View allAll Photos Tagged Amplified
I shot this intriguing window with my Olympus E-M1 while walking along the streets of New York City.
帰省した際35年ぶりに倉敷に行ってみました。
いや驚きました。数倍に増幅しています。
その増幅ぶりを皆さんにご紹介しましょう。
When I returned to my hometown, I went to Kurashiki for the first time in 35 years.
I was surprised that the town was amplified fairly larger.
Let me introduce you about the amplification of this tourist area.
Looking over the gorgeous clear waters of the Allt Coir' A' Mhadaidh towards Sgurr an Fheadain and the cloudy Cuillins.
Blog found here: talisyaensland.wixsite.com/mysite/post/amplified-bible
If you figured out that I used Foamy The Squirrel as inspiration, you win a hug!
Water drops on the petal, camera under the petal. You can see the light amplify nicely through the water drop.
Zerene stack : 43
© Leanne Boulton, All Rights Reserved
Candid street photography from Glasgow, Scotland. With a pair of Marshall amplifiers delivering her sound I just loved the composition of this shot that presented itself. I am a little concerned about those flip-up sunglasses though, they were never a good look when they were in fashion decades ago! Enjoy.
at Heckscher Park is amazing... if you stand in the middle and whisper, you heard it very loud... I took my grandsons there, they loved screaming and stomping inside... I found this out by luck when I was there with a friend...
Excerpt from torontobiennial.org/work/jeffrey-gibson-at-small-arms-ins...:
Jeffrey’s artworks make reference to various aesthetic and material histories rooted in Indigenous cultures of the Americas and in modern and contemporary subcultures. He is known for creating visually rich paintings and sculptures that mix material, saturated colour, pattern, image, and text to celebrate and amplify the voices of individuals and communities both past and present. This way of working, particularly with technically-demanding handwork, is seen through related work by Jeffrey included in the 2022 Biennial. In All You Took, I Gladly Gave (2013), SPEAK TO ME IN YOUR WAY SO I CAN HEAR YOU (2015), and ALL FOR ONE, ONE FOR ALL (2015), a wide range of found and repurposed objects—found tipi poles, driftwood, wool, canvas—collide with embellishments that reference Indigenous cultural production, from glass beadwork and nylon fringe to metal jingles and ceramics inspired by Mississippian head pots. ALL FOR ONE ONE FOR ALL, with its riotous assemblages of colour, textures and shapes, was the artist’s first work to explore the pre-Columbian ceramic heads but was also the genesis for his transformational garment pieces—the artist has shared that it was the first time he began to think about garment as sculpture.
at Heckscher Park is amazing... if you stand in the middle and whisper, you heard it so loud... I took my grandsons there, they loved screaming and stomping inside... I found this out by luck when I was there with a friend...
Autoblog Roadtest photoshoot Lamborghini Murciélago LP670-4 SV, July 2011
I've shot the photo's for the roadtest of autoblog last July in Spain.
Normally they shoot their own photo's but for this occassion, I got the job.
The (Dutch) article and my photo's can be seen HERE!
I flew to Spain with the guys and I helped with the video-shoot by holding people back and driving the second car, the Audi S5.
The HD VIDEO can be seen HERE!!
You can also spot me at 1.19min in this video
Make sure you become a fan on Facebook too if you want to get all the exclusive inside information about my work, previews, video's and stuff: Thomas van Rooij Photography
If you're interested in having a photoshoot of your car, please contact me at:
tsvanrooij.photography@gmail.com
Amplified Purposes.
Verlichtende operaties verbazingwekkende doeleinden die drogredenen bedriegen misleiding zekerheid blinde gidsen die gevallen binnendringen die doordringen in kennis hoogste intuïtie bereikt,
مباحثوں کا سروے کرنے والے انتہائی مخلوق کے خلاصہ تصورات,
πρόσφορες προσπάθειες αναπαραστάσεις χώροι γύρω χαρακτήρες ψηλές ιδιότητες φαινόμενο κίνητρα εξηγήσεις περιστάσεις αβάσιμες εντυπώσεις,
גענוי פונקטן קענטיק פּראָפּערטיעס סטימיאַליי ז גלייך אינהאַלט מאַניפעסטאַטיאָנס ומגערן נאַטירלעך געזעצן דיסייפער כוחות אַנייאַלייטיד וועגן,
Pluralität universelle unausführbare Teile Überlegungen Reflexionen eigenartige Hände Weite Ausdrücke mystische Welt reine Zuneigung entsprechende Realität,
原因を理解する認識が現れる避けられない勝利の以前の動機決意意図読者を刺激するさまざまな苦痛かすかな目的が押しつぶされる.
Steve.D.Hammond.
image taken for the upcoming Caledon newcomer's ball
maps.secondlife.com/secondlife/Caledon%20Tamrannoch/172/8...
'Roid Week Spring 2023, Day 2 | Post 1
Fujifilm Instax mini EVO + Fujifilm Instax Mini Monochrome film
© Leanne Boulton, All Rights Reserved
Candid street photography from Glasgow, Scotland. Captured some time ago with my then broken 50mm f/1.8 lens. Since being knocked on the street my cheap plastic nifty fifty suffered from horrible chromatic aberration and the bokeh in this shot is misshaped away from it's usual beautiful roundness - Just a small knock from a passer-by must have jarred something out of alignment. Still, a slightly imperfect shot but an image that I love. Wishing you all a wonderful weekend ahead.
Something there is about soft, gently falling snow that makes silence all the more present. You can stand for moments and not hear a thing but the rhythm of your breathing, the beat of your heart, the woodpecker's tapping. Despite all of my complaints about Wisconsin winters, a walk in this amplified silence is a treasure. Lovely short poem, by the way.
How is it that the snow
amplifies the silence . . .
—from "How Is It That the Snow," by Robert Haight
(for Poetography, Theme 206—Snow; Literary Reference in Pictures)
© Leanne Boulton, All Rights Reserved
Candid street photography from Glasgow, Scotland. Some serious headphones and I wonder if they are designed for hearing loss - having two amps strapped to the head! I had to keep this in colour for those lovely purple tints in her hair. Wishing all of my Flickr friends a fantastic weekend of photography. Enjoy!
Street performer, amazing singer, € 5.00 CD, if I love you, street of Dublin, Ireland, Late Fall 2010.
Woodpeckers tap to find grubs under dead wood and bark. The sound here tends to be stop-start. When a woodpecker is in the mood for love, it will find a dead branch or tree and make it resound, sending a sonar signal far and wide to let potential partners know that there is vigor in the air. Low populations of man during the ages of prehistory were rarely individuals lost in the disordered woods of time. Reindeer runs opened wide 'motorways' north south and more; many coastlines offered fast path along beach or matted dune, animal tracks to rivers and lake might be opened with the snap of a twig and river paths kept free as winter sodden trees fell for fire wood. Even away from paths, man might copy nature and make sonar signals learning the rules of amplification via the experience and observation of dead wood and rock cavity. Emulating and perfecting natural sources of amplification being a simple jump of logic to be repeated and assimilated through the Mesolithic, Neolithic and ages of metal. Seeing an alcove carved smooth with acoustic properties would simply be an expected subplot within man's great journeys.
Taken with a vintage 135mm, I think the Takumar 1:2.5.
AJM 06.05.14