thanks for looking...best bigger......hope you have a great day

I see so much in this...possibly the sign of a very disturbed mind.

Abstracted Digital design created in Adobe Photoshop

Abstracted by Oreston - best seen on larger background

Exif data

Camera Canon PowerShot S5 IS

Exposure 0.067 sec (1/15)

Aperture f/4.0

Focal Length 21.3 mm

ISO Speed 80

Exposure Bias 0 EV

Abstracted from a day at the museum.

iPhoneography

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iPhone 4S-IMG_5309 - v ii

From the museum label:

O'Keeffe's magnified, cropped, and abstracted images of flowers revolutionized their traditionally gendered associations with femininity and domesticity-and female flower painters. Commenting on the scale of her works, O'Keeffe declared, "I said to myself-I'll paint what I see-what the flower is to me, but I'll paint it big and they will be surprised into taking time to look at it-I will make even busy New Yorkers take time to see what I see of flowers."

Petunias was one of a dozen works inspired by a bed of flowers that O'Keeffe planted at the upstate New York summer home of her husband, photographer and art dealer Alfred Stieglitz. Prompted by Stieglitz's exhibited nude photo- graphs of his wife, many viewers perceived sexual imagery in O'Keeffe's flower paintings. However, they may more accurately be described as visual equivalents for her deep emotional experiences of these subjects and their associations.

Playing with a multi-image Prism filter. SOTC

abstracted geometric......created the water effect like a triangle to be the water running down the mesh...tried to blend it into the mesh too....

thanks for looking in.....appreciate it.....hope you have a Great Weekend

Sculpture in the Open Air: Outside gardens at the NGV , National Gallery of Victoria.

In the background Henry Moore's Draped Seated Woman 1930.

Abstracted close-up of nautical fitting processed in Topaz B&W after processing the RAW image in LR6.14.

EXIF info is:

Aperture: f/5.6

Focal length: 29 mm

Shutter: 1/60

ISO: 200

Flash did not fire

The abstracted composition of linear color is represented in this series. The actual photographed subject is a building facade finished with colored pipe. This photograph is #2 in the series of 4.

Photograph was taken in Paris, France.

If you see something you like and would like to purchase, please feel free to contact me. You can send me an email at scenethirty1@gmail.com or just visit my shop on Etsy. www.etsy.com/shop/scenethirty1

8x8 inch photograph printed on archival premium photo paper. The standard archival value is 100 years in home display and 200 years in dark storage. This photograph is proportioned and enhanced to capture the specific qualities of the scene. The delivered photograph will not be presented with a watermark.

A range of other sizes are available for this print. If you would like to custom order a size not listed here, please contact me for availability and prices.

An abstracted version of Peoria's Murray Baker Bridge, taken just southwest of the span across the Illinois River. It's Steamboat Days this weekend in Peoria which means all kinds of peeps are out on the river.

Abstracted piñatas hang in a hallway at the Gladstone Hotel at "Come Up To My Room 11". Pull tabs will release confetti - and more - at the end of the show. I love the colours and inverted landscape here. Created by Jordan Evans, Ryla Jakelski, Evan Jerry.

Redwood's abstracted heads recall the grotesquerie and flatness of Jim Nutt or Glenn Brown but in a fluid frenzy recognizable by his own stylized intestinal version of brushwork. Most of the heads evolve independently through a different technical approach. In one figure, the eyes, nose, and ears are transparent swirling bold lines, in another they are poured half-removed puddles or literally paint drippings. The organic and vibrant colors seen in Redwoods dynamic landscapes carry through this new imagined cast of characters. These characters strike an alternating balance between abstraction and representation. While his previous works bounced between the narrative and the construction of the narrative, On A Neck delivers a personalized vision of the portrait.

Redwood's approach to the figure mixes with popular motifs in contemporary painting such as centrifugal composition, visual puns, dark brooding expressionism, whimsy, and the portrait as icon. His figures seem to melt, float, bulge and glide across his glass-like gessoed canvases. The relevance of historical influence abound throughout the seventeen small works on paper and canvas. In these scaled down images a more intimate, biological mark invades the portraits not seen in his previous larger works.

Nathan Redwood's work is held in numerous private and public collections. He has exhibited extensively from the Neuberger Museum of Art (New York), the Torrance Art museum (California), at TENT Centrum Beeldende Kunst (Holland) and the San Jose Museum of Art (Forthcoming). His work has been featured in, among others, The New York Times, The Los Angeles Times, Art In America and US Art, and the forthcoming issue of McSweeney's Quarterly Concern. On A Neck, Redwood's second solo exhibition with Electric Works will be on view from September 11th through November 7th, 2009.

Electric Works

130 8th Street

San Francisco, CA 94103

vox 415.626.5496

fax 415.626.2396

info@sfelectricworks.com

carried on with the abstract fruit images...this was peaches on a branch...hard to believe now.....thanks for looking....best bigger....hope you have a great day

iPhone 3GS. Apps: Perfectly Clear, Picture Show, Coolfx

Water ripples on Okanagan Lake, abstracted by zooming in and reducing them to oscillating, waving blobs of dark and light.

Abstracted figurative sculpture by new OPA member Fae Marie Beck.

An abstracted view of the outside (façade/roof) of the Alexandria Library.

en.wikipedia.org/wiki/Alexandria_Library

5" x 7" monoprint. Oil based ink on Chinese paper

Still life with Jugs - Jugs with Attitude

Ink pen

Paper

Painting holiday in the Morvan, day 3: Abstracted still life painting in combination with mixed media techniques (as heavy rain made outdoor painting impossible)

I did several composition studies of a jug standing on the table, eventually leading to this simple sketch which appealed to me very much and which I used as a base for my painting as described in the next post.

Another image taken in the rain, while walking through the woods.

I used camera movement to give this effect.

From the series Pressed Leaves.

Photo by Tom Bland.

Restored and relocated from Dallas to Addison, Texas, in 2009.

One of a photo collection taken at the Pima Air & Space Museum in Tucson, Ariznoa. They have an amazing collection, and a friendly and knowledgeable staff. We had a great day there with the whole family. The kids love it… and so do the grown-ups. I had not been since I was a child… anyway. I hope you enjoy the image.

Colors have been adjusted.

Playing around with Microsoft Office Picture Manager with saturation to abstract my images.

Just a little fun with ICM.

Trevaylor Woods, Cornwall.

Beethoven Symphonies Abstracted: Mo Willems Exhibit at John F. Kennedy Center for the Performing Arts Hall of Nations at 2700 F Street, NW, Washington DC on Thursday afternoon, 27 January 2022 by Elvert Barnes Photography

Beethoven Symphonies Abstracted: Mo Willems Exhibit website at www.kennedy-center.org/whats-on/mo-willems-beethoven-exhi...

Elvert Barnes Public Art 2022 at elvertxbarnes.com/public-art-2022

Trip to / from Washington DC for Catering at Kennedy Center

Elvert Barnes January 2022 at elvertxbarnes.com/january-2022