies of her latest book - not a crime novel this time but My Scotland, which takes in Scottish locations personal to Val from her life and from her books. Comfortably seated on the sofa by Hugless Douglas in the Edinburgh Bookshop
Bernard Marr is a bestselling author, keynote speaker, strategic performance consultant, and analytics, KPI & Big Data guru.
He helps companies to better manage, measure, report and analyse performance. His leading-edge work with major companies, organisations and governments across the globe makes him an acclaimed and award-winning keynote speaker, researcher, consultant and teacher. Bernard is acknowledged by the CEO Journal as one of today's leading business brains.
He has written a number of seminal books and over 200 high profile reports and articles on enterprise performance. This includes the best-sellers 'Key Performance Indicators', 'The Intelligent Company', 'More with Less', 'Managing and Delivering Performance' and 'Strategic Performance Management', a number of Gartner Reports and the world's largest research studies on the topic. His expert comments regularly feature in high-profile publications including The Times, The Financial Times, Financial Management, the CFO Magazine and the Wall Street Journal.
He has worked with and advised many of the world's best-known organisations including Accenture, Astra Zeneca, Bank of England, Barclays, BP, DHL, Fujitsu, Gartner, HSBC, Mars, Ministry of Defence, Microsoft, Oracle, The Home Office, NHS, Orange, Tetley, T-Mobile, Toyota, Royal Air Force, SAP and Shell, among many others.
He currently focuses on helping clients to:
- create strategic performance frameworks
- develop relevant and meaningful KPIs and metrics
- develop business analytics and 'big data' strategies
- develop management dashboards and reporting solutions
- train and coach teams to become 'high performance organisations'
- align people management practices with strategic performance objectives
- understand the emerging trends of big data analytics
His engagements range from executive awareness and training sessions to the design and implementation of corporate performance management and reporting approaches. Bernard can be contacted at bernard.marr@ap-institute.com
BOOKS BY BERNARD MARR amzn.to/2dqqCbT
Patti Smith: In Conversation with 9:30 Club co-owner Seth Hurwitz About Her Bestselling Memoir, 'M Train' @ Lincoln Theatre, Washington, DC, on Wednesday, October 12, 2016.
Setlist:
Wings
Perfect Day (Lou Reed Cover)
Dancing Barefoot (Patti Smith Group song)
Beneath the Southern Cross
Because the Night (Patti Smith Group song)
People Have the Power
Joined by Tony Shanahan for a few songs.