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Milledgeville is a city in and the county seat of Baldwin County in the U.S. state of Georgia. It is northeast of Macon, located just before Eatonton on the way to Athens along U.S. Highway 441, and it is located on the Oconee River. The rapid current of the Oconee River here made this an attractive location to build a city. It was the capital of Georgia from 1804 to 1868, notably during the American Civil War. Milledgeville was preceded as the capital city by Louisville, and it was succeeded by Atlanta, the current capital.
The population of the town of Milledgeville was 18,757 at the 2000 census.
Two events epitomized Milledgeville's status as the political and social center of Georgia in these years. The first was the visit to the capital in 1825 by the American Revolutionary War (1775–83) soldier the Marquis de Lafayette. The receptions, barbecue, formal dinner, and grand ball for the veteran apostle of liberty seemed to mark Milledgeville's coming of age. The second event was the construction (1836-38/39) of the Governor's Mansion, one of the most important examples of Greek revival architecture in America.
On January 19, 1861, Georgia convention delegates passed the Ordinance of Secession, and the "Republic of Georgia" joined the Confederate States of America, to the accompaniment of wild celebration, bonfires, and illuminations on Milledgeville's Statehouse Square. Three years later, on a bitterly cold November day, Union general William T. Sherman and 30,000 Union troops marched into Milledgeville. When they left a couple of days later, they had ransacked the statehouse; vandalized the State Chapel by pouring honey down the pipes of the organ and by housing cavalry horses in the church; then destroyed the state arsenal and powder magazine; burned the penitentiary, the central depot, and the Oconee bridge; and devastated the surrounding countryside. In 1868, during Reconstruction, the legislature moved the capital to Atlanta—a city emerging as the symbol of the New South as surely as Milledgeville symbolized the Old South.
en.wikipedia.org/wiki/Milledgeville,_Georgia
en.wikipedia.org/wiki/Wikipedia:Text_of_Creative_Commons_...
Started in the 19th century, expanded in the early 20th century, still partly in use. The heart of the BMT Eastern District.
The Jamaica / Broadway line is barely visible in the foreground. The 14th Street / Canarsie Line is at the top level, having risen steeply from the tunnel portal at the side of the Terminal Moraine a few hundred yards north. The former Fulton Street Elevated line, now underground, curves in the center at a lower level. One of the flyovers from the Canarsie Line to the Broadway Line is in the left background. The Atlantic Avenue station, with 6 trackways and 3 platforms (since reduced) is in the background along with the former location of a Swingline stapler factory.
This only shows a small part of the many ramps connecting the various lines to each other and all the lines to the transit yard.
Not visible is the Long Island Railroad under the Atlantic Avenue Station and the New York Connecting Railroad next to the former Swingline factory.
308 Main St, Burlington, Vermont USA • Architect Alfred Benjamin Fisher designed and built many structures in the Burlington area during the latter half of the 19th century … He was the first true architect to practice extensively in the area (esp. 1875 - 1895). …
This dwelling he designed and built for himself in 1884 … is one of the most singular residences in Burlington. Two main blocks constitute the major house form: a hip roofed central mass and a gable front mass projecting from the east of the central block facade. the picturesque massing is further emphasized by a three-story, engaged hexagonal tower with bellcast roof at the west rear of the building. Shed roof dormers on the east and west hip roof slopes, and entry porches on the front and side, contribute yet more to the unprecedented form. The roof, composed of alternating bands of fish scale and square cut slate tiles, contrasts with the hip roof which is finished with a "sawtooth and scrolls" metal cresting. A metal finial tops the tower peak. Two wall panels flanking the window directly below are stuccoed and decorated with applied nuts, bolts, and nails in imitation of medieval parquetting.
☞ For some dates & historical details, I am indebted to the Chittenden County Historical Society, and their fine, three volume set: Historic Guide to Burlington Neighborhoods: Vol. I, 1991; Vol. II, 1997; Vol. III, 2003. David J. Blow, author; Lillian Baker Carlisle, Editor; Sarah L. Dopp, photographs.
☞ This building is one of 63 contributing structures of the 470 acre Main Street - College Street Historic District, and has been listed on the National Register of Historic Places (#88001850), since October 13, 1988.
• More Info: GeoHack: 44°28′44″N 73°12′22″W.
☞ Part of my Slate Survey set.
UP TO eight residential tower blocks once owned by Wirral Council are to be closed.
New owners Wirral Partnership Homes says bringing the towers up to standard, coupled with low occupancy rates, means they are no longer viable.
The blocks earmarked for the axe over the next one to three years are Melrose, Sandbourne, Thornridge (all Moreton), Flambards (Woodchurch) and Thorsway (Rock Ferry).
Five high rise blocks are to be refurbished: Sunningdale (Moreton), Liscard House (Liscard), Brackendale (Woodchurch) and The Towers (Tranmere) with Knowsley Court (Rock Ferry) and Neston Gardens (Birkenhead) being subject to minor remedial work and further review.
Council's cabinet member for housing, Cllr GD, said that times have changed and the desire for high rise living has dwindled.
"Some of these blocks used to have long waiting lists for tenants. Now they can hardly fill them," he said.
TECU Classic Copper seam-clad roof and rainwater goods from KME.
Adam Khan Architects, London.
Installer: Roles Broderick Ltd, Chobham
Realised: Spring 2010
My first shot inside the library before adjusting the white balance. However it might be wrong I loved the general blue colour in the picture and where lights are on, the WB seams to be correct there.
View downward from the upper storys of the library
Lakeside town of Aspern
Aspern Urban Lakeside (urban development project)
Logo of Aspern - Vienna's Urban Lakeside
Aspern Urban Lakeside (Vienna)
Red pog.svg
Basic Information
Bundesland (Federal state) Wien (W)
Judicial district of Donau City
District of Vienna 22. District: Donau City (KG Aspern)
♁ coordinates 48 ° 13 '33 "N, 16 ° 30' 13" O coordinates: 48 ° 13 '33 "N, 16 ° 30' 13" E | |
Height of 157 m above sea level.
Statistical identification
Image
View from the north to the urban development area Aspern Urban Lakeside, 2012
Source: STAT: Gazetteer; BEV: GEONAM; ViennaGIS
The Aspern Urban Lakeside (officially also Aspern Urban Lakeside, project name: Aspern - Vienna's Urban Lakeside) is a part of town under construction in the 22nd district of Vienna Danube city and one of the largest urban development projects in Europe of the 2010s. Over a period of around 20 years a new district should arise, in which over 20,000 people are supposed to work and to live. The first of three development stages focuses until around 2017 to the south of the part of the city.
Location
Aspern Urban Lakeside with lake, 2012
The planned seaside town is located about 7 kilometers east of the city center, on the other bank of the Danube, already on the verge of March field (gravel and stone plain in Lower Austria bordering Vienna).
The area is bounded as follows:
In the north of the Marchegger Eastern Railway, forming since 1870 the (currently operated hourly) connection between Vienna and Bratislava and long has been used by the legendary Orient Express. The here layed out traffic station Vienna Aspern Nord offers since October 2013 U-Bahn (U2) underground traffic to the center of Vienna and from 2017 S-Bahn ÖBB (line S80) suburban traffic to Vienna's main train station as well as regional trains.
To the east beyond the Josefine Hawelka pathway or the Cassinonestraße adjoin settlements of the since 1938 belonging to Vienna outskirts village of Essling.
In the south adjoins to the site an extensive factory premises of General Motors Austria, which lies at the Groß-Enzersdorfer Road (bus number 26A), connecting Aspern and Essling.
In the West adjoins beyond the Johann Kutschera alley the belonging to Aspern suburban settlement to the area.
Positions of neighboring districts:
Hirschstetten, Breitenlee, Lackenjöchl
Neuessling
Outskirts settlement, neighboring communities, Essling, Aspern
History
The area northeast of the historic village of Aspern in March field was named after a man-made lake in the center of the development area.
On the former airfield Aspern, Vienna's airport during the interwar period, by the year 2028 around 240 hectares should be developed. This corresponds to the area of 7th and 8th district of Vienna. Planned are around 10,500 homes for 20,000 people and business premises for 15,000 office jobs as well as 5,000 jobs in industry, science, research and education.
For the development and utilization responsible is the Wien 3420 Aspern Development AG, a real estate development company which in December 2004 as a subsidiary company of the Vienna Business Agency, a fund of the City of Vienna (73.6%) and the (Bundesimmobiliengesellschaft) Federal Property Association (26.4%) was established. The planning is done in consultation with the relevant municipal departments of the city administration and the Wiener Linien, the public transport company of the city of Vienna.
The former airfield Aspern in 2007; top left of the factory Opel Vienna
The first finished house in the seaside town, the aspern IQ, 2012
Construction phase of the first tranche of homes in the southwestern part of the seaside town's area (October 2013)
Construction of the first tranche (June 2014)
Urban Planning
The urban concept of the maritime city is focused on the mixing of functions - there should be no purely residential use or commercial use. In this way, a dormitory town should be avoided and during the day non-stop revival obtained. The master plan for the seaside town was created by Swedish architect John Tovatt and adopted unanimously by the Vienna City Council on 25 May 2007. Essential contents are the functional arrangement of uses and the spatial configuration of both small and large urban gestures to an urban master plan.
Public space
The geographic center of the seaside town will form a 5-acre lake, which already largely exists, in a total of 9 hectare park. The lake is fed from groundwater. The public space - thus streets, squares and parks - occupies 50 percent of the total area of urban development.
In order to make the public space for the people who will live and work in the seaside town attractive, the Danish open space planners Gehl Architects by the Wien 3420 AG and the Municipal Department 19 (architecture) with the creation of a planning manual for public space (a "score of the public space") were commissioned. The planning manual is based on the idea that public life is a precious commodity that needs to focus it. Therefore Gehl Architects particularly important axes have worked out in the seaside town. The Circular road as a major route that has received the name Sun alley, the Red chord (shopping street, culture), the Blue string (sea park and promenade) and the Green string (green spaces, recreational areas). By 2015, three parks are built, the central Marine park, the Yella-Hertzka park and Hannah Arendt park, along with 8 hectares (May 26 2014 ground-breaking ceremony).
Development phases
The construction of the seaside town of Aspern is to take place until 2028 in three stages:
Stage 1 (2009-2017): The development company Wien 3420 Aspern Development AG builds the green spaces and the technical infrastructure (roads, sewage, etc.) and thus provides the impetus for the development of the maritime city. In the first large-scale expansion in the southwestern part of the maritime city arises a mixed quarter with approximately 2,600 residential units, offices, business and service companies as well as research and development facilities. The large volume is to ensure local supply and the desired mix of uses from the start. In October 2013, the metro stations Aspern North at the northern edge of the area and Seaside town as terminus of line U2 in the south have been opened. In this stage also falls the establishment of a R & D Park (research and development). As first impulse project there emerges an Innovation Quarter (Technology Centre), for which a realization competition was launched. With the IQ aspern by 2012 a first settlement core was created.
Stage 2 (2017-2022): The Station Aspern North and the connection through a powerful city street to the A 23 motorway and the branch S 1 are completed. Other residential and mixed districts and the train station and office quarters arise.
Stage 3 (from 2022): To the train station, the shopping street and the subway route adjacent areas are further compressed, the mix of uses is further improved.
Cultural and Medial
Lighted cranes art action Kranensee, 2014
On February 15, 2014 was held on the construction site of the seaside town of Aspern the art action Kranensee - a ballet of cranes. Some of the then 42 tower swivel cranes and a concrete pump have been fitted with differently colored lights, which to specially composed orchestral music shone, 15 cranes were occupied by crane operators, who approriate for the music turned the booms.
This little modernist gem is located in the historic Gracada Park area of Modesto, California. It sticks out alot from the rest of the craftsman bungelow styled houses in this neighborhood.
The Civil War Memorial, also known as the Soldier's Monument, designed by Captain John D. Howland, a prominent member of the 1st Colorado Cavalry, and molded by J. Otto Schweizer, was dedicated on July 24, 1909 on the steps of the west entrance of the Colorado State Capitol Building. The memorial depicts a 8-foot bronze figure of a Union soldier, mounted on a 10-foot granite base, adorned with four tablets that list the battles and the names of the soldiers who died. Also chiseled into the base of this grand memorial is the proud statement that Colorado had the highest average of volunteers in the Civil War of any state or territory in the Union. Another plaque on the statue refers to the discovery of gold at Pikes Peak in 1858 by Green Russell and others. The plaque on the north face of the monument simply reads, " For the Unknown Dead." Another plaque nearby focuses on the controversy surrounding the classification of Sand Creek as a battle, when many viewed it as a massacre. Originally two black walnut trees from the home of Abraham Lincoln flanked this memorial. While the trees no longer stand, there is a plaque within the capitol commemorating the generosity of President Lincoln for his donation to the beautification of our capitol.
The Colorado State Capitol Building, at 200 East Colfax Avenue, first opened for use in 1894. Designed by architect Elijah E. Myers, the four-story cruciform building, with four similar elevations, is constructed of Colorado gray granite from Gunnison County. The 24-carat golf-leaf covered dome, which rises 150-feet high commemorating the Colorado Gold Rush, was added in 1908.
The interior uses copious amounts of Colorado Rose Onyx, a rare rose marble from a quarry near Beulah, Colorado. White Yule Marble from the quarries near Marble, Colorado was also used for the floors. Important interior spaces include the rotunda with its murals by local artist Allen Tupper True, the House and Senate chambers, and the old Supreme Court chamber. Many of the windows are stained glass, depicting people or events related to the history of Colorado. The halls are decorated with portraits of every president of the United States.
The official elevation of Denver is measured outside the west entrance to the building, where the fifteenth step is engraved with the words "One Mile Above Sea Level." A second mile high marker was set in the 18th step in 1869 when Colorado State University students resurveyed the elevation. In 2003, a more accurate measurement was made with modern means, and the 13th step was identified as being one mile high, where a 3rd marker was installed.
"Maritime Theater," Hadrian's Villa, Tivoli, Italy, c. 117 - 138 C.E. This was not a theater but rather the private residence of the emperor within the approximately 250 acres that constitute the overall villa complex. Archaeologists believe that many of the structures were designed by the Emperor Hadrian who ruled from 117 until his death in 138 C.E. Tivoli is about 18 miles from Rome.
www.viennatouristguide.at/Altstadt/Brunnen/donnerbrunnen.htm
Donnerbrunnen
The Donner-Fountain in the center of New Market
Close-up view of the Providentia
Donnerbrunnen is the popular name for the by Georg Raphael Donner designed and 1737-1739 built Providentia-Fountain on the Neuer Markt in the first Viennese district Innere Stadt. The Viennese people but could not do much with the term providentia (Latin for Providence ), which is why they named it after its builder. Art historical often is also used the terminus flour market well (Mehlmarktbrunnen), as the New Market in the 18 Century still was a flour market.
Contents [hide ]
Architecture
In the middle of the fountain, Providentia, the allegory of foresight or good government, not least also refers to the good water supply of Vienna. It is surrounded by four allegorical figures representing the rivers of the Archduchy of Austria. Such a scheme is in the Mannerist and early Baroque quite popular, a well-known example is the Fountain of the Four Rivers by Bernini in Rome. The representation of flows in the form of allegorical persons was to the 19th Century an example, about the Austriabrunnen on Freyung or at the Albertina ramp.
The four flow figures represent the four ages and temperaments. The tow male figures are representing the rivers of Upper Austria, the two female ones from Lower Austria.
Traun is a youthful figure who stands with a trident for a fish at the bottom of the basin. The figure is constructed in a very dynamic manner and offers no frontal view - it looks directly into the water.
Enns is an old ferryman leaning of a rock with an oar and so symbolising the Enns as important transportation route in the Alps.
Ybbs is a standing figure of a girl with a water providing vessel.
March is a female character who is leaning against a relief (possibly the Romans against the Marcomanni) representing a battle and thus accentuating the character of the Morava River as a border.
The pedestal surrounded by four cherubs spouting water fish (pike, carp, catfish, and salmon), which serves as the actual water dispenser of the well and the Danube symbolizing. The pelvis and the base of the fountain made of Mauthausen granite.
History
New Market overlooking the Donnerbrunnen (Carl Wenzel Zajicek, 1913)
In 1737 negotiations between the City of Vienna and Donner are documented (and with Lorenzo Mattielli ). The city of Vienna appears here as the owner, which in artistic determined by the imperial family and nobility rather baroque period is exceptional.
The figures for them Georg Raphael Donner only the models created were cast by Johann Nikolaus Moll in a lead-zinc alloy and 1739, on the feast of Emperor Charles VI. positioned. Under the reign of Maria Theresa , the nudity of the figures was seen as offensive and they were in 1773 allegedly removed at the behest of chastity Commission. The sculptor Johann Martin Fischer was commissioned to melt them down but recognized their artistic value and restored it. In 1801 they were put back in their original place. 1873, the figures were replaced by bronze copies of the originals now forming the center of the baroque section of the Austrian Gallery Belvedere. During the Second World War, the Donnerbrunnen was removed and only on 30 April 1947 re-erected.
In the 1980s, the thunder fountain (Donner-Brunnen) was a popular meeting place for Viennese subculture, especially the Mod movement.
Morocco.
Colors are not great, the picture was taken late afternoon.
Aït Benhaddou (Berber: Ath Benhadu, Arabic: آيت بن حدّو) is a 'fortified city', or ksar, along the former caravan route between the Sahara and Marrakech in present-day Morocco. It is situated in Souss-Massa-Draâ on a hill along the Ounila River and is known for its kasbahs, although they take damage with each rainstorm. Most of the town's inhabitants now live in a more modern village at the other side of the river; however, ten families still live within the ksar.
Aït Benhaddou has been a UNESCO World Heritage Site since 1987 and several films have been shot there, including;
Lawrence of Arabia (1962)
The Man Who Would Be King (film) (1975)
The Message (film) (1976)
Jesus of Nazareth (1977)
Time Bandits (1981)
The Jewel of the Nile (1985)
The Living Daylights (1987)
The Last Temptation of Christ (1988)
The Sheltering Sky (1990)
Kundun (1997)
The Mummy (1999)
Gladiator (2000)
Alexander (2004)
Kingdom of Heaven (2005)
Fotos Nuevas Agosto 2012
www.facebook.com/catedraleseiglesias
© Álbum 0527
By Catedrales e Iglesias
By Cathedrals and Churches
Diócesis de Morelia
Santa Iglesia Catedral
Av Madero Poniente
Col Centro
Apdo Postal 17
C.P.58000
Morelia,Estado de Michoacán
(443) 312-29-36
Horarios de Misa de Lunes a Sábado a las 6:00 am, 7:00 am, 8:00 am, 9:00 am, 12:00 pm, 5:00 pm, 7:00 pm y 8:00 pm. Domingos a las 6:00 am, 7:00 am, 8:00 am, 9:00 am, 10:30 am, 11:30 am, 12:30 pm, 5:00 pm, 6:00 pm, 7:30 pm y 8:30 pm. Horario de Rosario de Lunes a Viernes a las 6:00 pm. Hora de Confesión durante Misa. Confirmación los Domingos a las 12:30 pm. Bautizos Sábados y Domingos a las 12:00 pm.
La Catedral de Morelia es un recinto religioso sede de la Arquidiócesis de Morelia de la Iglesia católica en México. Se encuentra ubicada como su nombre propiamente lo dice en la ciudad de Morelia, capital del estado de Michoacán, México. La catedral se localiza en el primer cuadro de la ciudad, conformando la traza del Centro Histórico de Morelia. El edificio fue construido en el siglo XVIII en la época de la Colonia Española, es de estilo barroco y esta realizado en cantera rosada que le da un color peculiar y característico.
# Arquitectónicamente la Catedral de Morelia comparándose con otras Catedrales de México, es similar a la Catedral Metropolitana de la Ciudad de México, Catedral de Puebla, e inclusive en su interior a la Catedral de Guadalajara.
# La catedral es la edificación más emblemática y representativa de Morelia dada su altura, ya que cuenta con dos altas torres, que se divisan por todo el valle de la ciudad. Por su altura, las torres de la Catedral de Morelia (66.8 m) son las cuartas más altas de México, después de las torres del Santuario Guadalupano (Catedral Inconclusa) en Zamora de Hidalgo (105 m), de la catedral de Villahermosa (80 m) y del Santuario de Guadalupe, en San Luis Potosí (68 m).
# Cuenta con una Iluminación escénica de singular belleza colocada por la empresa que iluminó la Torre Eiffel de París. Los fines de semana la catedral ofrece un espectáculo de luz y sonido con esta iluminación.
# La catedral está dedicada a la Transfiguración y en su interior alberga dos imágenes muy veneradas, Sagrado Corazón de Jesús que es el santo patrono de la ciudad, y el Señor de la Sacristía un Cristo muy antiguo realizado en pasta de caña de maíz. El cual es muy visitado y querido por la feligresía.
# Su belleza arquitectónica y su historia son otras razones por las cuales se ha convertido en un icono de la ciudad.
# En su interior este recinto dada su belleza, sonorización acústica y espaciosidad, figura como escenario de diversos eventos artísticos y culturales como el Festival Internacional de Órgano de Morelia, y el Festival Internacional de Música de Morelia.
La actual catedral de Morelia no ha sido la única catedral que ha tenido la ciudad, ya que en 1580, cuando los poderes civiles y eclesiásticos de Michoacán fueron trasladados de Pátzcuaro a Valladolid (anterior nombre de Morelia), se inauguró una catedral, muy inferior a la actual en tamaño y valor artístico. Esa construcción se ubicaba en la esquina de las actuales calles de Corregidora y Abasolo. Sin embargo, debido al crecimiento que experimentó la ciudad a finales del s. XVI e inicios del XVII, así como por causa de un incendio que en 1584 afectó severamente el anterior edificio catedralicio, se hizo necesario pensar en otro templo, más grande, sólido e importante. Por ello es que a inicios del s. XVII el cabildo catedralicio comenzó las gestiones para la construcción de la nueva catedral.
Muchos proyectos fueron propuestos, pero hasta mediados de ese siglo fue aceptado el proyecto del arquitecto italiano Vicenzo Barrochio, también conocido como Vicente Barroso de la Escayola por parte del Virrey Francisco Fernández de la Cueva, Duque de Alburquerque el 22 de marzo de 1660 concluyendo continuos trámites y proyectos de construcción durante un largo período de casi 80 años.
El día 6 de mayo de 1660 la primera piedra de la construcción fue colocada por el obispo Fray Marcos Ramírez del Prado. La construcción estuvo a cargo del propio Vicenzo Barrochio hasta el año de su muerte, acaecida en 1692, razón por la cual el gran arquitecto no pudo ver concluida su obra monumental. Sin embargo, solo 52 años después del deceso del maestro, sus discípulos lograron terminar la titánica tarea arquitectónica, por lo que la magnífica obra fue concluida en 1744.
La catedral sufrió diversos saqueos por parte del ejército independentista, en el año de 1810. Hacia fines del siglo XIX se construyó la reja perimetral que delimita el atrio. A finales de los años 90 del siglo XX se efectuaron diversas obras de restauración exteriores e interiores, con lo cual se preservó mejor la belleza del edificio. También, en los primeros años del siglo XXI, se inauguró la nueva iluminación escénica de esta catedral de Morelia.
The Cathedral of Morelia is a religious compound headquarters of the Archdiocese of Morelia of the Catholic Church in Mexico. It is located as the name itself says it in the city of Morelia, capital of Michoacan, Mexico. The cathedral is located on the first frame of the city, forming the trace of the Historic Center of Morelia. The building was built in the eighteenth century the Spanish colonial times, is in Baroque style and is made of pink quarry which gives it a distinctive and characteristic color.
# Architecturally, the Cathedral of Morelia compared against other Cathedrals in Mexico is similar to the Metropolitan Cathedral in Mexico City, Puebla Cathedral, and even inside the Cathedral of Guadalajara.
# The cathedral is the most emblematic and representative buildings of Morelia given their height, since it has two tall towers that can be seen throughout the valley of the city. For his height, the towers of the Catedral de Morelia (66.8 m) are the fourth highest in Mexico after the towers of the Sanctuary of Guadalupe (Cathedral Unfinished) in Zamora de Hidalgo (105 m) of the cathedral in Villahermosa (80 m) and the Sanctuary of Guadalupe, San Luis Potosi (68 m).
# Has a unique scenic beauty lighting placed by the company that lit the Eiffel Tower in Paris. On weekends, the cathedral offers a sound and light show with this lighting.
# The cathedral is dedicated to the Transfiguration and its interior houses two highly venerated image, Sacred Heart of Jesus who is the patron saint of the city, and the Lord of the Sacristy a Christ very old paste made of cornstalks. Which is much visited and loved by the congregation.
# Its beautiful architecture and history are other reasons why it has become an icon of the city.
# Inside this enclosure because of its beauty, sound and spacious sound, set for a variety of artistic and cultural events as the International Organ Festival in Morelia, and the International Music Festival of Morelia.
The current cathedral of Morelia was not the only cathedral in the city has had since 1580, when civil and ecclesiastical powers were transferred from Patzcuaro Michoacan to Valladolid (Morelia previous name), opened a cathedral, much lower the current size and artistic value. That building was located on the corner of the present streets of Corregidor and Abasolo. However, due to growth experienced by the city at the end of s. Sixteenth and early seventeenth centuries, and because of a fire in 1584 severely affected the former cathedral building, it became necessary to think of another temple, larger, robust and important. That is why at the beginning of s. XVII the cathedral chapter began efforts to build the new cathedral.
Many projects were proposed, but until mid-century the project was accepted by the Italian architect Vincenzo Barrochio, also known as the Plaster Vicente Barroso by the Viceroy Francisco Fernandez de la Cueva, Duke of Albuquerque on March 22, 1660 concluding continuous procedures and construction projects over a long period of almost 80 years.
On May 6, 1660 the first stone of the building was laid by Bishop Fray Marcos Ramírez del Prado. The building itself was given by Vicenzo Barrochio until his death in 1692, why the great architect could not see completed his monumental work. However, only 52 years after the death of the teacher, his pupils got through the daunting task of architecture, so that the magnificent work was completed in 1744.
The cathedral suffered several raids by the army for independence, in the year 1810. By the end of the nineteenth century built the perimeter fence that marks the atrium. In the late 90s of the twentieth century restoration work carried out various internal and external, thereby better preserved the beauty of the building. Also, in the early twenty-first century, opened the new stage lighting of the cathedral of Morelia.
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These are some of the photos of all Hong Kong Heritages taken in 1997.
York Road No. 2
Built in 1920s
Surrounded by high wall in 2008
720p video sample from the just announced Nokia Lumia 800.
Videos werden maximal mit 720p (1280x720 Pixel)
... Video zeigt die Reichenstraße (Fußgängerzone)
Special Location-Situation of 800 - 1200 m over the sea level , this city is Germany´s highest altitude city.
Füssen is framed in the south of the steep, more than 2000 meters high summits of the Ammergauer, Lechtaler and Tannheimer alps, whereby among mountain climbers the hills are considered to dolomites of the north alps - because of their fastidious climbing routes gladly a goal.
Lage 800 – 1200 m über dem Meeresspiegel Bayerns höchstgelegene Stadt,
Füssen wird im Süden eingerahmt von den schroffen, mehr als 2000 Meter hohen Gipfeln der Ammergauer, Lechtaler und Tannheimer Alpen, wobei letztere unter Alpinisten als die „Dolomiten der Nordalpen“ gelten und wegen ihrer anspruchsvollen Kletterrouten ein gerne angesteuertes Ziel sind.
Rund um Füssen, mit seiner Lage 800 – 1200 m über dem Meeresspiegel Bayerns höchstgelegene Stadt, locken inmitten einer sanften Ebene nicht weniger als 11 Seen zum Baden, Wassersport und Spazierengehen auf den Ufer-Rundwegen. Nach Norden und Westen erstrecken sich die bunten Blumenwiesen des hügeligen Voralpenlandes.
Selten ist Natur vielfältiger. Hier begegnen sich gleich drei Landschaftsformen:
sanfte Allgäuer Hügel,
wilde Bergwelt und,
idyllische Seenlandschaft.
Geologisch ist die gesamte Landschaft um Füssen ein Werk der letzten Eiszeit, der wir auch die rund um Füssen gelegene Moore und damit eines der wertvollsten Naturheilmittel verdanken, das in einigen unserer Kurbetriebe zur Anwendung kommt.
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Füssen als mittelaterliches Altstadtensemble für sich genommen ist eine Attraktion, die keineswegs im Schatten von Neuschwanstein und Hohenschwangau steht.
“Das "Hohe Schloss" in Füssen”
Die Sommerresidenz der Fürstbischöfe von Augsburg ist überall von der Altstadt wahrnehmbar. Das wirklich hohe Schloss dominiert die Stadt. Hier sieht man einen Turm, dort eine Zinnenmauer.
Die Altstadt der Stadt Füssen ist sehr schön und sehenswert. Durch sie führt auch die Fußgängerzone von Füssen in der viele Geschäfte und Restaurants liegen.
Jefferson Island / Rip Van Winkle Gardens
5505 Rip Van Winkle Road
New Iberia, Louisiana
Iberia Parish
Atop a coastal salt dome on Lake Peigneur, Rip Van Winkle Gardens is 25 acres surrounding the Joseph Jefferson Home, built in 1870 by acclaimed American actor Joseph Jefferson and listed on the National Register of Historic Places. Jefferson purchased "Orange Island" in 1869 and built his winter home here to enjoy the fine hunting and fishing and relatively mild climate of south Louisiana for 36 winter respites from the stage. Though Jefferson performed a great many roles in the theaters around the world, it was the role of Rip Van Winkle, as adapted by Jefferson from the Washington Irving tale that ensured Jefferson's fame. He played the role more than 4,500 times.
After his death in 1905, Jefferson's heirs sold the house and land on March 15, 1917 to John Lyle Bayless, Sr. of Anchorage, Kentucky. His heir, J. Lyle Bayless, Jr., began developing formal gardens surrounding the Joseph Jefferson home in the late 1950's, establishing the "Rip Van Winkle Gardens," named for its former actor-owner. Bayless successfully listed the Jefferson home as a national landmark with the Department of the Interior in 1972 and donated it in 1978 to a foundation which would assure its continued operation for the benefit of the public.
Bayless was widely recognized for his knowledge of and fondness for the camellia. In his writings, he related that he first glimpsed a brilliant red camellia in Natchez, Mississippi, during a stay at an old plantation home there with his mother, while his father hunted on Avery Island. Later, he became enchanted with the "Jeanerette Pink" camellia growing in front of the Jefferson Home in the midst of a bitter winter, when he observed the death of the beautiful pink blossom and its return to life only two weeks later.
In Bayless' development of the gardens, he used large numbers of camellias of a great many varieties and made them floral emphasis of the gardens. He gained distinction for his work with this beautiful southern flower, winning more than 1,000 prize ribbons in the southern states. In 1966 Bayless hired an English horticulturist, Geoffrey Wakefield, to landscape the gardens and the result was a beautiful mixture of camellias, azaleas, crape myrtles and other plants in a series of interlocking gardens.
Bayless continued to collect plants from around the world for his conservatory and a reception area for guests who came to view his gardens. Bayless built a "dreamhouse" right on the edge of Lake Peigneur adjoining the new conservatory and gardens where he planned to enjoy his retirement. This was not going to happen as he lived there for only 9 months until November 20, 1980, when disaster struck. A drilling rig pierced one of the giant salt caverns. Then things began to happen. The water from the lake started draining. The drilling rig and other pieces of equipment were sucked into a whirlpool and disappeared. Men in the mines below noticed water coming in. Miraculously, no one was killed.
Bayless knew soon after the tragic events began to happen that the Island was in danger. He went to the second floor of the new house and watched as the lake drained. The ground under the house was moving and he was forced to evacuate. Upon returning he found his "dream house", the conservatory, the visitors center and 65 acres of the gardens gone - now covered by water in an expanded lake.
The gardens were closed to the public for almost four years.
Bayless died in 1985. The foundation that he had endowed and entrusted sold the property in late 1996 to Carolyn Doerle and her husband, Dr. Ron Ray. They set out to revitalize the site by offering many ways for the public to enjoy the tradition that Bayless and the Foundation started years ago. Doerle ran the property from late 1996 until it closed to the public in July of 2001.
In October 2003 the gardens were sold to Live Oak Gardens, LTD which is owned and operated by Mike and Louise Richard and is located adjacent to the gardens. Gardens' restoration began with the removal of debris and restoration of many buildings. Some of these include the Bayless Conference Center, Cafe' Jefferson, the Caretaker's house, the Joseph Jefferson Mansion, Servant's Quarters and other buildings that were badly neglected for several years.