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All based on images of the curved concrete staircase at the base of the new Tate Modern Tower in London. All are double exposures created in a process that also involves split-toning and adding a layer of texture. A lot of experimentation went on here today.
All images copyright Stan Farrow FRPS. Not to be copied without permission.
Untitled (50-54), (ca. mid 1950s)
Gouache on paper
22-1/2 x 28-1/2 inches
Courtesy of Spanierman Modern, New York
Inspired by the abstract work of Wilhelmina Barnes-Graham, one of my favourite artists. We are lucky enough to have one of her prints in our living-room.
All these were created in camera this morning.
Copyright Stan Farrow FRPS. Not to be copied without permission,
Best of show!!
Okay, okay, maybe the two giant Hofmanns were indistinguishable in level from this outstanding Gottlieb. I wouldn't argue. It is still good to see that despite the lack of equal attention in the marketplace or scholarship, Gottlieb cannot be denied. Congratulations to the curators for this enlightening perspective on a period I cut my eye teeth on and thought I knew. The quality is uneven from piece to piece, but can't be faulted for its inclusiveness. Quite the opposite. It is eye opening and a timely answer to the recent Action Abstraction show.
It may not say so in the catlogue essays, but the exhibition at MOMA of Abstract Expressionism acknowledges in fact if not word that Adolf Gottlieb was the best of them with the possible exception of Hans Hofmann. This is evidenced by the number of great works in the show by this great master.
The painting above was my personal favorite from the several of his that were displayed. Of all the Abstract Expressionists, his work, Motherwell, Hofmann, and Pollock stood out as being the highest level and the most original of the painters. David Smith, no surprise, stood out among the sculptors.
The show is extensive and inclusive of many media and artists that are not often remembered as belonging to this group, and when thought of from a painting perspective, I guess they aren't, but from the period and the philosophy of that time they certainly were, John Cage, and Len Lye for example.
This is a major survey of that moment when the United States moved into prominence as an artistic force in the world.
Öl auf Leinwand / oil on canvas. Private Colletion. Museum, Massachusetts. Ausstellung / exhibition "Robert Motherwell - Pure Painting". Kunstforum Wien
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Jackson Pollock, Autumn Rhythm (Number 30), 1950, enamel on canvas, 266.7 × 525.8 cm (The Metropolitan Museum of Art), © The Pollock-Krasner Foundation
Artist MIRZA AJANOVIC: Painting Light in Motion Run InTo,.
FROM OPUS: Painting Light in Motion, FROM GRAND OPUS: Painting with Light, Rhythm and Movement Painting, Music of light, painter of light, Painting Music, Visual expression of music in Photography, ART Avant-garde, Painting with Light, Motion ART, Interrupted, graffiti/street-art, ART Avant-garde, Avant-garde Painting with Light, Motion ART, Painting with MOTION Light, Motion artist, Shadows Dance, Metaphysics ART, Spirituality, Transcendental ART, Mystic ART, Mystical Photography, Fine ART Photography, Artist MIRZA AJANOVIC Photography, Acutely observed realism brought a new level of emotional intensity, Observation of physical and psychological reality… Perception beyond Appearance’s, POETIC Photography, Symbolism, Transcendental ART surrealism, Perception Internal, Perception Beyond the Veil, Perception beyond any veil; including the veil of religion, ""I've brought you a mirror. Look at yourself and remember me."" - Jalaluddin Rumi Artist MIRZA AJANOVIC Fine ART Photography, .
www.wix.com/artajanovic/MIRZA.
These Pictures are Actually Not Photoshopped, images are not cropped..
en.wikipedia.org/wiki/Alex_Janvier
The portion of the ceiling that this was painted on was round (it was on a raised portion, over a spiraling staircase); this whole painting was therefore round, but what I've shown is all that my camera could capture, from where I was, below the centre, on the staircase, looking up.
Taken at the Canadian Museum of Civilization; Hull, Quebec.
Artist MIRZA AJANOVIC: Painting Light in Motion Run InTo,.
FROM OPUS: Painting Light in Motion, FROM GRAND OPUS: Painting with Light, Rhythm and Movement Painting, Music of light, painter of light, Painting Music, Visual expression of music in Photography, ART Avant-garde, Painting with Light, Motion ART, Interrupted, graffiti/street-art, ART Avant-garde, Avant-garde Painting with Light, Motion ART, Painting with MOTION Light, Motion artist, Shadows Dance, Metaphysics ART, Spirituality, Transcendental ART, Mystic ART, Mystical Photography, Fine ART Photography, Artist MIRZA AJANOVIC Photography, Acutely observed realism brought a new level of emotional intensity, Observation of physical and psychological reality… Perception beyond Appearance’s, POETIC Photography, Symbolism, Transcendental ART surrealism, Perception Internal, Perception Beyond the Veil, Perception beyond any veil; including the veil of religion, ""I've brought you a mirror. Look at yourself and remember me."" - Jalaluddin Rumi Artist MIRZA AJANOVIC Fine ART Photography, .
www.wix.com/artajanovic/MIRZA.
These Pictures are Actually Not Photoshopped, images are not cropped..
Jackson Pollock, Autumn Rhythm (Number 30), 1950, enamel on canvas, 266.7 × 525.8 cm (The Metropolitan Museum of Art), © The Pollock-Krasner Foundation
Öl und Kohle auf Leinwand / oil and charcoal on canvas
Private Collection
Ausstellung / exhibition "Robert Motherwell - Pure Painting"
Kunstforum Wien
Jackson Pollock, Autumn Rhythm (Number 30), 1950, enamel on canvas, 266.7 × 525.8 cm (The Metropolitan Museum of Art), © The Pollock-Krasner Foundation
The Sun (early 1950s)
Oil on paper mounted on canvas
18 x 24 inches
Charlotte Park was born in Concord, Massachusetts in 1918. From 1935 to 1939 she studied at the Yale School of Fine Arts in New Haven, Connecticut. She moved to New York City in 1945 and studied privately with Australian artist Wallace Harrison, who also instructed noted abstract artist Helen Frankenthaler. In New York, Park met fellow artist James Brooks and two years later, they married. Park and Brooks began visiting the Springs, East Hampton, in 1949 and bought property in 1957. Both Park and Brooks were important members of the growing artistic community on Long Island.
Throughout the 1950s, Park exhibited regularly at the prominent Stable Gallery in New York and was included in the Whitney Museum of American Art Annual Exhibition of 1935. Park also taught early in her career at the Dalton School in New York in 1951, as well as at the Museum of Modern Art, New York from 1955-57. In 1979, Guild Hall in East Hampton held an exhibition of her works from the 1970s. The Parrish Art Museum in Southampton hosted Three East End Artists in 2003 featuring Park alongside Dan Christensen and Allan Wexler as three influential artists who have lived and worked on Long Island.
Examples of her work can be found at The Parrish Museum of Art, Southampton, New York; Guild Hall, East Hampton, New York, and the Corcoran Gallery of Art, Washington, D.C.
Photograph and biographical information courtesy Spanierman Gallery, LLC, New York.
Aaron Siskind (December 4, 1903 – February 8, 1991) was an American photographer who sometimes produced images analogous to or in homage of abstract expressionist painting. In his autobiography he wrote that he began his foray into photography when he received a camera for a wedding gift and began taking pictures on his honeymoon. He quickly realized the artistic potential this offered. He worked in both New York City and Chicago.
Siskind's work focuses on the details of nature and architecture. He presents them as flat surfaces to create a new image out of them, which, he claimed, stands independent of the original subject.
Early in his career Siskind was a member of the New York Photo League. Working with that group, Siskind produced several significant socially conscious series of images in the 1930s. Among them the "Harlem Document" remains the most famous.[1] He originally was a grade school English teacher in the New York Public School System.
In 1950 Siskind met Harry Callahan when both were teaching at Black Mountain College in the summer. Later, Callahan persuaded Siskind to join him as part of the faculty of the IIT Institute of Design in Chicago (founded by László Moholy-Nagy as the New Bauhaus). In 1971 he followed Callahan (who had left in 1961) to teach for the rest of his life at the Rhode Island School of Design.
A major character in the film One Hour Photo (about a disturbed photograph developer who stalks what he sees as the perfect family) is named after Siskind. The character of Mr. Siskind is not the main (psychologically disturbed) character, nor is the film in any way modeled after the life and works of Aaron Siskind.