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deux fois par an l'ecole de musique organise les "aurifions" des élèves piano, chant, chorale chacun s'y pr"pare avec beaucoup de sérieux ce. qu n'empêche par un petit moment de stress
deux fois par an l'ecole de musique organise les "aurifions" des élèves piano, chant, chorale chacun s'y pr"pare avec beaucoup de sérieux ce. qu n'empêche par un petit moment de stress
Wedensday.
And still on the Island.
Through the night, yet more rain fell, and into the morning so I woke to the sound of yet another cloudburst. But it should be clearing soon.
So, I leap out of bed, do 50 press-ups, have a cold shower and am ready for the rigours of the day ahead, and in this I would be helped by a pot of black coffee and the finest sausage and bacon sandwich known to man.
And a man in the kitchen makes it for me, so all I have to do is eat it.
Non nom nom.
I drink the last dregs off the coffee, and I'm away to work.
It was supposed to be a slow and easy start, but I was summoned to an emergency department meeting, and needed to be at the factory to get internet access.
Our soon-to-be-ex-boss is now officially our ex-boss, and we have a new interim manager.
That's it.
So on with the audit.
Outside, the clouds did clear and the sun did shine, and did shine into the meeting room where even in November was so warm the air conditioning could not cope and we got very warm indeed.
We broke for lunch, and talked about the struggles we face, and how jolly nice the Island is.
Well, it is.
We were done by half three, so I drove back to the hotel, but saw the sign I had passed dozens of times, pointing to the 11th century church of St John the Baptist. Today would be the day to visit.
Light was fading fast, but with a warm light, and only with my compact camera, my shots won't win many prizes, but the best camera is the one you have.
From the outside, it seems to be a very Victorian church, but there is a Norman arch in the porch, and many more details inside, among the Victorian fixtures and fittings.
Inside there is a very tall and narrow Jacobian pulpit, some fine monuments from before the 19th century work, and some what I think is medieval glass, or at least fragements reset.
Back at the hotel I wrote a little then decided I really should go an exercise my fat little legs, so should walk into Cowes for a pint at the Ale House, where there was a fine firkin of porter on.
But, before then, as I walked along the promenade, over the other side of the Solent, the just past full moon rose over the Pompy skyline. It was pretty breath-taking, I leaned on railings to watch it rise and get brighter and its yellow colour fade to pure white.
Dozens of other people were doing the same thing too.
And it was a free show.
My favourite price.
I walk into town and up the Ale House, a group of sailing types were talking over pints of fizzy Eurolager, so I order porter just because I can.
There was a wide range of places to eat, most with lots of free tables.
I wasn't in a seafood mood, curry perhaps, but then at a restaurant I saw they had a dish called "sambal chicken". Sambal is a spicy chili sauce from Indonesia, that I sued to eat lots of when I was on the survey boats.
I asked, do you make your own sambal?
They did.
And cocktails were two for £15.
I order the sambal chicken and a marshmallow martini.
Very fuckin sophisticated.
The sambal was hot, just about bearable, but not not leave any doubt, it came with sliced fresh chilli, as did the Thai spiced cheesy chips.
I eat most of it all, then finish up with a "rhubarb and custard cocktail, which did mix quite poorly with the sambal on the walk back to the hotel.
Back to the hotel, I settle the bill and so all ready to leave in the morning, as I have to catch the six o'clock ferry.
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The Church of St. John the Baptist is a parish church located in Northwood, Isle of Wight. The church dates from the 12th century. The mid-19th century saw extensive restoration work carried out on the church. In 1864 the wooden tower and dormer window were both swept away. The restoration was completed in 1874. Despite this restoration work, the church still retains many of its original features including a Norman arch over the south doorway and a Jacobean pulpit.
www.spottinghistory.com/view/12080/church-of-st-john-the-...
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NORTHWOOD
Northewode (xiii cent.).
Northwood is a parish and village midway between Newport and Cowes, and now includes Pallance Gate. In 1894 the parish was extended to include a part of the parish of St. Nicholas. (fn. 1) The soil is for the most part loam, while the subsoil is of clay and gravel. The parish contains 4,333 acres, of which 878 acres are arable, 2,612 acres are permanent grass and 419 acres woodlands. There are also 292 acres of foreshore, 2 of land covered by water and 78 by tidal water. Cowes contains 576 acres, of which 2 acres are arable and 166 permanent grass. There are also 35 acres of foreshore and 5 acres of land covered by water. (fn. 2) There is a station on the Isle of Wight Central railway at the cement works, available for Northwood, and the pumping station of the Cowes Waterworks is situated at Broadfields within the parish. The Associated Portland Cement Manufacturers have large works on the Medina at the West Medina Mills, and there are brickworks at Hillis belonging to Messrs. Pritchett. There existed a confraternity of Brothers and Sisters of St. John Baptist (fn. 3) in a building, later called the Church House, which was standing in 1690. It was founded c. 1500 and dissolved in 1536. An old glebe barn, with a date stone 'Restored 1742,' was pulled down in 1901. There is a Council school (mixed), built in 1855 and enlarged in 1906. The rectory-house lies to the east of the church and dates from the 18th century. (fn. 4)
The parish has a long seaboard as the north-west boundary, which includes the bays of Thorness and Gurnard, the latter the landing-place of Charles II in 1671. Gurnard (fn. 5) is a small village, mostly consisting of villas with a number of artisans' dwellings. There are a coastguard station here and a Council school, erected in 1863.
Northwood Park, the property of Mr. E. Granville Ward, was occupied from 1902 to 1906 by a community of Benedictine nuns, who have since moved to Appley, near Ryde (q.v.). The house, which is properly in Cowes, was built in 1837, on the site of a former residence called Belle View, by Mr. George H. Ward, uncle to the present owner, and is a somewhat stately stone building of classic detail, to which a wing has been since added.
At Hurstake on the Medina there was in the 18th century a flourishing shipyard, but by the end of the century it had fallen to decay. (fn. 6)
Cowes was taken out of Northwood and constituted a separate parish under the Local Government Act of 1894. (fn. 7) It is a thriving seaport town, daily increasing inland to the south, and is a terminus of the Isle of Wight Central railway and the main entrance to the Isle of Wight from Southampton. A steam ferry and launch service connect it with East Cowes. The town affairs are regulated under the Local Government Act of 1894 by an urban district council, who have acquired control of the water supply and gasworks. There is a steamboat pier and landingstage, and the Victoria Promenade Pier was built by the urban district council in 1901. There are wharves and storehouses along the Medina. The principal industries are the shipbuilding business of John Samuel White & Co., Ltd., the brass and iron foundry of Messrs. William White, the ropery of Messrs. Henry Bannister & Co. and the well-known sail-making establishment of Messrs. Ratsey & Lapthorn. A recreation ground of 9 acres was presented to the town by Mr. W. G. Ward in 1859.
The main or High Street of Cowes is a narrow, winding, old-fashioned road, widening as it approaches the shore at the north end, and finally terminating in the Parade, the principal sea-front of the town. At the end of the Parade is the Royal Yacht Squadron (fn. 8) Club House, converted to its present use in 1858, and beyond is the 'Green,' made over to the town authorities in 1864 by Mr. George R. Stephenson. The well-known annual regatta is held here the first week in August. (fn. 9) The oldest inn is the 'Fountain,' by the landing-pier, dating from the 18th century. The Gloucester Hotel, by the Parade, was the former home of the Royal Yacht Squadron, and probably owes its name to the visit of the Duke of Gloucester and his sister the Princess Sophia in 1811. The Royal Marine Hotel, also on the Parade, was certainly in existence at the beginning of the 19th century. (fn. 10) A public cemetery, about half a mile south of the town, was opened in 1855, and is under a joint burial board composed of members from Cowes and Northwood.
Besides Northwood Park, the principal residences are Egypt House, (fn. 11) the property of Mr. E. Granville Ward, and Nubia House, the home of Sir Godfrey Baring, late M.P. for the Island.
The name Cowes dates from the beginning of the 16th century, before which time the port—if port it could be called—was higher up the river at Shamblers. (fn. 12) In 1512 the fleet under Sir Edward Haward victualled at Cowes (the Cowe) on its way to Guienne, (fn. 13) so it is evident the place did not take its name from the defensive work, which was certainly not built before 1539. (fn. 14) Leland speaks of forts both at East and West Cowes, (fn. 15) but the former had become a ruin by the 17th century. (fn. 16) The latter, however, was kept up and added to, and had, in addition to the gun platform and magazine, apartments for the captain and gunners, and at the end of the 18th century mounted eleven nine-pounders. (fn. 17)
The inhabitants of this part of Northwood parish seem to have been seafarers and traders, or at any rate smugglers, as early as the 14th century. In July 1395 Thomas Shepherd received a 'pardon of the forfeitures and imprisonment incurred by him because he and two of the ferrymen sold two sacks of wool to men of a skiff from Harflete, carried the said wool as far as le Soland and there delivered the same, taking money.' (fn. 18) At another time he 'sold wool without custom . . . with the clerks of the chapel of the Earl of Salisbury, and at another time with a skiff from Harflete belonging to Janin Boset of Harflue.' (fn. 19)
The merchants' houses and stores were principally at East Cowes, where most of the business was transacted; but West Cowes in the 18th century became a shipbuilding centre, contributing many first-class battleships to the English navy. (fn. 20) By the year 1780 it was 'the place of greatest consideration in the parish of Northwood,' (fn. 21) and though the town was indifferently built, with very narrow streets, the inhabitants managed to be 'in general, genteel and polite although not troublesomely ceremonious.' (fn. 22)
In 1795 there were 2,000 inhabitants and the town had a good trade in provisions to the fleets riding in the roads waiting for a wind or a convoy. While the lower part of Cowes was crowded with seamen's cottages and business premises, the upper part on the hill slope was occupied by villas, chiefly of retired naval men. (fn. 23)
By the 19th century the tide of prosperity began to flow from East to West Cowe, which became a favourite bathing and boating resort, patronized by Royalty. The town now grew rapidly, and in 1816 an Act was passed for 'lighting, cleansing and otherwise improving the town of West Cowes . . . and for establishing a market within the said town.' (fn. 24)
The advent of the Royal Yacht Squadron, and the consequent popularity of racing, put a seal on West Cowes. It became fashionable and has remained so ever since—the hub of the yachting world.
There are two halls for entertainments—the Foresters' Hall in Sun Hill and another in Bridge Road, each capable of seating over 500 people.
There are Council schools in Cross Street (infants), and a mixed school has been lately erected in the same street; boys' and infants' in York Street; non-provided (boys and girls) in Cross Street.
MANORS
There is no mention of a manor of NORTHWOOD in Domesday Book, and it seems probable that then, as in the 13th century, the greater part of the land in the parish formed a member of the manor of Bowcombe in Carisbrooke (fn. 25) (q.v.). In the 17th century this land came to be regarded as a separate manor, but it continued to follow the descent of Bowcombe (fn. 26) until the latter half of the 18th century, when it was presumably sold to the Wards, whose representative, Mr. Edmund Granville Ward, is the present lord of the manor.
There was a small holding in Northwood possibly, as Mr. Stone suggests from research he has made, to be identified with Shamlord (q.v.). It was held, together with other property, under the manor of Bowcombe by a branch of the Trenchard family at least as early as 1338. (fn. 27) In 1560 Richard Trenchard, who seems to have been the grandson of John Trenchard of Chessell in Shalfleet, died seised of this property, which he had held 'in socage by fealty and rent of 25s. yearly, suit at court and finding one man and one woman yearly to mow the corn of the farmer of Bowcombe for one day.' He was succeeded by his son William. (fn. 28)
There were also lands in Northwood which formed a member of the manor of Alvington in Carisbrooke and were held in the reign of Henry III by William de St. Martin. (fn. 29) They afterwards belonged to Sir Stephen Popham (fn. 30) and descended to Sir Nicholas Wadham in the early part of the 16th century, at which time they were regarded as a separate manor; they continued, however, to follow the descent of Alvington (q.v.).
In the reign of Henry VIII there was in the parish much woodland which belonged before the Dissolution to the Prior and convent of Christchurch Twyneham, (fn. 31) who had perhaps bought it from the abbey of St. Mary, Romsey, to which it belonged in the 13th century. (fn. 32) In 1280 this abbey had received from Edward I a confirmation of a charter of Henry II granting them 'all their wood of Northwood, as King Edward gave it to them.' (fn. 33) There is, however, no mention of any property in Northwood among the possessions of Romsey Abbey at its dissolution. In 1544 the wood was granted to Thomas Hopson (fn. 34) and subsequently followed the descent of Ningwood in Shalfleet (q.v.). It was described as 'the manor of Northwood' in 1626, at which time it was in the possession of John Hopson. (fn. 35)
The manor of WERROR (Werore, xii cent.; Werole, xiii cent.; Warror, xvi cent.) was granted to God's House, Southampton, immediately after its foundation about 1197, for it was confirmed to the hospital by Richard I in 1199. (fn. 36) It had been given to the hospital by a certain Mark, and his gift was confirmed in 1209 by his son Roger, of whom the manor was to be held at a yearly rent of 6d. (fn. 37) William de Redvers Earl of Devon (1184–1216) granted to the hospital rights of pasturage and fuel, except for six weeks each year, over the whole land of Werror which belonged to his fee, and which is described as lying within Parkhurst, Northwood, Carisbrooke and the Medina. (fn. 38)
The estate remained in the hands of successive priors until the Dissolution (fn. 39) and passed with God's House to Queen's College, Oxford, (fn. 40) by whom the manor is still owned. (fn. 41)
CHURCHES
The church of ST. JOHN THE BAPTIST lies to the east of the road from Newport to Cowes. It was built as a chapel for the northern portion of the parish of Carisbrooke in the middle of the 12th century, and consists of a chancel, a nave with north and south aisles and a modern tower with spire added at the west end in 1864. The south door is a good specimen of 12th-century work, to be classed with those of Yaverland and Wootton. Both aisles are very narrow and are of four bays, with columns having the characteristic splay-cornered capitals found elsewhere in the Isle of Wight, (fn. 42) and must have been added towards the end of the century, the south being the later. (fn. 43) There are curious flying arches across these, evidently inserted later, to withstand the thrust of the roof and carry the flat above. In the 15th century windows of the period were inserted in the walls and the chancel reroofed, (fn. 44) if not rebuilt, and a small door inserted in the north wall of the nave. There is a good canopied Jacobean pulpit, somewhat similar in detail to that at Wootton. The chancel arch is a plain splay springing direct from the wall without an impost, and looks as though the earlier one had been destroyed and the opening widened in the 15th century. The memorials of interest are a painted wooden tablet to the children of Samuel and Grace Smith, who died in 1668 and 1670, and a curious memorial to Thomas Smith, rector, who died in 1681. (fn. 45)
The one bell, founded by Mears, was hung in 1875.
The plate consists of a chalice inscribed 'T.H. E.L.'; a paten inscribed 'Thomas Troughear, D.D. istius Ecclĩae Rector,' dated 1732; a flagon (plated) inscribed 'Northwood Church, 1831'; an oval paten inscribed '1813.'
The registers date from 1539, and are in seven books (fn. 46) : (i) 1539 to 1593; (ii) 1594 to 1598; (iii) 1599 to 1605; (iv) 1606 to 1618; (v) 1621 to 1660; (vi) 1653 to 1759; (vii) 1743 to 1812.
There is a mission church in Pallance Road with a Sunday school attached.
The church of ST. MARY, WEST COWES, built in 1867 on the site of an earlier church erected in 1657, is a stone structure consisting of chancel, nave of four bays and aisles, with a tower containing one bell and a clock. It has a handsome reredos and a fine organ. There is a brass memorial tablet to Dr. Arnold of Rugby. The living is a vicarage in the gift of the vicar of Carisbrooke. The register dates from 1679.
HOLY TRINITY CHURCH
HOLY TRINITY CHURCH, built of brick in 1832 at the sole expense of the late Mrs. S. Goodwin, was enlarged by the addition of a chancel in 1862. It has a western tower with embattled cornice and angle pinnacles. The register dates from 1833. The living is in the gift of Mr. Ll. Loyd.
The Roman Catholic church of St. Thomas of Canterbury in Terminus Road is a white brick building erected in 1796. There is a large altar-piece by Cau representing the Descent from the Cross, and another of the Death of the Virgin, on the north wall.
At Gurnard is the church of ALL SAINTS, attached to Holy Trinity, Cowes. It is of brick with Bath stone dressings, and has nave, chancel, north and south transepts and a turret with one bell.
ADVOWSONS
The church of Northwood was a chapel of ease to Carisbrooke, and belonged in early times to the priory there, (fn. 47) to which it had been granted by William de Redvers Earl of Devon. When the prior and convent obtained the rectory and endowed the vicarage of Carisbrooke, the tithes of Northwood, both great and small, were assigned to the vicar. (fn. 48) In the reign of Henry VIII Northwood obtained parochial privileges and was exempted from contribution to the repairs of Carisbrooke Church. (fn. 49) The living is still attached to Carisbrooke, and the patrons at the present day are the Provost and Fellows of Queen's College, Oxford.
Cowes is ecclesiastically divided into two districts. The church of St. Mary was built in 1657, and further endowed in 1679 by George Morley Bishop of Winchester, 'provided that the inhabitants should pay the minister (who is always of their own choosing) £40 a year.' (fn. 50) The living is a vicarage, net yearly value £130, in the gift of the vicar of Carisbrooke.
The Roman Catholic church of St. Thomas of Canterbury was served at the beginning of the 19th century by two chaplains of Napoleon's Foreign Legion. The earliest register contains the names of several of the officers and men.
¶There are several large Nonconformist chapels in the town. The oldest of these is the Congregational chapel, which was built in 1804. The Wesleyan chapel was built in 1831, the Baptist chapel in 1877 and the Primitive Methodist and United Methodist Free Churches in 1889.
deux fois par an l'ecole de musique organise les "aurifions" des élèves piano, chant, chorale chacun s'y pr"pare avec beaucoup de sérieux ce. qu n'empêche par un petit moment de stress
EXPLORE, #210 November 5, 2007
For Assignment CWD423 CWD: Audit
I actually kinda find cemeteries to be calming and peaceful, but most find them spooky, and I really liked this scene.
deux fois par an l'ecole de musique organise les "aurifions" des élèves piano, chant, chorale chacun s'y pr"pare avec beaucoup de sérieux ce. qu n'empêche par un petit moment de stress
ONE OF THE WAY TO TRAIN THE "THE AWARENESS MUSCLE
is the critical run
and other emergency art format
CRITICAL RUN / Debate Format
Critical Run is an Art Format created by Thierry Geoffroy/Colonel
debate while running .
Debate and Run together,Now,before it is too late.
www.emergencyroomscanvas todo .org/criticalrun.html
The Art Format Critical Run has been activated in 30 differents countries with 120 different burning debates
New York,Cairo,London,Istanbul,Athens,Hanoi,Paris,Munich,Amsterdam Siberia,Copenhagen,Johanesburg,Moskow,Napoli,Sydney,
Wroclaw,Bruxelles,Rotterdam,Barcelona,Venice,Virginia,Stockholm,Århus,Kassel,Lyon,Trondheim, Berlin ,Toronto,Hannover ...
CRITICAL RUN happened on invitation from institution like Moma/PS1, Moderna Muset Stockholm ,Witte de With Rotterdam,ZKM Karlsruhe,Liverpool Biennale;Sprengel Museum etc..or have just happened on the spot because
a debate was necessary here and now.
In 2020 the Energy Room was an installation of 40 Critical Run at Museum Villa Stuck /Munich
part of Colonel solo show : The Awareness Muscle Training Center
----
Interesting publication for researches on running and art
www.emergencyrooms.org/formats.html
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----
------------about Venice Biennale history from wikipedia ---------
curators previous
* 1948 – Rodolfo Pallucchini
* 1966 – Gian Alberto Dell'Acqua
* 1968 – Maurizio Calvesi and Guido Ballo
* 1970 – Umbro Apollonio
* 1972 – Mario Penelope
* 1974 – Vittorio Gregotti
* 1978 – Luigi Scarpa
* 1980 – Luigi Carluccio
* 1982 – Sisto Dalla Palma
* 1984 – Maurizio Calvesi
* 1986 – Maurizio Calvesi
* 1988 – Giovanni Carandente
* 1990 – Giovanni Carandente
* 1993 – Achille Bonito Oliva
* 1995 – Jean Clair
* 1997 – Germano Celant
* 1999 – Harald Szeemann
* 2001 – Harald Szeemann
* 2003 – Francesco Bonami
* 2005 – María de Corral and Rosa Martinez
* 2007 – Robert Storr
* 2009 – Daniel Birnbaum
* 2011 – Bice Curiger
* 2013 – Massimiliano Gioni
* 2015 – Okwui Enwezor
* 2017 – Christine Macel[19]
* 2019 – Ralph Rugoff[20]
----------
#art #artist #artistic #artists #arte #artwork
Pavilion at the Venice Biennale #artcontemporain contemporary art Giardini arsenal
venice Veneziako VenecijaVenècia Venedig Venetië Veneetsia Venetsia Venise Venecia VenedigΒενετία( Venetía Hungarian Velence Feneyjar Venice Venezia Venēcija Venezja Venezia Wenecja Veneza VenețiaVenetsiya BenátkyBenetke Venecia Fenisוועניס Վենետիկ ভেনি স威尼斯 (wēinísī) 威尼斯 ვენეციისવે નિસवेनिसヴェネツィアವೆನಿಸ್베니스வெனிஸ்వెనిస్เวนิซوینس Venetsiya
art umjetnost umění kunst taide τέχνη művészetList ealaín arte māksla menasarti Kunst sztuka artă umenie umetnost konstcelfקונסטարվեստincəsənətশিল্প艺术(yìshù)藝術 (yìshù)ხელოვნებაकलाkos duabアートಕಲೆសិល្បៈ미술(misul)ສິນລະປະകലकलाအတတ်ပညာकलाකලාවகலைఆర్ట్ศิลปะ آرٹsan'atnghệ thuậtفن (fan)אומנותهنرsanat artist
other Biennale :(Biennials ) :
Venice Biennial , Documenta Havana Biennial,Istanbul Biennial ( Istanbuli),Biennale de Lyon ,Dak'Art Berlin Biennial,Mercosul Visual Arts Biennial ,Bienal do Mercosul Porto Alegre.,Berlin Biennial ,Echigo-Tsumari Triennial .Yokohama Triennial Aichi Triennale,manifesta ,Copenhagen Biennale,Aichi Triennale .Yokohama Triennial,Echigo-Tsumari Triennial.Sharjah Biennial ,Biennale of Sydney, Liverpool , São Paulo Biennial ; Athens Biennale , Bienal do Mercosul ,Göteborg International Biennial for Contemporary Art ,DOCUMENTA KASSEL ATHENS
* Dakar
kritik [edit] kritikaria kritičar crític kritiker criticus kriitik kriitikko critique crítico Kritiker κριτικός(kritikós) kritikus Gagnrýnandi léirmheastóir critico kritiķis kritikas kritiku krytyk crítico critic crítico krytyk beirniad קריטיקער
Basque Veneziako Venecija [edit] Catalan Venècia Venedig Venetië Veneetsia Venetsia Venise Venecia Venedig Βενετία(Venetía) Hungarian Velence Feneyjar Venice Venezia Latvian Venēcija Venezja Venezia Wenecja Portuguese Veneza Veneția Venetsiya Benátky Benetke Venecia Fenis וועניס Վենետիկ ভেনিস 威尼斯 (wēinísī) 威尼斯 Georgian ვენეციის વેનિસ वेनिस ヴェネツィア ವೆನಿಸ್ 베니스 வெனிஸ் వెనిస్ เวนิซ وینس Venetsiya
Thierry Geoffroy / Colonel
#thierrygeoffroy #geoffroycolonel #thierrygeoffroycololonel #lecolonel #biennalist
#artformat #formatart
#emergencyart #urgencyart #urgentart #artofthenow #nowart
emergency art emergency art urgency artist de garde vagt alarm emergency room necessityart artistrole exigencyart predicament prediction pressureart
#InstitutionalCritique
#venicebiennale #venicebiennale2017 #venicebiennale2015
#venicebiennale2019
#venice #biennale #venicebiennale #venezia #italy
#venezia #venice #veniceitaly #venicebiennale
#pastlife #memory #venicebiennale #venice #Venezia #italy #hotelveniceitalia #artexhibit #artshow #internationalart #contemporaryart #themundane #summerday
#biennalevenice
Institutional Critique
Identity Politics Post-War Consumerism, Engagement with Mass Media, Performance Art, The Body, Film/Video, Political, Collage, , Cultural Commentary, Self as Subject, Color Photography, Related to Fashion, Digital Culture, Photography, Human Figure, Technology
Racial and Ethnic Identity, Neo-Conceptualism, Diaristic
Contemporary Re-creations, Popular Culture, Appropriation, Contemporary Sculpture,
Culture, Collective History, Group of Portraits, Photographic Source
, Endurance Art, Film/Video,, Conceptual Art and Contemporary Conceptualism, Color Photography, Human Figure, Cultural Commentary
War and Military, Political Figures, Social Action, Racial and Ethnic Identity, Conflict
Personal Histories, Alter Egos and Avatars
Use of Common Materials, Found Objects, Related to Literature, Installation, Mixed-Media, Engagement with Mass Media, Collage,, Outdoor Art, Work on Paper, Text
Appropriation (art) Art intervention Classificatory disputes about art Conceptual art Environmental sculpture Found object Interactive art Modern art Neo-conceptual art Performance art Sound art Sound installation Street installations Video installation Conceptual art Art movements Postmodern art Contemporary art Art media Aesthetics Conceptualism
Post-conceptualism Anti-anti-art Body art Conceptual architecture Contemporary art Experiments in Art and Technology Found object Happening Fluxus Information art Installation art Intermedia Land art Modern art Neo-conceptual art Net art Postmodern art Generative Art Street installation Systems art Video art Visual arts ART/MEDIA conceptual artis
—-
CRITICAL RUN is an art format developed by Thierry Geoffroy / COLONEL, It follows the spirit of ULTRACONTEMPORARY and EMERGENCY ART as well as aims to train the AWARENESS MUSCLE.
Critical Run has been activated on invitation from institutions such as Moderna Muset Stockholm, Moma PS1 ,Witte de With Rotterdam, ZKM Karlsruhe, Liverpool Biennale, Manifesta Biennial ,Sprengel Museum,Venice Biennale but have also just happened on the spot because a debate was necessary here and now.
It has been activated in Beijing, Cairo, London, Istanbul, Athens, Kassel, Sao Paolo, Hanoi, Istanbul, Paris, Copenhagen, Moskow, Napoli, Sydney, Wroclaw, Bruxelles, Rotterdam, Siberia, Karlsruhe, Barcelona, Aalborg, Venice, Virginia, Stockholm, Aarhus, Rio de Janeiro, Budapest, Washington, Lyon, Caracas, Trondheim, Berlin, Toronto, Hannover, Haage, Newtown, Cartagena, Tallinn, Herning, Roskilde;Mannheim ;Munich etc...
The run debates are about emergency topics like Climate Change , Xenophobia , Wars , Hyppocrisie , Apathy ,etc ...
Participants have been very various from Sweddish art critics , German police , American climate activist , Chinese Gallerists , Brasilian students , etc ...
Critical Run is an art format , like Emergency Room or Biennalist and is part of Emergency Art ULTRACONTEMPORARY and AWARENESS MUSCLE .
www.emergencyrooms.org/criticalrun.html
www.emergencyrooms.org/formats.html
-------
In 2020 a large exhibition will show 40 of the Critical Run at the Museum Villa Stuck in Munich / part of the Awareness Muscle Training Center
------
for activating the format or for inviting the installation
please contact 1@colonel.dk
-----
critical,run,art,format,debate ,artformat,formatart,moment,clarity,emergency,kunst,
Sport,effort,curator,artist,urgency,urgence,criticalrun,emergencies,ultracontemporary
,rundebate,sport,art,activism, critic,laufen,Thierry Geoffroy , Colonel,kunstformat
,now art,copenhagen,denmark
Commission On Audit
Manufacturer: Hino Motors Philippines Corporation
Model: Grandecho-II
Chassis: RK8JSUA
Engine: J08E-UB
deux fois par an l'ecole de musique organise les "aurifions" des élèves piano, chant, chorale chacun s'y pr"pare avec beaucoup de sérieux ce. qu n'empêche par un petit moment de stress
deux fois par an l'ecole de musique organise les "aurifions" des élèves piano, chant, chorale chacun s'y pr"pare avec beaucoup de sérieux ce. qu n'empêche par un petit moment de stress
Tax Audit of a 1040
I am the designer for 401kcalculator.org. I have put all these images in the public domain and welcome anyone to use them however please credit our site as the source if you do: 401kcalculator.org
deux fois par an l'ecole de musique organise les "aurifions" des élèves piano, chant, chorale chacun s'y pr"pare avec beaucoup de sérieux ce. qu n'empêche par un petit moment de stress
deux fois par an l'ecole de musique organise les "aurifions" des élèves piano, chant, chorale chacun s'y pr"pare avec beaucoup de sérieux ce. qu n'empêche par un petit moment de stress
Le Gumball3000 était de passage a Paris pour cette année 2011.
Je me suis rendu a leur étape sur la Place Vendôme.
Un bohneur visuel et auditif !
Page Fan Facebook : www.facebook.com/pages/Julien-Huet-Photography/1355612031...
Ian's on the road again, wearing different shoes again.
Or something.
Yes, have audit will travel is taking me back to the north west and head office (UK) in Warrington.
I wasn't keen to go, as I would be one of those being audited, rather than being the auditor.
So it goes.
Up even earlier than usual, Jools went swimming first thing, while I woke up and packed.
It was to be a bright if cold day, and the promise of actual snow once I reached Manchester, so that was something to look forward to. No?
Jools dropped me off on the prom so I could have a walk, take some snaps before picking up the car.
It was cold.
Not Canada cold, clearly.
Minus three. And too cold to linger to watch the actual sunrise, so made do with snapping the reflected light of the hotels and a ferry coming into the harbour. I walked over Townwall Street, now cold to the bone, hoping the car hire place would be open on time.
It wasn't, but a couple of minutes later, a guy came to open up and let me inside where it was slightly warmer.
My old ruse of getting an automatic thus getting a larger car was ruined this time was I was given a Toyota Yaris. It struggled to get up Jubilee Way without the engine screaming. You'd better behave yourself for the next three days I told it.
Back home for breakfast, load the car and say goodbye to the cats. One last look, and I was off. The car had no sat nav, so had to use the phone.
Before going to the hotel, I was going to visit a former colleague who lives in Warrington, or nearly St Helens as I found out later, so programmed her address in, and off I went, along our street and towards the A2 and the long slog up to Dartford.
I connected my phone to charge, and straight away tunes from my Apple music store started playing. So, apart from the free U2 album it forced on all users, the rest was good if a little Skids and Velvet Underground heavy.
The miles were eaten up, even if I had to turn the music way up to drown the sound of the screaming engine.
Like all trips, I had something extra to sweeten the time away, and in this case it was a church. But not just any church, as you will see.
I watched a short documentary on Monday about Mary Queen of Scots, and remembered that she had been imprisoned and executed at Fotheringhay Castle in what is now Northamptonshire, and if I went over the Dartford Crossing, up the M11 to Cambridge, then were the A14 crossed the Great North Road, ten miles north was Fotheringhay.
So, I pressed on, under the river and into Essex, then along to the bottom of the M11, and north past Stanstead to Cambridge. Traffic wasn't bad, so I made good time, my phone telling me I would reach Fotheringhay at midday.
Turning off the A1, down narrow lanes, then the view to the church opens up, in what is possibly one of the finest vistas in all of England. St Mary and All Saints, 15th century and in its Perpendicular finest, it looks too good to be that old, but is.
Not only is the church mostly as it was, if plain inside, this was the parish church of the House of York, of several Kings including the final, Richard III.
This is real history.
I crossed over the narrow hump-back bridge that spanned the fast flowing, and nearly flooding, River Neane, into the village and parked outside the church. A set of grand gates lead off the main road to the northern porch, lined with fine trees, naked it being winter.
The tower seems over-large for the Nave and Chancel, it stands 116 feet tall, and is a chonker, the rest of the church seems small beside it, but the interior of the church is a large space, high to its vaulted roof.
I take shots, not as many as perhaps I should, but the church doesn't have centuries of memorials, but does have two House of York tombs, or mausoleums.
Back outside, my phone tells me I should be in Warrington by four, my friend, Teresa, wouldn't be home until half past, so I could have another break on the way.
The sat nav took me back to the A14, and from there it is just a 60 mile drive to the bottom of the M6 and then the hike two hours north.
At least it was a sunny day, though clouds were building, and was it my imagination, or did it look like snow falling already?
No, it was snow. big, fat, wet flakes at first, not much to worry about, but I pressed on past Coventry to the toll road, I sopped for half an hour there, enough time to have a drink and some crisps, then back outside where darkness was falling, as well as more snow.
The M6 might have had its upgrade complete, but a trip on it is rarely without delays. And for me, an hour delayed just before Warrington due to a crash, so we inched along in near darkness.
Teresa lived the other side of Warrington, so I had to press on further north, then along other main roads, round a bonkers roundabout before entering the town. Roads were lined with two up/two downs, doors leading straight onto the pavement. Cozy and northern.
They have two dog-mountains, I'm not sure of the breed, but think of something like a St Bernard and go bigger. They had just been for a walk, were damp and happy to be inside, laying on the kitchen floor. Taking up all the kitchen floor.
We talked for an hour, then I received a call from a guy I was supposed to be meeting up with: heavy snow was falling, I should get there sooner than later. So, I said my goodbyes and programmed the route to the hotel. Sorry, resort. Golf resort.
16 miles.
Snow was falling heavy, not too bad on main roads back to the motorway, though traffic on that was only going 40, it was fast enough. But the final six miles was long a main road, but it was covered in snow, with more falling.
The the fuel warning light went on.
Ignore that, I just wanted to get to the hotel safe and have dinner. Not end up in a hedge.
The final mile was very scary, snow only an inch deep, but slippery. There was a gatehouse marking the entrance to the golf club, I turned in and parked in the first space I came to.
Phew.
I checked in, and the place is huge, swish, but full of golfers.
But it does a sideline in conferences, training centre and a hotel. It was full.
I checked in, walked to the room, which is huge, and very comfortable, dropped my bags and went to the bar for dinner of beer and burgers. The place was almost empty, I watched cricket live from South Africa while I ate and drank.
Would I be tempted by the cheeseboard?
I would, dear reader, I would.
To my room to watch the football and relax while snow fell outside.
-------------------------------------------
The Church of St Mary and All Saints, Fotheringhay is a parish church in the Church of England in Fotheringhay, Northamptonshire. It is noted for containing a mausoleum to leading members of the Yorkist dynasty of the Wars of the Roses.
The work on the present church was begun by Edward III who also built a college as a cloister on the church's southern side. After completion in around 1430, a parish church of similar style was added to the western end of the collegiate church with work beginning in 1434. A local mason, William Horwood was contracted to build the nave, porch, and tower of this church for £300 for the Duke of York.[2] It is the parish church which still remains.
The large present church is named in honour of St Mary and All Saints, and has a distinctive tall tower dominating the local skyline. The church is Perpendicular in style and although only the nave, aisles and octagonal tower remain of the original building it is still in the best style of its period.[3] The tower is 78 feet (24 metres) high to the battlements, and is 116 feet (35 metres) high to the pinnacles of the octagon.[4]
The church has been described by Simon Jenkins as
float[ing] on its hill above the River Nene, a galleon of Perpendicular on a sea of corn.
The college continued to 1547, when it was seized by the Crown, along with all remaining chantries and colleges. The chancel was pulled down immediately after the college was granted to John Dudley, 1st Duke of Northumberland, by King Edward VI.[6] A grammar school was founded in its place which lasted until 1859.
Nearby Fotheringhay Castle was the principal home of two Dukes of York. Edward of Norwich, 2nd Duke of York, who was killed at the Battle of Agincourt in 1415 was buried in the church. He had earlier established a college for a master and twelve chaplains at the location. Edward's burial provided the basis for the later adoption of the church as a mausoleum to the Yorkist dynasty. In 1476 the church witnessed one of the most elaborate ceremonies of Edward IV's reign – the re-interment of the bodies of the king's father Richard Plantagenet, 3rd Duke of York and his younger brother Edmund, Earl of Rutland, who had been buried in a humble tomb at Pontefract. Father and son fell at the Battle of Wakefield on 30 December 1460.
Thomas Whiting, Chester Herald, has left a detailed account of the events:
on 24 July [1476] the bodies were exhumed, that of the Duke, "garbed in an ermine furred mantle and cap of maintenance, covered with a cloth of gold" lay in state under a hearse blazing with candles, guarded by an angel of silver, bearing a crown of gold as a reminder that by right the Duke had been a king. On its journey, Richard, Duke of Gloucester, with other lords and officers of arms, all dressed in mourning, followed the funeral chariot, drawn by six horses, with trappings of black, charged with the arms of France and England and preceded by a knight bearing the banner of the ducal arms. Fotheringhay was reached on 29 July, where members of the college and other ecclesiastics went forth to meet the cortege. At the entrance to the churchyard, King Edward waited, together with the Duke of Clarence, the Marquis of Dorset, Earl Rivers, Lord Hastings and other noblemen. Upon its arrival the King 'made obeisance to the body right humbly and put his hand on the body and kissed it, crying all the time.' The procession moved into the church where two hearses were waiting, one in the choir for the body of the Duke and one in the Lady Chapel for that of the Earl of Rutland, and after the King had retired to his 'closet' and the princes and officers of arms had stationed themselves around the hearses, masses were sung and the King's chamberlain offered for him seven pieces of cloth of gold 'which were laid in a cross on the body.' The next day three masses were sung, the Bishop of Lincoln preached a 'very noble sermon' and offerings were made by the Duke of Gloucester and other lords, of 'The Duke of York's coat of arms, of his shield, his sword, his helmet and his coursers on which rode Lord Ferrers in full armour, holding in his hand an axe reversed.' When the funeral was over, the people were admitted into the church and it is said that before the coffins were placed in the vault which had been built under the chancel, five thousand persons came to receive the alms, while four times that number partook of the dinner, served partly in the castle and partly in the King's tents and pavilions. The menu included capons, cygnets, herons, rabbits and so many good things that the bills for it amounted to more than three hundred pounds.
In 1495 the body of Cecily Neville, Duchess of York was laid to rest beside that of her husband the Duke of York, as her will directed. She bequeathed to the College
a square canopy, crymson cloth of gold, a chasuble, and two tunicles, and three copes of blue velvet, bordered, with three albs, three mass books, three grails and seven processioners.
After the choir of the church was destroyed in the Reformation during the sixteenth century, Elizabeth I ordered the removal of the smashed York tombs and created the present monuments to the third Duke and his wife around the altar.
The birthday of Richard III is commemorated annually by the Richard III Society by the placing of white roses in the church.
en.wikipedia.org/wiki/Church_of_St_Mary_and_All_Saints,_F...
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As any experienced pub quizzer will be able to tell you, Cambridgeshire shares borders with more other counties than any other English county, and one of the pleasures of exploring its churches by bike is to occasionally pop over a border and cherry-pick some of the best churches nearby. I had long wanted to visit Fotheringhay in Northamptonshire, and it is only ten miles west of Peterborough, and so I thought why not? I could also take in its near neighbours Nassington and Warmington, both noted as interesting churches.
Fotheringhay is a haunted place. It is haunted by noble birth and violent death, by its pivotal importance as a place in 15th Century English politics, and by its desolation in later centuries - not to mention by one significant event in the last couple of years.
The view of the church from the south across the River Nene is one of the most famous views of a church in England - there can be few books about churches which do not include it. The tower is a spectacular wedding cake, the square stage surmounted by an octagonal bell stage. This is not an unusual arrangement in the area of the Nene and Ouse Valleys, but nowhere is it on such a scale and with such intricacy as this.
The nave is also vast, a great length of flying buttresses running above each aisle, and walls of glass, great perpendicular windows designed to let in light and drive out superstition. What you cannot see from across the river is that, behind the big oak tree, the church has no chancel.
Inside, it is a square box full of light divided by great arcades that march resolutely eastwards towards a large blank wall. Heraldic shields stand aloof up in the arcades, and the one fabulous spot of colour is the great pulpit nestled in the south arcade, another sign that this building was designed to assert the doctrine of the Holy Catholic Church. This place swallows sound and magnifies light. It is thrilling, awe-inspiring. What happened here?
In the medieval period, Fotheringhay Castle was the powerbase of the House of York. The church was built as a result of a bequest by Edward III, who died in 1370. It was complete by the 1430s, with a college of priests and a large nave for the Catholic devotions of the people.
Over the next century it would house the tombs of, among others, Edward of Norwich, 2nd Duke of York and grandson of Edward III who was killed in 1415 at Agincourt, and Richard Plantaganet, 3rd Duke of York, who was killed in the Battle of Wakefield in 1460. It was Richard's claim to the throne of England which had led to the Wars of the Roses. His decapitated head was gleefully displayed on a pike above Micklegate Bar in York by the victorious Lancastrian forces. Also killed in the battle was Richard's 17 year old son Edmund.
But the Lancastrian delight was shortlived, for by the following year Richard's eldest son had become King as Edward IV. He immediately arranged for the translation of the bodies of his father and brother from their common grave at Pontefract back to Fotheringhay.
It was recorded that on 24 July the bodies were exhumed, that of the Duke garbed in an ermine furred mantle and cap of maintenance, covered with a cloth of gold lay in state under a hearse blazing with candles, guarded by an angel of silver, bearing a crown of gold as a reminder that by right the Duke had been a king.
On its journey, Richard, Duke of Gloucester, with other lords and officers of arms, all dressed in mourning, followed the funeral chariot, drawn by six horses, with trappings of black, charged with the arms of France and England and preceded by a knight bearing the banner of the ducal arms.
Fotheringhay was reached on 29 July, where members of the college and other ecclesiastics went forth to meet the cortege. At the entrance to the churchyard, King Edward waited, together with the Duke of Clarence, the Marquis of Dorset, Earl Rivers, Lord Hastings and other noblemen. Upon its arrival the King made obeisance to the body right humbly and put his hand on the body and kissed it, crying all the time.
The procession moved into the church where two hearses were waiting, one in the choir for the body of the Duke and one in the Lady Chapel for that of the Earl of Rutland, and after the King had retired to his closet and the princes and officers of arms had stationed themselves around the hearses, masses were sung and the King's chamberlain offered for him seven pieces of cloth of gold 'which were laid in a cross on the body.
The sorrowing Edward IV donated the great pulpit for the proclamation of the Catholic faith. And then in 1483 he died. He was succeeded as tradition required by his son, the 12 year old Edward V. But three months after his father's death the younger Edward was also dead, in mysterious circumstances. He was succeeded by his uncle, who had been born here in Fotheringhay in 1452, and who would reign, albeit briefly, as Richard III.
Was Richard III really the villain that history has made him out to be? Did he really murder his nephew to achieve the throne? Within two years he had also been killed at the Battle of Bosworth Field, and the Lancastrians were finally triumphant. Henry VII established the Tudor dynasty, and, as we all know, history is written by the victors, not by the losers.
But Fotheringhay had one more dramatic scene to set in English history before settling back into obscurity, and this time it involved the Tudors. In September 1586 a noble woman of middle years arrived at Fotheringhay Castle under special guard, and was imprisoned here. Her name was Mary, and she was on trial for treason.
It is clear today that most of the evidence was entirely fictional, but the powers of the day had good reason to fear Mary, for she had what appeared to many to be a legitimate claim to the English throne. She was the daughter of James V of Scotland, and had herself become Queen of Scotland at the age of just six weeks. She spent her childhood and youth in France while regents governed the nation in her stead, and she married Francis, the Dauphin of France, who became King of France in 1559. Briefly, Mary was both Queen of Scotland and Queen Consort of France, but in 1561 Francis died, and Mary returned to Scotland to govern her own country.
But there was a problem. Mary was a Catholic. Scotland had led the way in the English-speaking Reformation with a particularly firebrand form of Calvinism, and the protestant merchants of Edinburgh, Glasgow, Aberdeen and Dundee were aghast at the prospect of a Catholic monarch.
And there was a further problem. Scotland was currently at peace with its neighbour England, where Queen Elizabeth I had brought some stability to the troubled country. But the Catholic Church did not recognise Elizabeth as the rightful monarch of England, because it was considered that her father Henry VIII's divorce from his first wife Katherine of Aragon was invalid. As he had divorced Katherine to marry Elizabeth's mother Ann Boleyn, Catholics considered that the rightful line of succession had passed horizontally from Henry VIII to his deceased elder sister and then on to her descendants, the most senior of whom was Mary, Queen of Scotland.
Mary remarried in Scotland, but her husband was murdered, and she was forced to abdicate her throne in favour of their one year old baby. He would be brought up by protestant regents and advisors, and would reign Scotland as James VI. His protestant faith allowed the English crown to recognise the line's legitimate claims, and in 1603 James VI of Scotland became James I of England, the first monarch to govern both nations.
But that was all in the future. After her abdication, Mary fled south to seek the protection of her cousin Elizabeth. She spent most of the next 18 years in protective custody. A succession of plots and conspiracies implicated her, and finally on 8th February 1587, at the age of 44, Mary Queen of Scots was beheaded at Fotheringhay Castle.
One of her son James's first acts on ascending the English throne was to order that the castle where his mother had been shamefully imprisoned and executed be razed to the ground.
The chancel of Fotheringhay church and its College of Priests were already gone by then, demolished after the Reformation, leaving the York tombs exposed to the elements. it is said that Elizabeth herself, on a visit to Fotheringhay in 1566, insisted that they be brought back into the church.
Fotheringhay church settled back into obscurity. During the long 18th Century sleep of the Church of England it suffered neglect and disuse, but was restored well in the 19th Century. A chapel was designated for the memory of the York dynasty during the 20th Century, a sensitive issue for the Church of England which does not recognise prayers for the dead, but they can happen here in the Catholic tradition.
Today, the population of Fotheringhay cannot be much more than a hundred, an obscure backwater in remote north-east Northamptonshire, consisting of little more than its grand church set above the water meadows of the River Nene. But there was one more day in the public light to come.
In 2012, an archaeological dig in the centre of the city of Leicester, some 30 miles from here, uncovered a skeleton which had been buried in such a manner that it seemed it might be the dead King Richard III. Carbon dating and DNA matching proved that it was so. A controversy erupted about where the dead king might be reburied. Leicester Cathedral seemed the obvious place, although pompous claims were made by, among others, the MP for York, for him to be buried in York Minster. But there was also a case for the remains being returned here, to the quiet peace of Fotheringhay.
In the event reason held sway and Richard was reburied in Leicester, but Fotheringhay church, along with Leicester Cathedral, York Minster and Westminster Abbey, was one of four sites to host books of remembrance for Richard III.
In June 2015 I was surprised to find that the book here was still in use at the west end of the nave, and is still regularly signed by people. Perhaps they think it is the visitors book.
Simon Knott. June 2015.
www.flickr.com/photos/norfolkodyssey/19327047848/in/photo...
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