View allAll Photos Tagged Algorithms

Generative Art, inspired by Paul Klee piece pinterest.com/pin/173247916885896716/

 

www.underground-flash.com/2012/06/cityscape-art-from-code...

  

---------------------------------------------------------------------------

More of my artwork can be found in my online portfolio

kristinhenry.dunked.com/

and some prints are available

www.etsy.com/shop/ArtAtomic

Analogue Algorithms - art+bits festival - fot. Krzysztof Szewczyk - CC BY 4.0 Medialab Katowice

Except sometimes, just don't recurse.

  

startshape top

 

rule top {

hilbert {}

}

 

rule hilbert {

hilbert { s .5 r 180 x -.5 y -.5 }

hilbert { s .5 r 90 y .5 x -.5}

hilbert { s .5 r -90 x .5 y .5 }

hilbert { s .5 r 180 x .5 y -.5 }

 

SQUARE { s .01 1 x .5 }

SQUARE { s 1 .01 y .50 }

SQUARE { s .01 1 x -.50 }

 

}

 

rule hilbert .1 {

CIRCLE { s .1 x .5 y -.5}

SQUARE { s .1 1 x .5 }

CIRCLE { s .1 x .5 y .5}

SQUARE { s 1 .1 y .50 }CIRCLE { s .1 x -.5 y .5}

SQUARE { s .1 1 x -.50 }

CIRCLE { s .1 x -.5 y -.5}

 

Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.

 

In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.

 

Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.

 

Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.

  

EXHIBITED WORKS

 

deus X mchn (media-installation, 2017)

f0rma.suprema (media-installation, 2017 – 2018)

The Other View (media-installation, 2018)

Faces2Voices (Online interactive installation, 2020)

  

More: drugo-more.hr/en/helena-nikonole/

 

Photos: Tanja Kanazir / Drugo more

Royal Chair. Series: Stretch, fold, turn: the bread kneading algorithm.

Algorithmic Trading Freak Show in Orléanoide. Photograph courtesy of Olivier Parcollet.

An early experiment in perfecting the geode algorithm.

Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.

 

In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.

 

Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.

 

Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.

  

EXHIBITED WORKS

 

deus X mchn (media-installation, 2017)

f0rma.suprema (media-installation, 2017 – 2018)

The Other View (media-installation, 2018)

Faces2Voices (Online interactive installation, 2020)

  

More: drugo-more.hr/en/helena-nikonole/

 

Photos: Tanja Kanazir / Drugo more

Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.

 

In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.

 

Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.

 

Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.

  

EXHIBITED WORKS

 

deus X mchn (media-installation, 2017)

f0rma.suprema (media-installation, 2017 – 2018)

The Other View (media-installation, 2018)

Faces2Voices (Online interactive installation, 2020)

  

More: drugo-more.hr/en/helena-nikonole/

 

Photos: Tanja Kanazir / Drugo more

This is a bit silly, since this is just the result of running all of these algorithms with the default options, and some of them do need to have parameters specified for good results...

 

This montage was created with:

 

montage -label %f -pointsize 80 -geometry +3+2 *.png ../output.png

Much like a fuel gauge in a motor vehicle, the gauge of the Compensatory Reserve Index begins to show a loss in "fuel" well in advance of changes in blood oxygen or heart rate measured by the pulse oximeter. (Photo courtesy of USAISR public affairs)

 

Read the full story on USAMRMC's official webpage at: mrmc.amedd.army.mil/index.cfm?pageid=media_resources.arti...

 

Story written by: Steven Galvan, USAISR PAO

Algorithmic tiling pattern generated with an L-system in Processing, exported to Adobe Illustrator with my IgnoCodeLib Processing library, finished in Photoshop,

Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.

 

In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.

 

Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.

 

Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.

  

EXHIBITED WORKS

 

deus X mchn (media-installation, 2017)

f0rma.suprema (media-installation, 2017 – 2018)

The Other View (media-installation, 2018)

Faces2Voices (Online interactive installation, 2020)

  

More: drugo-more.hr/en/helena-nikonole/

 

Photos: Tanja Kanazir / Drugo more

Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.

 

In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.

 

Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.

 

Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.

  

EXHIBITED WORKS

 

deus X mchn (media-installation, 2017)

f0rma.suprema (media-installation, 2017 – 2018)

The Other View (media-installation, 2018)

Faces2Voices (Online interactive installation, 2020)

  

More: drugo-more.hr/en/helena-nikonole/

 

Photos: Tanja Kanazir / Drugo more

I think something is wrong with either the submission algorithm or people really have nothing to do.

Algorithm - Pixel

+ Aoki Takamasa, Senking Alexander Rishaug & Marius Watz,

Performance

Alexander Rishaug & Marius Watz, Pixel, Aoki Takamasa, Senking

19 May 9pm-1am

 

Part of Lovebytes 2007

www.lovebytes.org.uk

Google Refresh Page Layout Algorithm

  

In the event that you noticed a big change in your organic search traffic or rankings last week, and have a high rate of advertisements to content at the most effective of your web pages, possibilities have you been could be suffering from a refresh of...

 

www.coolluca.org/internet/google-layout-algorithm.html?ut...

Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.

 

In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.

 

Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.

 

Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.

  

EXHIBITED WORKS

 

deus X mchn (media-installation, 2017)

f0rma.suprema (media-installation, 2017 – 2018)

The Other View (media-installation, 2018)

Faces2Voices (Online interactive installation, 2020)

  

More: drugo-more.hr/en/helena-nikonole/

 

Photos: Tanja Kanazir / Drugo more

Algorithmic composition. A zoomable version can be found here.

 

Algorithmic worlds

"Stealth Care: wellness from the algorithm" delves into the convergence of personal health data, AI, and artistic research. Originating from AI analysis of non-specific symptoms, it intriguingly aligns with a subsequent medical diagnosis of a rare muscle disease.

 

Photo: Ars Electronica / Martin Hieslmair

These are my scrawled notes, trying to rough out an algorithm. I think they're from my attempt at the 2001 ICFP competition.

Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.

 

In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.

 

Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.

 

Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.

  

EXHIBITED WORKS

 

deus X mchn (media-installation, 2017)

f0rma.suprema (media-installation, 2017 – 2018)

The Other View (media-installation, 2018)

Faces2Voices (Online interactive installation, 2020)

  

More: drugo-more.hr/en/helena-nikonole/

 

Photos: Tanja Kanazir / Drugo more

Algorithmic Expression in Computer Science class today! Students had to follow their friends' algorithm exactly to make a paper plane... lift, drag, thrust and gravity.

Algorithm - Pixel

+ Aoki Takamasa, Senking, Alexander Rishaug & Marius Watz,

Performance

Alexander Rishaug & Marius Watz, Pixel, Aoki Takamasa, Senking

19 May 9pm-1am

Algorithmic tracing with toy caterpillar

I've forgotten what this once meant.

Brevity, ur doin it wrong.

(I found this in another paper in the very prestigious journal I'm writing for now.)

Generative art piece built with Processing. View the applet at justinlivi.net/dancingsine/

Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.

 

In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.

 

Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.

 

Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.

  

EXHIBITED WORKS

 

deus X mchn (media-installation, 2017)

f0rma.suprema (media-installation, 2017 – 2018)

The Other View (media-installation, 2018)

Faces2Voices (Online interactive installation, 2020)

  

More: drugo-more.hr/en/helena-nikonole/

 

Photos: Tanja Kanazir / Drugo more

From a suite of 128 transforms of a concentric circle pattern, following a space-filling curve (Hilbert curve).

1 2 ••• 42 43 45 47 48 ••• 79 80