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Part of an art installation ( "Das Ü des Türhüters") by Andreas Slominski at Deichtorhallen, Hamburg.
"Slominski created a large-scale installation especially for the Deichtorhallen with portable toilets that symbolize the ongoing development of our cities. In the exhibition, the artist will present over one hundred of these portable plastic toilets—industrial products that mutate into independent artworks. "
Part of an art installation ( "Das Ü des Türhüters") by Andreas Slominski at Deichtorhallen, Hamburg.
"Slominski created a large-scale installation especially for the Deichtorhallen with portable toilets that symbolize the ongoing development of our cities. In the exhibition, the artist will present over one hundred of these portable plastic toilets—industrial products that mutate into independent artworks. "
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Artwork by Andreas Slominski, ‘Piano’, 1998, mixed media, variable dimensions, S.M.A.K. installation 2017
Eigene Interpretationen und Impressionen der Ausstellung von
ANDREAS SLOMINSKI
DAS Ü DES TÜRHÜTERS
in den Deichtorhallen Hamburg
Eigene Interpretationen und Impressionen der Ausstellung von
ANDREAS SLOMINSKI
DAS Ü DES TÜRHÜTERS
in den Deichtorhallen Hamburg
Eigene Interpretationen und Impressionen der Ausstellung von
ANDREAS SLOMINSKI
DAS Ü DES TÜRHÜTERS
in den Deichtorhallen Hamburg
Eigene Interpretationen und Impressionen der Ausstellung von
ANDREAS SLOMINSKI
DAS Ü DES TÜRHÜTERS
in den Deichtorhallen Hamburg
Sculpture projects Münster 1997, Curators Kasper König and Klaus Bussmann).
www.skulptur-projekte-archiv.de/en-us/1997/projects/107/
For the part of the project titled “Ontology, or Things that Might Have Been” Svetlana Kopystiansky made 40 photographs from various selected objects: tools and materials which were used by different artists in a project for production of their artworks. These found objects were considered as finished art works, as sculptures. Images of each object were printed as black-and-white posters in multiple editions and were distributed around the city in various combinations. At the time of the photographs’ distribution, the objects no longer existed in their documented form.
For the part of her project titled “Travels and Leaves Behind,” over the period of one month Svetlana Kopystiansky made 40 photographs of various objects at the sites where they were found: tools and materials which were used by construction workers during the restoration of the Westfälisches Landesmuseum in Münster. All these objects were mass-produced and originally were identical in form to countless others. When they were photographed, however, their original forms had been altered by use and, thus, subjected to a process of “individualization” in which each object became absolutely unique in its new form. All of these objects were also exhibited in the museum as sculptures. Black-and-white photographs of these sculptural works were later exhibited during the Sculpture Project at the museum.
For the catalog, Svetlana Kopystiansky used texts from the Encyclopedia Britannica and the Brockhaus Enzyklopädie from their entries concerning “Sculpture.”
LWL-Landesmuseum für Kunst und Kulturgeschichte, Münster, Germany
Skulptur. Projekte in Münster 1997
www.lwl.org/skulptur-projekte-download/muenster/97/kopyst...
Skulptur. Projekte in Münster 1997
Artists: Kim Adams, Carl Andre, Michael Asher, Georg Baselitz, Alighiero e Boetti, Christine Borland, Daniel Buren, Janet Cardiff, Maurizio Cattelan, Eduardo Chillida, Stephen Craig, Richard Deacon, Mark Dion, Stan Douglas, Maria Eichhorn, Ayse Erkmen, Peter Fischli / David Weiss, Isa Genzken, Paul-Armand Gette, Jef Geys, Douglas Gordon, Dan Graham, Marie-Ange Guilleminot, Hans Haacke, Raymond Hains, Georg Herold, Thomas Hirschhorn, Rebecca Horn, Huang Yong Ping, Bethan Huws, Fabrice Hybert, Ilya Kabakov, Tadashi Kawamata, Martin Kippenberger, Per Kirkeby, Jeff Koons, Svetlana Kopystiansky, Sol LeWitt, Atelier van Lieshout, Olaf Metzel, Reinhard Mucha, Maria Nordmann, Claes Oldenburg / Coosje van Bruggen, Gabriel Orozco, Tony Oursler, Nam June Paik, Jorge Pardo, Hermann Pitz, Marjetica Potrc, Charles Ray, Tobias Rehberger, Ulrich Rückriem, Allen Ruppersberg, Reiner Ruthenbeck, Kurt Ryslavy, Karin Sander, Thomas Schütte, Richard Serra, Roman Signer, Andreas Slominski, Yutaka Sone, Diana Thater, Bert Theis, Rirkrit Tiravanija, Eulàlia Valldosera, Herman de Vries, Lawrence Weiner, Franz West, Rachel Whiteread, Andrea Zittel, Heimo Zobernig
Eigene Interpretationen und Impressionen der Ausstellung von
ANDREAS SLOMINSKI
DAS Ü DES TÜRHÜTERS
in den Deichtorhallen Hamburg
Eigene Interpretationen und Impressionen der Ausstellung von
ANDREAS SLOMINSKI
DAS Ü DES TÜRHÜTERS
in den Deichtorhallen Hamburg
Eigene Interpretationen und Impressionen der Ausstellung von
ANDREAS SLOMINSKI
DAS Ü DES TÜRHÜTERS
in den Deichtorhallen Hamburg
Andreas Slominski: ‘The Roter Sand Lighthouse and a Stroke Luck’ exhibition at the Museum of Modern Art, Frankfurt am Main. The installations make a humorous comment on modern culture even though this one is rather serious.
At various places you find bicycles laden with the entire worldly goods of homeless people.
Eigene Interpretationen und Impressionen der Ausstellung von
ANDREAS SLOMINSKI
DAS Ü DES TÜRHÜTERS
in den Deichtorhallen Hamburg
Andreas Slominski
Bicicleta y objetos varios
En más de una ocasión se ha considerado esta obra como un icono de la vida urbana actual, una bicicleta con una carga excesiva de bolsas de plástico, objetos diversos y un paraguas abierto. A principios de los noventa este artista fotografía una bicicleta de un indigente en las calles de una ciudad. Más tarde la reprodujo con precisión, con todos los detalles de su equipaje y realizó diferentes versiones de las cuales esta es la mayor.
Puede verse en la exposición “AMAR, PENSAR Y RESISTIR” en la Lonja de Zaragoza, Plaza del Pilar s/n hasta el 10 de febrero de 2008.
Eigene Interpretationen und Impressionen der Ausstellung von
ANDREAS SLOMINSKI
DAS Ü DES TÜRHÜTERS
in den Deichtorhallen Hamburg
Eigene Interpretationen und Impressionen der Ausstellung von
ANDREAS SLOMINSKI
DAS Ü DES TÜRHÜTERS
in den Deichtorhallen Hamburg
Altstadt | Deichtorstraße
Andreas Slominski: Das Ü Des Türhüters exhibition at Deichtorhallen Hamburg (Halle Für Aktuelle Kunst), May 14 - Aug.21, 2016.
Eigene Interpretationen und Impressionen der Ausstellung von
ANDREAS SLOMINSKI
DAS Ü DES TÜRHÜTERS
in den Deichtorhallen Hamburg
Shots of the group show at SLG curated by Andrew Renton. Monika Sosnowska (floor, foreground), Georg Herold (cases), Maarten Baas (floor, left), Martin Boyce (hidden, left), Andreas Slominski (top of door frame and left on the back wall), Spartacus Chetwynd (floor, middle background), Tony Conrad (back wall, right), Michael Fullerton (plinth, right), Abraham Cruzvillegas (hangin, in background), Jeroen de Rijke/Willem de Rooij (midground, middle).
Andreas Slominski: ‘The Roter Sand Lighthouse and a Stroke Luck’ exhibition at the Museum of Modern Art, Frankfurt am Main. The installations make a humorous comment on modern culture even though this one is rather serious.
At various places you find bicycles laden with the entire worldly goods of homeless people.