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Apparently Strata has been awarded the Carbuncle Cup, which seems very unfair. Especially considering it's in Elephant & Castle, which pretty much makes it the opposite of a carbuncle on the face of a much-loved friend. So here's a pic of it which I took last night as the sun was setting.
This one can be found in Folkestone Harbour, more info here: www.theguardian.com/artanddesign/2017/aug/20/richard-wood...
Professional Artist Damien Robinson visits Seevic Art and Design students to share her experiences of working in the industry.
www.seevic-college.ac.uk (Official Seevic photo by Samantha Doe)
This official Seevic College photograph is being made available for personal use printing by the subject(s) of the photograph and/or for publication by news media. The photograph may not be manipulated in any way or used in materials, advertisements, products, or promotions that in any way suggest approval or endorsement of Seevic College.
BA/BSc International Design
www.cardiffmet.ac.uk/artanddesign/courses/Pages/babscinte...
British architect Will Alsop dies aged 70 after short illness. He died on Saturday after a short illness, said Marcos Rosello, director of aLL Design, which Alsop set up in 2011.
The Guardian, Alexandra Topping, 13 May 2018: www.theguardian.com/artanddesign/2018/may/13/british-arch...
aLL Design: www.all-worldwide.com/
Will Alsop obituary. The Guardian, Oliver Wainwright, 14 May 2018: www.theguardian.com/artanddesign/2018/may/13/will-alsop-o...
Will Alsop: 'His joyously surreal creations broke the laws of physics'.
Shortly before he became ill, the famously wacky architect let us into his mind-boggling studio for a final interview. Our writer recalls that smoky, boozy, extraordinary afternoon – and assesses his legacy
Will Alsop obituary.
The Guardian, Oliver Wainwright, 14 May 2018: www.theguardian.com/artanddesign/2018/may/14/will-alsop-h...
In Memoriam Will Alsop (1947-2018): www.dearchitect.nl/architectuur/artikel/2018/05/m-will-al...
Architect Will Alsop (70) overleden, Ronnie Weessies: architectenweb.nl/nieuws/artikel.aspx?ID=43394
Risk-taking architect has to sell firm in fall from grace. One of Britain's most celebrated architects, Will Alsop, was forced to sell his business yesterday after being refused work in Britain because of what he claims is an increasing aversion to risk-taking. Six years ago Alsop won the building of the year award for his box-on-stilts Peckham library, in south-east London, but yesterday he complained of being blocked from designing schools and hospitals in Britain.
The Guardian, Robert Booth, 24 Mar 2006: www.theguardian.com/uk/2006/mar/24/communities.arts
Interview. Will Alsop returns to architecture.
Steve Rose.
Three months ago Will Alsop said he was giving up architecture for painting. Now he says that was all a ruse…..
He is now heading up RMJM's London office, which is to be known as "Will Alsop at RMJM"
The Guardian, 2 Nov 2009: www.theguardian.com/artanddesign/2009/nov/02/will-alsop-a...
Picture by Clint Randall www.pixelprphotography.co.uk
Visiting international students who won the 2019 Art & Design competition.
Model release forms signed:
Scott Leslie, Canada
Chloe Lam Yuet Chang, Hong Kong
Leighton Mak Lai Sze
Art and Design classes on the campus of Eastern Illinois University in the Doudna Fine Arts Center on March 28, 2023. (Brejona Hutchinson)
Picture by Clint Randall www.pixelprphotography.co.uk
International visiting students from Kong Kong
Picture by Clint Randall www.pixelprphotography.co.uk
International visiting students from Kong Kong
Yinka Shonibare's giant replica of Horatio Nelson's flagship, the latest sculpture to take its place on London's empty plinth after Antony Gormley's One and Other project last year
www.theguardian.com/artanddesign/2000/apr/05/art.artsfeat...
No time like the present
Moment
Dundee Contemporary Arts
Rating: ****
Elisabeth Mahoney
Wed 5 Apr 2000 00.00 BST
Time is not an easy theme for an exhibition. It impinges on a daily, hourly, basis on all our lives, yet the narrative or artistic reflections it inspires can be dry, dusty, dull. But not in this smart and assured show, which explores time as a fluid, almost fantastical space - a moment out of life that can last as long as you want it to.
A film projection by Marijke van Warmerdam exemplifies this indulgent, endearing mood. Five jets pass overhead, leaving streams of energy and lines of smoke against dreamily blue skies, and it's like a moment recalled from childhood in its beauty and simplicity. As film it's clunky, deliberately amateurish stuff, all whirring equipment. But the whirring works as an imaginary echo of the planes soaring above - one looks into the film as if into a deep and lovely pool and, crucially, loses all track of time.
The same is true of Igor and Svetlana Kopystiansky's film Incidents, which is, knowingly, a load of rubbish. Following various bits of trash along New York's streets, it has an illogical loveliness (a pipe is entangled with the tape from a cassette; a broken umbrella flaps in the wind). Its tone is quite sarcastic too, as it follows its starlets - a carrier bag, a takeaway carton. They open up their secret selves to us and we begin the chase, discovering along the way that some discarded objects make better performers than others.
Graham Gussin's video projection Remembering and Forgetting at the Same Time captures some social performers (people leaving a cinema) unawares. This is the stuff of mundane moments, shown in footage played back and forwards, with much checking of watches, doing up of coats, glancing about. It's dreary and captivating at the same time, an all too familiar ennui suddenly making compulsive viewing.
Moment plays with that oscillation - between boredom and fascination - throughout, as in Emese Benczur's daily embroidery of clothing tape with the same phrase. It's about the future (there are new reels of tape and cotton stacked up) and about the accumulation of what has been and what may be. But ultimately, like the rest of the exhibition, it's about the depth and resonance, the possibilities of this moment, now.
Until 20 May.
kopystianskyincidents.tumblr.com/
Exhibition History of “Incidents” (1996/7), 14:56 min video/sound installation:
1997 "L’Autre. 4e Biennale de Lyon, Art Contemporain," Lyon, France. Curated by Harald Szeemann, (cat.).
1997 “2nd Johannesburg Biennale,” South Africa. Curated by Okwui Enwezor (cat.).
1997 “In Medias Res,” Dolmabahce Palace, Istanbul. Curated by René Block (cat.).
1999 “Szenewechsel” (Change of Scene) Museum of Modern Art, Frankfurt/Main. Curated by Jean-Christophe Ammann and Mario Kramer.
1999 “Trace” Liverpool Biennial of Contemporary Art, Tate Gallery Liverpool. Curated by Anthony Bond, (cat.).
1999 “Wait,” Kunst-Werke, Berlin. Curated by Klaus Biesenbach
2000 Folkwang Museum in Essen, Germany. Curated by Klaus Biesenbach
2000 “Moment,” Dundee Contemporary Arts, Great Britain. Curated by Katrina Brown
2000 “Incidents,” Vor und Zurück. Curated by Sylvia Martin. Kunstmuseum Düsseldorf, Germany.
2000 “Igor and Svetlana Kopystiansky” Museum Sztuki, Lodz, Poland
2000 “Incidents” Art Gallery of New South Wales, Sydney, Australia. Curated by Anthony Bond.
2004 “9th Triennal of Small Sculpture” Fellbach, Germany. Curated by Jean-Christophe Ammann.
2005 “Igor & Svetlana Kopystiansky,” Kunsthalle Fridericianum, Kassel, Germany. Curated by René Block.
2005 “Igor & Svetlana Kopystiansky,” Fine Arts Center of the University of Massachusetts, Amherst, MA. Curators Loretta Yarlow/Gregory Salzmann
2005 “From the permanent collection. Kopystiansky, Roth, Orozco, Cahn, Muniz.” AGNSW, Sydney. Curated by Anthony Bond.
2007 “Igor & Svetlana Kopystiansky,” ESPOO Museum of Modern Art (EMMA), Espoo, Finland. Curated by Timo Valjakka (cat.)
2008 “From the permanent collection.” AGNSW, Sydney. Curated by Anthony Bond.
2009 "Igor and Svetlana Kopystiansky” Cinema 2, April 22. Musée National d’Art Moderne Center Pompidou, Paris, France. Curated by Philippe-Alain Michaud.
2009 “False Twins” S.M.A.K., Stedelijk Museum voor Actuele Kunst, Ghent, Belgium, Curated by Guillaume Désanges.
2009 “From the permanent collection. Roman Opalka, Brice Marden Igor and Svetlana Kopystiansky and Rachel Whiteread,” AGNSW, Sydney. Curated by Anthony Bond.
2009 KunstFilmBiennale, “From the collection of the Center Pompidou Paris.” Medienkunstraum der Bundeskunsthalle Bonn, Germany. Curated by Philippe-Alain Michaud.
2010 “Radical Conceptual. Positions in the MMK Collection.” MMK Frankfurt/Main, Germany. Curated by Susanne Gaensheimer.
2010 “Image by Image. Film and Contemporary art from the collection of the Centre Pompidou,” Museum Ostwall, Dortmund, Germany. Curated by Philippe-Alain Michaud and Olivier Michelon.
2010 “Igor and Svetlana Kopystiansky, ” Musée d’Art Moderne de Saint-Etienne Métropole. 6th of February – 18th of April, France. (cat.)
2011 “Energy and Process. Igor and Svetlana Kopystiansky. Presentation of the collection. TATE Modern London. Curated by Stuart Comer.
2011 “Wunder,” Deichttorhallen Hamburg and Siemens Stiftung. Curated by Hürlimann | Lepp | Tyradellis (cat.)
2011 “From Trash to Treasure,” Kunsthalle zu Kiel, Germany. Curated by Anette Hüsch, (cat.)
2012 “Wunder,” Kunsthalle Krems, Austria. March 4th to July 1st Curated by Hürlimann | Lepp | Tyradellis.
2012 “Igor and Svetlana Kopystiansky: Incidents (1996/7),” From the permanent collection. MoMA, New York.
2013 “Incidents,” in works from the collection selected by Rineke Dijkstra for The Krazy House. February 23-May 26. MMK Frankfurt. Catalogue.
2013-2014 “Everyday Epiphanies. Photography and Daily Life Since 1969.” Curator Douglas Eklund. The Metropolitan Museum of Art. June 25, 2013–January 26, 2014.
2014-2015. Collection Display. MMK Frankfurt, Germany.
Boekhandel Dominicanen, Maastrict. It is located in the more than 700 year old Dominican church.
www.theguardian.com/artanddesign/2008/apr/09/architecture...