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This mural is on display at the Soho Photography Quarter in London until the end of November. The artist is Christian Thompson, an indigenous Australian, who draws on his own identity and multicultural background. He presents photographs, two films and a sound installation.
“The film “Dead tongue” (2015) projected from dusk each day, questions the British Empire’s colonial past, while “Amsterdam RMX” presents an experience of the Bidjara language”.
union street sculptors under wraps
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
union street sculptors under wraps
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
clancy warner fragile existence
(these figures made of wax, wood, and cloth mounted on a steel internal frame were designed to disintegrate, and have disintegrated, in the harsh environment of the eastern ranges)
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
This mural is on display at the Soho Photography Quarter in London until the end of November. The artist is Christian Thompson, an indigenous Australian, who draws on his own identity and multicultural background. He presents photographs, two films and a sound installation.
“The film “Dead tongue” (2015) projected from dusk each day, questions the British Empire’s colonial past, while “Amsterdam RMX” presents an experience of the Bidjara language”.
clancy warner fragile existence
(these figures made of wax, wood, and cloth mounted on a steel internal frame were designed to disintegrate, and have disintegrated, in the harsh environment of the eastern ranges)
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
union street sculptors under wraps
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
The Narrow Entrance of the New for the New.
Our event-driven nature means that something new is the capital realm of what is always already here.
Augmented Contemporary Art by JJFBbennett.
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Confronting a Personal Gatekeeper
In my mind, there is a gatekeeper that prevents me by holding me back from taking action. My personal gatekeeper keeps me from trying something new and keeps accomplishments out of reach.
Augmented Contemporary Art by JJFBbennett.
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chris ormerod fullers gate
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
The Settlers Reigned Down Under
With their sheep
And their beef
And their homes
And their wants
And their names
And their beliefs
And their justice
Until trade and commerce was established
And controls were legislated
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The Story Bridge
From a burden to an enlightenment
I experienced a sense of tranquillity and pleasure that I had never experienced before ....
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Artist Statement
It is about being creative and innovative with knowledge
deb sleeman, refuge seekers [still on property from 2020 biennail]
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
union street sculptors under wraps
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
(my 103rd photo to make ‘explore’)
Enter the Enlightened Space
Finding the relationship between the mind and the manufactured world
Augmented Contemporary Art by JJFBbennett.
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Anima Series 6
Sitting No. 32
Lismore NSW Australia 2020
Models: Alita Moxham & Naomi Grant
Please feel free to give constructive critiques of my work. This may include comments on my photographic technique, the content and substance of my art, or any aspect of my work. Whether you like or dislike my photographic art, I'm interested in whatever you have to say!
R J Poole
union street sculptors under wraps
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
Intricate Decisions
Each gate's design includes elements intended to influence behaviour and decisions. Within each gate, personal gatekeepers appear.
Augmented Contemporary Art by JJFBbennett.
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clancy warner ‘fragile existence’
(these figures made of wax, wood, and cloth mounted on a steel internal frame were designed to disintegrate, and have disintegrated, in the harsh environment of the eastern ranges)
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
george andric ellipsis
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
(my 105th photo to make ‘explore’)
deb sleeman, refuge seekers [still on property from 2020 biennail]
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
permanent sculpture by greg johns on his palmer property, set in typical eastern lofties grass and stone country
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
union street sculptors ‘under wraps’
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
deb sleeman, refuge seekers [still on property from 2020 biennail]
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
This mural is on display at the Soho Photography Quarter in London until the end of November. The artist is Christian Thompson, an indigenous Australian, who draws on his own identity and multicultural background. He presents photographs, two films and a sound installation.
“The film “Dead tongue” (2015) projected from dusk each day, questions the British Empire’s colonial past, while “Amsterdam RMX” presents an experience of the Bidjara language”.
Ghosts of Memories Past
When you look at this portrait of a man who has been purposely demonized, you may find that your own personal biases and historical distortions come into play. How you interpret his sombre features and haunting eyes may be tainted by your own experiences and the childhood and adult stories you've been told and seen about this type of person. As you look at the portrait, you may see a villain or a victim, depending on your biases and preconceptions. This means the picture is not just a static image but an intended reflection to trigger your attitudes and memories. The portrait's purpose is to remind us how media can call on imprinted memory to influence how we see and understand others.
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JJFBbennett Art Directory
Contemporary Positional Art and Socio-Fictional Writings
It is about being creative and innovative with knowledge
This is a photograph of a painting I am proud to have in my collection in support of First Nation modern art work.
The artist who created this dynamic work is Elsie Napanangka Granites (born 1959) and she has been painting since 1987.
Apart from a few years spent in Adelaide, she has spent most of her life in Yuendumu in the Northern Territory.
This particular painting relates to a dreaming site west of Yuendumu, where women who are kirda (custodians) for the sacred place come to do 'women's business'.
Acrylic on canvas 1.2 m x 1m
© All rights reserved.
Martha Cove is a large inland harbour and residential development in Safety Beach. It was named after its location in the cove at the foot of Mount Martha. The project, which began in 2004, was initially heavily protested by residents. After experiencing considerable financial difficulties, Martha Cove recovered and became a thriving residential community. Golfers play at the course of the Mount Martha Valley Golf Club on Country Club Drive,or at the Safety Beach Golf Course nearby. #fujifilmxseries #myfujifilm #fujifilm_id #photographyaddict #landscapephoto #landscape_photography #landscapecaptures #australian #australianmade #australianart #australianphotography #fujixseries #xseries #xseriesphotographer #xseriescameras #morningtonpeninsula #morningtonpeninsulaphotographer #rosebud #rosebudbeach #rosebudpier #rosebudvictoria #rye #sorrento #sorrentobeach #sorrentovictoria #portsea #portseabackbeach #portseabeach #portphillipbay #bassstrait
deb sleeman, refuge seekers [ detail, piece still on property from 2020 biennial ]
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
(my 102nd photo in explore)
Plato - Atonement and the Red Earth
Q Collection
Convinced that there are two openings into the earth
Contemporary Tourist Art by JJFBbennett
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chris ormerod fullers gate
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
clancy warner fragile existence
(these figures made of wax, wood, and cloth mounted on a steel internal frame were designed to disintegrate, and have disintegrated, in the harsh environment of the eastern ranges)
10th palmer sculpture biennial, eastern mount lofty ranges, south australia
The Intergenerational Agony Chain
Q Collection
The relentless chain from one generation to the next
Contemporary Tourist Art by JJFBbennett
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Gate Atonement Surrection
Q Gallery
And then the new people are born
Contemporary Tourist Art by JJFBbennett
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