View allAll Photos Tagged Algorithms
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
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www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Il suono e la manipolazione dell'economia a livello globale è un punto centrale di Algorithm, una scultura che riunisce un organo a canne costruito su misura e perfettamente funzionante, e un bancomat. I visitatori entrano nello spazio espositivo e vedono il retro dell'organo. Nell'impressionante scultura di quasi sei metri, un bancomat Diebold è inserito nell'organo al posto della tastiera e dei pedali. A ciascuna transazione finanziaria corrisponde una registrazione musicale esclusiva, che a sua volta produce note e accordi randomizzati a vari livelli di volume.
Algorithm - Alexander Rishaug & Marius Watz
+ Pixel, Aoki Takamasa, Senking
Performance
Alexander Rishaug & Marius Watz, Pixel, Aoki Takamasa, Senking
19 May 9pm-1am
Part of Lovebytes 2007
Our son Adam Florin gave a fascinating talk about generative music at Algorithmic Art Assembly, hosted by Gray Area Art + Technology. He started with a quick demo of Patter, his music composition software, then took us on an illuminating journey through the many people and ideas which inspired him to create his cool freeform generative sequencer.
Brian Eno, who coined the phrase “generative music”, recently likened it to gardening -- but the material practice is just as much rooted in centuries of formal aesthetics, predictive statistics and industrial automation. How can we negotiate the tension between organic and and the mechanical in the algorithmic arts?
Adam has created some amazing digital tools and art exhibits in that space. It was great to hear what he's learned in this fascinating field, exploring the intersection of human and machine creativity. And to top it off, he gave this talk on his birthday, which was the best present of all!
Watch video highlights:
View more photos:
www.flickr.com/photos/fabola/albums/72157677379327027
Learn about Patter:
adamflorin.work/projects/patter/
Learn about Algorithmic Arts:
#AlgorithmicArtAssembly #GrayArea
Water motion is like a very hard mathematical formula and very unpredictable. I mixed in this picture cooking oil with water. Then used Photoshop to fine tune the colors and contrast using the RAW file.
Colorized by Artificial Intelligence Algorithm Tool.
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Algorithmes Sérigraphiques
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Day 4 and we have started printing, yeah !
Algorithmes Sérigraphiques is a week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
Algorithmic tiling pattern generated with an L-system in Processing, exported to Adobe Illustrator with my IgnoCodeLib Processing library, finished in Photoshop, printing now on my large format printer.
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Algorithmes Sérigraphiques
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Day 4 and we have started printing, yeah !
Algorithmes Sérigraphiques is a week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
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Algorithmes Sérigraphiques
******************************
Day 4 and we have started printing, yeah !
Algorithmes Sérigraphiques is a week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
Colorized by Artificial Intelligence Algorithm Tool.
Please like and leave comments.
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Visit my portfolio sites:
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Pour éclairer ces questions, France Stratégie organise avec l’EHESS et Inria un cycle de débats mensuels Mutations technologiques, mutations sociales. La séance « Algorithmes, libertés et responsabilités », a été introduite par Daniel Le Métayer, directeur de recherche Inria, et Antoinette Rouvroy, chercheuse qualifiée du FNRS au Centre de recherche en information, droit et société (CRIDS), à l’Université de Namur.
En savoir plus :
Muse (Simulation Theory World Tour 2019) @ Capital One Arena, Washington, DC, on Tuesday, April 2, 2019.
#SimulationTheory World #Tour 2019 #Setlist:
Algorithm (Alternate Reality version; shortened)
Pressure
[Drill Sergeant]
Psycho
Break It to Me
Uprising (Extended outro)
Propaganda
Plug In Baby
Pray
The Dark Side
Supermassive Black Hole
Thought Contagion
Interlude
Hysteria (AC/DC's ‘Black in Black’ outro)
The 2nd Law: Unsustainable
Dig Down (Acoustic Gospel Version)
STT Interstitial 1
Madness
Mercy
Time Is Running Out
Houston Jam (w/ Futurism, Unnatural Selection, Micro Cuts)
Take a Bow
Prelude
Starlight
Encore:
STT Interstitial 2
Algorithm
Stockholm Syndrome / Assassin / Reapers / The Handler / New Born (The Deftones’ ‘Headup’ outro)
Knights of Cydonia (Ennio Morricone's ‘Man with a Harmonica’ intro)
PROJECT CODEX
A collaborative work with Julien Gachadoat, ECV school of communication & art, and the independent bookstore Mollat in Bordeaux.
Hot off the press > read on...
Algorithmic composition. A zoomable image can be found here. This work is based on pattern piling with feedback, see this blog post.
I used a shader-map, and algorithmic shader. I compute the Euler angles (directions) for the current point on the surface to the light source. Then I use modulated sinusoidal functions on these angles to decide whether light should pass or not. Note that the light here either can pass or can not pass which leads to the sharp edges of the patterns generated. For a more complicate scene the light can be attenuated or modulated rather than pure pass/no-pass.
Colorized by Artificial Intelligence Algorithm Tool from originally scanned hi-res photo from the respective source.
Credit disclaimer: I do not own the original scanned image and believe that it is in the public domain. These images have been collected from Flickr's search results and/or collected from various internet sources. If you know the link to the original image, please kindly put it into comment section as I will update the description to give full credit to the respective owner.
Please follow, like and leave a comment for more exiting future notifications.
My websites:
Visit my portfolio sites:
www.saatchiart.com/celestialart
FOLLOW ME:
www.youtube.com/channel/UC8JtcV_EejccsUNXSK_ejcw Springs of Eden
Can you guess what classic album I've been listening to recently? I've even gone so far as to create an imaginary alternative album cover. If I put their logo on there it would just make it too easy. I'm pretty sure you must know already...
Anyway, despite the fact I enjoy doing digital design work and illustration it never proves to be very popular. I'm not entirely sure what that is all about unless the algorithm just doesn't like it. Or it's rubbish. Given that I created it, it's tricky to know which it is. Probably a combination of the two. Anyway, back to the digital drawing board...
Cheers
id-iom
A big number of audiences online nowadays is mainly algorithms. Algorithms are trained on the auditory information that is produced and uploaded by humans. In *Not allowed for algorithmic audiences*, a digital assistant situated in an Athenian apartment exhibits an odd behavior. They borrow an avatar and for seven consecutive days before they end up in an e-waste dump, they hold seven monologues introducing themselves and their skills, their ancestors, their anatomy and their origins, and talking about voice and its significance. They reveal data on the listening infrastructures as well as the bias inherent in their programming. Just before they reach the end of their monologues, in a final effort to reconcile humans and machines, they share tips with humans on how they can manage…not to be heard by algorithms.
Credits
This artwork was developed within the framework of the Ars Electronica ArtScience Residency enabled by Art Collection Deutsche Telekom in partnership with Johannes Kepler University Linz. Part of the Art Collection Telekom.
kyriakigoni.com/projects/not-allowed-for-algorithmic-audi...
Helena Nikonole is a new media artist, independent curator and educator living in Moscow. Her field of interests embraces hybrid art, the new aesthetics, the Internet of Things, and Artificial Intelligence. In her works she explores technology’s potential opportunities, but also potential risks and dangers which techno-evangelists and scientists are not able to realize.
In this way she also conceived her first ever solo exhibition, titled "Contagious Algorithms", presenting her works that use cracks in the system of IP cameras and the Internet of Things.
Using these cracks, Helena Nikonole employs algorithms to generate new meanings and functions of hacked systems, pointing out their shortcomings and revealing how they operate, especially in terms of the amount of data collected by digital devices about their users. These data may be just some digital trash, or maybe have a purpose beyond the usual narrative of the political and marketing manipulation, to us incomprehensible, or perhaps understandable only with the help of divine intervention.
Be sure to visit the exhibition which allows algorithms to show a range of their abilities, from reading and interpreting data to generating new meanings in the form of musical compositions and sacred books.
EXHIBITED WORKS
deus X mchn (media-installation, 2017)
f0rma.suprema (media-installation, 2017 – 2018)
The Other View (media-installation, 2018)
Faces2Voices (Online interactive installation, 2020)
More: drugo-more.hr/en/helena-nikonole/
Photos: Tanja Kanazir / Drugo more
Algorithmic art created with Processing using blue noise dot patterns, wave functions, and various other computational techniques.
I keep telling myself it's time to retool this generative system--use functions more complicated than simple sine waves, different shapes--but when I set out to retool, I discover aspects I hadn't yet explored.
The series Sturdy, Rendition, Fuste, Eyeteeth, and Elpenor do use many more points than earlier images. Voluntad (like Chupatintas and a few others) uses different color rules. Otherwise, these are all variations on a basic generative system.
See www.openprocessing.org/visuals/?visualID=15891 for code used to generate "dot pattern" images.
******************************
Algorithmes Sérigraphiques
******************************
Day 4 and we have started printing, yeah !
Algorithmes Sérigraphiques is a week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/
******************************
Algorithmes Sérigraphiques
******************************
Day 4 and we have started printing, yeah !
Algorithmes Sérigraphiques is a week long creative workshop using Processing to generate images and silk screen to print the results.
Un workshop d'une semaine avec du Processing et de la sérigraphie.
For further info/Plus d'infos : www.freeartbureau.org/blog/