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Rosenbauer highlight stage at the Interschutz 2022.
Ars Electronica Solutions developed software and multimedia content for the highlight stage in Rosenbauer City 2030 for Interschutz 2022 — the leading international trade fair for fire and disaster protection, rescue and safety.
Photo: Garamantis/Jules Döring
Rosenbauer highlight stage at the Interschutz 2022.
Ars Electronica Solutions developed software and multimedia content for the highlight stage in Rosenbauer City 2030 for Interschutz 2022 — the leading international trade fair for fire and disaster protection, rescue and safety.
Photo: Garamantis/Jules Döring
Rosenbauer highlight stage at the Interschutz 2022.
Ars Electronica Solutions developed software and multimedia content for the highlight stage in Rosenbauer City 2030 for Interschutz 2022 — the leading international trade fair for fire and disaster protection, rescue and safety.
Photo: Garamantis/Jules Döring
Rosenbauer highlight stage at the Interschutz 2022.
Ars Electronica Solutions developed software and multimedia content for the highlight stage in Rosenbauer City 2030 for Interschutz 2022 — the leading international trade fair for fire and disaster protection, rescue and safety.
Photo: Garamantis/Jules Döring
CRE161 - Chaos Radio Express podcast
Tim Pritlove (Moderation), Peter "Vic" Franck, Andreas Lehner
TELE-INTERNET – The 2010 Ars Electronica Internet Shop!
Digital Communities 2010, curated by Aram Bartholl
DSD-08AS is a kinetic sound installation. Multiple modules - each consists of two solenoids, a metal rail and a metal ball - are building a self triggering system where the metal ball functions as conductor between the rail and the solenoids. The ball is closing the circuit and electricity is applied to the solenoid that is pushing in the same moment the ball back to the opposite side and thereby is cutting it self from the electric flow. This results in an interplay between the two solenoids and multiple loops with different time delays.
Photo showing Stefan Tiefengraber
Credit: vog.photo
"Trāṭaka" by Alessio Chierico is an interactive installation based on a brain-computer interface. When a visitor totally relaxes, the candle he is holding is extinguished.
credit: Alessio Chierico
Rosenbauer highlight stage at the Interschutz 2022.
Ars Electronica Solutions developed software and multimedia content for the highlight stage in Rosenbauer City 2030 for Interschutz 2022 — the leading international trade fair for fire and disaster protection, rescue and safety.
Photo: Garamantis/Jules Döring
Rosenbauer highlight stage at the Interschutz 2022.
Ars Electronica Solutions developed software and multimedia content for the highlight stage in Rosenbauer City 2030 for Interschutz 2022 — the leading international trade fair for fire and disaster protection, rescue and safety.
Photo: Garamantis/Jules Döring
Rosenbauer highlight stage at the Interschutz 2022.
Ars Electronica Solutions developed software and multimedia content for the highlight stage in Rosenbauer City 2030 for Interschutz 2022 — the leading international trade fair for fire and disaster protection, rescue and safety.
Photo: Garamantis/Jules Döring
While thousands prepare for the ARS Electronica 2012 Klangwolke-event in Linz, 14 activists bring their own letters and agenda to everyones attention.
TELE-INTERNET – The 2010 Ars Electronica Internet Shop!
Digital Communities 2010, curated by Aram Bartholl
The artist in residence Matthew Gardiner chose Oribotics as his field of research, which thrives on the aesthetic, biomechanical and morphological connections between nature, origami and robotics. The design of the crease pattern, the precise arrangement of mountain and valley folds directly informs the mechanical design, so a key area of current research is discovering patterns that have complex expressions that can be repeatedly actuated.
Matthew Gardiners Oribotics have grown over 1,400 hours in the Fablab of the Ars Electronica Center. The 3D printer sits in close proximity to the Biolab, where plants are cloned using synthetic methods to educate visitors about gene technology. Symbolically, this highlights the connection to the many contexts where folding occurs in nature, the most significant being the folding of proteins, including DNA. This ‘origami of nature’ takes microseconds to complete thousands of folds, and a single folding error can profoundly affect the survival of the life form. Therefore, the newest generation has a polyester fabric membrane. Polyester is deformable by heat, and as such can be programmed with an oribotic pattern that will last for the life of the material, over millions of repeated interactions.
In an oribotic pattern, actuating a single fold causes every other fold to move; each fold is mechanically interconnected. The micro interactions occur with sensors, inside each bot a proximity sensor measures objects in front of its “mouth”. As an object approaches, the oribot blossom opens, causing 1,050 folds to actuate in the bot. Macro interactions occur via the network and software; each micro interaction is broadcast to every other oribot in the installation, causing the sympathetic movements of over 50,000 folds across the entire installation, creating a stunningly complex moving image.
Oribotics is the outcome of an artistic residency at the Ars Electronica Futurelab, produced in partnership with Novamedia and the Australia Council for the Arts. This project has been assisted by the City of Port Phillip through the Rupert Bunny Foundation Visual Arts Fellowship.
CRE161 - Chaos Radio Express podcast
Tim Pritlove (Moderation), Peter "Vic" Franck, Andreas Lehner
TELE-INTERNET – The 2010 Ars Electronica Internet Shop!
Digital Communities 2010, curated by Aram Bartholl
Félix Luque Sánchez (ES)
Honorary Mention Interactive Art
“Chapter One: The Discovery” is an interactive sculpture embedded in a story. The premise—that an installation visitor gets involved in a narrative before getting to see the work of art—has surprising effects. The project is thus played out in the visitor’s own mind as well as in the installation space, as the visitor becomes a character in this story about future developments gone awry and extraterrestrial technologies. The elegance of “Chapter One: The Discovery” is the outcome of the combination of interactivity and narration, of the orchestration of the exhibition experience as a narrative.