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French postcard.
French actress Alice Field (1903-1969) started out in the silent film era. Her career got on steam in the 1930s when she starred in several French-language versions of German film classics.
Alice Field was born Alice Fille in Alger, Algeria in 1903. She made her film debut opposite Saint-Granier in the silent production Villa Destin (Marcel L’Herbier, 1921), based on a play by Oscar Wilde. That same year she played the second wife of a well-to-do Algerian (Marcel Vibert) in Visages voilés... âmes closes/The Sheik's Wife (Henry Roussel, 1921). She then focused on stage work but returned to the cinema when sound film was introduced. She played the wife of Constant Rémy in Atlantis (Ewald André Dupont, Jean Kemm, 1930), a heavily fictionalized version of the RMS Titanic story. It was filmed simultaneously with the English-language version Atlantic (1929), the-German language version Atlantik (1929) and the silent version Atlantic (1929). Her film career got on steam. In the following years, Field appeared in several films including La maison de La Flèche/The house of La Flèche (Henri Fescourt, 1930) with Annabella, Le refuge/The Refuge (Léon Mathot, 1931) and Vous serez ma femme/You Will Be My Wife (Carl Boese, Serge de Poligny, 1932) with Roger Tréville. The latter was the alternative language version of the Ufa comedy Der Frechdachs/The Cheeky Devil (Carl Boese, Heinz Hille, 1932) with Willy Fritsch and Camilla Horn. Throughout the 1930s, Field played leading and supporting roles in a dozen French films. Most of them were run–of–the–mill, but quite watchable are Cette vieille canaille/The Old Rogue (Anatole Litvak, 1933) featuring Harry Baur, and the crime drama Police mondaine/Worldly Police (1937), in which she starred opposite Charles Vanel and Pierre Larquey.
Alice Field starred in the spectacle Le tigre du Bengale/The Tiger of Eschnapur (Richard Eichberg, 1938) and the sequel Le tombeau hindou/The Indian Tomb (Richard Eichberg, 1938). These were the French versions of the German two-parter Das Indische Grabmal (Richard Eichberg, 1938) and Der Tiger von Eschnapur (Richard Eichberg, 1938). These films were remakes of Joe May's 1919 silent films of the same name. Both versions were based on a novel by Thea Von Harbou, at one time the wife of director Fritz Lang. In turn, both Tiger von Eschnapur and Das Indische Grabmal were remade in 1959 by Fritz Lang. During the 1940s, Field continued to star in French films. Among her films were Campement 13/Camp 13 (Jacques Constant, 1940), and the comedy La loi du printemps/The law of spring (Jacques Daniel-Norman, 1942) with Pierre Renoir. After the war, she kept busy although her parts became smaller. Among her films of the 1950s and 1960s are the comedy drama Au p'tit zouave/The little Zouave (Gilles Grangier, 1950) starring François Périer, the Euro-spy film Pleins feux sur Stanislas/Killer Spy (Jean-Charles Dudrumet, 1965) starring Jean Marais, and the romance Un garçon, une fille. Le dix-septième ciel/A boy, a girl. The seventeenth sky (Serge Korber, 1966) with Jean Louis Trintignant and Marie Dubois. She continued to play roles on stage and television, like in the series Au théâtre ce soir/On stage tonight (1966-1970). Her final film appearance was a small part in the classic comedy Playtime (Jacques Tati, 1967) with Jacques Tati as Monsieur Hulot. Alice Field died in 1969 in Paris. She was 66.
Sources: AllMovie, Wikipedia (French) and IMDb.
And, please check out our blog European Film Star Postcards.
Alice is from San Francisco and is currently living in Colchester. She is aiming to return to America next year.
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Photographer - Me
Model - Alice
Camera - Canon 5D Mark III
Lens - Canon 70-200 f2.8
Location: Phuket, Thailand
MOoH! Alice Outfit Aqua
Genus Project Classic Mesh Head
Maitreya Lara Mesh Body
Rezzology May Rose Hair
Razzanova Jacquiee Skin
Sim – Salt Water maps.secondlife.com/secondlife/Salt%20Water/97/144/21
Pose Reve Obscura BENTO Poses- Dreamer
Land Mark to MOoH!:
Hello todays painting is of a woman that all women artists need to know about,and all men artists can only dream about, she was amazing her name was Alice Prin A.K.A. Kiki, was the stage name for Alice Ernestine Prin (1901 - 1953), a nightclub singer, actress, model, and painter.
Born in Chatillon-sur-Seine, Côte d'Or, Burgundy, France on October 2, 1901. An illegitimate child, she was raised in abject poverty by her grandmother. At age 12 she was sent to Paris to be educated she was posing nude for sculptors. Alice Prin became one of the most famous artists' models ever, the most notable of which is a colection of photographs by Man Ray and the portrait of her painted by Moise Kisling titled Nu assis. Her partnership with Man Ray produced some of Surrealism's most significant images. The symbol of bohemian and creative Paris, at age 28 she was declared "Queen of Montparnasse."
She was the mistress of Man Ray, and a friend of Chaim Soutine, Jean Cocteau, Max Ernst and other artists. Ernest Hemingway and Tsuguharu Foujita provided the introduction for her 1929 memoirs. This book was published the following year in New York City by Black Manikin Press but it was banned by the United States government. Kiki's Memoirs remained barred in the United States as late as the 1970s when it was still held in the section for banned books in the New York Public Library. Finally, in 1996, her book was translated and published.
A capable painter in her own right, a sold-out exhibition of Kiki's own paintings was held in Paris' Galerie au Sacre du Printemps in 1927. Her drawings and paintings comprised portraits and dreamy landscapes composed in a light, slightly uneven expressionist style that was very much a reflection of her own easy-going manner and boundless optimism.
Even during difficult times, she maintained her positive attitude saying, "All I need is an onion, a bit of bread, and a bottle of red (wine); and I will always find somebody to offer me that."
When she died, a huge crowd of artists and fans attended her funeral. Foujita said that with Kiki, they buried forever the glorious days of Montparnasse.this is only a small part of her amazing life, below is a you tube video with her in it enjoy. steve
"Alice is Wonderfull"..................
En mi mundo...........podría escuchar el balbuceo de un arroyo
Y escuchar una canción que pudiera entender
Desearía que pudiera ser de esa manera
Pues mi mundo sería un país de las maravillas...................con mariposas volátiles,arroyos,gorriones y papel de seda japonés......
Cats and rabbits
Would reside in fancy little houses
And be dressed in shoes and hats and trousers
In a world of my own
All the flowers
Would have very extra special powers
They would sit and talk to me for hours
When I'm lonely in a world of my own
There'd be new birds
Lots of nice and friendly howdy-do birds
Everyone would have a dozen bluebirds
Within that world of my own
I could listen to a babbling brook
And hear a song that I could understand
I keep wishing it could be that way
Because my world would be a Wonderland
Letra In A World Of My Own de Alice In Wonderland en español (traducción)
Gatos y conejos
que residen en casitas
Y se vestirán con calzado y sombreros y pantalones
En mi mundo particular
Todas las flores
Tendría poderes muy especiales adicionales
Se sentaban a hablar conmigo durante horas
Cuando estoy solo en mi propio mundo
Habría nuevas aves
Un montón de agradable y simpático Hola-los pájaros
Todo el mundo tendría una docena de azulejos
Dentro de mi propio mundo
Podría escuchar el balbuceo un arroyo
Y escuchar una canción que pudiera entender
Desearía que pudiera ser de esa manera
Pues mi mundo sería un país de las maravillas
Las aventuras de Alicia en el país de las maravillas (Alice's Adventures in Wonderland, en el original en inglés), a menudo abreviado como Alicia en el país de las maravillas, es una obra de literatura creada por el matemático, lógico y escritor británico Charles Lutwidge Dodgson, más conocido bajo el seudónimo de Lewis Carroll.
German postcard in the Film Sterne series by Rotophot, no. 89/1. Photo: Karl Schenker, Berlin.
German actress and singer Alice Hechy (1893-1973) appeared in some 30 films during the silent and early sound era. Later she mainly appeared on stage and for the radio.
Alice Hechy was born in Anklam, Germany in 1893. She had singing lessons from Ludwig Mantler. In 1912 she played as Alice Scheel Hechy her first film role in Problematische Naturen/Problemativ Natures (Hans Oberländer, 1912). Other early silent films included Das rote Pulver/The Red Powder (Joseph Delmont, 1913), Fräulein Piccolo/Miss Piccolo (Franz Hofer, 1914) with Dorrit Weixler, and Dorrits Eheglück/Dorrit’s Married Bliss (Paul Otto, 1916) with Bruno Kastner. Her most significant role in these years was that of the mechanical doll Olympia in Hoffmanns Erzählungen/Tales of Hoffmann (Richard Oswald, 1916), the early silent film adaptation of the operetta by Jacques Offenbach . Then Hechy started her Berlin stage career. First she appeared at the Lustspielhaus (comedy house), then at the Theater in der Kommandantenstraße, at the Neuen Theater am Zoo, and at the Theater in der Behrenstraße.
In the 1920s and early 1930s, she was repeatedly the star of the revues of Herman Haller. Guest performances took her to revues and operettas in Vienna. In the cinema, she appeared in the worldwide success Variété/Jealousy (Ewald André Dupont, 1925). The cast included Emil Jannings, Maly Delschaft, Lya de Putti, Warwick Ward and Kurt Gerron. From 1925 she played only minor roles, such as in Zuflucht/Refuge (Carl Froelich, 1928) starring Henny Porten. Meanwhile, she sang at recitals for the radio and performed in cabarets. In 1945 she finally accepted a permanent engagement again at the Theater in der Kaiserallee. Later she was a guest during the tours of the Neuen Deutschen Bühne der Jugend (New German Youth Theatre). Alice Hechy died in 1973 in Berlin.
Sources: Thomas Staedeli (Cyranos), Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Produção stilyst e makeup Berê Aderenice Benevides
Modelos : Tatiana Santos Margarida Parro Andreia Cristóvão Carolina Araújo Carolina Verónica Neves
Organização Aderenice Benevides e Tatiana Santos
Copyright © 2017 Hugo Peralta, all rights reserved.
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Hiking and camping at Alice Lake outside of Sawtooth City Idaho, last summer 2010--- our dinner spot
Copyright notice: All photographs within my flickr account are protected under copyright laws. No photograph shall be copied, reproduced, republished, downloaded, displayed, modified, transmitted, licensed, transferred, sold or distributed or used in any way by any means, without prior written permission from me.
1. Down The Rabbit Hole, 2. Story Book Cotton Tape, 3. Vintage Alice--White Rabbit Toots His Horn--Harry Rountree, 4. curiouser & curiouser close up, 5. GIVEAWAY!!!! Alice in Wonderland, 6. ~ I'll Just See What This Bottle Does ~, 7. eat me cupcakes, 8. vintage European china plates, 9. Skeleton Watches & Pocket Keys, 10. Alice in Wonderland, 11. 005d_PatisserieMisaki, 12. Alice in wonderland gift tags, 13. Oh, Alice., 14. CUPCAKES by Sonja, 15. "If I had a world of my own, everything would be nonsense. Nothing would be what it is because everything would be what it isn't. And contrary-wise; what it is it wouldn't be, and what it wouldn't be, it would. You see?"
We are planning an Alice in wonderland -tea party for Pauline. I just love preparing children's birthdays!
Created with fd's Flickr Toys
French collectors card. Photo: Intran Studio.
French actress Alice Field (1903-1969) started out in the silent film era. Her career got on steam in the 1930s when she starred in several French-language versions of German film classics.
Alice Field was born Alice Fille in Alger, Algeria in 1903. She made her film debut opposite Saint-Granier in the silent production Villa Destin (Marcel L’Herbier, 1921), based on a play by Oscar Wilde. That same year she played the second wife of a well-to-do Algerian (Marcel Vibert) in Visages voilés... âmes closes/The Sheik's Wife (Henry Roussel, 1921). She then focused on stage work but returned to the cinema when sound film was introduced. She played the wife of Constant Rémy in Atlantis (Ewald André Dupont, Jean Kemm, 1930), a heavily fictionalized version of the RMS Titanic story. It was filmed simultaneously with the English-language version Atlantic (1929), the-German language version Atlantik (1929) and the silent version Atlantic (1929). Her film career got on steam. In the following years, Field appeared in several films including La maison de La Flèche/The house of La Flèche (Henri Fescourt, 1930) with Annabella, Le refuge/The Refuge (Léon Mathot, 1931) and Vous serez ma femme/You Will Be My Wife (Carl Boese, Serge de Poligny, 1932) with Roger Tréville. The latter was the alternative language version of the Ufa comedy Der Frechdachs/The Cheeky Devil (Carl Boese, Heinz Hille, 1932) with Willy Fritsch and Camilla Horn. Throughout the 1930s, Field played leading and supporting roles in a dozen French films. Most of them were run–of–the–mill, but quite watchable are Cette vieille canaille/The Old Rogue (Anatole Litvak, 1933) featuring Harry Baur, and the crime drama Police mondaine/Worldly Police (1937), in which she starred opposite Charles Vanel and Pierre Larquey.
Alice Field starred in the spectacle Le tigre du Bengale/The Tiger of Eschnapur (Richard Eichberg, 1938) and the sequel Le tombeau hindou/The Indian Tomb (Richard Eichberg, 1938). These were the French versions of the German two-parter Das Indische Grabmal (Richard Eichberg, 1938) and Der Tiger von Eschnapur (Richard Eichberg, 1938). These films were remakes of Joe May's 1919 silent films of the same name. Both versions were based on a novel by Thea Von Harbou, at one time the wife of director Fritz Lang. In turn, both Tiger von Eschnapur and Das Indische Grabmal were remade in 1959 by Fritz Lang. During the 1940s, Field continued to star in French films. Among her films were Campement 13/Camp 13 (Jacques Constant, 1940), and the comedy La loi du printemps/The law of spring (Jacques Daniel-Norman, 1942) with Pierre Renoir. After the war, she kept busy although her parts became smaller. Among her films of the 1950s and 1960s are the comedy drama Au p'tit zouave/The little Zouave (Gilles Grangier, 1950) starring François Périer, the Euro-spy film Pleins feux sur Stanislas/Killer Spy (Jean-Charles Dudrumet, 1965) starring Jean Marais, and the romance Un garçon, une fille. Le dix-septième ciel/A boy, a girl. The seventeenth sky (Serge Korber, 1966) with Jean Louis Trintignant and Marie Dubois. She continued to play roles on stage and television, like in the series Au théâtre ce soir/On stage tonight (1966-1970). Her final film appearance was a small part in the classic comedy Playtime (Jacques Tati, 1967) with Jacques Tati as Monsieur Hulot. Alice Field died in 1969 in Paris. She was 66.
Sources: AllMovie, Wikipedia (French) and IMDb.
And, please check out our blog European Film Star Postcards.
Found these 2 photos from a project i did ages ago on Alice in Wonderland.
Hoping to do some more on this story in the future cos i love it so much :D
German postcard by Ross Verlag, no. 842/2, 1925-1926. Photo: British-American Film A.G. (Bafag).
Alice Terry, originally Alice Frances Taeffe (1900–1987) was an American film actress and director, who began her career during the silent film era and appeared in almost 40 films between 1916 and 1933. Though a brunette, Terry's trademark look was her blonde hair, for which she wore wigs from 1920 onwards, e.g. in her most acclaimed role in The Four Horsemen of the Apocalypse (Rex Ingram, 1921) starring Rudolph Valentino. Ingram, who married her in 1921, would shoot her in many of his films and often paired her to Ramon Novarro, but also to other ‘Latin Lovers’ such as Antonio Moreno and Ivan Petrovich.
Later on, Alice Terry proved in films without her husband’s direction she was a legitimate star. In 1923 the couple moved to the French Riviera, where they set up a small studio in Nice and made several films on location in North Africa, Spain, and Italy for MGM and others. In the later 1920s, they returned to Los Angeles. In 1933, Terry made her last film appearance in Baroud, which she also co-directed with her husband, and which was partly shot in Morocco.
And, please check out our blog European Film Star Postcards.
Sesion que tenia abandonada y sin subir desde hace puff y mas x3
No hace falta decir que adoro este modelo y que no puedo estar mas feliz de que este en casa ♥
Adoro su carita en esta ♥
German postcard by WS-Druck, Wanne-Eickel, no. 495.
Alice & Ellen Kessler (1936) were popular in Europe, especially in Germany and Italy in the 1950s and 1960s, as a singing, dancing and acting twin. The German sisters are usually credited as the Kessler Twins or Die Kessler-Zwillinge.
For more postcards, a bio and clips check out our blog European Film Star Postcards.
Alice in WOnderland themed party invitation for kids.
custom illustration done in ink, marker and pencil
Alice Bunny, Nikke Photographer: A.Z.Production Cosplay Photography (instagram.com/azproductioncosp) Cosplayer: Mirana (instagram.com/mirana_cos/)
Vintage postcard. Photo: Kalem.
Alice Joyce (1890-1955) was an American screen actress, who, at the peak of her career, was nicknamed the Madonna of the Screen.
Alice Joyce, born in Kansas City, began her career as a telephone operator, to later get the first roles in the film through various model activities. She quickly rose to become one of the biggest stars of Kalem Studios since 1910 and played mostly well-behaved ladies of the better society in melodramas, comedies and occasionally crime stories. With the merger of Kalem and Vitaphone in 1916, the popularity of Joyce, who until the 1920s mostly played naive women, increased. Until 1921 she played at Vitagraph. Slowly, she also took on some mature roles. In 1924 she acted opposite Clive Brook in the British production The Passionate Adventure by Graham Cutts. She played in 1925, one of her most productive years, opposite Percy Marmont in Frank Borzage's Daddy's Gone A-Hunting, as Stella's rival Helen Morrison in Henry King's Stella Dallas and five months later as Clara Bow's mother in Herbert Brenon's Dancing Mothers, one of Joyce greatest successes. In the latter she is a woman who is denied any pleasure in life by her heartless husband and thoughtless daughter. In 1926 she played a princess opposite W.C. Fields in the comedy So's Your Old Man by Gregory La Cava. In 1927 Joyce signed a well-endowed contract with First National, where she received a few substantial film roles, as in The Squall (Alexander Korda, 1929), starring Myrna Loy.
Joyce made a smooth transition from silent film to sound film and in 1930 co-acted with George Arliss in The Green Goddess, the remake of a film in which both stars had had a success in 1923. But a lengthy heart disease (Louise Brooks claims that it was alcohol problems) forced her into private life. Joyce was first married to actor Tom Moore (1914-1920) with whom she had a daughter, then to James Regan (1920-1932), and finally to director Clarence Brown (1933-1945). Next to Mary Pickford and Lillian Gish, Alice Joyce was one of the few stars who was a star right up to the sound film days from the beginnings of commercial cinema, when it was still called Nickelodeon.
Sources: Wikipedia (German and English) and IMDb.
And, please check out our blog European Film Star Postcards.
If I had a world of my own, everything would be nonsense. Nothing would be what it is because everything would be what it isn't. And contrary-wise; what it is it wouldn't be, and what it wouldn't be, it would. You see? - Alice
Sunrise at Alice Lake on a beautiful Sept morning. This shot looks HDR but it isn't - the light really was that good! All I used was a 2-stop GND filter to balance the exposure coupled with a polarizer.