View allAll Photos Tagged AdoxSilvermax100
Olympus OM-4
Zuiko 28mm f/2.8
Adox Silvermax 100, Adox Silvermax 1+29
Print:
Ilford MG IV RC Portfolio
Ilford Multigrade
I like seeing these guys. Only had my 50mm lens with me as it was the day I left for home. Had a full day, so I spent it checking out St. James Park.
Nikon F4. AF Nikkor 50mm F1.4D lens. ADOX Silvermax 100 35mm B&W film.
Camera: Kodak Retina IIIC (1957)
Lens: Schneider-Kreuznach Retina-Xenon 2/50mm
Film: Adox Silvermax 100
Developer: Adox Silvermax Developer
Digitized with a Sony a7RIII
Ein Latergram aus dem Sommer 2018 - den Film habe ich an einem eiskalten 15. Februar 2021 entwickelt, nach über zwei Jahren in meinem Latergram-Regal.
ich hatte von dieser Ausfahrt mit meiner Adler an einem herrlichen Sommerwochenende schon einen Film entwickelt, diesen hatte ich vergessen - um so größer war die Freude über diese Fotos ...
Latergram ist meine Antwort auf Instagram - ich belichte einen Film und bewahre ihn einige Zeit auf, ohne ihn zu entwickeln.
A Latergram from the summer 2018. I developed the film on an ice cold February 15th after more than two years on my Latergram-shelf.
I had developed another film of this motorcycle trip i undertook on a wonderful summer weekend in 2018. Finding this second film was a little revelation for me ...
Latergram is my answer to Instagram - i expose a film and put it away for some time without developing it.
Camera: Kodak Retina IIIC (1957)
Lens: Schneider-Kreuznach Retina-Xenon 2/50mm
Film: Adox Silvermax 100
Developer: Adox Silvermax Developer
Digitized with a Sony a7RIII
Motorbike: Adler M200, (1953)
Ein Latergram aus dem Sommer 2018 - den Film habe ich an einem eiskalten 15. Februar 2021 entwickelt, nach über zwei Jahren in meinem Latergram-Regal.
ich hatte von dieser Ausfahrt mit meiner Adler an einem herrlichen Sommerwochenende schon einen Film entwickelt, diesen hatte ich vergessen - um so größer war die Freude über diese Fotos ...
Latergram ist meine Antwort auf Instagram - ich belichte einen Film und bewahre ihn einige Zeit auf, ohne ihn zu entwickeln.
A Latergram from the summer 2018. I developed the film on an ice cold February 15th after more than two years on my Latergram-shelf.
I had developed another film of this motorcycle trip i undertook on a wonderful summer weekend in 2018. Finding this second film was a little revelation for me ...
Latergram is my answer to Instagram - i expose a film and put it away for some time without developing it.
Old Maltings factory in Mittagong. Access has been blocked off now, so I can only get shots through the fence.
Also used a red filter.
Nikon F4. AF Nikkor 24mm F2.8D lens. ADOX Silvermax 100 35mm B&W film.
Camera: Kodak Retina IIIC (1957)
Lens: Schneider-Kreuznach Retina-Xenon 2/50mm
Film: Adox Silvermax 100
Developer: Adox Silvermax Developer
Digitized with a Sony a7RIII
Ein Latergram aus dem Sommer 2018 - den Film habe ich an einem eiskalten 15. Februar 2021 entwickelt, nach über zwei Jahren in meinem Latergram-Regal.
ich hatte von dieser Ausfahrt mit meiner Adler an einem herrlichen Sommerwochenende schon einen Film entwickelt, diesen hatte ich vergessen - um so größer war die Freude über diese Fotos ...
Latergram ist meine Antwort auf Instagram - ich belichte einen Film und bewahre ihn einige Zeit auf, ohne ihn zu entwickeln.
A Latergram from the summer 2018. I developed the film on an ice cold February 15th after more than two years on my Latergram-shelf.
I had developed another film of this motorcycle trip i undertook on a wonderful summer weekend in 2018. Finding this second film was a little revelation for me ...
Latergram is my answer to Instagram - i expose a film and put it away for some time without developing it.
I saw this scary gang of Pelicans hogging these seats at St. James Park. People were getting photos.
One time a few years ago at the lake down the road from where I live a big scary Pelican came & took over. He scared my Duck friends away with his mean grunting sounds.
Nikon F4. ADOX Silvermax 100 35mm B&W film.
Camera: Kodak Retina IIIC
Lens: Schneider-Kreuznach Retina-Xenon 2/50mm
Film: Adox Silvermax 100
Developer: Adox Silvermax Developer
Digitized with a Sony a7RIII
Location: München
Ein Latergram aus dem Sommer 2018 - den Film habe ich an einem eiskalten 15. Februar 2021 entwickelt, nach über zwei Jahren in meinem Latergram-Regal. Fotografie mit alten Kameras ist für mich die beste Anti-Aging Strategie :-)
Latergram ist meine Antwort auf Instagram - ich belichte einen Film und bewahre ihn einige Zeit auf, ohne ihn zu entwickeln.
A Latergram from the summer 2018. I developed the film on an ice cold February 15th after more than two years on my Latergram-shelf. Photography with old cameras is the best anti-aging strategy for me :-)
Latergram is my answer to Instagram - i expose a film and put it away for some time without developing it.
Porsche Super Sport
Pentax Spotmatic F
50mm f1.4 lens
Adox Silvermax 100 film
Developed in HC110 (B)
Epson V850 scanner
In Berrima.
I was inspired by the Ingmar Bergman film Winter Light, & the weather was iffy, & constantly changing. It seemed overcast at first, but by the time I got to the church, it became sunny. Used red filters to make a more dramatic look. Taken with my Daguerreotype lens.
Nikon F4. ADOX Silvermax 100 35mm B&W film.
In Berrima.
I was inspired by the Ingmar Bergman film Winter Light, & the weather was iffy, & constantly changing. It seemed overcast at first, but by the time I got to the church, it became sunny. Used red filters to make a more dramatic look.
Nikon F4. Nikkor 50mm F1.2 lens. ADOX Silvermax 100 35mm B&W film.
Camera: Kodak Retina IIIC
Lens: Schneider-Kreuznach Retina-Xenon 2/50mm
Film: Adox Silvermax 100
Developer: Adox Silvermax Developer
Digitized with a Sony a7RIII
Location: München
Ein Latergram aus dem Sommer 2018 - den Film habe ich an einem eiskalten 15. Februar 2021 entwickelt, nach über zwei Jahren in meinem Latergram-Regal.
Latergram ist meine Antwort auf Instagram - ich belichte einen Film und bewahre ihn einige Zeit auf, ohne ihn zu entwickeln.
A Latergram from the summer 2018. I developed the film on an ice cold February 15th after more than two years on my Latergram-shelf.
Latergram is my answer to Instagram - i expose a film and put it away for some time without developing it.
2019. I'd like to go back here next time I can get to London.
Nikon F4. AF Nikkor 24mm F2.8D lens. ADOX Silvermax 100 35mm B&W film.
Multiple exposure in Piazza Maggiore, with one shot of an angled shot of a wall.
Nikon F4. ADOX Silvermax 100 35mm B&W film.
Used my ultra wide angle lens as I love the slightly distorted look.
Nikon F4. AF Nikkor 14mm F2.8D lens. ADOX Silvermax 100 35mm B&W film.
On a somewhat foggy morning, Grand Trunk Western 5847 drills cars in the former EJ&E yard. This geep is a very short distance away from it's old home rails on "the Trunk". Canon F-1 on Adox Silvermax 100.
At the start of the summer I bought some Adox Silvermax 100 film to try out. The plan was to shoot it quickly, develop it myself in the dedicated Silvermax developer, then scan it using my Plustek scanner. We all know what happens to the best laid plans. During the summer, due to family illness I had no time for photography at all so the film travelled north to Skye a few days ago where I quickly used it up. Unfortunately I completely forgot to bring all my developing gear so the film was sent to my usual lab to see what they could make of it.
Here are some of the results. Looking at the negatives I thought they looked quite contrasty and this was backed up when I started to work on the computer. In a lot of them the highlights were blown out. I'm sure my exposures were correct because I use a hand held meter so it must be a combination of what the lab used as a developer and the scanning process. I have read online that even using the Silvermax developer the film speed should more accurately be set at ISO 200 at least to avoid the highlights blocking up. When I get back down the road I'm going to try shooting at ISO 100, 200 and 400 and will develop it in the Silvermax developer following the manufacturers instructions to see what comes out.
These are all crops to a greater or lesser extent but at first glance the claims to be a fine grained film certainly stack up.