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The track 'Pacific State' is by the Manchester group '808 State'. The title is a play on words between images of the Pacific Ocean and its exotic beaches (signalled by a simple sample loop) and the 'state' of being pacifist/tranquil ... 'Pacific'.
The 'State' of '808' is all things musical that revolve around Roland's 808 drum machine. The track was released in 1989, eight years after the first Roland TR 808 was manufactured (and featured a 909 rather than the 808). Whilst the band name pays homage to a drum machine, they might have been called 'Jupiter' state or 'Juno' State or the '303' State - after other sequencers and synthesizers of sounds that became available in the 1980s. The exploration of the capacities of these machines would take place in underground music scenes. Manchester is far from Chicago and yet the cultural production of that city were listened to, danced to and then modified. Perhaps the most experiential and irreverent sub scene from Chicago became known as 'Acid House'. Strange bleeps and fat sequences that influenced 808 State's early work. Another far away destination from the red bricks of Manchester are the Spanish Balearic Islands 150km SW of Valencia. Nightclubs with circles of synchronised chandeliers above the dance floors, informal sunrise gatherings, idiosyncratic playlists, and certain vast clubs. The 'Chicago house' that filtered through this endless cycle of sun rise and sun set came out with the tan that became known as 'Balearic Beat'. It can be argued that the track 'Pacific State' is a meeting of Chicago's Acid House with the Mediterranean's Balearic beats while walking the vivid paving-stone 'drizzle mirrors' of central Manchester, listening to mix cassettes by a guy called Gerald.
Underground music is witnessed by the public in Clubs (to an extent pirate radio and mix cassette) with independent record shops acting to both seed and reseed. The group 808 State grew out of an important record shop on the corner of a vast warehouse that functioned like a 3D block of 'Greenwich Village' or 'Brighton Lanes'. Culture from the world-over passed through and was watched or modified aside new ideas. By the release of 'Pacific State' in 1989, Manchester had seeded two other creative alchemies: a guitar band - 'The Stone Roses', who mixed aspects of chant with 'The Byrds' and complex post 'Jaki Liebezeit' and 'Tony Allen' rhythms, and 'The Happy Mondays' who took House and Balearic influences and mixed them with the vocal style of Bob Dylan sung with a thick Manchester accent and hangover. The end results were so composed and coherent that despite their gestation differences, they gathered and set sail as a cultural movement sparking new baggy fashions and more groups. '808 State' and 'Pacific State' became associated with Manchester's music scene.
The footage has been treated and compiled to emulate the atmosphere of a dance floor light show and perhaps also to capture the sensorial side of swimming and diving in water. Many of the component bright colours are real, with golden reflections off a seaweed, blue sky and bright-red sea-tomato mixing with the stars from sea urchins and bubbles from wake and shifting sands.
The waterproof Pentax WG1 is from around 2011.
AJM 3.10.19
The track is copyrighted and available on Creed
ASIN: B0050ATC6I
Press play and then 'L' and even f11. Escape and f11 a second time to return.
Roland TB-303 Panel by Steve Sims on Wikimedia Commons w.wiki/3BqJ see en.wikipedia.org/wiki/Roland_TB-303
A cover artwork for a new track I put online.
I shot this tower during sunny daytime last summer, used Gimp to transform it as a night shot.
Available via Spotify, SoundCloud, iTunes and many more:
open.spotify.com/album/3r5BpmRJXMPLttftigqPe8
exit.sc/?url=https%3A%2F%2Fitunes.apple.com%2Fus%2Falbum%...
done late may 2013
I had the chance to drop some stark colours on a streaky old wall, so how could I resist?
Symphony of Fire - orkest with extreme instruments like Tesla Coils, Flame shooters and gas explosion pipes. Playing acidhouse - class - ACDC.
Roland TR-808 by Brandon Daniel derivative work Clusternote on Wikimedia Commons w.wiki/3C96
Beautiful album cover, just beautiful; New Order- True Faith Pantone Swatch 12" print. Limited edition of 50 signed.
These latest works combine two ‘big likes’ for me – Pantone swatches and record cover art. Up close, they resemble a random mix of pantone swatch icons. Stand back, however, and your image-memory takes over and interprets an iconic album cover.
MORE INFO:
www.tumblr.com/stillunusual/717866428618964992/boys-own-f...
SCANS OF ALL THE ZINE'S PAGES:
Flickr Explore #140 on Mar 7, 2006
Nikon D70 + Nikkor 50mm f/1.4D
50mm 1/15sec f/1.4 ISO 800
Added to the Cream of the Crop pool as my best of 2005. Photo taken autumn 2005 @ Kuudes Linja, Helsinki
hand-held, manual mode, spot metered the exposure from the record bag and waited for DJ to return for the next record choice. DoF ~20cm, distance to focus point ~3m
Or 88 Shortmarket Street. One of the most famous rave/ dance clubs of it's time. Currently the building is occupied by the "On Broadway" Theater (which was originally in Greenpoint). Have so many memories here. In the mid nineties (1996-1999) I was employed at a design studio which bordered on this building. Was pretty crazy working late and feeling the walls shake from the huge sound system next door. Was also very convenient to use the office as a "chill space" for the more heavy nights spent here, which led to some rather dodgy situations of having to throw out weirdo's in white gloves sleeping on the furniture the next morning... The inside of The Boiler room really lived up to its name as the ceiling used to drip with condensation and every party was always packed. This was also one of those clubs where you could "emerge into the sunlight" a day later. Then it was down to Cadiz Cafe for a milkshake and chips, and maybe another cap... O the days...
Add your own at the FORGOTTEN CLUBS 'n PUBS group.
Current Venue:
On Broadway Theater
Comedy music and much more. Join us for dinner or just for drinks. 88 Shortmarket Street Cape Town.
Tel: 021 424 1194
Fax: 021 424 0250
trance stuff - Alien Safari Party at the Boiler Room, 88 Shortmarket St, Cape Town, sometime around 1997/8...
When planning Michael Ann's photoshoot, I asked her if there were any places in particular she'd like to shoot. That's when she asked, "Have you ever heard of the Acid House?"
"Never. Explain," I replied.
She then began to tell me the story of a couple of guys who painted a room in an abandoned house while tripping on acid. After that, the place had become a place of sanctuary for recreational users. I thought it sounded like a pretty interesting place and we agreed to shoot there. Unfortunately, she didn't have an address--just the name of the road the house was on. We decided to shoot in the mid-morning to [hopefully] avoid meeting anyone at the location.
Once the shooting day arrived, we set out to find this mysterious place, The Acid House. Even though we knew what road the place was on, the description we received was so vague that many buildings along this rural road could have been it. We stopped several times to ask ourselves, “Was that it? She we go back and look closer?” And that's how we ended up at the first location...
From the road, the first location seemed fit the description. It was a house (not a barn), had no windows, and looked quite abandoned. As we had been driving down this road for quite some time, we decided to investigate. After noticing some inhabited homes very close by, we realized this couldn't be the house we were looking for. However, it had loads of character. We decided that if we weren't going to find the Acid House, this was going to be the next best thing.
I knocked on the door of the property owner's home and asked for permission to use his property for our shoot. He agreed. However, while talking to him, he revealed that the house we were actually looking for was just a few more miles down the road and proceeded to give use a few more details to look for. However, as we had already asked for (and received) permission to shoot at the house on his property, that's what we did. Thus, the first set of images...
After completing our shooting there, and packing up, we traveled a few more miles down the road. That's when we came across an obviously uninhabited building just off the road. However, there didn't seem to be any painted rooms in the place. We were just about to give up when I walked around to the back of the house. Below the main floor was a very small basement room, and that's when our search came to an end...
We didn't end up spending much time at our intended location because the bugs were eating us alive. However, finally discovering this wonderful location was the perfect end to a great adventure.
Strobist: 1 Quantaray shoe-mount flash, camera right, diffused by a 16” Alzo collapsible softbox. 1 Nikon SB-24, camera left, diffused by a white umbrella. Flashes triggered via Cybersyncs.
Painted on Good Friday 1990, the last piece i did. By that time we had either got busted or were on the post-AcidHouse Gravy Train and were in no fit state to piece. Then the Baton was passed to React and he ran with it!!! One of the finest Style-Writers around. Period.
What a wild and immersive VR experience at Birmingham Museum and Art Gallery This was a story set in 1989 about attending an illegal rave. The story focussed on three young people and also gave the police accounts of trying to stop them. Once I was kitted out with Virtual Reality headset and hand controllers, I was ready to go. The experience was surreal. Flying towards a gigantic eye with electricity bolts steaming out of my hands was so cool. I became immersed in the story of an illegal rave. Realistic car journeys, The police chase and then the rave. Dancing with the beats of the music. I must have looked a real sight whilst I was in a virtual world! Still such great fun. Attention to detail was spot on. This detail is from the phone box display which was set up to show how people communicated and navigated to the raid before the advent of mobile phones.
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An easy to edit Flyer Template, designed for any of your upcoming nostalgic events. Suitable for mostly all Genres of music events such as Disco, Electronic, Hip Hop, House, Techno, Electro, Kitsch and especially Acid House, Chicago House!The Roland TB-303 Bass Line is a bass synthesizer with built-in sequencer manufactured by the Roland Corporation from 1982 to 1984 that had a defining role in the development of contemporary electronic dance music.The TB-303 played an important role in the development of house music, influencing Chicago house and forming the basis for acid house. It also commonly used in related dance genres such as acid techno!
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trance dance prance trance stuff - Alien Safari Party at the Boiler Room, 88 Shortmarket St, Cape Town, sometime around 1997/8..
When planning Michael Ann's photoshoot, I asked her if there were any places in particular she'd like to shoot. That's when she asked, "Have you ever heard of the Acid House?"
"Never. Explain," I replied.
She then began to tell me the story of a couple of guys who painted a room in an abandoned house while tripping on acid. After that, the place had become a place of sanctuary for recreational users. I thought it sounded like a pretty interesting place and we agreed to shoot there. Unfortunately, she didn't have an address--just the name of the road the house was on. We decided to shoot in the mid-morning to [hopefully] avoid meeting anyone at the location.
Once the shooting day arrived, we set out to find this mysterious place, The Acid House. Even though we knew what road the place was on, the description we received was so vague that many buildings along this rural road could have been it. We stopped several times to ask ourselves, “Was that it? She we go back and look closer?” And that's how we ended up at the first location...
From the road, the first location seemed fit the description. It was a house (not a barn), had no windows, and looked quite abandoned. As we had been driving down this road for quite some time, we decided to investigate. After noticing some inhabited homes very close by, we realized this couldn't be the house we were looking for. However, it had loads of character. We decided that if we weren't going to find the Acid House, this was going to be the next best thing.
I knocked on the door of the property owner's home and asked for permission to use his property for our shoot. He agreed. However, while talking to him, he revealed that the house we were actually looking for was just a few more miles down the road and proceeded to give use a few more details to look for. However, as we had already asked for (and received) permission to shoot at the house on his property, that's what we did. Thus, the first set of images...
After completing our shooting there, and packing up, we traveled a few more miles down the road. That's when we came across an obviously uninhabited building just off the road. However, there didn't seem to be any painted rooms in the place. We were just about to give up when I walked around to the back of the house. Below the main floor was a very small basement room, and that's when our search came to an end...
We didn't end up spending much time at our intended location because the bugs were eating us alive. However, finally discovering this wonderful location was the perfect end to a great adventure.
Strobist: 1 Quantaray shoe-mount flash, camera left, diffused by a 16” Alzo collapsible softbox. 1 Nikon SB=24, camera right, diffused by a white umbrella. 1 Quantaray shoe-mount flash, camera right (behind subject, in room), bare, pointed at background. Flashes triggered via Cybersyncs.