ROME [directory]
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A la botiga oficial de l'equip de futbol AS Roma...
En la tienda oficial del equipo de fútbol AS Roma...
Fans of Leicester City at the end of the UEFA Conference League Semi Final Leg Two match between AS Roma and Leicester City at Stadio Olimpico
I Trofeo Ciudad de Alcalá de Fútbol Femenino by MadCup
Atletico de Madrid Femenino contro AS Roma Femminile
Centro Deportivo Wanda Alcalá de Henares
Alcalá de Henares
Comunidad de Madrid
España
#mascotas #deporte #futbol #futbolfemenino #centrodeportivowandaalcaladehenares #itrofeociudaddealcaladefutbolfemeninobymadcup #itrofeociudaddealcala #madcup #atleticodemadridfemenino #asromafemminile #atleticodemadrid #asroma #alcaladehenares #comunidaddemadrid #españa #spain #20deagostode2021 #agostode2021 #2021 #oppoa92020 #oppo #ccby
Roma- Colisseum
El Coliseum és l'amfiteatre més famós que n'hi havia a Roma. Era conegut amb el nom de amfiteatre Flavi. El coliseum va ser inaugurat aproximadament a l'any 80 després de Crist.El nombre d'espectadors que tenia com a capacitat era més o menys per a unes 50.000 persones aproximadament. Per poder entrar-hi al coliseum hi havia unes 80 portes que estaven situades a llocs diferents. El coliseum també a dintre tenia unes grades que envoltaven el centre que es on es feien els espectacles; on podien seure els espectadors que hi anaven, i també els gladiadors. Aquest lloc s'anomenava: Càvea. Era el lloc on es duien a terme tots els espectacles romans. Aquest lloc s'anomenava: Arena.
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The Colosseum - the greatest amphitheatre of the antiquity - was built in Rome, Italy, about 1920 years ago. It is considered an architectural and engineering wonder, and remains as a standing proof of both the grandeur and the cruelty of the Roman world.
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Il club romanista più vecchio e "colorato" della capitale nel cuore dello storico quartiere di testaccio.
www.facebook.com/CleanRome/?fref=nf
Campagna di sensibilizzazione per la salvaguardia del patrimonio artistico di Roma, senza scopo di lucro
Awareness campaign for the preservation of the artistic heritage of Rome
Lo #StadioOlimpico sorge presso il #ForoItalico, alle pendici di #MonteMario. Originariamente noto come stadio dei Cipressi, fu ideato nel 1927 da #EnricoDelDebbio e poi ripreso nel 1937 da #LuigiMoretti. Abbandonato durante la guerra, nel 1949 il #CONI, l'ente proprietario, decise il completamento a cura di #AnnibaleVitellozzi che lo ultimò nel 1953. All'epoca noto come #StadiodeiCentomila per via della capienza che si aggirava intorno ai 100.000 posti, fu ribattezzato stadio Olimpico dopo l'assegnazione a Roma dei giochi della #XVIIOlimpiade del 1960 di cui ospitò le cerimonie di apertura e di chiusura e le competizioni di atletica leggera. A dispetto della sua rilevante capienza, l'impianto si integrava perfettamente con l'ambiente circostante, offrendo un impatto visivo gradevole e contenuto grazie alla relativamente modesta elevazione da terra delle tribune dovuta alla parziale sottoelevazione del terreno di gioco, sfruttando la forma naturale a conca del terreno. In vista dei campionati del mondo di calcio del 1990, l'impianto fu quasi interamente demolito, ricostruito in cemento armato e tutti i settori furono integralmente coperti da una tensostruttura bianca in fibra di vetro. I lavori di ristrutturazione non tennero conto dell'impatto sull'ambiente circostante e il nuovo impianto tradì lo spirito con cui era stato concepito il precedente stadio. Sul viale del Foro Italico che porta allo stadio sono tutt’ora presenti i mosaici realizzati nel 1937 su disegno di #GinoSeverini, #AngeloCanevari, #AchilleCapizzano, #GiulioRosso. Oltre alle gare di calcio delle società #ASRoma, #SSLazio, della #nazionaleitaliana, lo stadio ha ospitato competizioni di atletica leggera, di rugby e concerti di grande richiamo.
The Olympic Stadium is situated at the Foro Italico, the slopes of Monte Mario. Originally known as the stadium of the Cypresses, it was conceived in 1927 by Enrico Del Debbio and then taken up by Luigi Moretti in 1937. Abandoned during the war, in 1949, the CONI, the owner agency, commissioned the architect Annibale Vitellozzi to complete it (1953). At the time known as the Hundred thousand stadium because of the capacity that was around 100,000 seats, was renamed Olympic stadium after the assignment to Rome of the XVII Olympic Games (1960) for which it hosted the opening and closing ceremonies and athletics competitions. Despite its significant capacity, the plant was perfectly integrated with the surroundings, providing a pleasant appearance thanks to the relatively low elevation of the stands from the floor due to partial burial of the pitch, taking advantage of the natural shape of the basin of the terrain. In view of the football world championships in 1990, the plant was almost completely demolished, rebuilt in reinforced concrete and all sectors were fully covered by a white fiberglass marquee. The renovations did not keep attention to the impact on the surrounding environment and the new stadium betrayed the spirit in which the previous one had been conceived. On the Foro Italico avenue leading to the stadium, people can still walk on the mosaics made in 1937 on design by Gino Severini, Angelo Canevari, Capizzano Achilles and Giulio Rosso. In addition to the football competitions of A.S. Roma, S.S. Lazio, the Italian national team, the stadium hosted competitions in athletics, rugby and some great call concerts.
Testo di Alessandro Loschiavo
James Justin of Leicester City with Rick Karsdorp of AS Roma during the UEFA Conference League Semi Final Leg Two match between AS Roma and Leicester City at Stadio Olimpico
My 9yrs old being passionate with football with all his heart.
This one is from the latest photoshoot for his school project.
#nikon #adamtas #photographer #adamtasimages #adam-tas
Dimmi cos'è che ci fa sentire amici
anche se non ci conosciamo.
Dimmi cos'è che ci fa sentire uniti
anche se siamo lontani.
Dimmi cos'è, cos'è
che batte forte, forte, forte in fondo al cuore,
che ci toglie il respiro e ci parla d'amore.
Grazie Roma,
che ci fai piangere e abbracciarci ancora.
Grazie Roma, grazie Roma,
che ci fai vivere e sentire ancora una persona nuova.
Dimmi cos'è quella stella grande grande in fondo al cielo
che brilla dentro di te
e grida forte forte in alto al cuore,
Grazie Roma,
che ci fai piangere e abbracciarci ancora.
Grazie Roma,
grazie Roma, che ci fai vivere e sentire ancora una persona nuova.
Dimmi chi è chi è che mi fa sentì importante
anche se non conto niente,
che mi fa re quando sento le campane
la domenica mattina.
Dimmi chi è chi è
che mi fa campà sta vita così piena di problemi
e mi dà coraggio se tu non mi vuoi bene.
Grazie Roma,
che ci fai piangere e abbracciarci ancora.
Grazie Roma,
grazie Roma, che ci fai vivere e sentire ancora una persona nuova..
James Maddison of Leicester City during the UEFA Conference League Semi Final Leg Two match between AS Roma and Leicester City at Stadio Olimpico
The banner, Rispetto Per Mr. Spalletti (Respect for Mr Spalletti), appeared overnight on 28 September 2016 in front of Rome's iconic Colloseum.
The banner refers to the AS Roma football coach, Luciano Spalletti, who has recently been involved in a public rift with his veteran player, Francesco Totti, and Totti's wife, TV personality Ilary Blasi. Blasi took issue publicly with Spalletti when he dropped her husband from the Roma team earlier in the year after Totti gave a media interview in which he asked for more respect and playing time.
The banner was erected by supporters of Spalletti and was removed by the next day. All sides now appear to be resolving their previous differences.
Roma played Romanian side, FK Astra Giurgiu in the UEFA Europa League, on Thursday, 29 September - Totti's 40th birthday. The Italians won 4-0 and, although he failed to score himself, Totti was involved in three of the goals.
James Maddison of Leicester City at full time during the UEFA Conference League Semi Final Leg Two match between AS Roma and Leicester City at Stadio Olimpico
The person seen above introduced himself as Rajendra. He is a saint. Homeless. Most of time he spends in meditation. I meet him at Narayangong district of Bangladesh on the occasion of annual Hindu ritual namely Mohastomi dip. On the discourse he told it took him eight hours by bus to join the festival. As I approached him to take a picture he agreed and interestingly he let me took as many pictures as I wished. Normally saints prefer solitude and they tend to avoid human gathering and much taking. But he was very friendly. He mentioned that at his age of thirty he left his home and joined some other saints in a local asroma and started his new journey of life. I asked if he ever regretted his decision. He shrugged and told he is on the path of GOD and added why should he regret when he is leading such a peaceful life.
Thanks Rajendra for being part of my project. I know you will never see this and never be able to know how much I enjoyed my time with you. May God bless you!
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(Constructive) Criticism is welcome as usual.
This picture is #3 in my 100 strangers project. Find out more about the project and see pictures taken by other photographers at the 100 Strangers Flickr Group page
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