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'One New Change, a new office/retail development in London, behind St Paul's Cathedral. July 2014
To see my other, very different, shot of the same building press here.
Looking up at this Toulouse apartment building, I captured the mesmerizing geometry of its modernist architecture. The pink-washed facade, characteristic of the 'Ville Rose', creates a striking contrast with the blue sky, while the repetitive pattern of balconies and windows generates a dizzying perspective that challenges our spatial perception.
As Sarah and I walked past 833 Michigan Street, we both noticed the modern abstract fixture hanging in the lobby. The installation definitely feels at home inside of the the large glass lobby, but the reflection of the US Bank building in the same windows blocked the view of the fixture. Fortunately, the contrast between the two makes a compelling photograph.
Pylon and beams for the new Hwy 44 bridge over the Saint Johns River at DeLand, Florida. Shot in an early morning fog.
"Bauhaus Building
by Walter Gropius (1925–26)
The building was designed by the founder of the Bauhaus, Walter Gropius, and commissioned by the city of Dessau. The plans were drafted in Gropius’s private office – the Bauhaus did not have its own department of architecture until 1927. The interior fittings were made in the Bauhaus workshops. The city of Dessau financed the project and also provided the building plot.
Architecture behind glass
The design is a further development of an idea that Gropius had previously realised (pre-WWI) with the construction of the Fagus factory in Ahlfeld an der Leine. In both buildings a glass facade on the load-bearing framework allows a view of the interior workings. In the workshop wing in Dessau this provides clear view of the constructive elements. The design does not visually amplify the corners of the building, which creates an impression of transparency. Gropius designed the various sections of the building differently, separating them consistently according to function. He positioned the wings asymmetrically; the form of the complex can thus be grasped only by moving around the building. There is no central view.
Space for students and junior masters
The main elements of the complex are the glass-fronted, three-storey workshop wing, the likewise three-storey building for the vocational school and the five-storey studio building. The workshop wing and the vocational school are connected by a two-storey bridge which was used for administration purposes. Gropius’s private office was also located here until 1928. The workshop wing and the studio building are connected by a one-storey building in which the so-called festive area comprising auditorium, stage and canteen is located. The studio building housed students and junior masters in 28 studio flats, each measuring 20 m².
UNESCO World Cultural Heritage
The predominantly white facades of the complex form a perfect foil for the dark, imbedded glass windows. Internally, the construction of the building is highlighted by different colours on load-bearing and non-load-bearing elements.
In 1932 the school of design was forced to close as a result of pressure from the National Socialists, who had emerged victorious in the municipal elections.
During the war the complex was bombed, and the damage was at first only provisionally repaired. The building was then listed in 1972 and restored for the first time. Extensive renovation measures followed after the Bauhaus Building was awarded UNESCO World Heritage status. These were completed in 2006. The fact that it is once more a vibrant centre for experimental design, research and education is to be credited to the Bauhaus Dessau Foundation, which was founded in 1994 and is committed to preserving, researching and passing on the illustrious heritage of the Bauhaus."