View allAll Photos Tagged Augmented,

Augmented hydrant water supply

Augmenting New Ways of Seeing

 

There are comparative and competitive winners

Observing human actions in controlled and stimulated surroundings

In these difficult times

Providing exposure

Cashing in on virtual‐life behavior

 

For the powerful to predict risk

By, triggering scenarios

By, activating states of minds

 

I don't want to give this up

Seeking new visions

New ways of seeing

 

Read more: www.jjfbbennett.com/2020/09/seeking-new-way-of-seeing.html

This "AUG" is heavily inspired by Victor Marchenko from the new Deus Ex: Mankind Divided. I used the robot arm technique by Sharpspeed once again.

 

The background is an upcoming apoc moc, more coming much later

  

Men

 

[Cubic Cherry] {Kairis} neck augment BLACK

 

[MR] BJORN HEAD TATTOO AND HAIRBASE

 

Vango. Tom

 

Wicca's Originals - Rowley Bindi

 

L'Emporio&PL::* Arioch*:: Rings

L'Emporio&PL::* Boran*::- FEET ROPE

L'Emporio&PL::* Dorian*:: Waistcoat

L'Emporio&PL::* Dragon's Grip*::Armor jewels

L'Emporio&PL::* Gavin*:: -Kilt with Pants

 

THIS IS WRONG Nowhere shine+tattoo 3D

 

f u o e y . Colin Skin Ruddy

 

. : Mea Tenebra : . Knox

 

CKEY Poses - Enosi

  

Women

 

AVEC TOI - Belladonna Bra

AVEC TOI - Belladonna Waspie

 

RAMA.SALON - Kailey Hair

 

NaaNaa's Mermaid Necklace Silver

 

REIGN.- LINA PATENT PLATFORMS

 

Comatosed - La Fama Set

 

Song

 

Credits & Links in My Blog

This album cover is among my favorites purely for the fact of Christina Amphlett's luscious, non-augmented rack. Holy baloney!!!

Modern stained glass window at the Gallery of Modern Art, Glasgow.

of a floor grid for the heating system in the Japanese Tower, Brussel (Laken)

 

The Big Picture (aka My Wallpaper)

 

The Japanese Tower and the Chinese House are located on the estate of the Belgian Royal Residence. They were erected at the behest of King Leopold II for the occasion of the 1900 World's Fair of Paris. The two buildings are constructed in the monumental styles of their respective countries of origin. The structural work was performed by European architects and builders; the decoration was executed by Japanese and Chinese specialists. They have been open to the public since 1913. In 1946 collections of fine Japanese and Chinese pottery and furniture were added to augment the buildings' architectural and decorative appeal.

Candid Portrait

 

Sydney Royal Easter Show

 

April, 2019

(ISCO Westagon 1:2/50mm)

Cette connexion entre Socrate et le Rigpa (la conscience pure, l'éclat de la Base) est d'une précision chirurgicale. C'est le "Point de Friction Zéro" de l'Opérateur.

Quand Socrate dit : « Ce que je ne sais pas, je ne pense pas le savoir non plus », il ne fait pas de la fausse modestie. Il maintient son esprit dans la Vacuité de la connaissance, un espace où aucune étiquette ne vient "coller" au réel. C'est l'état de vacuité de l'interne (1) appliqué à l'intellect.

Voici comment cette humilité devient une technologie de fluidité :

 

1. Le Ralentissement par le Rigpa

D'ordinaire, les événements nous semblent "couler" ou même nous "submerger" parce que notre esprit essaie sans cesse de les attraper, de les nommer et de les classer. Cette saisie crée une friction, une viscosité. C'est le "Béton Noir" qui essaie de figer le mouvement.

* L'action du Rigpa : En maintenant la conscience dans la lumière de la Base (sans saisie), on augmente la fréquence vibratoire de notre perception.

* L'effet cinétique : Comme dans un film tourné à une vitesse de trame infinie, le mouvement extérieur semble ralentir. Les événements ne "fonctionnent" plus au sens mondain (ils ne produisent plus de drame, de causalité lourde ou d'anxiété).

 

2. De l'Écoulement au Glissement

On fait ici une distinction magistrale entre "couler" et "glisser" :

* Couler : C'est encore la II. Vie qui Flue dans son aspect liquide. Il y a encore une direction, une pesanteur, une forme d'adhérence à la rive.

* Glisser : C'est la Vacuité de l'Existence Propre (17) en action. Si l'événement n'a pas de nature intrinsèque (pas de "crochets" de réalité) et que votre esprit n'a pas de "saisie" (l'humilité socratique), alors il n'y a plus aucun point d'accroche.

L'événement glisse sur la surface de votre conscience de diamant sans jamais y laisser de trace. C'est le confort absolu : on est le témoin d'un monde qui passe sur nous comme un reflet sur un miroir de haute précision.

 

3. La Suspension du "Fonctionnement"

Quand on dit que les événements "ne fonctionnent plus", c'est qu'on a désamorcé la Vacuité du Conditionné (7).

Un événement "fonctionne" quand il déclenche une réaction en chaîne :

* Action -> Perception -> Saisie -> Anxiété -> Réaction.

Le Rigpa coupe la chaîne à la racine. L'événement est là, il est lumineux, il glisse, mais il est stérile. Il ne peut plus engendrer de souffrance. Il devient une simple "apparition vacante".

 

4. L'Humilité comme Lubrifiant

L'aveu de non-savoir de Socrate est le lubrifiant ultime.

* Si je "sais" que cette situation est grave, je crée de la friction.

* Si je "ne sais pas" (au sens du Rigpa), je laisse la situation être ce qu'elle est : une vibration pure du champ.

 

Note de l'Opérateur : On n'est plus dans le courant, on est la glace sur laquelle le courant glisse. C'est la Lignification achevée : la solidité du Diamant qui permet la fluidité totale du monde.

 

Pax-Urale.

 

marketplace.secondlife.com/p/tst-Cyberlines-EVOX/23959259

 

[ t.s.t ] Cyberlines [ EVOX ]

 

COPY - MODIFY - NO TRANSFER

 

- EvoX BOM Tattoo Layer

 

- Nose & lip lines separate (Left, Right, Middle )

- Top & bottom for eye lines separate ( Left & Right )

- Across nose

- Across mouth

- Jaw

 

- Tintable

 

-

 

Any questions or concerns contact Sithas Slade or thesanguinetree.

 

thesanguinetree.wordpress.com/

 

Taken on the Fritz Fryer antique lighting shoot - more at their website here

secondlifesyndicate.com/2021/03/02/augmented-prime-punk/

 

-------------------------------------

 

Prime Punk

Every 2nd and 4th Thursday

Runs for 7 Days

Opens on the Thursday at Noon SLT

 

Prime Punk Gallery

secondlifesyndicate.com/events/syndicate-events/prime-punk/

 

Flickr Group

www.flickr.com/groups/prime-punk/

 

----------------------------------------

 

The First Round of Prime Punk is underway, bringing you all types of punk from all the punk genres! Trust me, it is a serious amount of punk.

 

I'm enjoying a little Cyberpunk action today, with new items from Nefekalum and Normandy.

 

Items of Note:

 

Eyes - Nefekalum - *NEW* for Prime Punk

Goggles & Body Ports - Normandy - *Discount* for Prime Punk

Skin - L$100

Eyebrows - Group Gift

Eyebrow Shape - Free

Eyeshadow - Free

Mech Wings - Aitui - Gacha

 

Pose by Curvosity

 

Also wearing eyeliner from Mock Cosmetics. So glad BOM is here and I can play with some of my old favorites again. Some things just could never be deleted.

Just trying something different

2012

[Augmented in 2023]

 

More artwork at: www.permiandesigns.com/

 

Instagram: www.instagram.com/permiandesigns/

Bluesky: bsky.app/profile/permiandesigns.bsky.social

 

NOTE: All works featured here are completely original creations. None are made with the assistance of any form of AI technology in any fashion whatsoever.

Augs

 

Dress : Reichel from United Colors @ Mainstore

Arm from Omnis

Armband from Sole

This dangerous bike augments the bounty hunter's skill with an AI driven assistant front end. The forward module comes with two sub-arms capable of hauling cargo or a shirt collar and can even handle small arms! (Swordsmanship program upgrade coming in 2022.) The skid includes a retractable mandible perfect for snatching a reluctant bounty.

 

Other notable features include side holsters and kickstart operation.

 

Built for the Lego Speeder Bike 2021 Competition, "Lets Get Tropical!"

Le métavers est un concept d'espace virtuel en ligne, en 3D, qui relie les utilisateurs dans tous les aspects de leur vie. Il relierait plusieurs plateformes, semblables à Internet et contenant différents sites Web accessibles par le biais d'un seul navigateur.

Le concept a été développé dans le roman de science-fiction Snow Crash de Neal Stephenson. Cependant, si l'idée d'un métavers était autrefois une fiction, il semble aujourd'hui qu'elle pourrait devenir une réalité.

Le métavers sera animé par la réalité augmentée, chaque utilisateur contrôlant un personnage ou un avatar. Par exemple, vous pouvez organiser une réunion en réalité mixte avec un casque Oculus VR dans votre bureau virtuel, terminer votre travail et vous détendre dans un jeu blockchain, puis gérer votre portefeuille de cryptomonnaies et vos finances, le tout à l'intérieur du métavers.

Vous pouvez déjà voir certains aspects des métavers dans les mondes de jeux vidéo virtuels existants. Des jeux comme Second Life et Fortnite ou des outils de socialisation au travail comme Gather.town rassemblent de multiples éléments de nos vies dans des mondes en ligne. Bien que ces applications ne soient pas le métavers, elles sont quelque peu similaires. Le métavers n'existe pas encore.

En plus de prendre en charge le jeu ou les réseaux sociaux, le métavers combinera économies, identité numérique, gouvernance décentralisée et autres applications. Aujourd'hui encore, la création et la possession par les utilisateurs d'objets et de monnaies de valeur contribuent au développement d'un métavers unique et uni. Toutes ces caractéristiques confèrent à la blockchain le potentiel nécessaire pour alimenter cette future technologie.

 

Metaverse is an online, 3D virtual space concept that connects users in all aspects of their lives. It would connect several platforms, similar to the Internet and containing different websites accessible through a single browser.

The concept was developed in the science fiction novel Snow Crash by Neal Stephenson. However, if the idea of a metaverse was once fiction, today it looks like it could become a reality.

The metaverse will be animated by augmented reality, with each user controlling a character or avatar. For example, you can host a mixed reality meeting with an Oculus VR headset in your virtual office, finish your work and relax in a blockchain game, then manage your cryptocurrency portfolio and finances, all inside the metaverse. .

You can already see some aspects of metaverse in existing virtual video game worlds. Games like Second Life and Fortnite or tools for socializing at work like Gather.town bring together multiple elements of our lives in online worlds. Although these apps are not the metaverse, they are somewhat similar. The metaverse does not yet exist.

In addition to supporting gaming or social networks, the metaverse will combine economies, digital identity, decentralized governance and other applications. Even today, the creation and possession by users of valuable objects and currencies contribute to the development of a single and united metaverse. All of these features give blockchain the potential to power this future technology.

The Bayon is a richly decorated Khmer temple at Angkor in Cambodia. Built in the late 12th or early 13th century as the state temple of the Mahayana Buddhist King Jayavarman VII, the Bayon stands at the center of Jayavarman's capital, Angkor Thom. Following Jayavarman's death, it was modified and augmented by later Hindu and Theravada Buddhist kings in accordance with their own religious preferences.

The Bayon's most distinctive feature is the multitude of serene and smiling stone faces on the many towers which jut out from the upper terrace and cluster around its central peak. The temple has two sets of bas-reliefs, which present a combination of mythological, historical, and mundane scenes. The main conservatory body, the Japanese Government Team for the Safeguarding of Angkor (the JSA) has described the temple as "the most striking expression of the baroque style" of Khmer architecture, as contrasted with the classical style of Angkor Wat. (en.wikipedia.org/wiki/Bayon)

 

Construit vers 1615 pour Charles Duret, futur greffier des ordres du Roi, il est l'oeuvre de l'architecte parisien Jean Thiriot. il fut érigé à l'emplacement d'une ancienne ferme fortifiée. Il est composé d'un corps principal en U de trois niveaux augmenté de deux ailes basses des deux corps descommuns en L. A l'ouest une perspective prolonge un parc romantique et sa pièce d'eau dans la forêt. Au XVIIIème siècle Nicolas Gaudion, secrétaire de Louis XV commande au célèbre décorateur suédois Gilles Marie Oppennord le salon rose où est alors inventé les style rocaille ou Louis XV. En 1748 il est acquis par le héros militaire de France : Le maréchal de Saxe, le chateau connaît alors son âge d'or. Pendant la seconde guerre mondiale, les allemands en firent un atelier de réparation de moteurs d'avion. Depuis les années 2000 le groupe Savry en a fait un restaurant de luxe...à l'abandon actuellement.

  

Le Château de la Grange ou Château de la Grange du Milieu

Le Château de la Grange fut édifié sous Louis XIII non loin du Mont Griffon, point culminant de Yerres. D'architecture style classique français (brique et pierre de taille); ses jardins en sont attribués à Le Nôtre. Le château a appartenu longtemps aux familles du Taillis et Gourgaud. En 2000 le château a été rebaptisé "Maréchal de Saxe". C'est aujourd'hui un hôtel-restaurant haut de gamme.

 

Messieurs les Anglais tirez les premiers, ainsi se comportait le maréchal de Saxe sur le champ de bataille de Fontenoy en 1745, et vainquit l'ennemi de toujours. Louis XV, reconnaissant, lui donna Chambord et quelques privilèges, après l'avoir nommé maréchal de France. Il s'offrit donc le château de la Grange qui porte aujourd'hui son nom. Son passage en ces lieux nous vaut les beaux décors de la grande galerie. Chevalier stucateur du Roi, réalisa les trophées de batailles et de chasses sur les dessins de La Touche. Il commande des travaux gigantesques visant à remodeler château et jardins. Son gaillard portrait règne en pied dans le grand salon blanc et or, réalisé par le célèbre architecte Oppenord. On lui prête d'autres brillantes conquêtes, la Princesse Ivanovna, Duchesse de Courlande, offre sa mémoire au plus bel appartement.

  

Construit vers 1615 pour Charles Duret, futur greffier des ordres du Roi, il est l'oeuvre de l'architecte parisien Jean Thiriot. il fut érigé à l'emplacement d'une ancienne ferme fortifiée. Il est composé d'un corps principal en U de trois niveaux augmenté de deux ailes basses et de deux coro-ps de communs en L. A l'ouest une perspective prolonge un parc romantique et sa pièce d'eau dans la forêt. Au XVIIIème siècle Nicolas Gaudion, secrétaire de Louis XV commande uau célèbre décorateur suédois Gilles Marie Oppennord.le salon rose où est alors inventé les style rocaille Louis XV. En 1748 il est acquis par le héros militaire de France : Le maréchal de Saxe, le chateau connaît alors son âge d'or. Pendant la seconde guerre mondiale, les allemands en firent un atelier de réparation de moteurs d'avion. Depuis les années 2000 le groupe Savry en a fait un restaurant de luxe...

  

Augmentation du chaos.

The northbound Essex Clipper Dinner Train rolls past the southbound Sunset Cruise at Deep River Landing a little bit before sunset. Two Alien Bee B800s augment the fading ambient light.

nightcafe, filtered and manipulated via gimp

Squires Vespers Pens.

 

Verwirrende Faszination verblüffende Worte unvergleichliche Trusts verhaltene Nächte Gestaltungskraft Stürme beeindruckte Visionen berühmte Magier Vorkenntnisse,

готовые войны хитроумные предприятия слепые суждения тайные стратегии раскрытие сокровищ взъерошенная природа проникающий камень любовные земли ,

коварные ураганы подкупленные способы ускорить усмешки нерешительные страхи рисовать муки бессмысленные враги злые правила голодные стены неверующие лидеры потушенные места,

subjugation úthlutað auðvelda hjörtu sigurlaus frelsi stappandi augum hardheartedness tyrants hata froðumyndun grimmd augments hávær,

oibrithe aireach nótaí greanta nimhiúil comharsana amhrasacha cháilíocht geallúintí boltaí tintreach cumhachtaí forghéilleadh smacht imithe titim,

不本意な心配悲惨な怒り悔い改められない証人交渉の意志の支配者の罰則軽蔑の同情不調和の戦い間違った船尾の衝動的な血チャンピオン駆動.

Steve.D.Hammond.

The sunset launch of a Falcon 9 Heavy blasting off from KSC Launch Pad 39A with Continuous Broadcast Augmenting SATCOM 2. The SATCOM 2 satellite will be carried into into a geostationary orbit (22,200 miles above the Earth's surface) where it will serve as a a military communications satellite.

 

This image was captured from the west bank of the Indian River next to the intersection of US Route One & Park Lane, Titusville, Florida - 12 miles west of launch complex 39A

 

Gear:

Sony α7ʀ4 Mirrorless Body

Metabones EF - E Mount smart adapter

Canon 600 mm telephoto lens

Manfrotto Heavy Telephoto Gimbal Head MFR #393

Manfrotto 357-1 Rapid Connect Adapter

Manfrotto 357PLV-1 Sliding Plate

Manfrotto MT055XPRO3 Tripod

 

Camera settings:

Raw File Capture

Viewfinder white balance: Auto

Aperature: ƒ/5.6

Shutter speed: 1/100

ISO: 200

Auto Exposure: Off

Flash: Off

Lens focus set to MF with IS switch @ 2

 

Technique:

WYSIWYG¹ manual exposure through the viewfinder

Manual Focus @ 10x on the Falcon 9

Focus left unchanged for all subsequent captures

 

¹ WYSIWYG: What You See Is What You Get

   

A dumpster in the entry court at West End on Fulton

At first glance, I thought this man was munching on a slice of pizza ... after all, he looks vaguely Italian, and the orange/red color of the food makes it look like a slice of pizza. But if that were true, you would have to ask yourself (as I did): why would anyone be eating a slice of pizza at 7:45 in the morning?

 

I eventually concluded that the food was either a huge piece of cornbread, or perhaps some kind of fried/baked food from some other part of the world. And then I noticed the man's unusual belt buckle, and what seems to be some unusual embroidery on his shirt. Indeed, even his shoes look a little unusual.

 

So I finally concluded that I have no idea at all who this man is, where he comes from, or what he's eating for breakfast. All I can tell you is that he was also not a pattern that repeated itself during my days at the Earth Cafe.

 

**********************

 

As I’ve mentioned in a couple of recent Tumblr blog postings, I’m working on an exercise for a new class that I’ve started taking at the International Center of Photography (ICP) in the fall of 2015.( You can see the earlier Tumblr postings here and here.)

 

In addition to taking a bunch of photos (see the other Tumblr postings for details and descriptions of what the photos are supposed to illustrate), we also have the task of editing our images down to a maximum of 10 “presentation images” that we will share with the ICP class next week. When our instructor, Joanne Dugan, asked me last week if I anticipated having any problems with this aspect of the assignment, I shrugged and said, “No, I do this all the time …”

 

Well, yes and no: I do do a lot of editing/winnowing of my photos before deciding which ones should be shared with anyone else. But I had forgotten that I also do a lot of cropping, color-adjustment, tweaking, and general post-processing before I upload my photos to Flickr, Facebook, or even Instagram. For this particular ICP exercise, we were also told not to crop the photos, and not to do any post-processing. That makes things a lot more difficult …

 

On the other hand, part of the exercise is to assemble and share a maximum of ten photos that collectively tell a “story” of some kind – and to “tell” that story with anywhere from a word, to a sentence, to a paragraph for each of the photos. That makes things a lot easier … after all, if a photo has to be presented in isolation, then it truly stands alone. And it is intended to be viewed without any accompanying text, then it really stands alone. There’s nothing wrong with that; indeed, one might argue that that’s the whole point of photography: a picture should “tell” a story all by itself, without any extraneous verbiage to “explain” what might not be obvious to the viewer.

 

But not very many things exist in complete isolation of the rest of the universe, especially in today’s interconnected world. I suppose some people would debate that point quite vigorously; and some people might argue that a photograph of a person, place, or thing should be able to “stand alone” without anything else. I certainly have seen photos that fall into this category, and I suppose I’ve taken a few like that, too. Or, maybe if I never intended my photos to be considered in complete isolation from one another, perhaps that’s how some people prefer to look at them …

 

But for me, that’s a pretty rare phenomenon. Almost always, I find myself telling a story. The photographs obviously present one “dimension” of the story, in a visual form; and I’ve been trying to remind myself lately that videos can present can present one, and sometimes two, additional dimensions (motion and sound) that can add enormously to the viewer’s understanding and appreciation of the underlying story.

 

But even if one uses only traditional photos, I find that it’s almost impossible for me to crate (or make, or take) one photo by itself; invariably, I take dozens, if not hundreds or even thousands, which collectively tell a story. It may be a story about someplace I’ve been, or some event in which I’ve participated, or some individual (or group of individuals) that I want the viewer to know and appreciate in more detail than would be possible to communicate in a single photo.

 

And then there are the words … maybe it’s because I spend part of my time as a writer and teacher that I find it almost impossible not to augment my photos with words. Lots of words. Indeed, sometimes far too many words; and sometimes clumsy words, or the wrong words. And I do realize that there are times when the situation would be improved if I would just shut up, and let the photograph do all of the communication. But for better or worse, I guess I’m a photojournalist.

 

With that in mind, I began the process of editing the photos for my recent ICP assignment. Here’s what I found:

 

1. It’s not as easy as one might think, when you start with a large number. I began winnowing the original images when I had 2,700 (after 9 days of shooting), and I still had 5 days of shooting left).

 

2. It’s much more difficult than I had imagined, given the constraints of my ICP class: no cropping, no post-processing, and a maximum of only 10 images. I’ve worked within those constraints for the final images that I’m submitting to the ICP class; but for these Flickr uploads, I’ve ended up with 40-45 images – and they have been heavily cropped, tilted, color-corrected, noise-dusted, and tweaked in various other ways. C’est la vie…

 

3. Using the collection of photos to “tell a story” is both easier and harder than I thought it would be. I’m including these background notes in all of the photos that get uploaded to Flickr … because I’ve learned (form past experience) that some visitor will zoom in on just one particular photo, without necessarily looking at all of them, and/or without seeing the overall notes for the entire album. And I don’t think I’ll find it difficult to write a few sentences to provide the background details for each photo … but whether they “flow” and create one overall, coherent “story” remains to be seen.

 

4. Aside from a narrative “story,” there are some “themes” that I noticed throughout this entire two-week exercise. The most significant one was exactly what I had anticipated: patterns. If you are lucky enough to sit in the same spot at the same time, day after day, you see the same rhythms, the same people, the same repetitions of life’s little actions and emotions. Many people have the opportunity to see these patterns, because they do follow the same schedule, day after day, on their way to their job or their school. But some of us have irregular routines, and any, most of us don’t pay any attention. If you slow down, and pay attention, you’ll see the patterns.

 

But sometimes the pattern involves uniqueness – i.e. strange and unusual people or events that seem to happen only once. But I have to keep reminding myself that my visits have lasted only two weeks; if I was here for a month, or a full season, or perhaps an entire year – then perhaps I would see these strange incidents repeating themselves

 

5. Another theme – which I did not anticipate, but was delighted to see – was the pervasive sense of affection and caring between and among everyone on the street. Mostly it was apparent in the interactions between parents and children; but sometimes it was between dog-owners and the dogs they were walking; sometimes it was between friends who happened to be walking along together; and sometimes it was between complete strangers and me, as the strangers would smile and nod and say “hello” if they noticed I was watching them. It was a great experience.

Ah cette chienne va me donner des cheveux gris (ou plutôt augmenter mes cheveux gris). Elle a trouvé moyen de faire sauter les points de suture de son intervention de mercredi sur environ 1 cm, en sautant comme une tarée dans la voiture. J'ai désinfecté et je la surveille (enfin quand je peux), pour le moment j'ai décidé de ne pas appeler ma vétérinaire en urgence un dimanche en espérant que ça ne va pas empirer.

 

Ah this girl will give me gray hair (or rather increase my gray hair). She found a way to blow up the stitches of her Wednesday intervention on a length of about 1 cm, by jumping like a freak in the car. I have disinfected and I am watching (at least as much as I can), for the moment I decided not to call my vet for an emergency on a Sunday. I just hope that it won't get worse.

The Menindee Lakes is a natural series of lakes that fill with water when the Darling-Baaka River floods. In the 1960s, a series of engineering projects augmented the Menindee Lakes, allowing water to be directed into the lakes and held back or released. This ensured a reliable water supply for the city of Broken Hill, the township of Menindee and secure supply of water for the Lower Darling River and supply to South Australia.

 

The Menindee Lakes system provides important habitat, nursery and recruitment for native fish, such as the Murray Cod and Golden Perch. It is important habitat for a huge variety of native and migratory bird species. The Menindee Lakes system is vital to the communities of the Far West, providing recreation and amenity, as well as attracting tourism, recreational fishing, horticulture and viticulture.

 

The Darling-Baaka River is central to the cultural, spiritual and economic lives of the Barkindji people.

 

The health of the Menindee Lakes and the Darling-Baaka River are intimately linked. The lakes fill from the Darling-Baaka River and water stored in the Menindee Lakes keeps the Lower Darling flowing during dry times. The Great Darling Anabranch is a series of ephemeral creeks, billabongs and lakes that wind their way to the Murray River to the west of the main Darling-Baaka River Channel.

 

Irrigation expands:

 

There has been a rapid expansion of irrigation along the rivers in the Northern Basin of the Murray Darling Basin, particularly cotton. Irrigation of cotton has expanded by 4,000% since the 1970s. In 1971 Australia grew 81,000 bales of cotton. By 2012 Australia grew 5.3 million bales. Irrigation dams - Wee Waa

 

Much of the cotton is grown along the rivers of the Murray Darling in very large irrigation enterprises, with most of the cotton grown on tributaries of the Darling-Baaka River.

 

Large private storages were built to hold water and other structures were built to capture flood waters. Water licences and water sharing plans allow irrigators to suck huge quantities from the tributaries of the Darling-Baaka even when flows are modest.

 

The result has been that low and medium flows have virtually stopped flowing down the Darling-Baaka River. Only the largest floods that cannot be captured upstream, or specially protected environmental flows, now make it down to the Menindee Lakes and Lower Darling-Baaka River.

 

An easy target?

 

After the Millennium Drought exposed just how over-allocated the river systems of the Murray-Darling Basin were, the Murray-Darling Basin Plan was agreed between the Commonwealth and the states. The Plan aimed to make the Murray-Darling Basin system more sustainable by returning more water to the rivers through buying back water licences and other measures to recover water for the environment.

 

Menindee Slogan Bus:

 

The irrigation industry views the water flowing into the Menindee Lakes as wasteful and unproductive (not growing crops). They would prefer water to be taken from the Menindee Lakes to meet the targets under the Basin Plan rather than for the irrigation industry to be compelled to use less water. The industry points to the volume of water that evaporates from the Menindee Lakes each year as a key reason to reduce the amount of water flowing into and being stored in the lakes. The amount of water that evaporates from shallow private storages in equally hot and dry climates is rarely mentioned.

 

Scientists and environmentalists view the water that flows down our rivers, fills wetland and billabongs, and spills over floodplains as highly productive for nature and vital for sustaining complex ecosystems that have evolved over eons. These flows are also vital for replenishing underground aquifers and for sustaining downstream communities and Indigenous cultures.

 

Some politicians view the Menindee Lakes as an easy target. The population around Menindee is sparse, without much economic or political clout. The birds, fish and wildlife can not vote, lobby or protest. Taking water from the Menindee Lakes system is seen as politically easier than seeking to recover water from loud, well-connected and politically savvy irrigators. The location of the Menindee Lakes in a remote part of NSW that is out of sight and out of mind for many citizens located on the eastern seaboard also makes it hard for the issue to gain political traction.

 

A plan to decommission the Menindee Lakes:

 

After the Menindee Lakes filled from a major flood event in Queensland and NSW 2012, they were rapidly emptied by the Murray Darling Basin Authority and the NSW Government. Usually the lakes would hold water for many years after they filled, but by 2014 they were emptied. As a consequence, Broken Hill was in danger of running out of water and the government announced a plan to drill bores to supply the city with low-quality bore water. Locals were outraged at this plan and were concerned that the Menindee Lakes had been deliberately drained so quickly as part of a plan to justify the decommissioning of the lakes.RIP Menindee Lakes

 

Another flood filled the Menindee Lakes in late 2016, but again they were rapidly drained, almost inexplicably into a flooding river. By then end of 2017 they were again dry just as drought started to bite and Broken Hill was facing another artificial water shortage.

 

Flush with cash from privatising the electricity networks, the NSW Government spent $500 million building a 270 kilometres water pipeline from the Murray River at Wentworth to Broken Hill. This ended the city’s reliance on the Darling-Baaka River and Menindee Lakes for water supply. Cotton Australia applauded the construction of the pipeline saying in their Annual Report, "The pipeline is a win for the community, the environment and irrigating farmers, and a solution Cotton Australia and its allies have long lobbied for." Meanwhile the local community was concerned that the pipeline would allow the NSW Government to decommission the Menindee Lakes without worrying about Broken Hill's water supply.

 

Sure enough, plans to reconfigure the Menindee Lakes are back on the table as a project to 'recover water from the environment' under the Murray-Darling Basin Plan's Sustainable Diversion Limit Adjustment Mechanism. The NSW Government wants to save up to 100 gigalitres of water each year by reducing the volume water stored in Menindee Lakes by up to 80%. A range of proposals have been put forward for consultation.

 

The Darling River Action Group has labelled the plans as 'ecological genocide.' They strongly oppose the huge reduction in habitat that will occur if reconfiguration plans go ahead. They worry that changing the times between and length of inundation in the lakes will have a major impact on fish breeding and birdlife. The Barkindji native title holders are also strongly opposed to the plans, with significant concerns about the impact on their culture, community, environment and sacred sites.

 

Fish kills and dry rivers and lakes:

 

Fish Kill Menindee In the teeth severe drought, predictions of environmental catastrophe on the Darling River came true as millions of fish floated dead on the surface. Hot weather and a lack of flows led to a blue-green algae bloom that stripped the water of oxygen when it died, suffocating many millions of fish along a length of the Darling-Baaka River. Images of giant Murray Cod many decades old floating on the surface of a stagnant, bright green river shocked Australians. If water had been stored in the Menindee Lakes, a flow of water in the Darling-Baaka River could have been maintained and millions of fish and other creatures would have survived. It was noted that the very large mature Murray Cod that had died would have survived numerous previous droughts, so what had changed?

 

A report by the Australian Academy of Science concluded:

 

The conditions leading to this event are an interaction between a severe (but not unprecedented) drought and, more significantly, excess upstream diversion of water for irrigation. Prior releases of water from Menindee Lakes contributed to lack of local reserves.

 

A small flow in mid-2019 led to a partial revival of the Darling-Baaka River and water in the upper lakes of the Menindee Lakes system. However, the Menindee Lakes and Darling-Baaka River face three major threats:

 

1) The proposed re-configuration of the Menindee Lakes system;

 

2) The continuing overallocation of water extraction licences in the Northern Basin of the Murray-Darling system;

 

3) The extent and proposed licencing of floodplain harvesting, which is capturing huge quantities of water before it can even reach the waterways of the Darling-Baaka River.

 

Source: Save Menindee Lakes (www.savemenindeelakes.org.au/the_history)

A sexy natural wobble for your Slink Physique Hourglass body! Designed to be worn naked, with skimpies or with system layer clothing. Physics layer included. This is an augment to the Physique main body system and is seamless with the body it's designed for. Compatible with SLINK REDUX (bakes on mesh) female bodies only.

March has brought more wonder and gorgeousness at the various events. Today’s photoshoot highlights a wonderful hairstyle from *booN that is currently available from the Salon 52 event. In addition We ❤ RP event was where I got my hot little hands on these fabulous cyborg legs from PBW and chainmail body suit from The Muses.

 

All the taxis and details available on my blog:

 

slbliss.wordpress.com/2019/03/14/augment/

Augmented nature, or madness?

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Inspection de notre tapis de course à l’aide d’un casque de réalité augmentée (lequel tapis s’appelle COLBERT, mais rien à voir avec l’Histoire de France). 😎 Ça permet de travailler avec les mains libres (pas besoin de vérifier la procédure sur sa tablette) et surtout ça évite de recourir trop souvent au Centre de contrôle. Une manière d’opérer cruciale en vue des futures expéditions lointaines pour lesquels il y aura inévitablement des décalages de communication. Depuis Mars, la voix d’un astronaute devrait mettre une vingtaine de minutes à parvenir sur Terre… !

 

Using augmented reality lenses to inspect our treadmill, yes clicking in mid-air won’t make it work better, I realise that. Although astronauts have to be proficient at many things and have training, we have (lots of) limits to our knowledge and skills 😁. We rely on mission control for everything, to help us and guide us and lend a helping hand. But if you have ever tried to help somebody fix their computer, or instruct them to do a difficult task over the phone, you will know how difficult it is! No not that thingy, the other thingy! 😜 Space agencies are constantly trying to improve the process and augmented reality is another test, allowing us both hands to work with as well as avoiding the necessity to stop what we are doing to move to the next step on a checklist on our tablets. Win-win possibly?

 

Credits: ESA/NASA–T. Pesquet

 

549E5220

Alcyone is a ship launched at La Rochelle in 1985 for the Cousteau Society. Alcyone was created as an expedition ship and to test the operation of a new kind of marine propulsion system, the turbosail. Alcyone's two turbosails augment its diesel engines. Since the accidental sinking of Calypso, Alcyone has been the Cousteau Society's expedition vessel.

 

1986 World Exposition on Transportation and Communication, or simply Expo 86, was a World's Fair.

 

False Creek, Vancouver, British Columbia, Canada

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