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Monastery - Nilova Hermitage. Tver region. Russia.
The monastery dates back to 1528, from the moment of the arrival of the Monk Nile on the island of Stolobny, on Lake Seliger.
A few years later, after the presentation of the Monk Nil of Stolobensky, in 1594, a Blessing was given for the opening of the monastery of the Nilov Pustyn.
In the 18-19 centuries, the Nilova Pustyn Monastery was one of the largest cultural centers in Russia, with a huge library, educational institutions, with its own large production of goods and products.
It was in the Nilova desert that Leonty Magnitsky, a mathematician and teacher, studied under whom, later, the Great Lomonosov studied. Nilova Hermitage was visited by many great people, including Emperor Alexander I and Russian President Vladimir Putin.
After the blasphemous looting and partial destruction of the monastery by the Bolsheviks, the buildings were used as a colony for minors, as a prisoner of war camp, as a military hospital, as a camp site. When all the buildings of the monastery fell into disrepair and could no longer be used, without major repairs, by the Council of Ministers of the RSFSR, in 1990, the monastery complex was transferred to the Moscow Patriarchate of the Russian Orthodox Church.
2016 marks the 25th anniversary of the revival of the Nilo-Stolobensky Monastery. Ahead, there are still colossal works to restore the former splendor of the holy monastery. But already now, the Nilo-Stolobenskaya hermitage is the pearl of the Tver diocese. Even in spite of all the destruction that befell from the godless power, this monastery with all this lies before us in all its beauty and grandeur of the genius of architecture, the pious ancestors of the Russian land.
Today, the monastery, thanks to the governor Archimandrite Arkady (Gubanov), is being successfully restored by the brethren and already has its own autonomous production of products, which is in great demand among pilgrims and local residents.
After cycling 7 miles up the gravel track in Glen Tanar we come across this rather remote cottage set among the Scottish Highlands. A lovely place, but a bugger if you've forgotten to get the milk! We're nearly at the foot of Mount Keen now though, so gotta keep moving.
Mount Keen is my 11th Munro and this is my second time of climbing it. It is the most easterly of all the Munros and stands at 939 Meters (3080 feet), forming an almost perfect cone. A 7 mile cycle up Glen Tanar gets us to the foot of the 2 mile ascent up the mountain.
Newer siding and windows. Mature landscaping. Privacy fence around backyard. Great location. Motivated seller. Reduced for quick sale.
Mueang Chiang Mai District ~ Chiang Mai Province, Thailand
Sony DSC-HX1, ISO 400, f/4.5, 33.6mm, 1/160s
The skeletal remnants of a cow parsley seed head... home to a tiny spider (zoom in).
I think it's a Long-jawed Orb-weaver spider (Tetragnatha).
Driving home yesterday, it was the way the afternoon Winter light fell on this lovely house that prompted me to stop and take a photo of it.
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Making the most of some regifted potpourri, a Pelagic Cormorant tests out its nest on Gull Island in Kachemak Bay near Homer, Alaska.
"Blessed are they who see beautiful things in humble places where other people see nothing." (Camille Pissarro)
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Interiors - Kreative People - January 2026 Contest
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Many of the houses in Bannock are small humble structures like this one. The town of Bannock thrived in the 1860's as a result of successful gold mining in the area. But the population of Bannock declined as gold and other minerals began to be mined elsewhere. In addition, the railroad went to a nearby town. Eventually the town became a ghost town. Due to the efforts of a few residents in the area, the properties were acquired by the state of Montana and made into a park for the purpose of preservation.
This place is called the Abode of Clouds for some reason.
The clouds here literally touch the ground and if you leave your door and window open for them they actually do flow in.
Kreative People Treat This
#334 15 Feb - 21 Feb thanks to Catness Grace for this source image shown in the first comment box flic.kr/p/2pyewa7
House hand painted with pattern brush
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The spotlight of this picture is on the HISA - Forest Retreat. This charming rustic abode serves as the ideal centerpiece for my town center in the Solar Punk Series, though its appeal extends to any woodland environment. With its exquisite details, the HISA home lives up to expectations, reflecting the brand's hallmark quality. You can discover this gem at their main store, here:
maps.secondlife.com/secondlife/Hisa/123/117/22
(lowLOD)HPMD* Garden Tree10 - greenMix A (ground shape1)
**JPK 1930 Morris Column
[ContraptioN] Decor: Old Lamp Post h4.5m
[ContraptioN] Decor: Old Wall Lamp
[M-C] Coffee Shop with Decor Inside
[M-C] Vintage English Pub
DaD "Mountain Straight Pine Trees x 3" mesh c/m 1.0
DRD - Grimy Cobblestone Streets
DRD CS - The Joint Coffee Shop - Bike Rack
Foxwood - Boho lounge - Banana plant
HISA - Forest Retreat @LOD 2
HISA - Hanging vines (various)
Kalopsia - Beatrix Bird Bath
MadPea Bowl-O-Rama - Snack Vending Machine
MeshedUp: Cliff_Tree Summer 1
MeshedUp: Fairy Shrub - Pink (various)
MeshedUp: Giant Thorny Green Roots (various)
Nutmeg. Cargobike Rust / Decor Type
I wish, although I wouldn`t want to mow that lawn! We probably couldn`t even afford the little shed in the corner.
Grim's Dyke (sometimes called Graeme's Dyke until late 1891)[1] is the name of a house and estate in Harrow Weald, in northwest London, England. The house was built from 1870 to 1872 by Richard Norman Shaw for painter Frederick Goodall and named after the nearby prehistoric earthwork known as Grim's Ditch.
The house is best known as the home of the dramatist W.S. Gilbert of Gilbert and Sullivan, who lived and farmed there for the last two decades of his life. He died while attempting to save a girl from drowning in his lake. Lady Gilbert lived there until her death in 1936. The statue of Charles II now found in Soho Square stood on the property from about 1880 to 1938. The house was then used as a rehabilitation centre until 1963.
From 1963, the house was used mainly as a location for films and television including Futtocks End with Ronnie Barker. It was converted into Grim's Dyke Hotel in 1970, but continues to be used as a film location. The hotel retains 30 of the original 110 acres of land that Gilbert purchased with the house.
Mizoram is a picturesque destination for the perceptive visitor with its wide display of dances & festivals, handlooms and handicrafts, flora and fauna, breathtaking natural beauty and temperate climate. The general belief is that the Mizos migrated from China about three hundred years ago, in search of new territory and settled in these remote hills which were earlier known as Lushai Hills.
The term ‘Mizo’ is deriving from two words- ‘Mi’ means man and ‘Zo’ means hills. Today Mizoram consist of a population of over five Lakh who identify themselves as ‘Mizo’.
The Mizos are friendly and hospitable.
The people are simple, happy, carefree, contented, generous and freedom-loving.
Music plays a key role in uniting and strengthening the bond between the Mizo people. The joyful enthusiasm and companionable spirits of the common people have truly made them the real songbirds of this exotic hill station.
No Foundation!
Hawa Mahal is the tallest building in the world without a foundation. The five-storey building managed to maintain upright because of it is curved. Just another masterpiece of Rajput and Mughal architecture.
Durga Puja pandal architecture is a vibrant and dynamic art form, deeply rooted in Bengali tradition but continuously evolving with contemporary trends. The pandal serves as the temporary abode for the goddess Durga during the annual festival and is often an elaborate and creative expression of architectural ingenuity.
Materials Used
Bamboo: The traditional material used for the structure of the pandal, which is highly flexible and abundant.
Cloth and Paper: These are used for decorations, draping, and wall coverings. They are often painted or printed with intricate designs.
Plaster of Paris and Clay: Used for creating idols and sculptures.
Fiberglass and Metal: These are often used in modern pandals for creating stronger, more durable structures.
1. Traditional Designs
Bengali Folk Art: Traditional pandals often draw from rural Bengal’s heritage, incorporating local materials like bamboo, jute, and clay. These pandals typically feature motifs inspired by nature, mythology, and folk art.
Sholar Kaaj: This is a technique involving intricate designs made from shola (a type of plant) and is used to create ornaments, canopies, and decorations within the pandal.
Terracotta and Wooden Crafts: Terracotta sculptures, wooden carvings, and images of mythological figures are common in older pandals.
2. Modern Interpretations
Innovative Materials: Modern pandals often use contemporary materials like fiberglass, metal, and plastic alongside traditional materials. For instance, large fiberglass idols of Durga are increasingly used, along with innovative lighting, mirrors, and glasswork.
Thematic Pandals: Many pandals these days are built around a specific theme. The themes can range from environmental issues (like conservation of rivers or wildlife) to technological advancements, historical events, or even popular culture. The architecture of the pandal is designed to reflect this theme, often incorporating multimedia elements.
Eco-friendly Designs: In recent years, there has been a push for sustainable and eco-friendly pandals. These are often constructed using biodegradable materials such as bamboo, paper, and cloth, with designs that minimize environmental impact.
3. Architectural Features
Structural Form: Traditionally, pandals were dome-shaped or cylindrical, but now they can take on all sorts of avant-garde shapes, from temples to spaceships to replicas of famous monuments like the Eiffel Tower or the Taj Mahal.
Facade and Entrances: The entrance of the pandal is often grand and acts as a focal point of the design. It may incorporate arches, columns, and ornate carvings, often reflecting the temple architecture of India.
Ceilings and Roofs: The roofs of pandals are a key area for artistic expression, ranging from elaborate canopies made of flowers to highly stylized, often abstract, designs using light and color.
Lighting: Pandals are spectacularly lit, with millions of light bulbs strung up in intricate patterns. The lighting not only enhances the aesthetics but also creates a divine ambiance, especially at night.
Interior Layout: The interior of the pandal is designed to accommodate the idol of Durga, with a focus on creating a spiritual environment. The idol is often placed on a raised platform, surrounded by artistic depictions of various deities, animals, and scenes from mythology.
4. Regional Variations
Kolkata Pandals: In Kolkata, Durga Puja pandals are known for their immense creativity and often become larger-than-life structures. Famous areas like Kumartuli, Behala, and Santoshpur are known for their extravagant pandals.
Delhi and Other Urban Centers: Pandal designs in metropolitan areas might incorporate modern styles, influenced by international trends, such as futuristic designs, art installations, or replicas of foreign monuments. These pandals often blend cultural elements with urban sophistication.
Rural and Smaller Town Pandals: These tend to have simpler, more rustic designs but are rich in cultural symbolism. Often constructed with bamboo, they may showcase more traditional and handcrafted artworks.
5. Innovative and Avant-Garde Designs
Optical Illusions: Some pandals are designed to give the illusion of floating structures, using materials like mirrors and lights to create mesmerizing visual effects.
Interactive and Immersive Designs: Some pandals now aim to create immersive experiences. Visitors can walk through installations that engage all their senses, with sounds, lights, and even augmented reality elements enhancing the experience.
6. Famous Pandals and Their Architects
Kumartuli Park (Kolkata): Known for its amazing artistry!
Monetish Abode V2
Created with Bing Dall-E AI engine. PP work in Adobe PS Elements 2024 RAW filters..
Monet brush strokes of a whimsical scene with a winding staircase, an acacia tree, flowers, and an old wall with a window with shutters. The staircase partially broken and worn, and the wall with cracks and crevices. The tree with intricate branches and orange leaves falling, flowers blooming, depth. Potted plants, bicycle against tree. Realistic texture, pale colours, gray, greens, yellow. Cat sitting on step. Muted colours. Textured background, Abstract, surreal digital art
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The Golden Temple, also known as Harmandir Sahib, meaning "abode of God" or Darbār Sahib, meaning "exalted court" , is a Gurdwara located in the city of Amritsar, Punjab, India.[It is the holiest Gurdwara and the most important pilgrimage site of Sikhism.
The temple is built around a man-made pool (sarovar) that was completed by Guru Ram Das in 1577. Guru Arjan – the fifth Guru of Sikhism, requested Sai Mir Mian Mohammed – a Muslim Pir of Lahore to lay its foundation stone in 1589. In 1604, Guru Arjan placed a copy of the Adi Granth in Harmandir Sahib, calling the site Ath Sath Tirath (lit. "shrine of 68 pilgrimages"). The temple was repeatedly rebuilt by the Sikhs after it became a target of persecution and was destroyed several times by the Muslim armies from Afghanistan and the Mughal Empire. Maharaja Ranjit Singh after founding the Sikh Empire, rebuilt it in marble and copper in 1809, overlaid the sanctum with gold foil in 1830. This has led to the name the Golden Temple.
This photo was taken during late evening, and has two friends engaged on cellphone , even when they are in one of the holiest shrine of humanity. A couple is just gazing at the temple, a lady is standing perhaps to take a cellphone photo and one gent is just sitting idly. Both mundane and religion go together. One can also see on the left the long queue of pilgrims waiting patiently for their opportunity to go inside the sanctum sanctorum of the temple. Everyone inside this temple complex has to be bare footed and has to compulsorily cover one's head.