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Off for a while!
Thank you for taken your time to visit me, comments or faves are always much appreciated!
Vibrant congeries
Actual occasions
Ceaselessly coming into being
Leitz Wetzlar Germany Elmarit CF 150mm f2.8
A short while back, I posted a couple images of backlit black-capped chickadees on a snag. This image shows part of that same snag from the other side and with the chickadee front-lit. The pose gives a good look at the underside of the bird.
(Abstract #3 / Come, Shadows, Caress My Wall #2)
Basile Pesso - Barcelona © July 2 016
First broadcast 2 016
Cloudy early fall morning at Bear Lake, Rocky Mountain National Park, Colorado. Aspens just getting started.
Contrapicado del patio interior del Palau de la Virreina, Barcelona.
Los que estéis por Barcelona, no os perdáis la exposición "Anti-Fotoperiodismo" que hay en él. Espectacular.
Nikon D3
Nikon 14-24 AF-S 2.8
© Manuel Orero
All rights reserved
Todos los derechos reservados
Cualquiera de las imágenes publicadas en este Flickr, estan registradas. El uso sin consentimiento por mi parte de ellas, reportará la denuncia al registro de propiedad intelectual.
Any of the images published in this Flickr are registered. Use without consent on my part of it, will report the complaint to the registration of intellectual property.
One of the goals of the Alan Murphy Bird Flight Photo Workshop was to capture Yellow-billed Magpies so the angle of light would show their iridescence. They have an undulating flight pattern with quick dives that made it challenging. They roost in groups so it was also challenging to find an isolated one. I took probably a thousand or more shots (not exaggerating), over the 4 days, before fortunately getting this one. and a few other keepers. Sony a9; Sony 200-600 mm lens at 379mm; 1/4000 sec; f/7.1; ISO 500; Topaz DeNoise and Sharpen .
Santiago do Iguape é uma pequena vila de pescadores e pequenos agricultores quilombolas, pertencente ao municÃpio de Cachoeira, na Bahia, localizada na margem esquerda da BaÃa do Iguape, fundado pelos padres jesuÃtas em 1561 na então Capitânia de Mem de Sá.
Esta baÃa é formada pelo alargamento do Rio Paraguaçu já perto da sua foz, (sofrendo inclusive influncia das marés), logo após o rio passar pelas cidades de Cachoeira e São Félix, no estado da Bahia.
A principal igreja da vila é a Igreja Matriz de Santiago do Iguape, construÃda pelos padres jesuÃtas, recebeu em 1608 a Sanção Canônica de Matriz de Santiago, sendo a primeira do interior da Bahia. A primitiva igreja aruinou-se e em 1783, após a expulsão dos jusuitas do Brasil por decreto do Marquês de Pombal, deu-se o inÃcio e conclusão da atual. A festa principal é no dia 25 de julho de cada ano.
A primeira capela foi construÃda em terras do Senhor Antonio Lopes Ulhoa, Senhor do Engenho San Domingos da Ponta e Cavaleiro da Ordem de Santiago de Compostela, provavelmente assim originando a dedicação desta igreja a Santiago (São Tiago).
O nome Iguape é originário da lÃngua dos Ãndios e quer dizer, "lugar existente no seio d'agua".
This little scene of ice triangles and shimmery winter cottonwoods made me think that Monet and Kandinsky had a meet up in this small little canyon and collaborated on a plein air painting.
Website www.vulturelabs.photography
I have new dates available for my B&W long exposure fine art photography workshops to be held in London during June, they are June 11th and 12th and June 25th and 26th places are extremely limited, please email vulturelabs@gmail.com
If you would prefer one to one tuition at a time that suits you please get in touch
Please follow my Instagram account or 500px.com/vulturelabs account, if your interested in following my work
Many thanks for visits, any comments, and faves, they are most appreciated ;-)
MONASTERIO DE SAN ESTEBAN (Ribas de Sil) S.X
Bóveda del claustro de los Obispos
Arquitectura del Barroco
*San Esteban Abbey (Ribas de Sil) X Century
Cloister vault of Bishops
Baroque Architecture
Réserve naturelle nationale du Néouvielle.
Versión horizontal.
TrÃpode, disparador remoto, filtros polarizador circular y degradado suave de 3 pasos.
No uses mis fotografÃas en páginas web, blogs, RRSS o cualquier medio de comunicación, sin mi autorización explicita. Si estas interesado en mi trabajo, puedes contactar conmigo en jespor@yahoo.es
Do not use my photographs on websites, blogs, social networks or any media, without my explicit permission. Contact me at jespor@yahoo.es - © All rights reserved.
Enlaces a las distintas RR.SS.:
Instagram ……. www.instagram.com/jesusportalphoto/
Facebook…….. www.facebook.com/jesus.portal.52
Blog personal… www.jesusportalphoto.blogspot.com.es/
Pacific Fiction ...
Faithful to the heritage of conceptual art, fascinated by land art and especially by Robert Smithson, influenced by Olafur Eliasson’s teaching at the Institut für Raumexperimente in Berlin, Julian Charrière sets in motion research processes that give rise to performances, photographic records, films and installations.
His materials, including decaying organic matter, cryogenically frozen plants, sediment and salt bricks reflect particular times and spaces, both as tangible traces of what he calls a ‘geology of history’ and as explorations of humanity’s interdependent relationship with our environment.
Pacific Fiction – Study for Monument is one of a set of works created by Charrière following his exploration of the Marshall Islands and the Bikini atoll, part of his research into former nuclear testing sites as dystopian places par excellence.
The United States test-fired nearly seventy nuclear bombs in the Marshall Islands from 1946 to 1958, including Castle Bravo, the single most powerful H-bomb, which wiped two islands from the map.
Pacific Fiction, a pyramid of coconuts encased in lead, can be read as the model for a future memorial. The coconuts refer to the etymology of the Bikini atoll, which takes its name from the local Melanesian name ‘Pikinni’, ‘pik’ meaning ‘surface’ and ‘ni’ meaning ‘coconut palm’. The lead is used for its physical property of withstanding radiation. While the pile of coconuts echoes a stock of cannon balls, the work’s pyramid shape and its subtitle, Study for Monument, also conjure up images of a tomb, Egyptian pyramids, the architecture of the bunkers on the Bikini atoll shoreline, and the angular iron monoliths that slumber in the depths of the Pacific.
Deutsch
Pazifische Fiktion ...
Getreu dem Erbe der Konzeptkunst, fasziniert von der Land Art und insbesondere von Robert Smithson, beeinflusst von der Lehre Olafur Eliassons am Institut für Raumexperimente in Berlin, setzt Julian Charrière Forschungsprozesse in Gang, aus denen Performances, fotografische Aufzeichnungen, Filme und Installationen hervorgehen.
Seine Materialien, darunter verrottende organische Materie, kryogenisch gefrorene Pflanzen, Sedimente und Salzziegel, spiegeln bestimmte Zeiten und Räume wider, sowohl als greifbare Spuren dessen, was er eine "Geologie der Geschichte" nennt, als auch als Erkundungen der wechselseitigen Beziehung zwischen dem Menschen und seiner Umwelt.
Pacific Fiction - Study for Monument gehört zu einer Reihe von Werken, die Charrière im Anschluss an seine Erkundung der Marshallinseln und des Bikini-Atolls geschaffen hat, die Teil seiner Recherchen über ehemalige Atomtestgelände als dystopische Orte par excellence sind.
Die Vereinigten Staaten haben von 1946 bis 1958 auf den Marshallinseln fast siebzig Atombomben getestet, darunter Castle Bravo, die stärkste H-Bombe, die zwei Inseln von der Landkarte tilgte.
Pacific Fiction, eine mit Blei ummantelte Pyramide aus Kokosnüssen, kann als Modell für ein künftiges Mahnmal gelesen werden. Die Kokosnüsse beziehen sich auf die Etymologie des Bikini-Atolls, das seinen Namen von der lokalen melanesischen Bezeichnung "Pikinni" ableitet, wobei "pik" für "Oberfläche" und "ni" für "Kokospalme" steht. Das Blei wird wegen seiner physikalischen Eigenschaft, Strahlung zu widerstehen, verwendet. Während der Haufen Kokosnüsse an einen Vorrat an Kanonenkugeln erinnert, rufen die ursprüngliche Pyramidenform des Werks und sein Untertitel Study for Monument auch Bilder eines Grabes, ägyptischer Pyramiden, der Architektur der Bunker auf dem Bikini-Atoll und der kantigen Eisenmonolithen hervor, die in den Tiefen des Pazifiks schlummern.
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Woorgreens Nature Reserve. Gloucestershire Wildlife Trust.
July 2023.
Fallow is the only deer species in the UK with palmate (shaped like an open hand) antlers. These become full-sized after the deer are three/four years old and can reach up to 0.7m in length. Facially, their head is more elongated than some species with large angular ears. (British Deer Society).
My thanks to anyone who views, faves or comments on any of my photos. It is much appreciated.
Seidenweberhaus
Architects Max Sippel / Bruno Trubert* / Rolf Klein / Manfred Oppmann / Otmar Nentwig, 1972–1976
Krefeld, Germany
"Angular geometric shapes like the hexagon seem to dominate the building of the event centre. Floors lie irregularly on top of each other and are supported by pillars. Projections and recesses alternate and create galleries. Concrete panels design the façade and their flattened edges make them almost round. Horizontal bands of windows design the individual floors and give the building a more tranquil appearance.
Scheduled for demolition, however there is a temporary extension to using the current building. There are plans for a new city hall on the site." (www.sosbrutalism.org/cms/15802395#15931369)
"Silk City Gallery
After almost five decades, the Seidenweberhaus has come to the end of the road: the days of the striking concrete block on Theaterplatz are numbered, the demolition is a done deal. But before heavy machinery rolls in, around 30 international street artists use the building as an impetus and inspiration for their work. From Tuesday 20th to Sunday 25th July [2021], they decorate it from all sides as "Silk City Gallery" with murals, graffiti and 3D art.
[...] The farewell to a building is celebrated that has accompanied the city society for a long time. The place lends itself to an artistic exploration, precisely because it so clearly calls for new impulses.
The artists come from Krefeld and the region as well as from countries such as Spain, Italy, Canada, Mexico and the Ukraine."
(Translated from krefelder-perspektivwechsel.de/projekt/silk-city-gallery)
3D art by Vanessa and Lydia Hitzfeld, 2021
*Bruno Trubert, the photographer's grandfather, was about to retire at the time of the project and was not involved in the design, but only in the construction management.