Bees just can't seem to resist these lavender flowers - even though they look well past their best, they still smell as good as ever.

 

1949 Meyer Primoplan 58/1.9 on Vivitar 2x macro teleconverter with Canon FD mount. Apart from the inevitable loss of light, this teleconverter seems to surprisingly have no negative impact on the optical performance of the old Primoplan and it certainly improves the working distance for shots like this compared with using plain extension tubes. Look forward to trying it with some other lenses, maybe even some Canon FD ones!

 

Amusingly, before adding any description, this shot was auto-tagged as a 'bear' :-)

This is so addictive & fun

First attempts at double exposure. Addictive, like pringles.

Chronicles of lifting Light :

Tales from The Poet and the Peasant

 

There is a certain daring “edge” in acting out a role playing game on a partner(s) in public, especially if (in our case) one favors pickpocketing.

It’s a certain adrenaline thrill, both addictive and desirable, that increases up until the “mark” is relived of one or more of her dangling valuables. Whether its carried out with a simple bump, a lift conveyed while, say dancing, or a squeeze play maneuvered with a second player, it all creates and holds a level of excitement most thrilling in its nature, quite erotic within its scope.

 

This Chronicle contains short essays on pickpocketing games played solely within our group over the past few years.

 

These were games only, done with full knowledge and consent of all the players ( with a couple of exceptions where the parties involved were not informed of the actual happenings until sometime after the fact.)

Any articles of jewelry lifted were returned to their original owners, albeit sometimes those owners at first thought the jewelry being returned had just simply fallen away.

The actual facts have been stretched, padded and enhanced, due primarily to the significant detail that I rather like those in my immediate circle, and in order to keep them liking me, have agreed to “put meat on the bone” so to speak, when putting pen to paper.

This journal is far from complete, and additional stories will be added as they are played out.

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The “Poet and the Peasant” Is a little backwater pub owned by Brian’s Aunt and Uncle. It’s a laid back place, music (mostly canned) , the usual caste of regulars ,Including us, and a generous section of ales and other “demon” drink.

The pub is housed in an ancient old building with all sorts of old Victorian era objects, found and given a home in the pub’s numerous nooks and crannies. Including the skull of poor Erik. Erik was a 17th century poet and balladeer who supposedly was beheaded for making several torrid lyrics about a certain Saxon king. His grinning skull sits high up in a shelf along a balustrade, usually with a cigar clamped in his jaws. Couldn’t tell how many times someone who had more than his fill of drink has tried to light it for the poor blighter. The pub is a regular howl around Halloween, thanks to Erik, who has obtained quite a degree of notability, despite being dead for all these long years.

Basically, Erik aside, the “Poet and the Peasant” is a great place to hang out and make plans with a pint in hand.

 

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Opening Act

Atonement

We were heading to a small resort that we once had stayed at for a wedding and reception. It was Just “Ginny” and I on a 4 day escape from reality. We were passing through one of the small towns on the way, when Ginny spotted a dress shoppe, with several mannequins wearing evening frocks. She had to stop, we had a function the next month and she had “nothing to wear”( Liar I thought grinning).

 

We went inside and on a “gently worn” rack she pulled out this long string sleeved satin number and tried it on. The young clerk said it was patterned after the one in the movie atonement ( which neither of us had seen) but its rich deep green( Irish green the clerk called it, which I really had no idea was a colour) really set off Ginny’s long copper hair, and I liked the way her hair laid down her bare backside.

 

We arrived at the resort in early afternoon and claimed our suite( paid for by an anniversary gift) and set out to explore the place. The resort was packed, and we found out that there were 2 evening wedding receptions taking place on Saturday. An Idea began to take seed and as we walked I found a way to bring it into conversation.

 

Ginny had brought her rhinestones ( see Album Chronicles of lifting Light, B) for a bit of date roleplay in our suite some chosen evening of our stay. I suggested that she should give her gown and the rhinestones a try in public. Where she asked? I than laid out my game plan and a smile crept across her face, lit up by the sun poking through the trees on the wooded path we had been walking. Ginny liked to dress up, and I used that trump card to my advantage.

 

At around 5pm I slipped into the larger of the two receptions (crashed if you like) and wondering over to the bar I got a drink and waited, nursing it. I was reasonably presentable in a suit jacket, slacks, silk shirt and satin tie. As I waited I found myself pretty much unnoticed, which was a far cry from what Ginny encountered when she cautiously entered about fifteen minutes later, green gown swirling, rhinestones all a glitter. It didn’t take long for the sharks to start circling. One lad started a conversation, and I watched her squirm a little, before putting my drink down and coming to my damsel’s rescue. I had to literally peel the bloke away from her. We went onto the dance floor, pretending like we had never met. As we danced through several songs I could tell by the look in Ginny’s eyes that she was feeling the same fire within that I was. Ready for part 2 ? I asked, she got a surprised look in her eyes, and began to check herself, uh uh I said, not till we leave. We went out together; I spied the bloke watching us from a table, and smirked to meself over his look of frustration.

 

Outside we started to walk along the promenade, joining along with several other ladies, charming in their in gowns and frills, with their tuxedoed escorts, escapees all of us from the receptions. Ginny felt exceptionally good as, with my arm around her, she cuddled into my side while we walked some distance. But our bliss was not long, when Ginny , looking back, said there was a hotel security cop heading our way. Damn I thought, pinched for crashing the reception.

 

The rent-a-cop came up to us, and placing a firm grip upon my shoulder(or tried, I was a good foot taller, where do they find these blokes?) talked directly to Ginny. Everything alright then Miss, he questioned Ginny, trying to sound professional, and he almost pulled it off, except he squeaked on the word Miss.

 

Why yes, officer Ginny said, pouring on the charm( which is a quite frightful weapon in her capable hands), thank you for your lovely concern, but why do you ask? I received a report that this man may have been bothering you, Ma’am he said , no squeaks this time. He looked at me, I just grinned back at him, waiting for Ginny to belt it out of the park. She smiled, her green eyes brite, and laying a hand on the “officers” chin, told him how adorable his concern was for her safety, but her husband and she made sure he saw her ring, is really not that much of a bother most of the time. Husband he started, than stopped, caught his embarrassment nicely, then tried to save it, but Miss, I heard you had lost a necklace.

Whatever reaction he had hoped by saying this, it was not the one he got. Oh that, she said, the clasp broke, so my husband took it for safe keeping, really, where would I have put it, and she stepped back and let him look her over for evidence of supporting her statement. Game, Set and Match, I smirked to myself!

With the way she looked in that satin gown, and her charm at full output, no mere mortal male would have been able to stand a chance. Well, he choked out, all’s good then isit, and releasing my shoulder; he turned heel, and walked off hurriedly, like a scolded puppy with its tail between its legs. Ginny giggled, well played I told her, well played. And, again with my arm around her and Ginny cuddling in, we continued our stroll, with Ginny letting out the occasional chortal of laughter over the whole incident.

  

We reached an overlook over the lake, where a pair of swans was meandering about. A young lady in a long white dress with a glittering bracelet around one wrist, was walking along the path that edged along the lake. The swans were near her, reminding me of a tele commercial I had seen long ago ( If anyone else remembers it please leave a comment).

 

Ginny caught me looking, wanna do the path luv, she whispered with in a most beguiling manner. We did so, and eventually found a rather isolated little nook behind a hedge grow. Here I will have to leave to the readers imagination what transpired there, for the only witnesses were the two of us, and a rather surprised chippy who crawled out of his hole for a gander…

 

On our way back we once again stopped at the overlook. Time to tally up I said. Ginny smiled and opening her purse pulled out a scrap of paper. She showed it to me, on it was written the word necklace. Lucky guess, did you feel me take it I asked. Of course she lied; I could have done it better. Wanna bet I teased. Maybe someday we’ll see she responded. Now the way the game worked was that I pretended to be a light fingered jewel thief, with my eyes on the lady in green’s jewels. It was my objective to lift a piece of Ginny’s jewellery some point in the evening..

 

Ginny agreed to it on the condition that beforehand she would write down a piece of jewellery on a piece of paper, if it matched the piece I had lifted, than I could decide what we would do the next evening, if not, she would decide. So later, as we had a few drinks in a nearby pub ( still dressed in “costume”) I (the winner) outlined the plans for the next evening.

 

So the following evening, after a rather nice feast by the fireplace in the resorts great room, we found ourselves once again in a bar ( this time the resorts lounge). I was wearing the same suit, and had Ginny’s purloined necklace in my jacket pocket. Ginny was wearing a black satin blouse, ¾ sleeved, with long white and blacked stripped skirt. She wore her gold jewellery, and her long hair was up, held by rhinestone clips. At one point she excused herself to the loo, and when she returned took the chair next to me, and started to come on to me. I played along and after a few drinks, and dances, she led me out to the lobby.

 

Making way outside to the long wooden walkaway of the promenade, we began our way along it. Finding an isolated bench, we began to make out, as if we were strangers who had just met. After a long (glorious) while, we stood( wobbly) and made our way down to the lake, and continued our light petting.

 

At one point Ginny stopped, and looking me in the eye, said, well sir, its been fun, but id better go. Immediately I patted my pocket, the necklace was gone. Naughty I said, distracting me on the bench hussy, I teased. Her eyes got a gleam, follow me she said. We retraced our steps, hand in hand, and she led me to the the bench, and then surprisingly passed it. We regained the lobby, and she stopped by a corner, where a larger fern like plant sat in a rather big ceramic pot. Reaching in, she pulled out the necklace. Very good I said, never felt you take it.

 

So, I win then, she smirked. Yes I agreed, I had guessed wrong by thinking she had picked my pocket on the bench. So let’s go an collect me winnings then, sir, she ordered me, her eyes large and hungry. As we made our way I tried to get her to tell me when she had lifted the necklace, but she just placed a secret little smile on her lips, and remained silent on the subject….

*******************************************************************************

 

Act 2

Squeeze Play

 

Anyone who has taken the bother to riffle through my earlier Chronicles of Lifting Light, knows I have a twin sister who at times past has been my foil to practice upon. Well, I will leave it up to you to decide who the foil was in this tale.

  

We were all hanging out at the pub (“Poet and the Peasant” of course) one evening, the four of us, being the silly selves that mid- twenties youth are prone to being, especially when alcohol is involved.

 

We were trying to drink away the memories of what our previous week of work had given us, and were well on our way to meeting that objective, when a song from the band Cold Play come on. Ginny had asked my sister who it was, and instead of answering right away, she gave something a bit of thought, then my sister started smirking. Cold Play, like squeeze Play , remember “Ginny?”

 

Both Girls just started giggling, “Brian” just got a sullen look at the memory, and I, I just reflected…..

 

In our University years, my sister worked part time for a company that raised funds for charities, like OXFAM, etc. Among the various types of events were a couple of “Black Tie” affairs that I enjoyed because it gave Brian and I the chance to escort my Sister and Ginny ( the girls ever beautiful in fancy dress) to attend them.

 

Now, my sister had this co-worker,”Shiela”, who was absolute vinegar to my sister’s honey, hell, she was vinegar to any pretty female’s honey! She was a squawker, a squealer, and a backstabbing slag, in other words, not a very nice girl atoll. She was also was twice divorced from wealthy young scions who could not spot a gold digger for the life of them until they had been broadsided along the head with her gilded shovel.

 

During one warm late Autumn we were attending one of the Charity Dances being held in the big city proper. They had a pair of bands lined up, one kind of a Disco’ish throwback, and for later, a proper one that played a more romantic beat, one that called for slow dancing. The Girls were more into the Disco then we males were( a feeling that affected most of us in attendance) and the floor was flooded with a gaggle of swishing dresses and gowns dancing and swirling around to the frantic beat of the music, all performed with swirling lights in the darkened, smog filled dance floor, while the guys just sat around enjoying the show being put on.

 

As Brian and I watched the provocative females on the floor dancing, we noticed that our girls were slowly moving out amongst the throng of pretty dancers, rather than maintaining one area. Soon they had moved next to “Shiela”, who was dancing with this cousin of hers. Now I found this surprising, because Sis and Ginny had been throwing daggers with their eyes at “Shiela” all evening. She had been sitting with her wealthy new boyfriend, who was always bending to her demands, as evidenced by the expensive new finery she was sporting, which really had gotten a certain Twins goat. So it was with some puzzlement that when her cousin took a breather, Ginny and my twin slipped in to take her place, moving in rhythm with the now quite intoxicated “Shiela”.

 

Sis was facing “Shiela” and Ginny was behind her, all three of them gyrating their arms, hands and most of their other body parts in motion, up down and all around each other , so close at times that you would have had an effort at squeezing a hand between them.

 

What’s that pair up to now? Brain questioned me, as if I had a hand in it, I just shook my head, knowing only that I wanted to be in the middle of that sandwich instead of “Shiela”, but as it turned out, good thing I wasn’t.

 

We watched as the long song went on, with its deep bass beat that almost sounded like it had been lifted from some horror flick. Ginny and Sis continued to revolve, twist and swirl around the guileless “Shiela” as their colourfully brite (slinky) dresses shimmered in a most provocative fashion, bathed as they were caught by the dimly lit, smoke filled, dance floors blue strobes. A few times “Shiela” seemed to lose her footing, and fell against my Sister, who I thought took it surprisingly well as she gently steadied her foe.

 

Then the song ended, and all three girls laughed and giggled, actually hugged one another. I heard Brian letting out an chiding snort, I , well I was still just mesmerized by the whole act. Ginny and My Sister than walked the slightly dizzy “Shiela” back to her table, even going so far as to help her set down, before turning and heading back to our table. Both of them wearing chuff grins like the kittens that had eaten the canary.

 

Wotcher?, said Brian questioning their look. Oh God I thought, knowing the answer, for I had been watching “Shiela” as the girls had left and approached. My sister, looking around, held out her hand and opened her fist. There, all balled up and glittering, was the expensive diamond pendent of the set of matching diamonds that “Shiela” had been flaunting about to everyone all evening.

 

Brian Jumped all over the two, giving them quite the bollocking, “games we played on each other was one thing, but what you pair had done was wade into some very dangerous waters indeed”! So what’s next I chimed in, and by the looks on their heavily made-up faces realized the silly twits hadn’t thought of that end. We hastily discussed the matter, knowing that time was anything but on our sides. Finally Brian took it from my admonished(seemingly) twin, and marching it up to the disc jockey, had him make an announcement describing what his “sister” had found in the loo.

 

“Shiela”, whom we all had been watching, let out a shriek as her hands flew groping to her chest in fruitless examination, jumped up and immediately claimed it, or tried to as the Jocky had a little bit of fun with it first. “Shiela” and her haplessly star struck Beau, were so hopping mad at the Jocky, they pretty much gave no thought as to how the pretty thing actually had been lost in the first place. This was a lucky break for a couple of girls, who still sat their smugly smiling, as Brian tried in vain to continue scolding them. Me, I just looked at the twittering pair, wondering, pondering thoughts of me own.

 

Now it wasn’t until a couple of years later on the night my sister made the remark about the cold play song that the girls felt comfortable talking a bit more about the incident .And before Brian could listen without tabooing the subject. And it was then that I learnt how the pair of them had managed to take the diamonds from “Shiela”

 

It turned out the two had had no real plan, just that they had been discussing “Shiela” between themselves and had been debating over how fun it would be to knock her down a peg or so. One of the scenarios presented was to have her be given the shock of losing a piece of her expensive jewelry, and they even discussed bringing me into the fold, but thought better of it.

 

Although I am not sure if I would have taken them up on it, but since then I have thought out different ways I would have approached the problem, both by myself, and with the girls help. Although I wouldn’t have tried for the necklace, I figured her ring or bracelet would not have been beyond my scope of achievement. Although, with the girls help…….

 

Anyway they finally decided to try it themselves, after all how hard could it be to take, say a cocktail ring from “Shiela’s” sweaty finger as she was dancing away on the crowded floor?

 

They decided to join in the dance and get close to “Shiela” and if an opportunity arose, my sister was to signal Ginny by rubbing a finger alongside her nose to bump against “Shiela”, pushing the hapless B… into me devious twin. It was Ginny who came up with the name “squeeze play”, because I once had grasped and squeezed her from behind, removing her ring in the process.

 

Now “Shiela” was wearing what I guess is called an A-line gown, where her front was totally covered by the gowns shiny material, no gloves, just sweat glistened skin. As they moved in on “Shiela” Ginny took position behind, while Sis took the front, and at one point laid a hand upon “Shiela’s” shoulder, “Shiela” did likewise as they swayed to the deep rhythmic beats. Sis tried to grasp “Shiela’s” free hand, the one where she was wearing a diamond cocktail ring, but she kept missing. In the process she realized that the hand she had placed on her victims shoulder was almost touching the thick gold chain of her nemesis’s necklace, which held the diamond pendent that was bouncing about.

 

Looking “Shiela” directly in the eyes she began to work the necklace along as they danced, until her fingers felt the clasp. It was lobster clasp, similar to one my sister had on the emerald necklace Brian had given her. Sis gave it an exploratory push, and it surprisingly opened under her fingers. Startled at what had happened, she forgot the signal, and nodded to Ginny, who plowed into the hapless “Shiela’s” backside, as my sister felt “Shiela” fall against her. She whisked off the necklace with one hand, while steading the giggling “Shiela” with her other. Backing away she placed both hands behind her back as “Shiela” turned to receive Ginny’s apologies. Sis balled up the chain in one hand, holding it tightly closed for the remainder of the dance. They helped “Shiela” back to her table, my Sister placing the fist holding the necklace alongside her victims back as they helped guide the still giggling “Shiela” to a seat.

 

Walking away, my Sister thought that it had been almost scary how easily it had been to open the clasp and pluck off the necklace. It shouldn’t have been, she kept telling herself, but she knew it was, for she had the evidence in her hand, and she was not even close to ever being a professional about such things. My twin has said that afterwards that it had given her a lot of perturbed thoughts when wearing any good jewelry of hers in public, (particularly her emeralds with the Lobster clasp) and finds herself on occasion still doing spot checks whenever she has been brushed by someone. But then, I think we all do on occasion, knowing the kind of games we like to play.

 

So as one can see, overall ,this is a rather touchy subject to tackle. But there was no denying that Sis (and Ginny I suspect) were proud of their accomplishment at the time. It was almost like my twin was trying to impress upon me that I was not the only one with light fingers. A subject that, trust me, has been, and will continue to be explored down a sometimes crooked “garden” path.

  

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Anyone who has read Chronicles B knows that Ginny and Brian both received the upcommence for the manner in which they had gotten my sisters got at the wedding reception. But as for me, she waited a bit, biding her time, for like the proverbial elephant( which she has a bit of a collection) my twin does not forget.

Upcoming :

 

And revenge is a dish best served cold.

*************************************************************************************

 

In Appraisal

I do highly encourage anyone who has read my chronicles,( or looked at the clips below) and on the off-chance may actually have been entertained by them, and would like me to divulge more of our tomfooleries , to please leave behind a comment expressing that point.

Thank You

 

Food for thought:

Jewelry lifting Clips

www.youtube.com/watch?v=HAZdjhNVjxk&authuser=0

www.youtube.com/watch?v=Ls8rw2V1QCU&authuser=0

www.youtube.com/watch?v=4RbLiI9ZFQ8&authuser=0

www.youtube.com/watch?v=9XZ8s-R9vl4

www.youtube.com/watch?v=ofodSjKQ_-8

 

***********************************************************

Courtesy of Chatwick University Archives

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DISCLAIMER

All rights and copyrights observed by Chatwick University, Its contributors, associates and Agents

 

The purpose of these chronological photos and accompanying stories, articles is to educate, teach, instruct, and generally increase the awareness level of the general public as to the nature and intent of the underlying criminal elements that have historically plagued humankind.

 

No Part of this can reprinted, duplicated, or copied be without the express written permission and approval of Chatwick University.

 

These photos and stories are works of fiction. Any resemblance to people, living or deceased, is purely coincidental.

As with any work of fiction or fantasy the purpose is for entertainment and/or educational purposes only, and should never be attempted in real life.

We accept no responsibility for any events occurring outside this website.

 

********************************************************************************

 

❤️MALITHIA

 

❤️🔥 Love can be sweet… or dangerously addictive.

Malithia blends romance and temptation in a bold lace design wrapped with straps, harness details and dark elegance.

🔥 Soft florals meet sharp cuts, turning every step into pure seduction.

💋 Made for broken hearts, late nights and eyes that won’t look away.

 

✨ Set includes:

• Jacket

• Dress

• Harness

• Stockings

• Boots

 

⛓️ Stockings & Boots exclusive in Outfit and Fatpack.

 

📏 Compatible with:

Reborn – Waifu – Legacy – Perky – Bombshell – LaraX – PetiteX – Maitreya – M.Petite – Erika – Kupra

 

🌹 Romantic. Dangerous. Unforgettable.

📌LM IN STORE

maps.secondlife.com/secondlife/Azalea%20Glades/157/201/22

My friend Kris inspired me to purchase this Jessica Howard houndstooth dress. I can see how this might be addictive. Following my friend Christy's suggestion, I have gone blonde with the darker color dress. Now it is your turn to get even with blonde jokes.

Just an opinion...

HDR is a very appealing even "addictive" process… truly a powerful tool in photography. However it can easily get out of hand.

My dilemma is always at what point does the processing stop… when do I cross the line from an image that looks real to an image that's from a fantasy world… heavy, over-saturated...

Rules of composition and beauty are still the directions to follow… and the application of technology is just to enhance what is already a good photograph.

Great photography is still a skill.

 

Please view on black.

  

Shooting water droplets is really really addictive! You get some amazing shapes from time to time.

Still learning though......missed the focus on a fair few tonight - am also trying to work out how to set up the lighting to get a nice soft lighting.

 

ISO100

f11

1/100

 

Strobist info:

Bare off camera flash (Speedlight 430EX) - behind left of subject at 1/16 power at same level as water and triggered using a Yongnuo wireless trigger.

An out-of-body experience (OBE or sometimes OOBE) is an experience in which a person seems to perceive the world from a location outside their physical body. An OBE is a form of autoscopy (literally "seeing self"), although the term autoscopy more commonly refers to the pathological condition of seeing a second self, or doppelgänger.Do you want to float around the astral plane without dying first? Are you longing to leave your body at home for a few hours to explore the cosmos? People report out-of-body experiences (OBEs) while dreaming, during near-death experiences, or through relaxation techniques such as meditation. For some people, having an OBE can be like being Alice in your very own Wonderland. Read on to learn how to experience this on purpose.Ready your mind and body. Choose a quiet place you find relaxing. You can be indoors or outdoors, as long as you are comfortable. Make sure you won't be interrupted. OBEs are most common in the morning at 4:00am-6:00am, however trying this at night or when you are tired will probably just make you fall asleep.

Find a comfortable position, either sitting or lying down. Many people choose to lie down on their backs, but be forewarned that temporary sleep paralysis is more likely in this position if you do fall asleep. These may consist of dark figures, ghosts or whatever you fear entering your room. Though this may sound scary, the more you realise they cannot physically harm you for they are your mind's creation, the less scary it is to endure.

Affirm to yourself that you are going to have an out-of-body experience. Say to yourself "Mind awake-Body Asleep" or "I will have a lucid dream." Repeat this several times until it is the only thought left in your mind. Close your eyes and relax. Become less conscious of your external surroundings. Empty your mind of thoughts and ideas. Meditation techniques can be helpful here to maintain an empty mind while still remaining focused and aware. Allow yourself to almost fall asleep. Actually sleeping would defeat the purpose. Instead, let yourself drift close to sleep while concentrating on being conscious of your sensations and mental state. Feel a vibrating sensation in your body. As you relax further, you should become more aware of what's happening inside your mind and body than anything happening in the room around you. Try to feel the vibration of your body, coming from both the larger pulse of your blood and breath to the individual movements of your cells. You may think you hear sounds like a tornado/wind. The urge to move here will be tremendous, especially if it's your first time. Just relax deeper and deeper until the sounds passes, but avoid falling asleep.

Try to slow the vibration. Visualize the movements of your body slowing and the sounds and sensations of vibrations getting fainter. Soon everything will be completely silent and your body will be still. Let your body become paralyzed. Some say it feels like a lead blanket has been placed over you. You may notice all of a sudden that you can't move your arms or legs. Don't panic! If you try to force yourself to move you may wake up. You will, however, be able to move your eyes, mouth, nose, and face, so try moving those slightly instead. Feel your hands grasping an invisible rope. Don't move your actual hands or visualize the rope. The "rope method" relies on the imaginary feeling of the rope, not a mental image. Focus on the texture, thickness and heftiness of the rope. Feel the tension in your arms between the strength of the rope and the pull of your weight. If you have trouble using the rope technique, try imagining a ladder instead. Some people find this easier, especially if they are more accustomed to climbing ladders than ropes.

Use the rope to pull yourself up and start climbing. Feel your muscles contract and your body move upward when you pull. Don't visualize: imagine you are doing this in pure darkness. Keep going up. Soon you will find yourself out of your body, triggering the "projection reflex."

If you experience vibrations in your body as you climb, try to relax more, or else you will only lose more energy and it will become harder.

If you have trouble, try climbing up as you inhale and then resting as you exhale.

The rope method is a more practical variation on the more iconic technique of visualizing yourself floating up. Though floating out of one's body all at once makes for a better image in the movies, it's not as effective in real life.

Open your astral eyes. Once you know you are out of your body, open your eyes. You should be viewing your room from the side of your bed, with your body still lying there still with eyes closed.

If you want, try to open your third eye first, low on the center of your forehead.

Visualize every detail of the space around you. Make sure you get a good look at your surroundings before you lie down. Now try to recall and feel the location and shape of every object in the room, as it looks from where you are resting.

Visualize the space around you as seen from a different point in the room. Once you have the image of the room clear in your mind's eye, shift that perspective to try to see that image as though you were standing over or near your body. In some ways you should already feel like you have left your body.

Rise from your body to the spot you were visualizing from. Stay very relaxed, but be forceful in your will to gently bring yourself to that point. Feel yourself moving up and over to that space, and visualize your perspective changing. Then open your astral eyes.

www.wikihow.com/Have-an-Out-of-Body-Experience

 

The term out-of-body experience was introduced in 1943 by G. N. M. Tyrrell in his book Apparitions, and was adopted by researchers such as Celia Green and Robert Monroe[3] as an alternative to belief-centric labels such as "astral projection", "soul travel", or "spirit walking". OBEs can be induced by brain traumas, sensory deprivation, near-death experiences, dissociative and psychedelic drugs, dehydration, sleep, and electrical stimulation of the brain, among others. It can also be deliberately induced by some. One in ten people have an OBE once, or more commonly, several times in their life.

 

Neuroscientists and psychologists regard OBEs as dissociative experiences arising from different psychological and neurological factors.

  

Those experiencing OBEs sometimes report (among other types of immediate and spontaneous experience) a preceding and initiating lucid-dream state. In many cases, people who claim to have had an OBE report being on the verge of sleep, or being already asleep shortly before the experience. A large percentage of these cases refer to situations where the sleep was not particularly deep (due to illness, noises in other rooms, emotional stress, exhaustion from overworking, frequent re-awakening, etc.). In most of these cases subjects perceive themselves as being awake; about half of them note a feeling of sleep paralysis.

 

Near-death experiences

Main article: Near-death experience

Another form of spontaneous OBE is the near-death experience (NDE). Some subjects report having had an OBE at times of severe physical trauma such as near-drownings or major surgery. Near-death experiences may include subjective impressions of being outside the physical body, sometimes visions of deceased relatives and religious figures, and transcendence of ego and spatiotemporal boundaries.Typically the experience includes such factors as: a sense of being dead; a feeling of peace and painlessness; hearing of various non-physical sounds, an out-of-body experience; a tunnel experience (the sense of moving up or through a narrow passageway); encountering "beings of light" and a God-like figure or similar entities; being given a "life review", and a reluctance to return to life.

 

Resulting from extreme physical effort

Along the same lines as an NDE, extreme physical effort during activities such as high-altitude climbing and marathon running can induce OBEs. A sense of bilocation may be experienced, with both ground and air-based perspectives being experienced simultaneously.

 

Induced

Chemical

OBEs can be induced by hallucinogens (particularly dissociatives) such as psilocybin, ketamine, DMT, MDA, and LSD.

Mental induction

Falling asleep physically without losing awareness. The "Mind Awake, Body Asleep" state is widely suggested as a cause of OBEs, voluntary and otherwise. Thomas Edison used this state to tackle problems while working on his inventions. He would rest a silver dollar on his head while sitting with a metal bucket in a chair. As he drifted off, the coin would noisily fall into the bucket, restoring some of his alertness. OBE pioneer Sylvan Muldoon more simply used a forearm held perpendicular in bed as the falling object. Salvador Dalí was said to use a similar "paranoiac-critical" method to gain odd visions which inspired his paintings. Deliberately teetering between awake and asleep states is known to cause spontaneous trance episodes at the onset of sleep which are ultimately helpful when attempting to induce an OBE. By moving deeper and deeper into relaxation, one eventually encounters a "slipping" feeling if the mind is still alert. This slipping is reported to feel like leaving the physical body. Some consider progressive relaxation a passive form of sensory deprivation.

Deep trance, meditation and visualization. The types of visualizations vary; some common analogies include climbing a rope to "pull out" of one's body, floating out of one's body, getting shot out of a cannon, and other similar approaches. This technique is considered hard to use for people who cannot properly relax. One example of such a technique is the popular Golden Dawn "Body of Light" Technique.

Mechanical induction

Brainwave synchronization via audio/visual stimulation. Binaural beats can be used to induce specific brainwave frequencies,[30] notably those predominant in various mind awake/body asleep states. Binaural induction of a "body asleep" 4 Hertz brainwave frequency was observed as effective by the Monroe Institute, and some authors consider binaural beats to be significantly supportive of OBE initiation when used in conjunction with other techniques. Simultaneous introduction of "mind awake" beta frequencies (detectable in the brains of normal, relaxed awakened individuals) was also observed as constructive. Another popular technology uses sinusoidal wave pulses to achieve similar results, and the drumming accompanying Native American religious ceremonies is also believed to have heightened receptivity to "other worlds" through brainwave entrainment mechanisms.

Magnetic stimulation of the brain, as with the God helmet developed by Michael Persinger.

Direct stimulation of the vestibular cortex.

Electrical stimulation of the brain, particularly the temporoparietal junction (see Blanke study below).

Sensory deprivation. This approach aims to induce intense disorientation by removal of space and time references. Flotation tanks or pink noise played through headphones are often employed for this purpose.

Sensory overload, the opposite of sensory deprivation. The subject can for instance be rocked for a long time in a specially designed cradle, or submitted to light forms of torture, to cause the brain to shut itself off from all sensory input. Both conditions tend to cause confusion and this disorientation often permits the subject to experience vivid, ethereal out-of-body experiences.

Strong g-forces that causes blood to drain from parts of the brain, as experienced for example in high-performance aircraft or high-G training for pilots and astronauts.

An apparatus that uses a head-mounted display and a touch that confuses the sense of proprioception (and which can also create the sensation of additional limbs).

Theories of OBEs

Psychological

In the fields of cognitive science and psychology OBEs are considered dissociative experiences arising from different psychological and neurological factors.Scientists consider the OBE to be an experience from a mental state, like a dream or an altered state of consciousness without recourse to the paranormal.

 

Charles Richet (1887) held that OBEs are created by the subject's memory and imagination processes and are no different from dreams.James H. Hyslop (1912) wrote that OBEs occur when the activity of the subconscious mind dramatizes certain images to give the impression the subject is in a different physical location. Eugéne Osty (1930) considered OBEs to be nothing more than the product of imagination.Other early researchers (such as Schmeing, 1938) supported psychophysiological theories.[46] G. N. M. Tyrrell interpreted OBEs as hallucinatory constructs relating to subconscious levels of personality.

 

Donovan Rawcliffe (1959) connected the OBE experience with psychosis and hysteria. Other researchers have discussed the phenomena of the OBE in terms of a distortion of the body image (Horowitz, 1970) and depersonalization (Whitlock, 1978). The psychologists Nandor Fodor (1959) and Jan Ehrenwald (1974) proposed that an OBE is a defense mechanism designed to deal with the threat of death.[51][52] According to (Irin and Watt, 2007) Jan Ehrenwald had described the out-of-body experience (OBE) "as an imaginal confirmation of the question for immortality, a delusory attempt to assure ourselves that we possess a soul that exists independently of the physical body. The psychologists Donald Hebb (1960) and Cyril Burt (1968) wrote on the psychological interpretation of the OBE involving body image and visual imagery. Graham Reed (1974) suggested that the OBE is a stress reaction to a painful situation, such as the loss of love.John Palmer (1978) wrote that the OBE is a response to a body image change causing a threat to personal identity.

 

Carl Sagan (1977) and Barbara Honegger (1983) wrote that the OBE experience may be based on a rebirth fantasy or reliving of the birth process based on reports of tunnel-like passageways and a cord-like connection by some OBErs which they compared to an umbilical cord.Susan Blackmore (1978) came to the conclusion that the OBE is a hallucinatory fantasy as it has the characteristics of imaginary perceptions, perceptual distortions and fantasy-like perceptions of the self (such as having no body).[60][61] Ronald Siegel (1980) also wrote that OBEs are hallucinatory fantasies.

 

Harvey Irwin (1985) presented a theory of the OBE involving attentional cognitive processes and somatic sensory activity. His theory involved a cognitive personality construct known as psychological absorption and gave instances of the classification of an OBE as examples of autoscopy, depersonalization and mental dissociation.[38] The psychophysiologist Stephen Laberge (1985) has written that the explanation for OBEs can be found in lucid dreaming. David Hufford (1989) linked the OBE experience with a phenomenon he described as a nightmare waking experience, a type of sleep paralysis.[64] Other scientists have also linked OBEs to cases of hypnagogia and sleep paralysis (cataplexy).

 

In case studies fantasy proneness has been shown to be higher among OBErs than those who have not had an OBE.[67] The data has shown a link between the OBE experience in some cases to fantasy prone personality (FPP).[68] In a case study involving 167 participants the findings revealed that those who claimed to have experienced the OBE were "more fantasy prone, higher in their belief in the paranormal and displayed greater somatoform dissociation."[69] Research from studies has also suggested that OBEs are related to cognitive-perceptual schizotypy.

 

Terence Hines (2003) has written that spontaneous out-of-body experiences can be generated by artificial stimulation of the brain and this strongly suggests that the OBE experience is caused from "temporary, minor brain malfunctions, not by the person's spirit (or whatever) actually leaving the body."In a study review of neurological and neurocognitive data (Bünning and Blanke, 2005) wrote that OBEs are due to "functional disintegration of lower-level multisensory processing and abnormal higher-level self-processing at the temporoparietal junction. Some scientists suspect that OBEs are the result of a mismatch between visual and tactile signals.

 

Richard Wiseman (2011) has noted that OBE research has focused on finding a psychological explanation and "out-of-body experiences are not paranormal and do not provide evidence for the soul. Instead, they reveal something far more remarkable about the everyday workings of your brain and body."[75] A study conducted by Jason Braithwaite and colleagues (2011) linked the OBE to "neural instabilities in the brain's temporal lobes and to errors in the body's sense of itself". Braithwaite et al. (2013) reported that the "current and dominant view is that the OBE occurs due to a temporary disruption in multi-sensory integration processes."

 

Paranormal

Writers within the fields of parapsychology and occultism have written that OBEs are not psychological and that a soul, spirit or subtle body can detach itself out of the body and visit distant locations. Out-of-the-body experiences were known during the Victorian period in spiritualist literature as "travelling clairvoyance". The psychical researcher Frederic Myers referred to the OBE as a "psychical excursion".[79] An early study which described alleged cases of OBEs was the two volume Phantasms of the Living, published in 1886 by the psychical researchers Edmund Gurney, Myers and Frank Podmore. The book was largely criticized by the scientific community as the anecdotal reports lacked evidential substantiation in nearly every case.

  

A 19th-century illustration of Robert Blair's poem The Grave, depicting the soul leaving the body

The Theosophist Arthur Powell (1927) was an early author to advocate the subtle body theory of OBEs. Sylvan Muldoon (1936) embraced the concept of an etheric body to explain the OBE experience. The psychical researcher Ernesto Bozzano (1938) had also supported a similar view describing the phenomena of the OBE experience in terms of bilocation in which an "etheric body" can release itself from the physical body in rare circumstances. The subtle body theory was also supported by occult writers such as Ralph Shirley (1938), Benjamin Walker (1977) and Douglas Baker (1979).[85] James Baker (1954) wrote that a mental body enters an "intercosmic region" during the OBE.[86] Marilynn Hughes states that the experiences are the projection of the spiritual body from the physical for the purpose of the soul's purification.[87] Robert Crookall in many publications supported the subtle body theory of OBEs.

 

The paranormal interpretation of OBEs has not been supported by all researchers within the study of parapsychology. Gardner Murphy (1961) wrote that OBEs are "not very far from the known terrain of general psychology, which we are beginning to understand more and more without recourse to the paranormal".

 

In the 1970s, Karlis Osis conducted many OBE experiments with the psychic Alex Tanous. For a series of these experiments he was asked whilst in an OBE state to try to identify coloured targets that were placed in remote locations. Osis reported that in 197 trials there were 114 hits. However, the controls to the experiments have been criticized and according to Susan Blackmore, the final result was not particularly significant as 108 hits would be expected by chance. Blackmore noted that the results provide "no evidence for accurate perception in the OBE".

 

In April 1977, a patient from Harborview Medical Center known as Maria claimed to have experienced an out-of-body experience. During her OBE she claimed to have floated outside her body and outside of the hospital. Maria would later tell her social worker Kimberly Clark that during the OBE she had observed a tennis shoe on the third floor window ledge to the north side of the building. Clark would go to the north wing of the building and by looking out of the window could see a tennis shoe on one of the ledges. Clark published the account in 1985. The story has since been used in many paranormal books as evidence a spirit can leave the body.

 

In 1996, Hayden Ebbern, Sean Mulligan and Barry Beyerstein visited the Medical Center to investigate the story. They placed a tennis shoe on the same ledge and discovered that the shoe was visible from within the building and could have easily been observed by a patient lying in bed. They also discovered the shoe was easily observable from outside the building and suggested that Maria may have overheard a comment about it during her three days in the hospital and incorporated it into her OBE. They concluded "Maria's story merely reveals the naiveté and the power of wishful thinking" from OBE researchers seeking a paranormal explanation.[93] Clark did not publish the description of the case until seven years after it happened, casting doubt on the story. Richard Wiseman has said that although the story is not evidence for anything paranormal it has been "endlessly repeated by writers who either couldn't be bothered to check the facts, or were unwilling to present their readers with the more skeptical side of the story."

 

Oneness and One

In 2017, Prince Paul Mamakos summarized the three stages of out of body experience.[94] The first stage being achieving an out-of-body experience and experiencing movement within the environment near the physical body. The second stage being going out and exploring outside ones house, going off planet, going into the planet and meeting other beings. In the third stage of OBEs, a person begins to notice the energy within another being as the same as that which is coming out of their own being. The energy essence of another, is the same as your energy. In the culmination of the third stage, a person experiences a sense of connection with all beings. On a linear range of awareness, if we place personality at a proximal point on a line, a point on the distal end of the line will represent an experience of oneness. Personality and oneness representing opposite extremes of awareness. Further dropping oneness results in the 'it' experience. One.

 

Studies of OBEs

Early collections of OBE cases had been made by Ernesto Bozzano (Italy) and Robert Crookall (UK). Crookall approached the subject from a spiritualistic position, and collected his cases predominantly from spiritualist newspapers such as the Psychic News, which appears to have biased his results in various ways. For example, the majority of his subjects reported seeing a cord connecting the physical body and its observing counterpart; whereas Green found that less than 4% of her subjects noticed anything of this sort, and some 80% reported feeling they were a "disembodied consciousness", with no external body at all.

 

The first extensive scientific study of OBEs was made by Celia Green (1968).She collected written, first-hand accounts from a total of 400 subjects, recruited by means of appeals in the mainstream media, and followed up by questionnaires. Her purpose was to provide a taxonomy of the different types of OBE, viewed simply as an anomalous perceptual experience or hallucination, while leaving open the question of whether some of the cases might incorporate information derived by extrasensory perception.

 

International Academy of Consciousness - Global Survey

In 1999, at the 1st International Forum of Consciousness Research in Barcelona, International Academy of Consciousness research-practitioners Wagner Alegretti and Nanci Trivellato presented preliminary findings of an online survey on the out-of-body experience answered by internet users interested in the subject; therefore, not a sample representative of the general population.

 

1,007 (85%) of the first 1,185 respondents reported having had an OBE. 37% claimed to have had between two and ten OBEs. 5.5% claimed more than 100 such experiences. 45% of those who reported an OBE said they successfully induced at least one OBE by using a specific technique. 62% of participants claiming to have had an OBE also reported having enjoyed nonphysical flight; 40% reported experiencing the phenomenon of self-bilocation (i.e. seeing one's own physical body whilst outside the body); and 38% claimed having experienced self-permeability (passing through physical objects such as walls). The most commonly reported sensations experienced in connection with the OBE were falling, floating, repercussions e.g. myoclonia (the jerking of limbs, jerking awake), sinking, torpidity (numbness), intracranial sounds, tingling, clairvoyance, oscillation and serenity.

 

Another reported common sensation related to OBE was temporary or projective catalepsy, a more common feature of sleep paralysis. The sleep paralysis and OBE correlation was later corroborated by the Out-of-Body Experience and Arousal study published in Neurology by Kevin Nelson and his colleagues from the University of Kentucky in 2007. The study discovered that people who have out-of-body experiences are more likely to suffer from sleep paralysis.

 

Also noteworthy, is the Waterloo Unusual Sleep Experiences Questionnaire that further illustrates the correlation.

 

Miss Z study

In 1968, Charles Tart conducted an OBE experiment with a subject known as Miss Z for four nights in his sleep laboratory. The subject was attached to an EEG machine and a five-digit code was placed on a shelf above her bed. She did not claim to see the number on the first three nights but on fourth gave the number correctly.The psychologist James Alcock criticized the experiment for inadequate controls and questioned why the subject was not visually monitored by a video camera.Martin Gardner has written the experiment was not evidence for an OBE and suggested that whilst Tart was "snoring behind the window, Miss Z simply stood up in bed, without detaching the electrodes, and peeked." Susan Blackmore wrote "If Miss Z had tried to climb up, the brain-wave record would have showed a pattern of interference. And that was exactly what it did show."

 

Neurology and OBE-like experiences

There are several possible physiological explanations for parts of the OBE. OBE-like experiences have been induced by stimulation of the brain. OBE-like experience has also been induced through stimulation of the posterior part of the right superior temporal gyrus in a patient.[106] Positron-emission tomography was also used in this study to identify brain regions affected by this stimulation. The term OBE-like is used above because the experiences described in these experiments either lacked some of the clarity or details of normal OBEs, or were described by subjects who had never experienced an OBE before. Such subjects were therefore not qualified to make claims about the authenticity of the experimentally-induced OBE.

 

British psychologist Susan Blackmore and others suggest that an OBE begins when a person loses contact with sensory input from the body while remaining conscious. The person retains the illusion of having a body, but that perception is no longer derived from the senses. The perceived world may resemble the world he or she generally inhabits while awake, but this perception does not come from the senses either. The vivid body and world is made by our brain's ability to create fully convincing realms, even in the absence of sensory information. This process is witnessed by each of us every night in our dreams, though OBEs are claimed to be far more vivid than even a lucid dream.

 

Irwin pointed out that OBEs appear to occur under conditions of either very high or very low arousal. For example, Green[109] found that three quarters of a group of 176 subjects reporting a single OBE were lying down at the time of the experience, and of these 12% considered they had been asleep when it started. By contrast, a substantial minority of her cases occurred under conditions of maximum arousal, such as a rock-climbing fall, a traffic accident, or childbirth. McCreery has suggested that this paradox may be explained by reference to the fact that sleep can supervene as a reaction to extreme stress or hyper-arousal. He proposes that OBEs under both conditions, relaxation and hyper-arousal, represent a form of "waking dream", or the intrusion of Stage 1 sleep processes into waking consciousness.

 

Olaf Blanke studies

Research by Olaf Blanke in Switzerland found that it is possible to reliably elicit experiences somewhat similar to the OBE by stimulating regions of the brain called the right temporal-parietal junction (TPJ; a region where the temporal lobe and parietal lobe of the brain come together). Blanke and his collaborators in Switzerland have explored the neural basis of OBEs by showing that they are reliably associated with lesions in the right TPJ region and that they can be reliably elicited with electrical stimulation of this region in a patient with epilepsy.[114] These elicited experiences may include perceptions of transformations of the patient's arms and legs (complex somatosensory responses) and whole-body displacements (vestibular responses).

 

In neurologically normal subjects, Blanke and colleagues then showed that the conscious experience of the self and body being in the same location depends on multisensory integration in the TPJ. Using event-related potentials, Blanke and colleagues showed the selective activation of the TPJ 330–400 ms after stimulus onset when healthy volunteers imagined themselves in the position and visual perspective that generally are reported by people experiencing spontaneous OBEs. Transcranial magnetic stimulation in the same subjects impaired mental transformation of the participant's own body. No such effects were found with stimulation of another site or for imagined spatial transformations of external objects, suggesting the selective implication of the TPJ in mental imagery of one's own body.

 

In a follow up study, Arzy et al. showed that the location and timing of brain activation depended on whether mental imagery is performed with mentally embodied or disembodied self location. When subjects performed mental imagery with an embodied location, there was increased activation of a region called the "extrastriate body area" (EBA), but when subjects performed mental imagery with a disembodied location, as reported in OBEs, there was increased activation in the region of the TPJ. This leads Arzy et al. to argue that "these data show that distributed brain activity at the EBA and TPJ as well as their timing are crucial for the coding of the self as embodied and as spatially situated within the human body."

 

Blanke and colleagues thus propose that the right temporal-parietal junction is important for the sense of spatial location of the self, and that when these normal processes go awry, an OBE arises.

 

In August 2007 Blanke's lab published research in Science demonstrating that conflicting visual-somatosensory input in virtual reality could disrupt the spatial unity between the self and the body. During multisensory conflict, participants felt as if a virtual body seen in front of them was their own body and mislocalized themselves toward the virtual body, to a position outside their bodily borders. This indicates that spatial unity and bodily self-consciousness can be studied experimentally and is based on multisensory and cognitive processing of bodily information.

 

Ehrsson study

In August 2007, Henrik Ehrsson, then at the Institute of Neurology at University College of London (now at the Karolinska Institute in Sweden), published research in Science demonstrating the first experimental method that, according to the scientist's claims in the publication, induced an out-of-body experience in healthy participants. The experiment was conducted in the following way:

 

The study participant sits in a chair wearing a pair of head-mounted video displays. These have two small screens over each eye, which show a live film recorded by two video cameras placed beside each other two metres behind the participant's head. The image from the left video camera is presented on the left-eye display and the image from the right camera on the right-eye display. The participant sees these as one "stereoscopic" (3D) image, so they see their own back displayed from the perspective of someone sitting behind them.

 

The researcher then stands just beside the participant (in their view) and uses two plastic rods to simultaneously touch the participant's actual chest out-of-view and the chest of the illusory body, moving this second rod towards where the illusory chest would be located, just below the camera's view.

 

The participants confirmed that they had experienced sitting behind their physical body and looking at it from that location.

 

Both critics and the experimenter himself note that the study fell short of replicating "full-blown" OBEs. As with previous experiments which induced sensations of floating outside of the body, Ehrsson's work does not explain how a brain malfunction might cause an OBE. Essentially, Ehrsson created an illusion that fits a definition of an OBE in which "a person who is awake sees his or her body from a location outside the physical body."

 

Awareness during Resuscitation Study

In 2001, Sam Parnia and colleagues investigated out of body claims by placing figures on suspended boards facing the ceiling, not visible from the floor. Parnia wrote "anybody who claimed to have left their body and be near the ceiling during resuscitation attempts would be expected to identify those targets. If, however, such perceptions are psychological, then one would obviously not expect the targets to be identified." The philosopher Keith Augustine, who examined Parnia's study, has written that all target identification experiments have produced negative results. Psychologist Chris French wrote regarding the study "unfortunately, and somewhat atypically, none of the survivors in this sample experienced an OBE."

 

In the autumn of 2008, 25 UK and US hospitals began participation in a study, coordinated by Sam Parnia and Southampton University known as the AWARE study (AWAreness during REsuscitation). Following on from the work of Pim van Lommel in the Netherlands, the study aims to examine near-death experiences in 1,500 cardiac arrest survivors and so determine whether people without a heartbeat or brain activity can have documentable out-of-body experiences. As part of the study Parnia and colleagues have investigated out of body claims by using hidden targets placed on shelves that could only be seen from above.Parnia has written "if no one sees the pictures, it shows these experiences are illusions or false memories".

 

In 2014 Parnia issued a statement indicating that the first phase of the project has been completed and the results are undergoing peer review for publication in a medical journal. No subjects saw the images mounted out of sight according to Parnia's early report of the results of the study at an American Heart Association meeting in November 2013. Only two out of the 152 patients reported any visual experiences, and one of them described events that could be verified. The two NDEs occurred in an area were "no visual targets had been placed".

 

On October 6, 2014, the results of the study were published in the journal Resuscitation. Among those who reported a perception of awareness and completed further interviews, 46 per cent experienced a broad range of mental recollections in relation to death that were not compatible with the commonly used term of NDEs. These included fearful and persecutory experiences. Only 9 per cent had experiences compatible with NDEs and 2 per cent exhibited full awareness compatible with OBEs with explicit recall of 'seeing' and 'hearing' events. One case was validated and timed using auditory stimuli during cardiac arrest. According to Caroline Watt "The one 'verifiable period of conscious awareness' that Parnia was able to report did not relate to this objective test. Rather, it was a patient giving a supposedly accurate report of events during his resuscitation. He didn't identify the pictures, he described the defibrillator machine noise. But that's not very impressive since many people know what goes on in an emergency room setting from seeing recreations on television."

 

AWARE Study II

As of May 2016, a posting at the UK Clinical Trials Gateway website describes plans for AWARE II, a two-year multicenter observational study of 900-1500 patients experiencing cardiac arrest, with subjects being recruited as August 1, 2014 and a trial end date of May 31, 2017.

 

Smith & Messier

A recent functional imaging study reported the case of a woman who could experience out of body experience at will. She reported developing the ability as a child and associated it with difficulties in falling sleep. Her OBEs continued into adulthood but became less frequent. She was able to see herself rotating in the air above her body, lying flat, and rolling in the horizontal plane. She reported sometimes watching herself move from above but remained aware of her unmoving "real" body. The participant reported no particular emotions linked to the experience. "[T]he brain functional changes associated with the reported extra-corporeal experience (ECE) were different than those observed in motor imagery. Activations were mainly left-sided and involved the left supplementary motor area and supramarginal and posterior superior temporal gyri, the last two overlapping with the temporal parietal junction that has been associated with out-of-body experiences. The cerebellum also showed activation that is consistent with the participant's report of the impression of movement during the ECE. There was also left middle and superior orbital frontal gyri activity, regions often associated with action monitoring."

 

OBE training and research facilities[edit]

The International Academy of Consciousness (IAC) is a global organisation, with training centers in California, New York, London, Lisbon, Madrid, Sao Paolo, Rio de Janeiro, several other cities around the world and a research campus in Portugal. The research campus features specialised laboratories, including a spherical lab dedicated exclusively for the practice and research of out-of-body experiences.The IAC offers courses online and in person, including their signature course the Consciousness Development Programme (a comprehensive 40-hour course covering OBE techniques, with practical classes, as well as many other para-psychic themes related to the practice).

 

The Monroe Institute's Nancy Penn Center is a facility specializing in or out-of-body experience induction. The Center for Higher Studies of the Consciousness in Brazil is another large OBE training facility. Olaf Blanke's Laboratory of Cognitive Neuroscience has become a well-known laboratory for OBE research.

 

Astral projection

Main article: Astral projection

Astral projection is a paranormal interpretation of out-of-body experiences that assumes the existence of one or more non-physical planes of existence and an associated body beyond the physical. Commonly such planes are called astral, etheric, or spiritual. Astral projection is often experienced as the spirit or astral body leaving the physical body to travel in the spirit world or astral plane.

 

en.wikipedia.org/wiki/Out-of-body_experience

Saturday treat

  

[addictive phone collage app😶]

is also getting really addictive.

strange daze/variants

  

[addictive phone collage app😶]

* ADD ADDICTIVE DESSERT DESIGNS FRONT/REAR HONEY BADGER BUMPERS AND 30 INCH RIGID LIGHT BAR AND REAR RIGID TRAILER LIGHTS

* FTS 12-14 INCH LIFT KIT 4LINK

* COIL OVERS FRONT/REAR WITH ADDITIONAL FRONT HELPER SHOCKS

* FTS DUAL STEERING STABILIZER

* FTS FOUR LINK FRONT AND REAR

* FUEL WHEELS 22X16

* FUEL TIRES 40x15.5X26

* BED COVER BAKFLIP G2

* DOOR HANDLES AND MIRROR CAPS MATCHED TO FACTORY COLOR

* TINTED WINDOWS

04.

 

independence is addictive.

dependence is growth!

These sunrise meetups are getting addictive, except for getting out of a warm bed about two hours before sunrise. Such insanity, but if the masks can do it, so can I. These photos are from the first Monday of Carnevale and the whole experience lasts for about 90 minutes and then the masks slowly disappear.

 

(e) Dream caused by the physiologic stigmata of the entropic process of addictive self-digestion gnawing the obscene flesh of this stupid enzymatico-prosumerist dove few decades before its pointless waking in the thermocarbonic anthropocene . .

 

__________________________________________________

Outlining a Theory of General Creativity . .

. . on a 'Pataphysical projectory

 

Entropy ≥ Memory ● Creativity ²

__________________________________________________

 

Etudes du jour:

 

S = k Log N

( Ludwig Eduard Boltzmann - 1844. .1906 )

  

"Les hommes se trompent en ce qu’ils se pensent libres, opinion qui consiste seulement en ceci, qu’ils sont conscients de leurs actions, et ignorants des causes qui les déterminent."

( Baruch Spinoza - Ethique II - Scolie prop. XXXV )

 

men are deceived in that they think themselves free [i.e., they think that, of their own free will, they can either do a thing or forbear doing it], an opinion which consists only in this, that they are conscious of their actions and ignorant of the causes by which they are determined.

 

L'homme sait assez souvent ce qu'il fait,

il ne sait jamais ce que fait ce qu'il fait.

( Paul Valery )

 

The man quite often knows what he is doing,

he never knows what does what he's doing.

__________________________________________________

rectO-persO | E ≥ m.C² | co~errAnce | TiLt

it is addictive

www.instagram.com/joshuaj00/

www.JoshuaJohnstonPhotography.com

Ahi va el patrón en español para estas fantásticas flores Si alguien tiene dudas que me pregunte, es la primera vez que escribo un patron!

1ª vuelta: Hacer 5 cadenetas(cad) y unir con un punto corredizo(pc) para formar un anillo.

 

2ªvuelta: 3 cad (cuenta como un punto alto -pa-) . hacer pa en el anillo y [1cad-2pa en el anillo] cinco veces, 1cad, unir con pc en el primer pa (se obtienen seis conchas de 2pa-1cad-2pa)

 

3ª vuelta:unir otro color y tejer en cada uno de los seis espacios de 1cad: (2pa-1cad-2pa) Unir con pc en el primer pa.

 

4ª vuelta: unir siguiente color y hacer 7pa en cada uno de los seis espacios de una cad de la vuelta anterior. Unir con pc al primer pa.

 

5ª vuelta: Unir sig color y tejer un punto bajo en cada uno de los 7pa de cada grupo, y entre medias hacer un punto alto uniéndolo entre los dos grupos de 2pa de la tercera vuelta para formar el pétalo : 7 puntos bajos y 1punto alto, 6 veces. Unir con pc.

 

6ª vuelta:Unir sig color y hacer 1pa en cada pb de la vuelta anterior, excepto en el medio de cada pétalo (4ºpa) donde hay que hacer [1pa-1cad-1pa] para formar las esquinas del hexágono.

 

. Si se usa el mismo color en la tercera y cuarta vuelta los pétalos quedan más definidos, pero eso ya va en gusto de cada quien.

 

Espero que esté más o menos claro y sea de alguna ayuda.

 

Night life in the East Village

Still having fun with old glass. Its a bit addictive...

self potrait is addictive

the first few shots are full of doubts

next you became so attached to any mirror or shiny surfaces which reflects yourself

and without you realizing you are composing another shot of yourself...and so the cycle begins

 

canon ae-1 + fuji superia 200

  

King Street, London

This is a surprisingly difficult but addictive way of passing time on a beach, even with so many flattish rocks to choose from.

 

I was beaten by high winds in the end, and that's the excuse I'm sticking with.

Like many innocent plant lovers, I started with one. It survived. It flowered again. It invited all its friends over and now there are 50.

 

They are now starting to take over my office.

 

This one smells divine.

*fumi stares at you*

 

...he's addictive!

addictive - you can't have one!

Another entry ... so addictive birds :o)

So this happened.

Yesterday I was in my local toy store as they currently have a big sale on Playmobil stuff. I did set my mind on just 2 small sets that I "need" for a story. But they were already sold out when I arrived.

 

So naturally I went to the Barbie aisle to see if there were anything new and/or worth buying. No'ting! There was no'ting!

 

Then my eyes saw these Rainbow High dolls. Honestly since they came out (1or2 years ago?) I always looked at them with disdain, thinking they looked like whores.

 

But then I saw the incredible details and creativity of the outfits. I haven't seen this on Barbie since the Fashion Fever era in the early 2000s, and yet, the Rainbow High fashions are better made.

 

The attention to details is simply exquisite.

 

This doll is Sheryl Meyer from the 3rd series. I could not resist her as she is obviously inspired by Cher Horowitz in the "Clueless" movie from the 90's. She comes with two complete fashions and two pairs of shoes. All of them are very well made. I'm stunned.

 

I thought the eyes were closing but they don't.

 

I do not like the double color lips make-up (I don't know how it is called in make-up language).

I always heard you got to put the emphasis either on the eyes or the lips, never both. The eyes are too heavy for me too.

I'm probably old school and definitely not their target audience.

 

She is incredibly photogenic and fun to play and pose.

I feel the Rainbow High dolls can be very addictive if you like them. There are some great accessories like that amazing transparent dressing and a color changing car and collector edition dolls(that I want too)

 

I don't think I will become an avid RH collector but I'll keep an eye on them to see if they tone dawn the make-up or release separate fashions.

(I should probably remove the 10 RH dolls that are currently in my amazon cart right now!!!)

   

There is something rather addictive about applying a tilt shift to a photo. This was taken last June in Grenada. --- cropped from an earlier submission

Kim has an addictive effect on photographers - we definitely love shooting with her. Very high energy, fun, adventurous, with a lovely curvy body. I took these photos on a lovely day in November 2020 at the Boise Train Depot. Very fun shoot!

This is what I do almost every morning. They are addictive!

Flikr is dangerous, it has addictive powers. I haven't been on here long, but I am firmly in it's grasp. Everyday I see images that move me, that surprise and inspire me, that make me laugh and sometimes the opposite, images that astound me and literally blow me away!

 

So thank you all, you crazy passionate bunch for sharing so many wonderful and brilliant images with us all. In times where newspapers and magazines are full of flat and lifeless, mass-produced photos, you show that the opposite is true!

These were fun addictive owls to crochet. The first one was made on request, and then the other two followed. They will all three be gifts :-)

Jon Malkin's music is not only addictive and sex for the ears, but his debut EP features photos of the ever impressive Manon Abramovicz-Fontbonne shot by yours truly. Download the EP at soundcloud.com/jonmalkin-1/sets/jon-malkin-ep-1

 

Manequin / Model : Manon Abramovicz-Fontbonne

Assistant Caméra/Camera Assistant: Pierre Abramovicz-Fontbonne

Photographie/Photography: Alexander J.E. Bradley

 

Tumblr - Twitter - 500px - Flickr - Facebook

Bees tasting a local drink "Psimeni Raki" which consists of another local strong alcoholic beverage called "Raki" and Honey. Better served cold :P These bees, though, didn't mind its temperature :P For a few minutes, I've missed a larger swarm filling the glasses.

Completely addictive! Must. Make.More.Pincushions.

The old lady turned me on to Indian food decades ago and I've been in love with it ever since. Here's my favorite dish: Chicken Tikka Masala (made very spicy hot); Dal Soup (addictive); Basmati Rice (the king of all rices); and Onion Chutney. Forgot to order the Garlic Nan Bread!

I can see these becoming addictive :)

On this one I could have used so many more brackets. I took 6 shots, from -2 to +3 and created two additional ones in lightroom at -4 and +4, but still the castle is too bright and the bridge too dark.

 

HDR from 6 shots, taken with Canon 450D with Sigma 10-20mm lens, from a tripod.

 

also after few months, I’m finally taking a little vacation from work and also from Internet . So the next few days I’m completely offline. But as always, my blog will be regularly updated with a new photo every day.

 

also you can now find me on Google+ under plus.google.com/112590242873326824500 now :)

 

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