View allAll Photos Tagged AMNESIAC
(2012) Acrylic and charcoal on Arches 300g 560x760mm
(2012) アルシュ紙 細目 300g、アクリル絵具、木炭 560x760mm
・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・・
northcoast (#1)
healing
amnesiac
lost days
memory
with salt
water
sand
and
the entire
pacific's
distillations
condensing
into this
evening fog
grey whale
breaching
just beyond
the break
where
the continent
falls precipitously
i also
know
this
deep
and i've
also risen
walking
toward
memory
i encounter
lost love
lost dogs
things
less important
completely
forgotten
now
seemingly
indispensable
a perfect
shell
in my pocket
a wand
of driftwood
white as bone
salt
in my hair
on my tongue
and the songs
yes
salten
too
+++++
dswoo
and this just feels like spinning plates
i'm living in cloud cuckoo land
and this just feels like spinning plates
our bodies floating down the muddy river.
Madman is a comic book printed by Image comics.
Madman AKA Frank Einstein was born Zane Townsend, an agent of the Tri-Eye Agency. Townsend was killed in a car accident, then stitched back together and brought to life by two scientists, Dr. Egon Boiffard and Dr. Gillespie Flem. This resurrection left him amnesiac, and the resurrected John Doe was named after Boiffard's artistic and scientific heroes, Frank Sinatra and Albert Einstein, respectively. The procedure left Frank with supernatural reflexes and a slight degree of precognitive and empathetic power; however, he remembers nothing about his former life, but faint, troubling memories relating to his death. Madman's costume is based on the only thing he can clearly remember: a fascination with a comic book character called Mr. Excitement.
Normally the day a friend is released from the hospital is accompanied by a feeling of elation and relief. But for Maxine it was a day marred by confusion, trepidation and even a touch of anxiety. It’s been three days since Maxine found the mystery boy by the side of the road. His wounds have healed, his bruises have faded but one thing remained unchanged, no one had come looking for him and no one knows who he is. According to Dr. Barbie’s prognosis, blunt force trauma had caused a severe case of amnesia. The problem of finding his family had now been compounded by the fact that even the mystery boy himself couldn’t remember who he is or how he came to be unconscious by the side of the road.
Maxine had visited him every day he’d been in the hospital, doing her best to keep his spirits up and hoping she could jog his memories before he was to be released. No next of kin for someone his age would mean being released to the state. Foster care isn’t the worst thing in the world but for someone his age, it could mean ‘aging out’ of the system. Most people would prefer babies and toddlers over an amnesiac teenager. In an effort to keep him close, Maxine lied and claimed to be his sister. Dr. Barbie knew it was a lie but she let it slide. Barbie and Maxine had been acquainted for a long while, so Barbie went along with the ruse in order to give Maxine piece of mind.
Maxine nicknamed him ‘Johnny’ as a reference to his status as a ‘John Doe’. Not knowing his own name, mystery boy had no choice but to agree to being called Johnny. How could he argue with the girl who saved his life?
“You know, Maxine I really do appreciate everything you’ve done for me. “ Johnny said, wearing his fancy coat and crown. For some reason he didn’t feel out of place wearing it. It felt ‘right’ even though he wasn’t sure why.
“Don’t give it another thought. You’d have done the same for me I’m sure.” Maxine said with hesitation. As the words escaped her lips she realized she was making an assumption about his personality that he couldn’t confirm or deny. Maybe before his amnesia he was a jerk… Who would know? Surely not the newly dubbed, Johnny.
Johnny caught his reflection in the side-view mirror and adjusted his glasses, “I sure hope I would have. I don’t know what kind of guy I would be if I left a girl like you dying in the street.” Johnny looked in Maxine’s direction. Even though he had to pretend to be her sibling, he couldn’t help but think about how pretty she is, how sweet she’s been to him and how much he wished he could repay her kindness. He glanced down at her cleavage despite himself. Maxine noticed his accidental leering gaze but ignored it. It’s not something she was a stranger to at this point in her life.
“So…um…where are we going?” He asked nervously, realizing he’d been caught.
“You my dear, faux-brother are coming with me to a department store.” Maxine replied.
Johnny was confused.
“Shopping. You don’t shop?” She asked.
“Oh yeah, of course. What are you getting?” He asked, fidgeting in the passenger’s seat of the little pink car.
“I’m not getting anything. You however are getting some new clothes. We can’t have you walking around in this Prince of Monaco look all the time." Maxine said with a smile.
Johnny looked at the people on the street as they drove past. She was right of course; no one was wearing crowns and fancy vestments. He couldn’t help but wonder why he had been wearing them though. In the hospital Maxine joked he might’ve been part of a musical, a play or a lazy renaissance fair. But none of that seemed right to him.
“We’ll get you some jeans, some shirts, something to sleep in and some…other stuff.” Maxine said. She avoided saying ‘underwear’. It all seemed so awkward. Sure she rescued him, but she didn’t necessarily want to discuss his underclothes. That’s too personal for her liking.
“Speaking of sleep…where will I stay?” Johnny asked.
“You’ll be staying with me. My parents are out of town on business but I explained the situation and they’re cool with it…in a way.” Maxine replied
“What do you mean?” he wondered.
“This isn’t the first time I get mixed up in things like this. My parents know I mean well, they just worry one day I’ll get involved in something serious or whatever. I don’t know.” Maxine said, “The only thing you have to worry about is my twin sister Bianca. She’s kind of nosy and bossy so she might get annoying. But if she bothers you just let me know.”
The more Johnny learned about Maxine the more he wanted to know. It was clear to him that she has a sense of adventure on top of being a good Samaritan. He couldn’t have hoped for a better person to have found him.
An amnesiac Toa of Air, Artek struggles to find who he is and where he came from. He joined the Order after they rescued him from the hands of Skakdi and hopes to find his past while working within the Order.
He belongs to Artek206 on the CBW.
"After years of waiting
After years of waiting nothing came
And you realize you're looking,
Looking in the wrong place "
German postcard by Ross Verlag, no. 1795/4, 1927-1928. Photo: United Artists. Ronald Colman and Vilma Banky in The Winning of Barbara Worth (Henry King, 1926).
English gentleman-actor Ronald Colman (1891-1958) was a top box office draw in Hollywood films throughout the 1920s, 1930s and 1940s. ‘The Man with the velvet voice’ was nominated for four Academy Awards. In 1948 he finally won the Oscar for his splendid portrayal of a tormented actor in A Double Life (1947).
Ronald Charles Colman was born in 1891 in Richmond, England. He was the fifth of six children of silk importer Charles Colman and his wife Marjory Read Fraser. Ronald was educated at a boarding school in Littlehampton, where he discovered he enjoyed acting. When Ronald was 16 his father died of pneumonia, putting an end to the boy's plans to attend Cambridge and become an engineer. He went to work as a shipping clerk at the British Steamship Company. He also became a well-known amateur actor and was a member of the West Middlesex Dramatic Society (1908-1909). In 1909, he joined the London Scottish Regiment, a territorial army force, and he was sent to France at the outbreak of World War I. Colman took part in the First Battle of Ypres and was severely wounded at the battle at Messines in Belgium. The shrapnel wounds he took to his legs invalided him out of active service. In May 1915, decorated, discharged and depressed, he returned home with a limp that he would attempt to hide throughout the rest of his acting career. He tried to enter the consular service, but a chance encounter got him a small role in the London play The Maharanee of Arakan (1916). He dropped other plans and concentrated on the theatre. Producers soon noted the young actor with his striking good looks, rich voice and rare dignity, and Colman was rewarded with a succession of increasingly prominent parts. He worked with stage greats Gladys Cooper and Gerald du Maurier. He made extra money appearing in films like the two-reel silent comedy The Live Wire (Cecil Hepworth, 1917). The set was an old house with a negligible budget, and Colman doubled as the leading character and prop man. The film was never released though. Other silent British films were The Snow of the Desert (Walter West, 1919) with Violet Hopson and Stewart Rome, and The Black Spider (William Humphrey, 1920) with Mary Clare. The negatives of all of Colman's early British films have probably been destroyed during the 1941 London Blitz. After a brief courtship, he married actress Thelma Raye in 1919. The marriage was in trouble almost from the beginning. The two separated in 1923 but were not divorced until 1934.
In 1920 Ronald Colman set out for New York in hopes of finding greater fortune there than in war-depressed England. His American film debut was in the tawdry melodrama Handcuffs or Kisses? (George Archainbaud, 1920). He toured with Robert Warwick in 'The Dauntless Three', and subsequently toured with Fay Bainter in 'East is West'. After two years of impoverishment, he was cast in the Broadway hit play 'La Tendresse' (1922). Director Henry King spotted him and cast him as Lillian Gish's leading man in The White Sister (Henry King, 1923), filmed in Italy. The romantic tear-jerker was wildly popular and Colman was quickly proclaimed a new film star. This success led to a contract with prominent independent film producer Samuel Goldwyn, and in the following ten years, he became a very popular silent film star in both romantic and adventure films. Among his most successful films for Goldwyn were The Dark Angel (George Fitzmaurice, 1925) with Hungarian actress Vilma Bánky, Stella Dallas (Henry King, 1926), the Oscar Wilde adaptation Lady Windermere's Fan (Ernst Lubitsch, 1925) and The Winning of Barbara Worth (Henry King, 1926) with Gary Cooper. Colman's dark hair and eyes and his athletic and riding ability led reviewers to describe him as a ‘Valentino type’. He was often cast in similar, exotic roles. The film that cemented this position as a top star was Beau Geste (Herbert Brenon, 1926), Paramount's biggest hit of 1926. It was the rousing tale of three brothers (Colman, Neil Hamilton and Ralph Forbes), who join the Foreign Legion to escape the law. Beau Geste was full of mystery, desert action, intrigue and above all, brotherly loyalty. Colman's gentlemanly courage and quiet strength were showcased to perfection in the role of the oldest brother, Beau. The film is still referred to as possibly the greatest Foreign Legion film ever produced. Towards the end of the silent era, Colman was teamed again with Vilma Bánky under Samuel Goldwyn. The two would make a total of five films together and their popularity rivalled that of Greta Garbo and John Gilbert.
Although Ronald Colman was a huge success in silent films, with the coming of sound, his extraordinarily beautiful speaking voice made him even more important to the film industry. His first major talkie success was in 1930 when he was nominated for the Academy Award for Best Actor for two roles - Condemned (Wesley Ruggles, 1929) with Lily Damita, and Bulldog Drummond (F. Richard Jones, 1929) with Joan Bennett. Thereafter he played a number of sophisticated, noble characters with enormous aplomb such as Clive of India (Richard Boleslawski, 1935) with Colin Clive, but he also swashbuckled expertly when called to do so in films like The Prisoner of Zenda (John Cromwell, 1937) with Madeleine Carroll. A falling out with Goldwyn in 1934 prompted Colman to avoid long-term contracts for the rest of his career. He became one of just a handful of top stars to successfully freelance, picking and choosing his assignments and studios. His notable films included the Charles Dickens adaptation A Tale of Two Cities (Jack Conway, 1935), the poetic classic Lost Horizon (Frank Capra, 1937), and If I Were King (Frank Lloyd, 1938) with Basil Rathbone as vagabond poet Francois Villon. During the war, he made two of his very best films - Talk of the Town (George Stevens, 1942) with Cary Grant and Jean Arthur, and the romantic tearjerker Random Harvest (Mervyn LeRoy, 1942), as an amnesiac victim, co-starring with the luminous Greer Garson. For his role in A Double Life (George Cukor, 1947), an actor playing Othello who comes to identify with the character, he won both the Golden Globe for Best Actor in 1947 and the Best Actor Oscar in 1948. Colman made many guest appearances on The Jack Benny Program on the radio, alongside his second wife, British stage and screen actress Benita Hume. Their comedy work as Benny's next-door neighbours led to their own radio comedy The Halls of Ivy from 1950 to 1952, and then on television from 1954 to 1955. Incidentally, he appeared in films, such as the romantic comedy Champagne for Caesar (Richard Whorf, 1950), and his final film The Story of Mankind (Irwin Allen, 1957) with Hedy Lamarr. Hal Erickson at AllMovie: "a laughably wretched extravaganza from which Colman managed to emerge with his dignity and reputation intact." Ronald Colman died in 1958, aged 67, from a lung infection in Santa Barbara, California. He was survived by Benita Hume, and their daughter Juliet Benita Colman (1944). In 1975, Juliet published the biography 'Ronald Colman: A Very Private Person'.
Sources: Hal Erickson (AllMovie), Jim Beaver (IMDb), Julie Stowe (The Ronald Colman Pages), Encyclopaedia Britannica, Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
those ain't my bones unknown out there, not my teeth scattered out there like a broken necklace. mice ain't making a nest in my jacket elbow. sow bugs ain't sleeping under what's left of my shoes. blackbirds ain't playing tug of war with tufts of my hair. rattlesnakes ain't sleeping in my last resting place.
(Sesshu Foster, Atomik Aztex)
French postcard by Cinémagazine-Edition, Paris, no. 495. Photo: United Artists. Ronald Colman and Vilma Banky in The Magic Flame (Henry King, 1927).
English gentleman-actor Ronald Colman (1891-1958) was a top box office draw in Hollywood films throughout the 1920s, 1930s and 1940s. ‘The Man with the velvet voice’ was nominated for four Academy Awards. In 1948 he finally won the Oscar for his splendid portrayal of a tormented actor in A Double Life (1947).
Ronald Charles Colman was born in 1891 in Richmond, England. He was the fifth of six children of silk importer Charles Colman and his wife Marjory Read Fraser. Ronald was educated at a boarding school in Littlehampton, where he discovered he enjoyed acting. When Ronald was 16 his father died of pneumonia, putting an end to the boy's plans to attend Cambridge and become an engineer. He went to work as a shipping clerk at the British Steamship Company. He also became a well-known amateur actor and was a member of the West Middlesex Dramatic Society (1908-1909). In 1909, he joined the London Scottish Regiment, a territorial army force, and he was sent to France at the outbreak of World War I. Colman took part in the First Battle of Ypres and was severely wounded at the battle at Messines in Belgium. The shrapnel wounds he took to his legs invalided him out of active service. In May 1915, decorated, discharged and depressed, he returned home with a limp that he would attempt to hide throughout the rest of his acting career. He tried to enter the consular service, but a chance encounter got him a small role in the London play The Maharanee of Arakan (1916). He dropped other plans and concentrated on the theatre. Producers soon noted the young actor with his striking good looks, rich voice and rare dignity, and Colman was rewarded with a succession of increasingly prominent parts. He worked with stage greats Gladys Cooper and Gerald du Maurier. He made extra money appearing in films like the two-reel silent comedy The Live Wire (Cecil Hepworth, 1917). The set was an old house with a negligible budget, and Colman doubled as the leading character and prop man. The film was never released though. Other silent British films were The Snow of the Desert (Walter West, 1919) with Violet Hopson and Stewart Rome, and The Black Spider (William Humphrey, 1920) with Mary Clare. The negatives of all of Colman's early British films have probably been destroyed during the 1941 London Blitz. After a brief courtship, he married actress Thelma Raye in 1919. The marriage was in trouble almost from the beginning. The two separated in 1923 but were not divorced until 1934.
In 1920 Ronald Colman set out for New York in hopes of finding greater fortune there than in war-depressed England. His American film debut was in the tawdry melodrama Handcuffs or Kisses? (George Archainbaud, 1920). He toured with Robert Warwick in 'The Dauntless Three', and subsequently toured with Fay Bainter in 'East is West'. After two years of impoverishment, he was cast in the Broadway hit play 'La Tendresse' (1922). Director Henry King spotted him and cast him as Lillian Gish's leading man in The White Sister (Henry King, 1923), filmed in Italy. The romantic tear-jerker was wildly popular and Colman was quickly proclaimed a new film star. This success led to a contract with prominent independent film producer Samuel Goldwyn, and in the following ten years, he became a very popular silent film star in both romantic and adventure films. Among his most successful films for Goldwyn were The Dark Angel (George Fitzmaurice, 1925) with Hungarian actress Vilma Bánky, Stella Dallas (Henry King, 1926), the Oscar Wilde adaptation Lady Windermere's Fan (Ernst Lubitsch, 1925) and The Winning of Barbara Worth (Henry King, 1926) with Gary Cooper. Colman's dark hair and eyes and his athletic and riding ability led reviewers to describe him as a ‘Valentino type’. He was often cast in similar, exotic roles. The film that cemented this position as a top star was Beau Geste (Herbert Brenon, 1926), Paramount's biggest hit of 1926. It was the rousing tale of three brothers (Colman, Neil Hamilton and Ralph Forbes), who join the Foreign Legion to escape the law. Beau Geste was full of mystery, desert action, intrigue and above all, brotherly loyalty. Colman's gentlemanly courage and quiet strength were showcased to perfection in the role of the oldest brother, Beau. The film is still referred to as possibly the greatest Foreign Legion film ever produced. Towards the end of the silent era, Colman was teamed again with Vilma Bánky under Samuel Goldwyn. The two would make a total of five films together and their popularity rivalled that of Greta Garbo and John Gilbert.
Although Ronald Colman was a huge success in silent films, with the coming of sound, his extraordinarily beautiful speaking voice made him even more important to the film industry. His first major talkie success was in 1930 when he was nominated for the Academy Award for Best Actor for two roles - Condemned (Wesley Ruggles, 1929) with Lily Damita, and Bulldog Drummond (F. Richard Jones, 1929) with Joan Bennett. Thereafter he played a number of sophisticated, noble characters with enormous aplomb such as Clive of India (Richard Boleslawski, 1935) with Colin Clive, but he also swashbuckled expertly when called to do so in films like The Prisoner of Zenda (John Cromwell, 1937) with Madeleine Carroll. A falling out with Goldwyn in 1934 prompted Colman to avoid long-term contracts for the rest of his career. He became one of just a handful of top stars to successfully freelance, picking and choosing his assignments and studios. His notable films included the Charles Dickens adaptation A Tale of Two Cities (Jack Conway, 1935), the poetic classic Lost Horizon (Frank Capra, 1937), and If I Were King (Frank Lloyd, 1938) with Basil Rathbone as vagabond poet Francois Villon. During the war, he made two of his very best films - Talk of the Town (George Stevens, 1942) with Cary Grant and Jean Arthur, and the romantic tearjerker Random Harvest (Mervyn LeRoy, 1942), as an amnesiac victim, co-starring with the luminous Greer Garson. For his role in A Double Life (George Cukor, 1947), an actor playing Othello who comes to identify with the character, he won both the Golden Globe for Best Actor in 1947 and the Best Actor Oscar in 1948. Colman made many guest appearances on The Jack Benny Program on the radio, alongside his second wife, British stage and screen actress Benita Hume. Their comedy work as Benny's next-door neighbours led to their own radio comedy The Halls of Ivy from 1950 to 1952, and then on television from 1954 to 1955. Incidentally, he appeared in films, such as the romantic comedy Champagne for Caesar (Richard Whorf, 1950), and his final film The Story of Mankind (Irwin Allen, 1957) with Hedy Lamarr. Hal Erickson at AllMovie: "a laughably wretched extravaganza from which Colman managed to emerge with his dignity and reputation intact." Ronald Colman died in 1958, aged 67, from a lung infection in Santa Barbara, California. He was survived by Benita Hume, and their daughter Juliet Benita Colman (1944). In 1975, Juliet published the biography 'Ronald Colman: A Very Private Person'.
Sources: Hal Erickson (AllMovie), Jim Beaver (IMDb), Julie Stowe (The Ronald Colman Pages), Encyclopaedia Britannica, Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Italian postcard by G.B. Falci Editore, Milano, no. 522. Photo: United Artists.
English gentleman-actor Ronald Colman (1891 - 1958) was a top box office draw in Hollywood films throughout the 1920s, 1930s and 1940s. ‘The Man with the velvet voice’ was nominated for four Academy Awards. In 1948 he finally won the Oscar for his splendid portrayal of a tormented actor in A Double Life (1947).
Ronald Charles Colman was born in 1891 in Richmond, England. He was the fifth of six children of silk importer Charles Colman and his wife Marjory Read Fraser. Ronald was educated at a boarding school in Littlehampton, where he discovered he enjoyed acting. When Ronald was 16 his father died of pneumonia, putting an end to the boy's plans to attend Cambridge and become an engineer. He went to work as a shipping clerk at the British Steamship Company. He also became a well-known amateur actor and was a member of the West Middlesex Dramatic Society (1908-1909). In 1909, he joined the London Scottish Regiment, a territorial army force, and he was sent to France at the outbreak of World War I. Colman took part in the First Battle of Ypres and was severely wounded at the battle at Messines in Belgium. The shrapnel wounds he took to his legs invalided him out of active service. In May 1915, decorated, discharged and depressed, he returned home with a limp that he would attempt to hide throughout the rest of his acting career. He tried to enter the consular service, but a chance encounter got him a small role in the London play The Maharanee of Arakan (1916). He dropped other plans and concentrated on the theatre. Producers soon noted the young actor with his striking good looks, rich voice and rare dignity, and Colman was rewarded with a succession of increasingly prominent parts. He worked with stage greats Gladys Cooper and Gerald du Maurier. He made extra money appearing in films like the two-reel silent comedy The Live Wire (Cecil Hepworth, 1917). The set was an old house with a negligible budget, and Colman doubled as the leading character and prop man. The film was never released though. Other silent British films were The Snow of the Desert (Walter West, 1919) with Violet Hopson and Stewart Rome, and The Black Spider (William Humphrey, 1920) with Mary Clare. The negatives of all of Colman's early British films have probably been destroyed during the 1941 London Blitz. After a brief courtship, he married actress Thelma Raye in 1919. The marriage was in trouble almost from the beginning. The two separated in 1923 but were not divorced until 1934.
In 1920 Ronald Colman set out for New York in hopes of finding greater fortune there than in war-depressed England. His American film debut was in the tawdry melodrama Handcuffs or Kisses? (George Archainbaud, 1920). He toured with Robert Warwick in 'The Dauntless Three', and subsequently toured with Fay Bainter in 'East is West'. After two years of impoverishment, he was cast in the Broadway hit play 'La Tendresse' (1922). Director Henry King spotted him and cast him as Lillian Gish's leading man in The White Sister (Henry King, 1923), filmed in Italy. The romantic tear-jerker was wildly popular and Colman was quickly proclaimed a new film star. This success led to a contract with prominent independent film producer Samuel Goldwyn, and in the following ten years, he became a very popular silent film star in both romantic and adventure films. Among his most successful films for Goldwyn were The Dark Angel (George Fitzmaurice, 1925) with Hungarian actress Vilma Bánky, Stella Dallas (Henry King, 1926), the Oscar Wilde adaptation Lady Windermere's Fan (Ernst Lubitsch, 1925) and The Winning of Barbara Worth (Henry King, 1926) with Gary Cooper. Colman's dark hair and eyes and his athletic and riding ability led reviewers to describe him as a ‘Valentino type’. He was often cast in similar, exotic roles. The film that cemented this position as a top star was Beau Geste (Herbert Brenon, 1926), Paramount's biggest hit of 1926. It was the rousing tale of three brothers (Colman, Neil Hamilton and Ralph Forbes), who join the Foreign Legion to escape the law. Beau Geste was full of mystery, desert action, intrigue and above all, brotherly loyalty. Colman's gentlemanly courage and quiet strength were showcased to perfection in the role of the oldest brother, Beau. The film is still referred to as possibly the greatest Foreign Legion film ever produced. Towards the end of the silent era, Colman was teamed again with Vilma Bánky under Samuel Goldwyn. The two would make a total of five films together and their popularity rivalled that of Greta Garbo and John Gilbert.
Although Ronald Colman was a huge success in silent films, with the coming of sound, his extraordinarily beautiful speaking voice made him even more important to the film industry. His first major talkie success was in 1930 when he was nominated for the Academy Award for Best Actor for two roles - Condemned (Wesley Ruggles, 1929) with Lily Damita, and Bulldog Drummond (F. Richard Jones, 1929) with Joan Bennett. Thereafter he played a number of sophisticated, noble characters with enormous aplomb such as Clive of India (Richard Boleslawski, 1935) with Colin Clive, but he also swashbuckled expertly when called to do so in films like The Prisoner of Zenda (John Cromwell, 1937) with Madeleine Carroll. A falling out with Goldwyn in 1934 prompted Colman to avoid long-term contracts for the rest of his career. He became one of just a handful of top stars to successfully freelance, picking and choosing his assignments and studios. His notable films included the Charles Dickens adaptation A Tale of Two Cities (Jack Conway, 1935), the poetic classic Lost Horizon (Frank Capra, 1937), and If I Were King (Frank Lloyd, 1938) with Basil Rathbone as vagabond poet Francois Villon. During the war, he made two of his very best films - Talk of the Town (George Stevens, 1942) with Cary Grant and Jean Arthur, and the romantic tearjerker Random Harvest (Mervyn LeRoy, 1942), as an amnesiac victim, co-starring with the luminous Greer Garson. For his role in A Double Life (George Cukor, 1947), an actor playing Othello who comes to identify with the character, he won both the Golden Globe for Best Actor in 1947 and the Best Actor Oscar in 1948. Colman made many guest appearances on The Jack Benny Program on the radio, alongside his second wife, British stage and screen actress Benita Hume. Their comedy work as Benny's next-door neighbours led to their own radio comedy The Halls of Ivy from 1950 to 1952, and then on television from 1954 to 1955. Incidentally, he appeared in films, such as the romantic comedy Champagne for Caesar (Richard Whorf, 1950), and his final film The Story of Mankind (Irwin Allen, 1957) with Hedy Lamarr. Hal Erickson at AllMovie: "a laughably wretched extravaganza from which Colman managed to emerge with his dignity and reputation intact." Ronald Colman died in 1958, aged 67, from a lung infection in Santa Barbara, California. He was survived by Benita Hume, and their daughter Juliet Benita Colman (1944). In 1975, Juliet published the biography 'Ronald Colman: A Very Private Person'.
Sources: Hal Erickson (AllMovie), Jim Beaver (IMDb), Julie Stowe (The Ronald Colman Pages), Encyclopaedia Britannica, Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Italian postcard by B.F.F. Edit. (Casa Editr. Ballerini & Fratini, Firenze), no. 3894. Photo: Bragaglia.
Luisa Ferida (1914-1945) was an Italian stage and screen film, who was a popular leading actress in the late 1930s and 1940s Italian sound film. She was married to actor Osvaldo Valenti. Because of his close links with the fascist regime, the couple was shot by partisans in April 1945.
Luisa Ferida was born Luigia Manfrini Frané in Castel San Pietro Terme, near Bologna, in 1914. Her father Luigi, a rich lander owner, died when she was a child. She was then sent to a convent school. Ferida started her career as a stage actress. In 1935 she made her first film appearance with a supporting role in the crime film La Freccia d'oro/Golden Arrow (Piero Ballerini, Corrado D'Errico, 1935). Because of her photogenic looks and talent as an actress, she soon graduated to leading roles in such films as the historical comedy Il re Burlone/The Joker King (Enrico Guazzoni, 1935) with Armando Falconi. The following year, she appeared in the comedy Lo smemorato/The Amnesiac (Gennaro Righelli, 1936) starring Angelo Musco, the screwball comedy Amazzoni bianche/White Amazons (Gennaro Righelli, 1936) starring Paola Barbara, and the historical comedy L'ambasciatore/The Ambassador (Baldassarre Negroni, 1936) starring Leda Gloria. She starred opposite Antonio Centa in the romantic comedy I tre desideri/The Three Wishes (Giorgio Ferroni, Kurt Gerron, 1937) of which also a Dutch-language version was made - without Ferida. Next, she appeared opposite Amedeo Nazzari in the drama La fossa degli angeli/Tomb of the Angels (Carlo Ludovico Bragaglia, 1937). Roberto Rossellini co-wrote the screenplay and served as assistant director. It was shot on location in the Apuan Alps in Liguria and is set amidst the marble quarries of the area. It marked an early attempt at realism in Italian cinema, anticipating neorealism of the postwar era, and it celebrated Italy's industrial strength in line with the propaganda of the Mussolini regime. She co-starred with Totò in the comedy Animali pazzi/Mad Animals (Carlo Ludovico Bragaglia, 1939). In 1939, while working on the Swashbuckler Un Avventura di Salvator Rosa/An Adventure of Salvator Rosa (Alessandro Blasetti, 1940), Luisa Ferida met the actor Osvaldo Valenti. The pair became romantically involved and had a son, Kim, who died 4 days after his birth. Valenti had been linked with many Fascist officials and personalities for years and he eventually joined the Italian Social Republic, and for these reasons, he was on the partisans' hit list.
In the first half of the 1940s, Luisa Ferida's career was at its zenith, and she played memorable roles in such films as La fanciulla di Portici/The girl from Portici (Mario Bonnard, 1940), La corona di ferro/The Iron Crown (Alessandro Blasetti, 1941), and the drama Gelosia/Jealousy (Ferdinando Maria Poggioli, 1942). She had a supporting role in the drama Nozze di sangue/Blood Wedding (Goffredo Alessandrini, 1941) starring Beatrice Mancini, and Fosco Giachetti. The film about an arranged marriage in 19th century South America, is based on the Spanish play by Federico Garcia Lorca. She played the lead in the historical drama Fedora (Camillo Mastrocinque, 1942) opposite Amedeo Nazzari and Osvaldo Valenti. Opposite Fosco Giacchetti, she starred in the drama Fari nella nebbia/Headlights in the Fog (Gianni Franciolini, 1942). The film about a group of truck drivers is considered to be part of the development of Neorealism, which emerged around this time. She starred with Osvaldo Valenti in the adventure film I cavalieri del deserto/Knights of the Desert (Gino Talamo, Osvaldo Valenti, 1942) with a screenplay by Federico Fellini and Vittorio Mussolini, the son of Italy's dictator Benito Mussolini. It was produced by the Rome-based ACI which was run by Vittorio Mussolini and shot on location in Libya before the North African Campaign turned decisively against Italy and its Allies. Fellini may have directed some of the Libyan scenes after Gino Talamo was injured in a car accident. The film was ultimately never released due to the defeats suffered in Libya, which meant its plot was now a potential embarrassment to the regime. She appeared again with Valenti in the extremely popular historical film La cena delle beffe/The Jester's Supper (Alessandro Blasetti, 1942), also starring Amedeo Nazzari, and Clara Calamai. The film is set in the 15th century Florence of Lorenzo the Magnificent and portrays a rivalry that leads to a series of increasingly violent jokes. She again co-starred with Valenti and Nazzari in the drama Sleeping Beauty (Luigi Chiarini, 1942), which belongs to the films of the Calligrafismo style. Calligrafismo is in sharp contrast to the Telefoni Bianchi-American style comedies and is rather artistic, highly formalistic, expressive in complexity, and deals mainly with contemporary literary material. In 1942 she won the Best Italian Actress award. In the historical comedy La locandiera/The Innkeeper (Luigi Chiarini, 1944), she co-starred again with Armando Falconi and Osvaldo Valenti. During the last stages of completion, Mussolini was overthrown. The final editing was done in Venice, the film capital of the Italian Social Republic, but without the presence of Chiarini. At the end of 1943, the fascist government of the Republic of Salo decided to create an Italian cinematographic center in the north of the country.
Ferida and Valenti agreed to go there. They made Un fatto di cronaca/A Chronicle (Piero Ballerini, 1945), which was released in February 1945. Two months later, Valenti was finally arrested in Milan, alongside a pregnant Ferida. They were both sentenced to be executed and shot immediately in the street, without a proper trial. Opinions are divided as to whether the couple deserved this fatal fate. The pregnant Ferida had a blue shoe of her deceased son Kim in her hand when she was killed. The twelve suitcases of the couple, full of clothes, furs, money, and jewels were stolen that day. Her Milanese house was burglarised a few days later. The partisan chief who organised the execution, Giuseppe 'Vero' Marozin, declared years later that one of the partisan leaders that ordered the two actors to be executed was Sandro Pertini, who decades later became president of the Italian republic. No other source, however, supports Marozin's version of the incident. Her mother Lucia asked for support from the Italian government since her daughter was her only support. After the actress was cleared of charges during the 1950s, Lucia received a small monthly pension. She died in poverty. Both lovers' graves are side to side in Cimitero Maggiore di Musocco in Milan. The film Sanguepazzo/Wild Blood (Marco Tullio Giordana, 2008) starring Monica Bellucci and Luca Zingaretti, discusses Luisa Ferida's relationship with Osvaldo Valenti.
Sources: Marlene Pilaete (La collectionneuse - French), Hugo Bartoli (IMDb), Find-A-Grave, Wikipedia, and IMDb.
And, please check out our blog European Film Star Postcards.
Amnesiac Double IPA
Have a couple of these hoptastic 8.5% babies and you will be seeing what its name describes...
Part 5 of the Radiohead series.
If I had the prowess, I would want more hands in the shot, but dealing with the shadows and placement of the seven that are here (all mine) already approached overwhelming.
French postcard by Editions Cinémagazine, no. 217. Photo: United Artists.
English gentleman-actor Ronald Colman (1891 - 1958) was a top box office draw in Hollywood films throughout the 1920s, 1930s and 1940s. ‘The Man with the velvet voice’ was nominated for four Academy Awards. In 1948 he finally won the Oscar for his splendid portrayal of a tormented actor in A Double Life (1947).
Ronald Charles Colman was born in 1891 in Richmond, England. He was the fifth of six children of silk importer Charles Colman and his wife Marjory Read Fraser. Ronald was educated at a boarding school in Littlehampton, where he discovered he enjoyed acting. When Ronald was 16 his father died of pneumonia, putting an end to the boy's plans to attend Cambridge and become an engineer. He went to work as a shipping clerk at the British Steamship Company. He also became a well-known amateur actor and was a member of the West Middlesex Dramatic Society (1908-1909). In 1909, he joined the London Scottish Regiment, a territorial army force, and he was sent to France at the outbreak of World War I. Colman took part in the First Battle of Ypres and was severely wounded at the battle at Messines in Belgium. The shrapnel wounds he took to his legs invalided him out of active service. In May 1915, decorated, discharged and depressed, he returned home with a limp that he would attempt to hide throughout the rest of his acting career. He tried to enter the consular service, but a chance encounter got him a small role in the London play The Maharanee of Arakan (1916). He dropped other plans and concentrated on the theatre. Producers soon noted the young actor with his striking good looks, rich voice and rare dignity, and Colman was rewarded with a succession of increasingly prominent parts. He worked with stage greats Gladys Cooper and Gerald du Maurier. He made extra money appearing in films like the two-reel silent comedy The Live Wire (Cecil Hepworth, 1917). The set was an old house with a negligible budget, and Colman doubled as the leading character and prop man. The film was never released though. Other silent British films were The Snow of the Desert (Walter West, 1919) with Violet Hopson and Stewart Rome, and The Black Spider (William Humphrey, 1920) with Mary Clare. The negatives of all of Colman's early British films have probably been destroyed during the 1941 London Blitz. After a brief courtship, he married actress Thelma Raye in 1919. The marriage was in trouble almost from the beginning. The two separated in 1923 but were not divorced until 1934.
In 1920 Ronald Colman set out for New York in hopes of finding greater fortune there than in war-depressed England. His American film debut was in the tawdry melodrama Handcuffs or Kisses? (George Archainbaud, 1920). He toured with Robert Warwick in 'The Dauntless Three', and subsequently toured with Fay Bainter in 'East is West'. After two years of impoverishment, he was cast in the Broadway hit play 'La Tendresse' (1922). Director Henry King spotted him and cast him as Lillian Gish's leading man in The White Sister (Henry King, 1923), filmed in Italy. The romantic tear-jerker was wildly popular and Colman was quickly proclaimed a new film star. This success led to a contract with prominent independent film producer Samuel Goldwyn, and in the following ten years, he became a very popular silent film star in both romantic and adventure films. Among his most successful films for Goldwyn were The Dark Angel (George Fitzmaurice, 1925) with Hungarian actress Vilma Bánky, Stella Dallas (Henry King, 1926), the Oscar Wilde adaptation Lady Windermere's Fan (Ernst Lubitsch, 1925) and The Winning of Barbara Worth (Henry King, 1926) with Gary Cooper. Colman's dark hair and eyes and his athletic and riding ability led reviewers to describe him as a ‘Valentino type’. He was often cast in similar, exotic roles. The film that cemented this position as a top star was Beau Geste (Herbert Brenon, 1926), Paramount's biggest hit of 1926. It was the rousing tale of three brothers (Colman, Neil Hamilton and Ralph Forbes), who join the Foreign Legion to escape the law. Beau Geste was full of mystery, desert action, intrigue and above all, brotherly loyalty. Colman's gentlemanly courage and quiet strength were showcased to perfection in the role of the oldest brother, Beau. The film is still referred to as possibly the greatest Foreign Legion film ever produced. Towards the end of the silent era, Colman was teamed again with Vilma Bánky under Samuel Goldwyn. The two would make a total of five films together and their popularity rivalled that of Greta Garbo and John Gilbert.
Although Ronald Colman was a huge success in silent films, with the coming of sound, his extraordinarily beautiful speaking voice made him even more important to the film industry. His first major talkie success was in 1930 when he was nominated for the Academy Award for Best Actor for two roles - Condemned (Wesley Ruggles, 1929) with Lily Damita, and Bulldog Drummond (F. Richard Jones, 1929) with Joan Bennett. Thereafter he played a number of sophisticated, noble characters with enormous aplomb such as Clive of India (Richard Boleslawski, 1935) with Colin Clive, but he also swashbuckled expertly when called to do so in films like The Prisoner of Zenda (John Cromwell, 1937) with Madeleine Carroll. A falling out with Goldwyn in 1934 prompted Colman to avoid long-term contracts for the rest of his career. He became one of just a handful of top stars to successfully freelance, picking and choosing his assignments and studios. His notable films included the Charles Dickens adaptation A Tale of Two Cities (Jack Conway, 1935), the poetic classic Lost Horizon (Frank Capra, 1937), and If I Were King (Frank Lloyd, 1938) with Basil Rathbone as vagabond poet Francois Villon. During the war, he made two of his very best films - Talk of the Town (George Stevens, 1942) with Cary Grant and Jean Arthur, and the romantic tearjerker Random Harvest (Mervyn LeRoy, 1942), as an amnesiac victim, co-starring with the luminous Greer Garson. For his role in A Double Life (George Cukor, 1947), an actor playing Othello who comes to identify with the character, he won both the Golden Globe for Best Actor in 1947 and the Best Actor Oscar in 1948. Colman made many guest appearances on The Jack Benny Program on the radio, alongside his second wife, British stage and screen actress Benita Hume. Their comedy work as Benny's next-door neighbours led to their own radio comedy The Halls of Ivy from 1950 to 1952, and then on television from 1954 to 1955. Incidentally, he appeared in films, such as the romantic comedy Champagne for Caesar (Richard Whorf, 1950), and his final film The Story of Mankind (Irwin Allen, 1957) with Hedy Lamarr. Hal Erickson at AllMovie: "a laughably wretched extravaganza from which Colman managed to emerge with his dignity and reputation intact." Ronald Colman died in 1958, aged 67, from a lung infection in Santa Barbara, California. He was survived by Benita Hume, and their daughter Juliet Benita Colman (1944). In 1975, Juliet published the biography 'Ronald Colman: A Very Private Person'.
Sources: Hal Erickson (AllMovie), Jim Beaver (IMDb), Julie Stowe (The Ronald Colman Pages), Encyclopaedia Britannica, Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
Thrilling Wonder Stories / Magazin-Reihe
> Ross Rocklynne / Exile to Centauri
> Anthony Boucher / Expedition
> Bolling Branham / The Lotos Eaters
> George Edwards / The Amnesiac
> Ray Cummings / Tubby - Atom Smasher
> Oscar J. Friend [Owen Fox Jerome] / Sun Engine
> Cleve Cartmill / Visiting Yokel
> Wilm Carver / World of Living Dead
cover: Earle Bergey
(cover illustrates "The Lotos Eaters")
Better Publications, Inc. / USA 1943
Reprint: Comic-Club NK 2010
ex libris MTP
I came from a small upstate NY town to Chicago in 2001 and The Hideout was one of the first places I went to, for an Amnesiac listening party. I remember how seedy North Avenue used to be and how I went to a Halloween party there that same year and found a woman wearing nothing but plastic wrap as her costume.
In the summer of 2003, I saw my first Andrew Bird show. He was playing songs from Weather Systems mainly with Nora O'Connor singing back up vocals. I had gone to the block party to see Pernice Brothers but I found myself liking Andrew Bird's set even more. Andrew Bird was put on in the middle of the day. There were only about 30-40 people there and afterwards, I'm sure I looked like some crazed fan when I said, "You're AMAZING!"
It's always great to see Andrew Bird headline a festival, especially at The Hideout. The club has positively affected so many musicians with Bird and Neko Case probably being the most famous examples. It really does seem like a happy supportive family. This show was super special because he brought back all of his old band members for at least a song or two. It made me feel all warm and fuzzy inside.
More photos of the Hideout Block Party can be found on Timeout Chicago.
Photos of Mavis Staples, Jon Langford, Dosh, and Andrew Bird are by my friend Erica Gannett.
timeoutchicago.com/music-nightlife/music/14958203/hideout...
**All photos are copyrighted. Please don't use without permission**
Space Pirate Captain Andromeda Ychorax and her crew of
star-scoundrels has sailed for the Seven Galaxies to get her hands on the greatest loot of all times - the enormous treasure seized in long-forgotten times by an arcane people of planetary architects. Following the fragmentary memories of an amnesiac native, they have finally found trace of this ancient wealth near an alien idol - the "M" marks the spot.
British postcard in the Colourgraph Series, London, no. C 62.
English gentleman-actor Ronald Colman (1891 - 1958) was a top box office draw in Hollywood films throughout the 1920s, 1930s and 1940s. ‘The Man with the velvet voice’ was nominated for four Academy Awards. In 1948 he finally won the Oscar for his splendid portrayal of a tormented actor in A Double Life (1947).
Ronald Charles Colman was born in 1891 in Richmond, England. He was the fifth of six children of silk importer Charles Colman and his wife Marjory Read Fraser. Ronald was educated at a boarding school in Littlehampton, where he discovered he enjoyed acting. When Ronald was 16 his father died of pneumonia, putting an end to the boy's plans to attend Cambridge and become an engineer. He went to work as a shipping clerk at the British Steamship Company. He also became a well-known amateur actor and was a member of the West Middlesex Dramatic Society (1908-1909). In 1909, he joined the London Scottish Regiment, a territorial army force, and he was sent to France at the outbreak of World War I. Colman took part in the First Battle of Ypres and was severely wounded at the battle at Messines in Belgium. The shrapnel wounds he took to his legs invalided him out of active service. In May 1915, decorated, discharged and depressed, he returned home with a limp that he would attempt to hide throughout the rest of his acting career. He tried to enter the consular service, but a chance encounter got him a small role in the London play The Maharanee of Arakan (1916). He dropped other plans and concentrated on the theatre. Producers soon noted the young actor with his striking good looks, rich voice and rare dignity, and Colman was rewarded with a succession of increasingly prominent parts. He worked with stage greats Gladys Cooper and Gerald du Maurier. He made extra money appearing in films like the two-reel silent comedy The Live Wire (Cecil Hepworth, 1917). The set was an old house with a negligible budget, and Colman doubled as the leading character and prop man. The film was never released though. Other silent British films were The Snow of the Desert (Walter West, 1919) with Violet Hopson and Stewart Rome, and The Black Spider (William Humphrey, 1920) with Mary Clare. The negatives of all of Colman's early British films have probably been destroyed during the 1941 London Blitz. After a brief courtship, he married actress Thelma Raye in 1919. The marriage was in trouble almost from the beginning. The two separated in 1923 but were not divorced until 1934.
In 1920 Ronald Colman set out for New York in hopes of finding greater fortune there than in war-depressed England. His American film debut was in the tawdry melodrama Handcuffs or Kisses? (George Archainbaud, 1920). He toured with Robert Warwick in 'The Dauntless Three', and subsequently toured with Fay Bainter in 'East is West'. After two years of impoverishment, he was cast in the Broadway hit play 'La Tendresse' (1922). Director Henry King spotted him and cast him as Lillian Gish's leading man in The White Sister (Henry King, 1923), filmed in Italy. The romantic tear-jerker was wildly popular and Colman was quickly proclaimed a new film star. This success led to a contract with prominent independent film producer Samuel Goldwyn, and in the following ten years, he became a very popular silent film star in both romantic and adventure films. Among his most successful films for Goldwyn were The Dark Angel (George Fitzmaurice, 1925) with Hungarian actress Vilma Bánky, Stella Dallas (Henry King, 1926), the Oscar Wilde adaptation Lady Windermere's Fan (Ernst Lubitsch, 1925) and The Winning of Barbara Worth (Henry King, 1926) with Gary Cooper. Colman's dark hair and eyes and his athletic and riding ability led reviewers to describe him as a ‘Valentino type’. He was often cast in similar, exotic roles. The film that cemented this position as a top star was Beau Geste (Herbert Brenon, 1926), Paramount's biggest hit of 1926. It was the rousing tale of three brothers (Colman, Neil Hamilton and Ralph Forbes), who join the Foreign Legion to escape the law. Beau Geste was full of mystery, desert action, intrigue and above all, brotherly loyalty. Colman's gentlemanly courage and quiet strength were showcased to perfection in the role of the oldest brother, Beau. The film is still referred to as possibly the greatest Foreign Legion film ever produced. Towards the end of the silent era, Colman was teamed again with Vilma Bánky under Samuel Goldwyn. The two would make a total of five films together and their popularity rivalled that of Greta Garbo and John Gilbert.
Although Ronald Colman was a huge success in silent films, with the coming of sound, his extraordinarily beautiful speaking voice made him even more important to the film industry. His first major talkie success was in 1930 when he was nominated for the Academy Award for Best Actor for two roles - Condemned (Wesley Ruggles, 1929) with Lily Damita, and Bulldog Drummond (F. Richard Jones, 1929) with Joan Bennett. Thereafter he played a number of sophisticated, noble characters with enormous aplomb such as Clive of India (Richard Boleslawski, 1935) with Colin Clive, but he also swashbuckled expertly when called to do so in films like The Prisoner of Zenda (John Cromwell, 1937) with Madeleine Carroll. A falling out with Goldwyn in 1934 prompted Colman to avoid long-term contracts for the rest of his career. He became one of just a handful of top stars to successfully freelance, picking and choosing his assignments and studios. His notable films included the Charles Dickens adaptation A Tale of Two Cities (Jack Conway, 1935), the poetic classic Lost Horizon (Frank Capra, 1937), and If I Were King (Frank Lloyd, 1938) with Basil Rathbone as vagabond poet Francois Villon. During the war, he made two of his very best films - Talk of the Town (George Stevens, 1942) with Cary Grant and Jean Arthur, and the romantic tearjerker Random Harvest (Mervyn LeRoy, 1942), as an amnesiac victim, co-starring with the luminous Greer Garson. For his role in A Double Life (George Cukor, 1947), an actor playing Othello who comes to identify with the character, he won both the Golden Globe for Best Actor in 1947 and the Best Actor Oscar in 1948. Colman made many guest appearances on The Jack Benny Program on the radio, alongside his second wife, British stage and screen actress Benita Hume. Their comedy work as Benny's next-door neighbours led to their own radio comedy The Halls of Ivy from 1950 to 1952, and then on television from 1954 to 1955. Incidentally, he appeared in films, such as the romantic comedy Champagne for Caesar (Richard Whorf, 1950), and his final film The Story of Mankind (Irwin Allen, 1957) with Hedy Lamarr. Hal Erickson at AllMovie: "a laughably wretched extravaganza from which Colman managed to emerge with his dignity and reputation intact." Ronald Colman died in 1958, aged 67, from a lung infection in Santa Barbara, California. He was survived by Benita Hume, and their daughter Juliet Benita Colman (1944). In 1975, Juliet published the biography 'Ronald Colman: A Very Private Person'.
Sources: Hal Erickson (AllMovie), Jim Beaver (IMDb), Julie Stowe (The Ronald Colman Pages), Encyclopaedia Britannica, Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
the lights are on but nobody's home
and everyone wants to be your friend
and nobody wants to be afraid
and everyone wants to be your friend
and nobody wants to be afraid
until you're walking, walking, walking.
It's 1865 and the telegraph is heading west. George Crane, wanting to keep law and order out of his territory, is out to stop the construction. The engineer on the job is Ken Mason and he is the grandson of Zorro. As Crane sends his men or Indians to stop the work, Mason repeatedly puts on the Zorro costume and rides to the rescue in this 12-chapter serial.
Clayton Moore
September 14th, 1914 — December 28th, 1999
Clayton Moore, though best remembered today as television’s Lone Ranger, had a lengthy and distinguished career in serials. Moore was a physically ideal serial lead, but his greatest strengths were his dramatic, quietly intense speaking voice and expressive face. These gifts helped Moore to convey a sincerity that could make the most unbelievable dialogue or situations seem real. The bulk of Moore’s cliffhanger work was done after World War 2, when serials’ shrinking budgets cut back on original action scenes and made the presence of skilled leading players more important than in the serial’s golden age. Moore, with his sincerity and acting skill, was just the type of actor the post-war serials needed.
Clayton Moore was born Jack Carlton Moore in Chicago. He began to train for a career as a circus acrobat at the age of eight, and joined a trapeze act called the Flying Behrs after finishing high school; as a member of the Behrs, Moore would perform for two circuses and at the 1934 World’s Fair. An injury to his left leg around 1935 forced him out of the aerialist business, and after working briefly as a male model in New York he moved to Hollywood in 1937, beginning his film career as a stuntman. He played numerous bit roles in addition to his stunt work for the next three years, among them a miniscule part in his first serial, Zorro’s Fighting Legion (Republic, 1939), as one of the members of the titular group. Edward Small, an independent producer allied with United Artists, cast Moore in his first credited parts in a pair of 1940 films, Kit Carson and The Son of Monte Cristo. The former featured Moore as a heroic young pioneer, the latter as an army officer aiding masked avenger Louis Hayward. Following these two films, Moore began to get credited speaking parts in other pictures. In 1941 he played the romantic lead in Tuxedo Junction, one of Republic Pictures’ “Weaver Brothers and Elviry” comedies, and the next year the studio signed him for his first starring serial, Perils of Nyoka (Republic, 1942).
Perils of Nyoka (Republic, 1942) was a vehicle for Republic’s new “Serial Queen,” Kay Aldridge, who played Nyoka Gordon, a girl seeking her missing scientist father in the deserts of North Africa. Moore was the heroic Dr. Larry Grayson, a member of an expedition searching for the “Tablets of Hippocrates,” an ancient list of medical cures sought by Nyoka’s father before he disappeared. Nyoka joined forces with Grayson and his expedition to locate Professor Gordon and the tablets–and to battle Arab ruler Vultura (Lorna Gray) and her band of desert cutthroats, who were after the Tablets and the treasure hidden with them. Perils of Nyoka was a highly exciting serial, with consistently imaginative and varied action sequences, and colorful characters and locales. Although Moore took second billing to Aldridge, his character received as much screen time as hers and his performance was a major part of the serial’s success. Moore, with his intense sincerity, made his nearly superhuman physician character believable; the audience never felt like questioning Dr. Grayson’s ability to perform emergency brain surgery on Nyoka’s amnesiac father in a desert cave, or his amazing powers of riding, wall-scaling, marksmanship, and sword-fighting, far beyond those of the average medical school graduate.
Moore went into the army in 1942, almost immediately after the release of Perils of Nyoka. He served throughout World War Two, and didn’t resume his film career until 1946, when he returned to Republic Pictures to appear in The Crimson Ghost. The impact of his starring turn in Perils of Nyoka was diminished by his long hiatus, and he found himself playing a supporting role in this new serial. He was cast as Ashe, the chief henchman of the mysterious Crimson Ghost, and aided that villain in his attempts to steal a counter-atomic weapon called a “Cyclotrode.” Ashe was ultimately brought to justice, along with his nefarious master, by stars Charles Quigley and Linda Stirling. The Crimson Ghost showed that Moore could play intensely mean villains as well as intensely courageous heroes. His sneering, bullying Ashe came off as thoroughly unpleasant, as he stalked through the serial doing his best to kill off hero and heroine.
Moore returned to heroic parts in his next cliffhanger, Jesse James Rides Again (Republic, 1947). The serial’s plot had Jesse, retired from outlawry, forced to go on the run because of new crimes committed in his name. Jesse and his pal Steve (John Compton) wound up in Tennessee, where, under the alias of “Mr. Howard,” Jesse came to the aid of a group of farmers victimized by an outlaw gang called the Black Raiders. The Raiders, secretly bossed by local businessman Jim Clark (Tristram Coffin), were after oil reserves beneath the local farmland, but Mr. Howard ultimately outgunned them. James’ own identity was exposed in the process, but he was allowed to escape arrest by a sympathetic marshal. Jesse James Rides Again was Republic’s best post-war Western serial, thanks in part to the unusual plot device of an ex-badman hero. Moore was able to give Jesse James a dangerous edge that most other serial leads couldn’t have pulled off; his cold, steely-eyed glare when gunning down villains seemed very much in keeping with dialogue references to Jesse’s outlaw past.
G-Men Never Forget (Republic, 1947), Moore’s next serial, cast him as Ted O’Hara, an FBI agent battling a racketeer boss named Vic Murkland (Roy Barcroft). O’Hara broke up various protection rackets organized by Murkland, but his efforts were hampered by Murkland’s impersonation of a kidnaped police commissioner (also played by Barcroft). G-Men Never Forget possessed a tough and realistic atmosphere not typical of gang-busting serials, and Moore delivered a grimly determined performance well-fitted to the serial’s mood. Moore’s acting, good supporting performances, skilled direction, and a well-written script made G-Men Never Forget a superior serial, one that could hold its own against earlier gang-busting chapterplays like the Dick Tracy outings.
Moore’s next serial was Adventures of Frank and Jesse James (Republic, 1948), in which he reprised his Jesse James role. Joined this time by Steve Darrell as Frank James, Moore tried to help a former gang member named John Powell (Stanley Andrews) develop a silver mine. Part of the mine’s proceeds were to be used to pay back victims of James Gang robberies, but the plan was derailed by a crooked mining engineer (John Crawford), who discovered the mine contained gold instead of silver and murdered Powell to keep this find secret. Crawford then used every trick in the book to keep Moore, Darrell, and Noel Neill (as Powell’s daughter) from developing the mine, but the James Boys unmasked his treachery by the end. Frank and Jesse James drew heavily on stock footage and plot elements from Republic’s earlier Adventures of Red Ryder, and was thus more predictable than its predecessor, but it was still an entertaining and well-made serial. Moore again made Jesse seem both sympathetic and (when fighting the bad guys) somewhat frightening.
By now, Moore was established as Republic’s premiere serial hero; however, his next cliffhanger would lead to his departure from the studio and change the course of his career. The last in a long line of Republic Zorro serials, Ghost of Zorro (1949) starred Moore as Ken Mason, the original Zorro’s grandson, who donned his ancestor’s mask to help a telegraph company establish a line in the wild West in the face of outlaw sabotage. Like Adventures of Frank and Jesse James, the serial was somewhat derivative of earlier outings (particularly Son of Zorro), but smoothly and professionally done. Moore delivered another strong performance, but for some odd reason Republic chose to have his voice dubbed by another actor in scenes where he was masked as Zorro. This strange production decision did not diminish Moore’s potential as a masked hero in the eyes of a group of television producers who were trying to find an actor to play the Lone Ranger on a soon-to-be-launched TV show; Moore’s turn in Ghost of Zorro landed him the part. Moore debuted as the Ranger in 1949, and played the part for two seasons on TV. During this period, he did make one apparent serial appearance in Flying Disc Man From Mars (Republic, 1950), but all his footage actually came from The Crimson Ghost.
In 1952, Moore was dropped from The Lone Ranger without any explanation from the producers, who apparently feared that Moore was becoming too identified as the Lone Ranger, and that he might become so sure of his position that he’d ask for a bigger salary. John Hart replaced Moore as the Ranger for the show’s third season, and Moore returned to freelance acting. He played numerous small roles in feature films, made multiple guest appearances (usually as a heavy) on TV shows like Range Rider and The Gene Autry Show, and also found time to make four more serials.
The first of these was Radar Men from the Moon (Republic, 1952), which featured Moore as a gangster named Graber, who was working with lunar invaders to bring the Earth under the dominion of Retik, Emperor of the Moon (Roy Barcroft). Scientist “Commando” Cody (George Wallace) opposed the planned conquest with the aid of his flying rocket suit and other handy gadgets. Moore met a fiery demise when his car plummeted off a cliff in the last chapter, and Retik came to a similarly sticky end shortly thereafter. Moore’s characterization in Radar Men from the Moon was reminiscent of his performance as “Ashe;” once again he performed deeds of villainy with swaggering relish.
Moore’s next serial, Columbia’s Son of Geronimo (1952), was his first non-Republic cliffhanger. He returned to playing a hero in this outing, an undercover cavalry officer named Jim Scott out to quell an Indian uprising led by Rodd Redwing as Porico, son of Geronimo. The uprising was being encouraged by outlaws John Crawford and Marshall Reed to serve their own ends, and Scott and Porico ultimately joined forces to defeat them. Son of Geronimo remains one of the few popular late Columbia serials, due to its strong and unusually violent action scenes and the forceful performances of Moore and his co-stars, particularly Reed and Redwing.
Moore’s last Republic serial was Jungle Drums of Africa (1952), in which he played Alan King, an American mining engineer developing a valuable uranium deposit in the African jungles. Moore was assisted by lady doctor Phyllis Coates and fellow engineer Johnny Sands and opposed by a group of Communist spies (Henry Rowland, John Cason) and their witch-doctor accomplice (Roy Glenn). While Drums drew extensively on stock shots of African animals to augment its jungle atmosphere, it relied to an unusually large extent on original footage for its action scenes and chapter endings, and the result was a modestly-budgeted but enjoyable serial that served as a good finish to Moore’s career at Republic.
Gunfighters of the Northwest (Columbia, 1953), Moore’s final serial, cast him as the second lead, a Mountie named Bram Nevin who backed up RCMP Sergeant Jock Mahoney. Moore, in his first and only “sidekick” role, played well off Mahoney; while the latter’s character was the focus of the serial’s action, Moore’s role was really more that of co-hero than of a traditional sidekick. The serial pitted the two leads against the “White Horse Rebels,” a gang of outlaws trying to overthrow the Canadian government. Though thinly-plotted, Gunfighters, with its nice location photography and good acting, was the last really interesting Columbia serial; it was also Moore’s last serial. In 1954, he returned to the Lone Ranger series, its producers having been forced to realize that Moore was firmly established as the Ranger and that audiences wouldn’t warm up to his substitute John Hart. The fourth and fifth seasons of the show featured Moore in his familiar place as the “daring and resourceful masked rider of the plains.”
After the Lone Ranger series ended in 1956, Moore reprised the role in two big-screen movies and then retired from acting. He remained in the public view, however, making personal appearances throughout the country in his Lone Ranger garb. Publicly and privately, he upheld the ideals that the Lone Ranger–and his serial heroes–had upheld on the screen: courage, charity, and a sense of justice. In 1979, he was barred by court order from making personal appearances as the Lone Ranger because the property’s owners worried that Moore’s close identification with the character would undercut a new Lone Ranger film. Moore nevertheless maintained his status as the “real” Lone Ranger in the eyes of fans, and, after the failure of the new Ranger feature, he was allowed to resume his mask in 1984. Moore died in Los Angeles in 1999, leaving behind several generations of fans that honored him not only for his TV persona, but for the kindess that characterized the off-screen man behind the mask.
Part of Clayton Moore’s success as the Lone Ranger was due to his respectful attitude towards the character. While some actors would have had a hard time taking a masked cowboy from a children’s radio show seriously, Moore’s performance was as heartfelt as if he had been playing a Shakespearian role; he gave the part all the benefit of his considerable acting talent. Moore played his cliffhanger roles, heroic and villainous, with the same respect and the same wholeheartedness. It’s no wonder that serial fans hold him in the same high regard that the Lone Ranger’s fans do.
Mortal Recoil: Total Recall – The Life of Meaning in the Carnal Nation ~
If you are an immortal being living through a succession of mortal lifetimes, why can’t you remember your past? If we’re all in control of our own destinies, how and why have we decided to forget?
Where do you go when you’re asleep? How do you ‘go to sleep’? Are you the same person when you wake up? Can you remember who you were yesterday? How much of your own childhood do you remember? How much of last month – last year?
Have you ever experienced anything you wanted to forget? Have you ever wished you could start your life all over – with a blank slate?
If I want to remember my previous lives, I must explore memory itself to pass through the waters of forgetfulness and reach the dawn of illumination. I must expand and refine my recollections of this life, sorting truth from accretion and memory from fantasy. I must divine for truth as a dowser divines for hidden water or minerals.
I must learn how to tell truth from falsehood, illusion and self-delusion – and continually practice this art, by being my harshest critic and taskmaster and my most compassionate mentor and friend. I must develop a very sensitive bullshit detector and an expansive sense of empathy for the blind sleepwalkers all around me.
I can’t expect the world to make much impression on me if I’m living a half-waking dream all my life – if the reality revealed by my senses is always passing me by, drowned out by the incessant commentary always running through my mind. I have to be certain I’m awake to know I’m not dreaming a vivid fantasy.
I have to be here now if I want to actually experience my life. I have to be mindful of what’s really happening inside me and all around me. To do that, I have to stop my thoughts, or alternately separate my self from the eternal chatter of the surface veneer of my identity – the acculturated monkey mind and emotions that have grown with me since I was swimming in my mother’s womb.
I have to find a deeper wellspring within, beyond the unending entertainments that distract me from life itself. I have to silence the chatter or remove myself from its internal influence, by locating my self in the centre of the eternal cyclone of thought and emotion.
I have to know who it is who goes to sleep and wakes up every night and every day.
I have to know the true meaning of the word ‘meditation’, which has nothing whatever to do with thinking. I have to find out who it is that’s doing all the thinking – or being distracted by it!
I have to open my mind to all the things that the purblind natives of this dawning New Millennium deny and exclude from their blinkered tunneled visions – the realities filtered out by hidebound neo-feudal cultures that stubbornly refuse to observe anomalies, discrepancies and outright disproof of their common beliefs and quaint ‘scientific’ notions.
If I want to have a life I have to walk away from the screen when I finish reading this and explore reality – if my memory span extends that far!
If I am not the sum of my thoughts, beliefs, habits and culture, then what am I? What is within me that survives to carry on?
Am I a projection into this four dimensional TimeSpace, a partial expression of an expanded being, who simultaneously dwells throughout many other dimensions as well? Am I part of something and someone that dwells in all the hyperspaces and parallel continua that we know exist (in implicate, interconnected conjunction with the reality we can see, hear, feel, smell and taste with our terrestrial time-bound senses), from the observations of physics and the realities implicit in geometry? And from the subtle magic of synchronicity and coincidence…
When you realise your mind isn’t yours and your consciousness isn’t confined to the cave of your skull, it’s easy to see how an apparently finite, mortal, death-bound being could in fact be a virtual extension of something else entirely. You can access all these realms and dimensions by expanding y/our consciousness. And paradoxically, this is facilitated by concentrating on the smallest things – or nothing at all.
Staying alive and aware is a continual weaning process. Potty training only ends in infancy in primitive societies full of throwaway people with short lives and attention spans, whose purpose is simply to maintain a dreaming gene-pool. Gaining complete control of your breathing, digestive system, heartbeat, brain activity, fertility and all other physical parameters is well within the capabilities of most children. It’s the way out of the matrix.
Almost all those who could have taught us how to escape the prisons of our cultures by exploring our own nature were burned at the stake or stoned to death by our superstitious grandparents or forebears – but the techniques are implicit in the forms and functions of our bodies; a true seeker will always find a way, and will be helped along by the indivisible invisible hands of those who’ve preceded you, if your mind and heart are in the right place. In a universe where memory is truly ineradicable, lost techniques and memories can be recovered and resurrected.
In our primitive superstition-ridden cultures of the early New Millennium – in which people are automatically taught to be suspicious and afraid of their own bodies and sexuality – most humans don’t even know where their physical organs are located after a decade of ‘education’. How can we expect to have any idea of what we are when we’re encouraged not to look at (or touch) our selves or each other? How can we find our true nature (or even nature itself) if we allow ourselves to be continually distracted by bullshit and melodrama? Will we find ourselves in a sitcom or ‘reality’ show? Do clothes make the woman? How’s the attention span going?
If you want to be cleansed of unpleasant memories or the pitiful painful results of an unexamined life and self-destructive lifestyle, an easy way is to cut off all your sensory inputs. You can do this by staying in a sensory deprivation chamber, by taking opiates, by going to sleep or by dying. If you remain in a sensory deprivation chamber for a couple of weeks your mind will be washed clean – unless you’re particularly adept at meditation – and a womb makes an excellent sensory deprivation chamber, washing you in the warm waters of forgetfulness for months.
Some philosophers suggest that if people knew they were immortal, we’d all automatically be aware of the laws of karma and dharma and practice the Golden Rule. But immortality is no impediment to free will. We all have many of the same motivations to be creative, honourable and compassionate or cruel, uncaring and destructive, whether we have a small single life or a big multiplex one. Regardless of whether you’re immortal or not, the same ethical questions apply; and either way, you can’t leave yourself behind and wherever you go, there you are, for as long as you are you. It’s an excellent motivation for changing the things in yourself you aren’t comfortable with – and a terrible lesson for would-be suicides.
In the folklore of forgetfulness, the amnesiac is compelled to relive aspects of the events they have forgotten; he who forgets the lessons of his story is condemned to repeat them. Until full waking memory relinks the past with the future, the amnesiac is trapped in a cycle of repetition – and hell is often defined as repetition.
Yet immortality provides a wider and deeper perspective into the connectedness of all things and beings, and this does make a fundamental difference to our beliefs, motives and actions. In the absolute centre of the cyclone, I am you, and we are Divine.
Who are you again? Are you distracted yet? What’s that over there?
Your parents and grandparents were happy and satisfied to be lied to and cheated by those who still get away with stealing the wealth and knowledge of the Earth (and everywhere else) for themselves – are you?
Turn on. Tune in. Opt OUT! Find like-minded friends and work with them to free the world and free our Mind…
@ hermetic.blog.com/2008/03/4/ by R. Ayana
EMERALD GREEN MANDALA AVATAR RAINBOW AURA PROTECTION PRESERVATION RESURRECTION REFLECTION GUARDIAN DRAGON SPIRIT WATER TEMPLE TOWER LIBRARY CASTLE MEMORY PALACE CITADEL SANCTUARY TREEOFLIFE STAIRWAYTOHEAVEN RAINBOWBRIDGE STARCASTLE HEAVENISAPLACEONEARTH RAINBOWINTHEDARK OVERTHEHILLSANDFARAWAY RAMBLEON THANKYOU 1000YEARS GODLOVESAMERICA EVERYTHINGINITSRIGHTPLACE PYRAMIDSONG WHENIGROWUP IFIHADAHEART KEEPTHESTREETSEMPTY INTRO OUTRO MIDNIGHTCITY SPIRALWIZARDTOWER NOVACITY RAINBOWTOWER MYSTICMEMORY CROSSROADSINN IMAGINATIONSTATION LABYRINTH LEGEND +++++ #TREEOFLIFE #STAIRWAYTOHEAVEN #RAINBOWBRIDGE #RAINBOWMAGIC #HEALING #TEMPLE #TOWER #LIBRARY #CASTLE #PALACE #LABYRINTH #STAIRWAY #WATERFALL #ISLAND #CONTINENT #FANTASY #SURREAL #PSYCHEDELIC #FLOWER #LIFE #HEAVEN #AURA #BUTTERFLY #CAT #TURTLE #EARTH #WATER #FIRE #AIR #SPIRIT #ELEMENTAL #BALANCE #CENTER #MANDALA #GEOMETRIC #ORDER #CREATION #DREAM #RIVER #LIGHT #SAPPHIRE #EMERALD #AMETHYST #GOLDEN #SILVER #SUN #MOON #STAR #NOSTALGIA #IMAGINATION #MUSIC #STATION #BRIDGE #TREE #SPIRAL #INNBETWEENWORLDS #BLUEMANDALA #LUCK #DRAGON #COSMIC #CONSCIOUSNESS #LUCID #ASTRAL #MEMORY #GATEWAY #NEXUS #FADEINTOYOU #OLDANDWISE #CHIMESOFFREEDOM #BEAUTYANDTHEBEAST #HOLYMOUNTAIN #RITUAL #MOUNTAIN #WAITINGFORTHEMIRACLE #DEMOCRACY #HALLELUJAH #DREAMDREAM #BANDONTHERUN #LIGHTINTHEBLACK #INVISIBLE #RAINBOWINTHEDARK #NOQUARTER #OVERTHEHILLSANDFARAWAY #TANGERINE #TYGER #SMILE #STARCASTLE #LADYOFTHELAKE #ARTHUR #MERLIN #GUINNEVERE #MYTHSANDLEGENDSOFKINGARTHUR #APRILSKIES #RESCUE #SACREDSONGS #1983AMERMANISHOULDTURNTOBE #LINDENARDENSTOLETHEHIGHLIGHTS #WEEPINGWALL #TRIPTHROUGHYOURWIRES #VIRGINIAPLAIN #THANKYOU #YOUMAKEMYDREAMSCOMETRUE #INTROSWEETJANELIVE #ASISATSADLYBYHERSIDE #VISIONSOFJOHANNA #OTHERSIDEOFTHEWORLD #CANWESTILLBEFRIENDS #FLYLIKEANEAGLE #IWEARYOURRING #BEMYWIFE #PRETTYINPINK #EDITIONSOFYOU #DOTHESTRAND #LAKESHOREDRIVE #FULLMOONINMYPOCKET #HERESTOTHESTATE #PICTURESOFYOU #DISINTEGRATION #PLAINSONG #TOMORROWISALONGTIME #NOMORE #TAKEACHANCEWITHME #PATIENCE #IWANNABEYOURLOVER #BLUEMONDAY #GUARANTEED #DANCEAWAY #GIMMESHELTER #FORWHAITSWORTH #HERITAGESURVIVAL #CANYOUPLEASECRAWLOUTYOURWINDOW #PERFECTDAY #MAINTHING #SOCIETY #CANTYOUHEARMEKNOCKING #FARBEHIND #THIEVESLIKEUS #OOHLALA #UP #SOUTHERNNIGHTS #LOOKINGFORLOVE #DANCINGINTHEDARK #RAINFOREST #REMAKEREMODEL #TONIGHTWILLBEFINE #HUMALLAHHUM #THISMUSTBETHEPLACE #DIGNIFIEDANDOLD #SHIPSONG #FARFROMME #REDCAVE #NOMORETEARS #WITHOUTTEARS #EARTHMAGIC #CRYLITTLESISTER #PEOPLEARESTRANGE #BLUEROOM #CITYOFDREAMS #SAXANDVIOLINS #NOTHINGBUTFLOWERS #ROADTONOWHERE #LIVEMILES #TANGRAM #WAITFORTHESUMMER #PROMISEOFWATER #BIRD #SPEEDOFLIFE #TOWERSONG #TOWEROFSONG #SONGOFSOPHIA #LOVEISTHEDRUG #JANITOROFLUNACY #CADENCEANDCASCADE #UPTOME #2080 #KOSINSKI #SPRAWLII #WAKEUP #REBELLION #NEIGHBORHOOD #WEUSEDTOWAIT #WITHINYOU #LOOKBACKINANGER #LETTHEREBELIGHT #ASCENSION #LAMENTFORATLANTIS #ATLANTIS #DARKSTAR #SUNJAMMER #CLEARLIGHT #INDULCEJUBILO #RAINBOW #VINYL #RECORD #STORE #GOINGTOCALIFORNIA #LOVESONG #PRAYERSFORRAIN #OMMADAWN #GLORIA #GOVINDA #SHIVA #JOURNEY #UNICORN #MAGICDANCE #TIMEWILLCRAWL #LOVINGTHEALIEN #FLYT #SONGTOTHESIREN #JOKERMAN #DESIRE #YOUREGONNAMAKEMELONESOMEWHENYOUGO #THERESHEGOESMYBEAUTIFULWORLD #BREATHLESS #FORWHATITSWORTH #WHENDOVESCRY #PURPLERAIN #FOOLONTHEHILL #HELLOGOODBYE #CARRYME #HERECOMESTHESUN #WALKINGONSUNSHINE #WHENWILLYOUCOMEHOME #LETSDANCE #MAGIC #PROTECTION #PRESERVATION #RESURRECTION #REVIVAL #CURE #MEDICINE #WATERSPIRIT #BUCKETSOFRAIN #TANGLEDUPINBLUE #GHOSTEEN #HEAVENORLASVEGAS #STATIONRAINBOW #INN #CELESTIAL #CITADEL #SANCTUARY #TO #OF #DREAMS #LOVE #GUARDIAN #PEACE #WIZARD #HEART #WWWMUSIC1978COM #CLOVER @#THERHYTHMSECTION78 @#MOUNTAINMALL @#VISITGATLINBURG #RHYTHMSECTIONGATLINBURG #TN #SMOKYMOUNTAINS #RECORDSTORE #MUSICSTATION #COMESEE #COMEVISIT #MOUNTAINMALL #RAINBOWINN #SPIRALCASTLE #MEMORYPALACE #CELESTIALCITADEL #WATERFALLMOUNTAIN #LAKEISLAND #DREAMWORLD #IMAGINATIONFANTASY #SURREALSYMMETRY #KNOWLEDGEWISDOM #ENERGYPROTECTION #AURALIVING #TECHNOLOGYMAGIC #DEFENSEDRAGON #TURTLEPEOPLE #BUILDINGFUTURE #CITYGIANT #HOMELIGHT #LUCKDRAGON #MOTH #SNAKE #CHILDRENOFTHESUN #STARS #LUCKDRAGONIMAGINATION #STATIONCREATIONLIBRARY #SPIRALTOWERRAINBOW #GUARDIANSPIRITMOTH #SNAKECATTURTLE #DRAGONPEOPLE #WORLDLUCK #CITYOFLIGHTGIANT #RIVEROFDREAM #BEESHONEY #MEDICINEHEALING #SNAKECAT #TURTLEDRAGONPEOPLE #CITYOFLIGHTGIANTS #RIVEROFDREAMBEES #HONEYMEDICINE #HEALINGREFLECTION #RUNNINGONEMPTY #CHINAGROVE #SWEETNESSANDLIGHT #ROLLWITHTHECHANGES #SOBER #STATIONTOSTATION #DONTLOOKBACK #HANDOFGOD #SISTERCHRISTIAN #TAKEITONTHERUN #HEATOFTHEMOMENT #ARTDECADE #SAVEASECRETFORTHEMOON #AROUNDTHEWORLD #HARDERBETTERFASTERSTRONGER #HER #ENJOYTHESILENCE #AVATAR #GREEN #EVOLUTION #CHANGE #GROWTH #FAERY #LIVING #BLUE #FOREST #UFO #MOEBIUS #IWANTTOKNOWWHATLOVEIS #TOTALECLIPSEOFTHEHEART #BETTEDAVISEYES #IDONTBELIEVEYOU #HEAVENISAPLACEONEARTH #RUBYCON #HYPERBOREA #LILYPOND #OURHOUSE #WALKLIKEANEGYPTIAN #DUSTINTHEWIND #IWASNEVERYOUNG #KIDSINAMERIA #RELAX #CRUELSUMMER #DANCEHALLDAYS #1999 #REFUGEE #VOODOOCHILD #YOUMAYBERIGHT #SEEYOUONTHEOTHERSIDE #CRAZYTRAIN #MRCROWLEY #LILY #YOUREABIGGIRLNOW #HOUNDSOFLOVE #DONTBLAMEME #PRIMETIMEOFYOURLIFE #BRAINWASHER #KOKOMO #TALKTALK #JANESAYS #REMOTEVIEWING #SONGOFTHEWHALE #SPHINXLIGHTNING #SCUBASCUBA #TRUTHANDFICTION #SUPERNATURALACCOMPLICE #SPEED #SILVERSEAL #ABRACADABRA #ADDICTEDTOLOVE #WEDIDNTSTARTTHEFIRE #KINGOFPAIN #INVISIBLESUN #DOITAGAIN #LONGTRAINRUNNIN #OVERTHEMOUNTAIN #RUNNINGUPTHATHILL #SCHISM #HEROES #SWAMPTHING #DONTANSWERME #EYEINTHESKY #DIRTYWORK #BROKENWINGS #FASHION #CHANGESIV #CARRYON #COMEINTOMYSLEEP #OCHILDREN #17DAYS #ISTILLHAVENTFOUNDWHATIMLOOKINGFOR #LETSGOCRAZY #TWOHEARTSBEATASONE #CHERRYCOLOUREDFUNK #SUGARFORTHEPILL #ITSMYLIFE #STARINGATTHESUN #LOVEREIGNOERME #ALLALONGTHEWATCHTOWER #SUNFOREST #DANCINGINTHESTREET #PITCHTHEBABY #SUNDAYBLOODYSUNDAY #HEARTOFGOLD #MUSHROOM #PALCECLOUDEDWHITE #GOODBYEHORSES #MAYONAISE #IDIOTPRAYER #SOON #ASHESTOASHES #WHENYOUSLEEP #GAMESWITHOUTFRONTIERS #REBELREBEL #ONEILOVE #MASTERSOFWAR #BARRACUDA #PALESHELTER #EVERYBODYWANTSTORULETHEWORLD #DONTCHANGE #SUICIDEBLONDE #NEEDYOUTONIGHT #NEVERTEARUSAPART #TELEVISIONRULESTHENATION #CRESCENDOLLS #MIDNIGHTCITY #IWANTYOU #LEVIATHAN #DEARGOD #NOCEILING #GIVENTOFLY #ANASTASIS #GALLEONSHIP #WATERSEDGE #BOOKOFLOVE #KILLINGMOON #LIPSLIKESUGAR #DUNE #MOONBOAT #PROPHECY #ONE #TOOLONG #STEAMMACHINE #LOVEWILLTEARUSAPART #NATUREBOY #ALLMYLITTLEWORDS #WAITINGFORYOU #HOLLYWOOD #AREYOUTHEONETHATIVEBEENWAITINGFOR #ONETHATIVEBEENWAITINGFOR #LIMETREEARBOUR #BROMPTONORATORY #WITHORWITHOUTYOU #TVC15 #WILDWORLD #DREAMER #MODERNLOVE #GIVEALITTLEBIT #CATPEOPLE #YOUMAKELOVINGFUN #WHATISLIFE #SWEETESTTHING #JOETHELION #RASPBERRYBERET #WHERETHESTREETSHAVENONAME #WALKINGONTHEMOON #UNDERPRESSURE #KINGDOMCOME #JUSTLIKEHEAVEN #TAKEMYBREATHAWAY #FOREVERYOUNG #MORETHANTHIS #ANGELEYES #YOUANGELYOU #BRASSINPOCKET #MESSAGETOLOVE #ACEOFWANDS #KILLER #REFUGEES #BOATOFAMILLIONYEARS #HEARTOFTHESUNRISE #YOUNGAMERICANS #HOCUSPOCUS #RIDEONTHERAY #LOCOMOTIVEBREATH #WANTEDMAN #PUMPITUP #CARNIVALOFLIGHT #STEVEMCQUEEN #CHILDRENOFTHEREVOLUTION #MIRAGE #SUNNYAFTERNOON #INTHEEYESOFNATURE #SAVED #GODLOVESAMERICA #GOLDENYEARS #JUMPTHEYSAY #DAYINDAYOUT #SWEETEMOTION #EVERYGRAINOFSAND #CLOSERTOTHEHEART #SUPERNATURALLY #FOREPLAYLONGTIME #WHIPPINGPOST #MELISSA #JESSICA #TALESOFBRAVEULYSSES #HEAVENISINYOURMIND #CANTFINDMYWAYHOME #HADTOCRYTODAY #BLOODYWELLRIGHT #MOONLIGHTSHADOW #IVESEENALLGOODPEOPLE #BARGAIN #INTHEBACKROOM #ONEWORD #SMOKIN #SIMPLETWISTOFFATE #COMESAILAWAY #SHAMBALA #FLYBYNIGHT #LAWOMAN #ONETREEHILL #CHINAGIRL #SEEKER #EMINENCEFRONT #COMESATIME #WINDONWATER #WINDONWIND #WHEELINTHESKY #HIGHERLOVE #INVISIBLETOUCH #INCANTATIONS #KISS #GETREADYFORLOVE #IWANNADANCEWITHSOMEBODY #FAITH #WAIT #ALLOUTOFLOVE #LADYINRED #RICOCHET #TRUECOLORS #UPTHEHILLBACKWARDS #OHSISTER #MANICMONDAY #IRANSOFARAWAY #OSLOINTHESUMMERTIME #VIDEOKILLEDTHERADIOSTAR #SHEBLINDEDMEWITHSCIENCE #PUTASTRAWUNDERBABY #UNDERICE #OBSESSION #EVERYBODYHAVEFUNTONIGHT #SUNGLASSESATNIGHT #MADWORLD #NOTHINGCOMPARESTOU #SLAVETOLOVE #ANDDREAMOFSHEEP #SOWINGTHESEEDSOFLOVE #NEWSENSATION #TIME #ISAVEDTHEWORLDTODAY #WHENYOUDANCEICANREALLYLOVE #OCEAN #REDSHOES #NOMOREILOVEYOUS #BOYSKEEPSWINGING #HERECOMESTHERAINAGAIN #GOBLINS #YOUSPINMEROUND #SAMEDEEPWATERASYOU #ONANIGHTLIKETHIS #HEARTOFGLASS #BECAUSETHENIGHT #SPIDERANDI #SWEETDREAMS #CRYSTALCLEAR #GROOMSSTILLWAITINGATTHEALTAR #CHANGINGOFTHEGUARDS #EASYMONEY #HARDRAINSAGONNAFALL #ALLTHETIREDHORSES #HUSH #BANGBANG #WORRIEDBLUESHEAVENISAPLACEONEARTH #REFLECTIONSUNFLOWER #SECRETSTARSTATION #WIZARDMOUNTAIN #FORESTVALLEY #GATEWAYTEMPLE #LABYRINTHSCHOOL #STARSPIRAL #LIBRARYOFOLYMPUS #VALHALLAAVALON #VIOLETASTROLOGY #AIRHEAVENLY #SPINNINGAWAY #FOOTSTEPS #NEEDAWOMAN #MOONCHILD #NEVERLETMEDOWN #CIVILWARS #DOLPHINDANCE #PROTECTORGUARDIAN #SPIRITSKY #IMAGINATIONRAINBOW #TOWERCOSMIC #OCEANSEASTARTOWER #AMETHYSTOPAL #EMERALDAVATAR #GREENPROTECTION #EVOLUTIONCHANGE #GROWTHAURA #FAERYCASTLE #MANDALAMAGIC #LIVINGHEART #BLUEWATERUNDERWORLD #NEWANCIENT #LOVEUNDERSTANDING #CONSCIOUSNESSREFUGE #RESTAURANTDREAM #RIVERLIGHT #PEACESHIP #OCEANINN #THEATERCITY #FUTUREWORLD #DOORWAYOFTIME #WINDOWINTIME #NEXUSSPACE #GOLDENSILVERVINYLRECORDS #CDS #BANDSHIRTS #STICKERS #PATCHES #GATLINBURG #GREATSMOKYMTNS #SHIRT #STICKER #SHOP #MAGNETS #BUTTONS #HEAVYMETAL #ROCK #COUNTRY #BLUEGRASS #KPOP #SMOKYMTNS #SMOKYMOUNTAINSTRONG #SMOKY #MOUNTAINS #RECORDS #CLASSIC #NEW #RAP #SOUNDTRACKS #METAL #HEAVY #TREASURETROVE #IMAGINATIONLIBRARY #GREATSMOKYMOUNTAINS #STRONG #BAND #SHIRTS #RHYTHM #SECTION #MTNS #TREASURE #TROVE #COME #VISIT #MALL #GREAT #RIDGE #HAVEN #REFUGE #CITY #GATLINBURGTENNESSEE #TAYLORSWIFT #DAVIDBOWIE #SMASHINGPUMPKINS #GRATEFULDEAD #THERHYTHMSECTION #DOLLYPARTON #SOUL #RADIOHEAD #STICKERSHOP #JOHNNYCASH #MUSICSTORE #MUSICSHOP #YES #VINYLRECORDS #LEDZEPPELIN #ALICEINWONDERLAND #WWWFLICKRCOMPHOTOSMUSIC1978 #WWWRHYTHMSECTIONGATLINBURGCOM #ADVENTURETIME #METALLICA #STURGILLSIMPSON #TOOL #JIMIHENDRIX #BARBIE #ELTONJOHN #NIRVANA #QUEEN #ALICEINCHAINS #TOMPETTY #MOTLEYCRUE #OLIVIARODRIGO #JEFFBUCKLEY #LANADELREY #NINEINCHNAILS #REDHOTCHILIPEPPERS #BLACKSABBATH #MICHAELJACKSON #MFDOOM #THECURE #WUTANGCLAN #GORILLAZ #DEFTONES #TEARSFORFEARS #RAGEAGAINSTTHEMACHINE #GUNSNROSES #M83 #NIGHTMAREBEFORECHRISTMAS #BOBDYLAN #NEONGENESISEVANGELION #KINGCRIMSON #BACKTOTHEFUTURE #NEUTRALMILKHOTEL #ARCTICMONKEYS #TYLERTHECREATOR #DEFLEPPARD #SOUNDGARDEN #MGMT #OZZYOSBOURNE #SLIPKNOT #MYBLOODYVALENTINE #PINKFLOYD #MISFITS #COCTEAUTWINS #ROLLINGSTONES #BEATLES #BEASTIEBOYS #TAMEIMPALA #WEEZER #PRINCE #BEETLEJUICE #STONETEMPLEPILOTS #MACDEMARCO #MACMILLER #IRONMAIDEN #FLEETWOODMAC #MELANIEMARTINEZ #KORN #STRANGERTHINGS #TYPEONEGATIVE #DIO #TYLERCHILDERS #DIRTYDANCING #FOOTLOOSE #GENESISSHIVA #REFLECTION #MIRROR #UNIVERSE #METAVERSE #OMNIVERSE #UNIVERSAL #CROSSROADS #HOLY #PLANETRAINBOWINN #PLANET #ICEBLINKLUCK #PASTISAGROTESQUEANIMAL #TAKEMEHOME #IFIHADAHEART #FORWHOMTHEBELLTOLLS #WHENTHESHIPCOMESINRAINBOW #INNBETWEEN #WORLDS #EARTHWORLD #CENTRAL #DREAMTREE #FRACTAL #STELLAR #INBETWEEN #RAINBOWTOWERLIBRARY #RPRAYERSFORRAINIMAGINATIONMANDALA #STATIONCROSSROADS #CITYOFLIGHT #GUARDIANDRAGON #HALLWAYOF1000DOORWAYS #PEACELOVEUNDERSTANDING #SPIRITOFIMAGINATION #PROTECTIONTOWER #GUARDINGTHEMULTIVERSE #GODOFNATURE #SCIFI #DREAMRIVER #IMAGEREFLECTION #SPIRALLABYRINTH #FIFTHDIMENSIONAL #WINDOWSINTIME #LIFESTATION #BUTTERFLYHEALING #TEARSINRAIN #FAERYFOREST #INVISIBLEUNIVERSITY #MIRROROFWATER #MEMORYBRIDGE #LIVINGMIND #STARSEA #GRACE #MOVING #RECEPTIVITY #SILVERSTAR #REALM #FLOWEROFCONSCIOUSNESS #FLOWEROFLIFE #PAST #ETERNITY #MYTH #BECOMING #HEALTH #INSIGHT #ULTRAMARINE #COMMUNICATION #SYNTHESIS #STUDENT #WRITING #GARDENING #DRAWING #WILDERNESS #OCEANS #JUSTICE #FREEDOM #ENVIRONMENT #SUSTAINABILITY #FIREFLIES #LONGNIGHTS #BRIGHTHORSES #SONGOFTHESTARS #THEWORDFORWORLDISFOREST #ITSNOGAME LT3 LT3<3 #RECORDSTORES #THE #MTNS #MUSIC1978COM #POSTERS #PINS #SMITHS #DOLLY #TENNESSEE #REPRODUCTIONPOSTERS #RECORDSHOPPING #COWBOYBEBOP #SMOKYMTN #ELVISPRESLEY #SLEEPTOKEN #FRANKSINATRA #ACDC #AEROSMITH #ALLMANBROTHERS #THECROW #THEDOORS #EAGLES #FOOFIGHTERS #GENESIS #GHOST #GREENDAY #JOYDIVISION #JUDASPRIEST #LYNYRDSKYNYRD #BOBMARLEY #THESMITHS+MORRISSEY #MOTORHEAD #NIRVANA+KURTCOBAIN #PANTERA #PEARLJAM #PRIMUS #RAGEAGAINSTHEMACHINE #RAMONES #RUSH #SISTERSOFMERCY #BRUCESPRINGSTEEN #SUBLIME #SYSTEMOFADOWN #U2 #VANHALEN #STEVIERAYVAUGHAN #VENOM #WOODSTOCK #ENAMELPINS #LPALBUMS #NATIONALPARK #LOTSOFNEWARRIVALRECORDS+ #RESTOCKS! #NEWARRIVALS #THESMITHS #DAFTPUNK #MITSKI #BADOMENS #PIERCETHEVEIL #ARIANAGRANDE #GATLINBURGTN #LOTS #ARRIVAL #AND +++@#VISITGATLINBURG #GOOD #KEEP #MATRIXWATER #FORYOU #3 #NEILGAIMAN #FIONNAAPPLE #FIVESECONDSOFSUMMER #HOZIER #DEATHGRIPS #GOJIRA #TREX #ELLIOTTSMITH #SUICIDEBOYS #BILLYJOEL #MILESDAVIS #STEVIENICKS #ZACHBRYAN #MIKEOLDFIELD #DEATH #GRIPS #ELLIOTT #SMITH #BILLY #JOEL #MILES #DAVIS #STEVIE #NICKS #SZA #LOSTBOYS #DAZEDANDCONFUSED #NEWORDER #AKIRA #CAGETHEELEPHANT #MORGANWALLEN #TSHIRTSHOP #MARCBOLAN #WHAM #TRIBECALLEDQUEST #GRIMES #PURPLE #RAIN #BOB #DYLAN #TOURISTATTRACTION #MYSTERY #AQUARIUM #NEIL #GAIMAN #UNDERTHEPRESSURE #NOSTALGIANOSTALGIANOSTALGIANOSTALGIAN #THESMITHSMORRISSEY #NIRVANAKURTCOBAIN #SMOKYMTNS #TOURISTDESTINATION #SINCE #1978 #TSHIRTS #CONCERT #REPRODUCTION #ENAMEL #MUCH #MORE #PLEASE #CALL #BETWEEN #10 #AM #2 #PM #EST #8654364342 #FOR #ALL #PRODUCT #AVAILABILITY #SPECIAL #ORDERS #MAIL #REQUESTS #611 #PARKWAY #A3 #37738 #ALBUMS #LPS #TREASUREHUNT #JIMMYBUFFET #ROCKYHORRORPICTURESHOW #VINYLJUNKIE #VINYLCOLLECTION #VINYLCOLLECTOR #VINYLCOMMUNITY #RECORDCOLLECTION #RECORDSFORSALE #COMESEEUS #COMEVISITUS #MUSIC1978 #GOLD #CHANGES #POWEROFSOUL #WEGOTTALIVETOGETHER #STARWARS #OBROTHERWHEREARTTHOU #MANY #IGGYPOP #LIVE #RARE #BESTSELLERS #RELATIVELY #HARD #FIND #JAZZ #THOUSANDS #T #FROM #SIZE #SMALL #2XL #ALSO #HUNDREDS #GRAB #BAGS #JEWELRY #GUITAR #PICKS #CLEARANCE #PICTURE #DISCS #PREMIER #TOURIST #DESTINATION #IN #YOU #CAN #HIKE #A #COUPLE #HOURS #THEN #POSSIBLY #BEST #KNOXVILLE #ASHEVILLE #NC #AREA #NEWVINYLRECORDS #3@THERHYTHMSECTION78 #3@THERHYTHMSECTION78DREAMREALMEXPLORATION #RECORDSRECORDS #NOSTALGIAFOOTLOOSE #LOTSOFNEWARRIVALRECORDS #RESTOCKS #FLEETWOOD #MAC #WAYLONJENNINGS #TREECITY #WATERFALLS #HIKING #SHOPPING #RIVEROFDREAMS #PARK #PSYCHEDELICLANADELREY #SCOTTPILGRIM #ELECTRICMAYHEM #MUPPETS #ELVIS #TOPGUN #RESERVOIRDOGS #COLORPURPLE #SUPERMETROID #NEONGENEISEVANGELION #REXORANGECOUNTY #CHEECHANDCHONG #DOORS #INXS #BABYDRIVER #BOSTON #BRITNEYSPEARS #KINGGIZZARDANDTHELIZARDWIZARD #UTOPIA #TAYLORNATION #TSHIRTS #TSHIRTSTORE #TSHIRTSTORES #IMAGINATIONLIBRARYGOINGTOCALIFORNIA #LT3 #MOVIE #DAVID #BOWIE #LED #ZEPPELIN #PEARL #JAM #IGGY #POP #BLACK #SABBATH #OZZY #OSBOURNE #WAYLON #JENNINGS #JOHNNY #CASH #REX #ORANGE #COUNTY #MOONSMOKYMOUNTAINSEVERYTHING #ITS #RIGHT #PLACE #SISTERS #MERCY #TELEVISION #RULES #NATION #AROUND #WORLD #RAKIM #WHEEL #FORTUNE #ROUND #TABLE #ETERNALFLAME #BIKO #HERECOMESTHEFLOOD #DANCINGWITHTHEMOONLITKNIGHT #SUPPERSREADY #MEMORYISLAND #STATIONGEOMETRIC #DREAMTREEOFLIFE #COSMICCROSSROADS #STCENTRAL #DREAMGEOMETRIC #DREAMRAINBOW #WATERFALLTREEOFLIFE #WWWMUSIC1978COM #TONIGHT #UNDERGROUND #HAPPINESSISEASY #BREAKINGGLASS #DJ #FAME #HANGONTOYOURSELF #HOLDONTOYOUREGO #POLKA #PUNKADIDDLE #CRISES #SHADOWONTHEWALL #WOODHENGE #PUSHTHESKYAWAY #DOMINION #LOGOS #EXIT #FAIRIES #KIEWMISSION #DREAMISALWAYSTHESAME #MOSTOFTHETIME #SEVENDAYS #SLOWTRAIN #IDIOTWIND #PYRAMIDSONG #EVERYTHINGINITSRIGHTPLACE #PLEASEREMEMBERME #LOVEWILLSAVEYOU #GLASSSPIDER #JIGOFLIFE #DRUGS #CREATURESOFLOVE #LIFESWHATYOUMAKEIT #TIMEITSTIME #OVERLOAD #PAPER #LIFEDURINGWARTIME #EDEN #SOUNDANDVISION #SENSEOFDOUBT #NEWCAREERINANEWTOWN #WORDONAWING #STAY #SECRETLIFEOFARABIA #THERHYTHMSECTION78 #VISITGATLINBURG #DEADCANDANCE #WWWFLICKRCOMPHOTOSMUSIC1978 #WWWRHYTHMSECTIONGATLINBURGCOM #M8 #GOLDENSILVER #SAPPHIREDIAMOND #SOULDREAMS #FRACTALCENTERSANCTUM #SKY #GARDEN #CIRCLE #FAIRY #PORTAL #LANDSCAPE #FRACTALS #BODHISATTVA #KINDNESS #DIMENSION #LUCIDITY #ENTRANCE #PAISLEY #LEGEND #FORTRESS #AVALOKITEVARA #ARCANE #HOUSE #MOVIES #SEASCAPE #FLOWERS #COMPASSION #WAYSTATION #MAGICIAN #COSMOS #CONNECTION #ELF #MULTIVERSE #WALL #MYSTIC #LAVENDER #EYES #WINDOW #DOORWAY #VILLAGE #MAP #MULTIVERSAL #IMAGINARY #CRYSTAL #TREASURY #POCKET #NETWORK #INTERDIMENSIONAL #BEAUTY #ELFLAND #PLANE #ELYSIUM #EYE #MIND #RA #STORYTELLING #FAERIE #ALCHEMY #BLOGGER #CREATIVITY #RESTORATION #DREAMING #ANGEL #FLOATING #TAROT #TRANSFORMATION #HAPPINESS #MIRACLE #MEANING #LOCAL #MATRIXWATEROFLIFE #MANDALASTARWILDERNESS #GATEWAYSTATION #MIRACLEOFLIFE #SPACEPYRAMID #WINDOFCHANGE #TIMEWIND #MIRACLEOFLOVELUCK #LEGENDARY #PSYCHEDELICSTYLE #MAGICAL #TIMEWINDMANDALA #THEKEEP #LIFEMATRIX #WATEROFLIFE #STARWILDERNESS #MIRACLEOFLOVE #MIRACLEOFLIGHT #SECRETCOLLEGE #SACREDHEART #WORLDTREE #SACRED #JUSTONEVICTORY #LOVEISTHEANSWER #ONEWORLD #ANGELIC #ASTRALPALACE #MEMORYCASTLE #IMAGINATIONMANDALA #SEAOFSTARS #EYEOFRA #CHAKRA #SPACETIME #SYNTHWAVE #MAGEWAVE #WIND #DOOR #SWANS #HEALINGISAMIRACLE #PSYCHEDELIA #AWESOME #DREAMSCAPES #SKYSCAPE #MULTIPANEL #EGYPTIAN #ASTRALTRAVELER #OPIUMEYES #ROXYMUSIC #PROSPERITY #LEONARDCOHEN #BLONDIE #DANCINGWITHTEARSINMYEYES #ANGELSOFLIGHT #EYEOFHORUS #INTOMYARMS #CATPOWER #FATHERJOHNMISTY #GEOMETRY #INSPIRATIONAL #ALIEN #MADONNA #EMERALDCITY #DIONYSUS #POPLIFE #KING #PRETTYCOOL #LIBRARIANS #MAGNETICFIELDS #CHAKRAS #LASTINLINE #DAWN #WIT #CHANGING #VICTORY #FREEWORLD #SAFETY #MASTERS #ALCHEMYOFTHEHEART #MATTED #DIARYOFAMADMAN #ARRIVALS #PARADISE #SHIPOFFOOLS #GLASSPIDER #LONDON #ELYSIAN #SUNLANDICTWINS #POPDAYS #VANGELIS #MOUNTAINSCAPE #TIEDYES #BMO #RAINBOWS #POWERTOTHEPEOPLE #ALCHEMICALART #PORTALS #CLUSTER #ISYOURLOVESTRONGENOUGH #WHITEEAGLE #SARASWATI #WATCHTOWER #QLAZARUS #FIGURE8 #GOBLINCORE #EXPERIMENTAL #ARTCORE #MEDIA #REALITI #GUARDIANCONSCIOUSNESS #EXPLORATION #GOODVIBESONLY #STARSHINING #SOULSHIP #LIKEAPRAYER #ANGELCORE #CHILDISHGAMBINO #BEGINNINGS #EMERALDGREEN #BLOODYKISSES #UNIVERSITYOFNATURE #YEARS #BENEVOLENCE #MORNING #IMAGINARYSEASCAPE #CREATING #SHINING #ENCHANTING #EMPTINESS #FANTASYFOREST #SANQUENTIN #PAULMCCARTNEY #JOY #KATEBUSH #LEGENDTREE #BEGINNER #BRIGHTCOLORS #CLINTEASTWOOD #SCENES #GRANDEUR #SOLARIZING #CALMING #COSMOLOGICAL #MUSICLOVER #GODDESSOFCOMPASSION #LOVER #HAITI #STAIR #WELLBEING #WHIPLASH #HOT #FIREWOMAN #PATHWAY #DREAMSFRACTAL #MANDALAS #HELPME #STEVEHACKETT #SKELETONTREE #ULTRA #DREAMY #JEREMY #CATHEDRAL #SOMEONESGOTAHOLDOFMYHEART #CALIFORNIADREAMING #MANUSCRIPT #MYTHPUNK #TOUR #CONSIDER #TOWARDTHEWITHIN #ELIZABETHFRASER #STAIRS #BLONDEONBLONDE #GLORIOUS #SQUARE #OTHERWORLDLY #CONCERTREPRODUCTION #TOUCHIT #TEMPLEBLUE #ROCKNROLLSTORE #HIEROGLYPHICS #DREAMWAVE #WONDER #SHAKTI #NEONGENESIS #DIMENSIONAL #INSPIRATION #CHROMATICART #CROSS #DIAMONDDIARY #GEORGEHARRISON #LIBRARIAN #COUNTRYMUSIC #DREAMLIKE #STILLIMSAD #LUSHMOTIFS #SHAMBHALLA #INTRICATEDETAIL #APPALACHIAN #FLAME #ELECTRICLIGHTORCHESTRA #MUSICLOVERS #SPRING #LOUREED #BALANCED #LORELEI #GLASSSPIDERLIVE #JIMMYBUFFETT #LEVITATION #HIDDENGEM #SORCERER #ACEOFSPADES #SPACECORE #SUNDAY #ULTRABLUE #PLATINUM #IMPORTS #MYTHICAL #POSITIVITY #AURAOFPROTECTION #SUNDRY #STARSCAPE #LUCIDDREAMING #MASKSOFDREAM #STARFLOWER #BOXOFRAIN #ASTRALCASTLE #OMNIVERSITY #MEDITATION #BERYL #BEACHHOUSE #CLUTCH #TERRAPINSTATION #OCTOBERRUST #LABYRINTHGARDENS #UNIVERSITY #RHYTHMSECTION #CITIES #SEASON #PINKFLOYDLIVE #PRIESTESS #AI #TRIANGLE #IMAGE #FLORAL #GOBLINBATTLE #FAIRIE #OBSERVATION #VIRGO #HUMOR #INTIME #BLISS #FIELDS #PRECURSOR #ELECTRIC #SPECIALAVAILABILITY #LEVITATING #MANDALACORE #PERSERVATION #CONCERTPOSTERS #PSYCHEDELICA #PROTECTIONLIFE #SPIRITUAL #ANIMALCOLLECTIVE #ALLMANBROTHERSBAND #MANDALAJUNG #BRINGINGITALLBACKHOME #MAGICMOUNTAIN #IROBOT #ELFLEGEND #AWAKENING #LOVELETTER #REFLECTING #TOWN #RAINBOWRISING #BEING #GROUNDS #ARMYDARKNESS #NEWANDOLD #ARCHITECTURE #LOVEOFLIFE #LETITBE #JOHNCALE #GOODVIBES #BEAUTIFUL #AFTERFOREVER #INYOUREYES #GOD #SEAPUNK #SPACEWAVE #TRUTH #RAINBOWCASTLE #ASIA #ASTRALPLANE #DARYLLHALL #RAINBOWSILVER #PHENOMENOLOGICAL #EVANGELINE #FEAROFMUSIC #SO #CREEDENCE #MULTIVERSITY #AMETHYS #GIANT #BEES #HONEY #SECRET #STARSTATION #LAKE #SYMMETRY #KNOWLEDGE #WISDOM #ENERGY #TECHNOLOGY #DEFENSE #PEOPLE #BUILDING #FUTURE #HOME #IMAGINATIONSTATION #CREATIONLIBRARY #SPIRALTOWER #RAINBOWGUARDIAN #SPIRITMOTH #MOUNTAINSARECALLING #SMOKYMOUNTAINSNATIONALPARK #NATIONAL #86546442 #778 #STICKERSTORE #STICKERSTORES #SHIRTSTORE #SHIRTSTORES #MUSICSTORES #MUSIC1978COM #2XL #THERHYTHMSECTION78DREAMREALMEXPLORATION #SHIRTNEW #SMOKYMOUNTAINSRECORDS #DEEPPURPLE #GOODMUSIC #SUNRISE #GABRIEL #ANCIENTFUTURE #GATEWAYS #SUPPORTSMALLBUSINESS #MORRIS #CATCORE #LANADELRAY #BLUEGREEN #OKCOMPUTER #REVOLUTION #ROCKBANDS #CITADELSUNFLOWER #SCOOBYDOO #INSTAGRAM #MINDSCAPES #EDWARDSCISSORHANDS #FUNNY #CONSTELLATIONS #MURALS #FLOWERSSPIRAL #FLIGHT #HOMEWORLD #AURORAPUNK #TIMBUCKLEY #KABBALAH #STARGATE #RADIO #LIVEAID #CHRISTIANWOMAN #ULTRAVIOLET #WHITE #PEACEEARTH #TALK #CELESTIALCASTLE #UNCUTGEMS #HIPHOP #ASTRALFORTRESS #ALCHEMICAL #RED #INTERCONNECTION #ROCKANDROLL #PSYCHEDELICFURS #MUSICDISCOVERIES #BIRDSOFFIRE #HYPERSPATIAL #ROXY #LOGICALSONG #MIME #YESALBUM #LIFESAVING #PHILOSOPHY #AZURE #EXILEONMAINSTREET #HEALINGISAMIRACLELEARNING #RETRO #INTHECOURTOFTHECRIMSONKING #LIGHTPATHWAY #SKYBLUE #STARCITY #WESTERNLANDS #TAKINGTIGERMOUNTAINBYSTRATEGY #MAGICMEADOW #BILLYSTRINGS #BLIZZARDOFOZZ #SPIRALBEARS #LIVEALBUMS #NATURE #RARITIES #HANDLEWITHCARE #BLISSFUL #MAGICMUSHROOM #FRESH #WONDERLAND #FANTASYFORESTMANDALA #DANMORRIS #SUNANDMOON #BRIANENOMUSIC #GEMSTONE #MAYONNAISE #TOBEFREE #MINDGAMES #BITCHESBREW #ANKH #WELCOMETOTHEMACHINE #CREATE #FRACTALGEOMETRY #NEILYOUNG #GIGANTIC #KIND #STRINGS #VIBRANTACADEMIA #ELLIOTSMITH #MORRISSEY #WATERTEMPLE #OCEANLIFE #REPUTATION #FRANKZAPPA #WARDENS #NEWARRIVAL #DREAMTIME #CHARM #BAROQUE #MERKABA #PRINCESSBUBBLEGUM #LADDER #CAMP #GOOGLEDOCS #ENLIGHTENMENT #AQUARIUS #ARCADEFIRE #OCEANOFSTARS #NICE #REDBUBBLE #ONLYTIMEWILLTELL #LAMBLIESDOWNONBROADWAY #GUARDIANSOFTHEGALAXY #WUTANG #SAPPHIRESANCTUARY #SEE #WIMMELBILDER #STORY #IWILLFOLLOW #WILLIENELSON #CLOCKWORK #HALSEY #LIQUID #GIVEPEACEACHANCE #DANCE #CLOUD #SUNLIGHT #SPEARS #DEADKENNEDYS #FEW #LONGING #SECRETHOLY #CHARLIEBROWN #EVOLVING #FIVEFINGERDEATHPUNCH #YGGDRASIL #VIVID #TOPAZ #CHAMELEONS #PRINCESS #TEMPLEOFLOVE #CELTIC #BLOOM #EARTHLINGS #BABAOREILY #RILKEANHEART #SAVE #TOTAL #MOVEMENT #PERCEPTION #ROCKANDROLLWITHME #COLORED #DAY #WATCH #HOLOGRAPHIC #HUNGERGAMES #KINGDOM #ALOYSIUS #DAYS #SPIRITOFLIFE #TECHNICOLOR #KEY #JONANDERSON #AQUARIAN #LIGHTING #HARDRAIN #VERDANT #MUSHROOMS #INVISIBLECOLLEGE #INTRICATE #MULTICOLORFUL #KEYCHAINS #LETSBUILDACAR #TEMPERATE #GONG #IMAGINING #SAVING #ABBEYROAD #OMNIVERSAL #HAPPYMONDAYS #MERMAID #LIGHTYOUTUBE #TREES #FOLKLORE #ELEVATOR #THIEF #LANGUAGE #ASTRALTHEATER #IDONTKNOW #RICKANDMORTY #CHILDRENOFTOMORROW #LIMINALSPACE #STONEROSES #AVENTURETIME #SPARK #WINDFLOWERS #MUSICSECTION #CALLFORPRODUCTINQUIRIES #KEYCHAIN #DREAMLETTER #ROBOTROCK #SUZANNE #SPELL #ETHEREALFANTASY #TRANSFORMATIVE #PEACETRAIN #CASHMONEY #DESTINY #AN #LUCIDDREAM #LIMINAL #LAND #DANZIG #DAZECORE #MATRIX #CELESTIALPALACE #FIFTHELEMENT #CONANTHEBARBARIAN #SUFFERFORFASHION #ROCKMUSIC #LETLOVEIN #TREASURES #NIGHT #SHINEALIGHT #MENTAL #GREENDESERT #LABYRINTHLIBRARY #LEMONGRAB #MUSIKMOVIES #DRAGONS #CRYSTALCORE #UNICORNCORE #HORSES #SHAKESPEAREAN #WRONGWAYUP #STATIONTOTSTATION #TANGERINEDREAM #TALKINGHEADS #BEAUTIFULBUTTERFLY #CITYOFSTARS #WORDPRESS #ETC #MASK #QUEENSOFTHESTONEAGE #LOVINGCUP #FALL #MOTHER #ENGINEERS #POEM #BORGES #POETIC #EVENFLOW #PETERFRAMPTON #DANNYELFMAN #II #MEATPUPPETS #AMAZING #SYMMETRICAL #BOYNAMEDSUE #ROUNDABOUT #BRIDGEGUARDIAN #ENIGMA #FRAGILE #SIRIUS #CLOUDBURSTFLIGHT #AURORACORE #ACADEMIA #MEDITATIVE #MUSICRAINBOW #KINDOFMAGIC #SPECIALREQUESTS #SECRETLIBRARY #ARCHITECTURAL #TOURISM #ALEXGREY #EMBRACED #HELPFULNESS #TRAINSPOTTING #GOODTIMES #GARDENS #PRIMES #FAIRYTALE #COLLECTION #80SMUSIC #KIDS #WUTHERINGHEIGHTS #EMBRACEDPEACE #VISHNU #CELESTIALCORE #HARMONY #TEN #SHAREYOURBOWIELOVE #GEIDIPRIMES #RODRIGO #ALLTHINGSMUSTPASS #MAGICALMANDALA #ANGELS #ANOTHERGREENWORLD #LIKEAROLLINGSTONE #BILLYCORGAN #MINDBENDING #MANINTHEMIRROR #SOCIAL #INSTANT #LATTICE #ENDOR #ARTISTIC #ADVENTURE #PETERGABRIEL #CAMPING #BUTTON #FUTURISM #LABYRINTHIAN #RINGOFFIRE #GEORGESTRAIT #STOMPING #MOTHEROFEARTH #MOTHEROFPEARL #SPARKLE #BOX #FLOATINGCONTINENT #GROWING #ETERNAL #GOODMORNING #PERCEPTIVE #ANIME #TOTALLYWIRED #THESHINS #NORTHSTAR #DARKNESS #EYEHORUS #YESSONGS #PROTECTIONSPIRIT #ARTNOUVEAU #ABANDONEDLOVE #GHOSTEENSPEAKS #GETTINGINTUNE #MATTER #DONTGIVEUP #SMOOTHCRIMINAL #WIZARDTOWER #PICTUREDISCS #STORYTELLINGWATERFALLRAINBOWBRIDGETREE #EVENINGSTAR #DIVINITY #IVORYTOWER #WEARETHEWORLD #COLORFUL #OR #NICKCAVEANDTHEBADSEEDS #BLOOMS #IMAGES #HYPERCOLORFUL #FREDDIEMERCURY #CRIMSON #BLOOMCORE #PRINCEANDTHEREVOLUTION #MULTICOLOR #ECOCENTEREDCONSCIOUSNESS #DESIGN #UNDERABLOODREDSKY #SOL #JANISJOPLIN #TERRACE #FUTURISTIC #COMPLEXITY #ANDTHROUGHTHEWIRE #HEAVENANDHELL #MYSTERIES #VAPORWAVE #CONAN #TARA #LEO #TECHNOLOGIC #PREMIERE #FANTASTICAL #BANDS #ALWAYS #IMAGINED #HEALINGISAMIRACLERAINBOW #MASTERSOFTHEUNIVERSE #CROSSROADSSTATION #SEA #HARDTOFIND #JUMP #TREEWORLD #PRETTY #SWELLMAPS #RAINBOWINNLEGEND #SACREDGEOMETRY #ENTERSANDMAN #HEADOVERHEELS #MYTHOLOGICAL #YINYANG #VARIOUS #CROW #PSYCHOLOGICAL #LIVEPERFORMANCE #ACTION #VINTAGE #SAGITTARIUS #SOMENEWTHINGS #DOWNBYTHEWATER #DIRESTRAITS #SLOWDIVE #MERKABAH #RAINBOWCORE #MAGE #STARGAZER #MASTEROFREALITY #CATSTEVENS #JOSHUATREE #HOUSES #SPIRALBEAR #EATAPEACH #LIFEWATER #WEAREHIM #HURTING #NICKCAVE #RETROSHOP #RANDYRHOADS #BEYOND #CD #ILLUMINATED #NAVYBLUE #NIGHTCORE #MINDSCAPE #DEER #WHIMSICAL #EYEOFHORUSRA #REMAININLIGHT #CHANGELIFE #WOODYGUTHRIE #SERPENT #MANINME #SANDMAN #SIAMESEDREAM #ELTOPO #IT #BATMAN #KIDA #SANJACINTO #RELIGION #INTERGALACTIC #EARTHCORE #POETRY #SECURITY #AVENGEDSEVENFOLD #BADCOMPANY #MULTILAYERED #ROXYMUSICLOVER #SONGOFTHESUN #TOUROFLIFE #DAZEWAVE #JOHNLENNON #GALAXY #SCARYMONSTERS #OLYMPIAN #HOOKEDONAFEELING #MERMAIDS #LUNA #STAROCEAN #XANADU #IMAGINATIVE #HEAVENS #SYSTEM #WHITETOWER #FIGURE #CLOUDBUSTING #LUCIDDREAMS #SOULPOWER #SOLITUDE #ELEPHANT #HIGHWAY61REVISITED #ATLANTEAN #WALLEN #BRIANENO #ANDROMEDA #SPIRITCHASER #MAGICMANDALA #AQUAMARINE #ENO #OFMONTREAL #VIBRANT #NEVERENDING #PHILCOLLINS #CARPETCRAWLERS #ELVISCOSTELLO #DANCING #DESCENDENTS #MARCELINE #ANDMANYMORE #PRISMATIC #SAMURAI #MAKINGTIME #YEAR #LOW #INTEGRATIVE #HURRICANE #DRAGONCORE #ULTRAVOX #BYZANTINE #ANIMIZED #HOLIDAY #MEMORYLABYRINTH #SPELLS #FINNTHEHUMAN #ILLUMINATION #FASCINATING #DISCOVERY #GLAMROCK #NYCNY #SILENTLUCIDITY #KARMA #HOPE #BEAR #LOTUS #BEASTIE #BLINK #NEWWAVE #MYSTICAL #SHELTERFROMTHESTORM #REFLECTIONS #DEMONDAYS #FINTHEHUMAN #QUEENSRYCHE #FLICKR #CLOUDBURST #OMMANIPADMEHUM #PULPFICTION #HUMANSBEING #ADVENTURETIMESMOKYMTNS #EDGE #TRAVELLING #AVATARRAINBOW #PUNKROCKNROLL #TRANSCENDENTAL #INDIGO #MULTIDIMENSIONAL #WHYICRY #WOMANINCHAINS #GEMSTONES #COMING #GARDENTREE #HEALER #SPEAKTHETRUTH #HOMEGALAXY #MUSICISLIFE #WAVE #CULT #MASKSOFGOD #VISIONS #ASTROLOGICAL #ECLECTICPLAYLIST #CHURCH #PINKFLOYDMUSIC #MONTYPYTHON #FLAMINGLIPS #POLEDOURIS #MANYMORE #BORDER #WEEKND #MORNINGSTAR #GIEDI #GENEROSITY #GLOWING #MAGICALMYSTERYTOUR #SCIENCE #HARDSUN #SPACESHIP #OBSERVING #PYRAMID #SONGSOFLOVEANDHATE #SHIELD #DIMENSIONS #GHOSTINYOU #FLASHBACK #MUSICANDMOVIES #SKYWORLD #IZIMBRA #TIMEBANDITS #WATERCOLOR #HENDRIX #BORNTORUN #ARTACADEMIA #PEACEANDLOVE #BRIGHT #STATIONMOEBIUS #GEMINI #FULLSHOW #LIBRARYIMAGINARY #FLOWERING #LOVECATS #CHRONOLOGICAL #BETTER #FRACTALPUNK #ELFTREE #ACIDWAVE #INTOTHEWILD #AEON #COEXISTENCE #MUCHMORE #CAPTIVATING #DREAMSNEVEREND #RAYPUNK #FAIRYCORE #SIMPLICITY #LUSTFORLIFE #NEWYORK #CITADELSUNFLOWERSUNFLOWER #EUROPE #LODGER #POWERFUL #NINEREALMS #SOLARSYSTEM #NEWYEARSDAY #STARSHIP #FRACTALART #TAURUS #MANONTHESILVERMOUNTAIN #MEADOW #HIGHLANDER #BRAZIL #IMAGINARYLANDSCAPES #INTENSE #WISHYOUWEREHERE #WIZARDCORE #CREATIVE #DREAMSPACE #RETURNOFTHESHEKING #BRIGHTDRAGON #WOULD #MASTODON #VACATION #INDIEMUSIC #GOODNIGHT #LABYRINTHINE #ICEKING #JUNGIANMANDALADIAMOND #BLUERIDGE #COMETOGETHER #PROGRESSIVE #STORES #LOADOUT #LAKEOFFIRE #SYMBOL #INFINITY #CONFESSIONAL #MYTHOLOGY #GLOW #SHANTI #SHINEONYOUCRAZYDIAMOND #ROBERTFRIPP #POSSESSED #MULTICOLORED #SPIDER #CATS #CLEANLINESS #LOVELIGHT #PURE #SPIRITLIFE #UNDERSTANDING #CARNAGE #MELLONCOLLIEANDTHEINFINITESADNESS #NEWAGE #MEMORABLE #METHODOLOGY #ANDJUSTICEFORALL #EMPRESS #FADETOBLACK #HYPERREAL #WISE #MUSICSHOPS #YEAROFTHECAT #PANAMA #STORYOFMYLIFE #DIVINE #GRANDILLUSION #TWOWOMEN #REFLECTIVE #MELLONCOLLIE #SPINNINGSONG #HELLRAISER #MEMORYSCHOOL #HAMMERHORROR #PRINCESOFTHEUNIVERSE #COMPACTDISCS #GODDESS #AMNESIAC #ART #ELFPOWER #VIRGOSUPERCLUSTER #TRANSCENDENCE #DOVE #INTERLOCKING #SPIRITEMERALD #LUMINOUS #EMPATHY #EAGLE #MONSTERS #MOONSHADOW #COSMICTEMPLE #SOMETHING #XL #VARIOUSTREASURES #SPARKLING #MOTHERSOFRAIN #REALITY #NATURECORE #HOLYDIVER #BLUERIDGEMOUNTAINS #LIBRA #MANDALAPUNK #MEACULPA #COOL #PRETTYNATURE #MASTEROFPUPPETS #BROKEN #RECOGNITION #ECOSYSTEM #BLADERUNNER #ELECTRICLADYLAND #CELESTIALPUNK #COSMICFAIRY #ONEWAYOUT #EDDIEVEDDER #BUSH #SPECTACULAR #STAPLETON #FACES #MORERHYTHM #MOONFLOWER #OPIUMTEA #ANIMECORE #MERCHANDISE #LANDSCAPES #SIMONANDGARFUNKEL #SIOUXSEANDTHEBANSHEES #ALLAPOLOGIES #HAPPY #ALANPARSONSPROJECT #POPULAR #BEGINNING #ALICE #FULLCONCERT #PRISMATICFORMS #VULTURECULTURE #HORUS #ELVES #MULTISENSORY #MANWHOSOLDTHEWORLD #BREAKFASTINAMERICA #PSYCHE #SLEEP #VISIONARY #TONIGHTTONIGHT #POSTER #SURREALISM #LOVELESS #SPECIALORDERS #INFIDELS #LUMINESCENT #MYSTERIOUS #BEAUTIFULMIND #VISION #FEVERRAY #GENTLEGIANT #MTN #CLASSICROCK #PAINTINGS #BELLEANDSEBASTIAN #SPARKLECORE #ROCKNROLL #ACOLYTE #PERFECTSPOT #REVOLVER #WILBURYS #CENTERED #GRATEFUL #THEDREAMISALWAYSTHESAME #MAHAVISHNUORCHESTRA #SUMMER #1000YEARS #PILOTS #PINKFLOYDTRIBUTEBANDS #EMERALDLABYRINTH #REPETITION #EVENING #ICEPULSE #FLYING #GHOSTBUSTERS #SUPERCLUSTER #LION #OUTERWORLDS #RADIORADIO #ANGELWAVE #LIGHTFANTASY #ETHEREAL #9TO5 #SERIESOFDREAMS #MINDTREE #INVISIBLES #HOUSEOFDREAMS #ORGANIC #MUSICAL #DAYSARENUMBERS #BONO #HEARTANDSOUL #HALFAXA #GODS #STARLIGHT #IMAGINE #STARRY #HUNT #PASTEL #WOLF #USA #SAGE #PARALLELWORLDS #USANDTHEM #PERFECT #TUBULARBELLS #SATURATED #RESOLUTION #HIGHWAYREVISITED #VINTAGESTYLE #QUEENRADIOHEAD #HOUSEOFMYSTERY #SONG #JUSTLIKEHONEY #BACKGROUND #AVATARS #HUMMER #PSYCHEDELICBUTTERFLY #COLORFULCOLORFUL #CDSTORE #GLASS #DEVO #GODLINESS #INTHEWAKEOFPOSEIDON #GUARDIANS #METAPHYSICAL #ORACLE #GEOMANTIC #GANGOFFOUR #LEARNING #BRAINDAMAGE #RETROWAVE #IMAGINARYWORLDS #GOODBYEYELLOWBRICKROAD #WAY #INTUITION #MULTIVERSALLIBRARY #SUNFLOWERBLUE #SUNMOON #PROSEMUSIC #DRAWINGDREAMS #INFINITEWORLDS #FREEDOMENVIRONMENT #ABSTRACT #PROGRESS #MAGICALNEXUS #STYLE #INFORMATION #TRANSCENDING #HUMAN #FRIENDSHIP #HUMANITY #PROSE #FIVE #REALMS #WHEELS #ELEVEN #TWENTYTWO #PATHWAYS #IMMANENCE #TEMPLARSBLUE #TIMEWINDMANDALUCKDRAGON #SKYGUARDIAN #IMAGINATIONLIBRARIAN #KURTCOBAIN #OUTERWORLD #VIOLETAURA #WATERFALLRAINBOWBRIDGE #IMAGINATIONSTAR #CROSSROADSINN #BANDITS #BARRY #LYNDON #SKYBLUETREEOFLIFE #EVIL #OUTER #PATTERN #STATIONELF #STORYTELLINGPSYCHEDELIC #WATERFALLRAINBOWBRIDGETREE #FAR #AVALON #SPIRITBLACKSABBATH #SPIRITMUSIC1978COM #TEMPLARS #DWARVES #WIZARDS #WITCHES #SPIRITS #GIANTS #TITANS #TROLLS #ORCS #ELEMENTALS #VAMPIRES #DEMONS #SHADOWS #WRAITHS #SPECIES #PLANETS #FAIR #FOLK #KINDS #DEMIGODS #CHAOS #FUTURES #ELEMENTS #VOYAGER #COMMUNITY #TRIPLE #WITHIN #ANCIENTS #FAERIES #INSPIRATIONS #LOVING #WORLDBUILDING #BOOK #SERIES #ASGARD #ORION #TWO #UNITY #DIVERSITY #UPANISHADS #GALAXIES #COMBINING #PARTING #TOGETHER #SOURCE #HIGHEST #FULL #GODDESSES #MERU #AFTERWORLD #DEVAS #NINTH #JUST #BELOW #VOID #MIDWORLD #INCLUDING #ARM #GROUP #FORGIVENESS #INTO #BLESSED #REFRACTIONS #CROWNED #BY #SOPHIA #APPEAR #FIRST #MUSE #OUT #PRESENCE #APPEARS #ELDREN #GIANTHOME #ABOVE #UNIVERSES #PLANES #WAKING #PLEIADES #SEVEN #CARINA #KEYHOLE #NEBULA #THORS #HELMET #HUMANS #EQUALITY #HERMETIC #SPHERES #ROSICRUCIANS #MAGICIANS #PRIESTS #DEVA #ALCHEMISTS #LABORATORY #SAMUDRA #MANTHAN #LAKSHMI #ISIS #FREYA #ODIN #HERA #ZEUS #APPRECIATION #RESEARCH #ARTS #FRIENDS #LOVERS #COMPANIONS #PRESENT #ELEANOR #VANESSA #LILAC #ARNICA #ADRIENNE #AUTUMN #JULIA #WOMEN #LADIES #ASPECTS #GABRIELLE #KUAN #YIN #JASMINE #ELIZABETH #ROSEMARY #EMILY #LAUREL #LAUREN #HELEN #WINTER #STELLA #AURORA #HEATHER #TRANSCENDENT #ATLANTEANS #FROST #STORM #DARK #ALIENS #GHOSTS #OLYMPIANS #MIDDLE #OTHERWORLD #CELESTIALS #TRIBUNAL #ELEVENTH #INFINITE #TWELFTH #LAPIS #POWER #RUBY #LAZULI #TOWERS #OMNISCIENCE #PRAGMATISM #READING #FICTION #FORESTS #CLUSTERS #SUPERCLUSTERS #WALLS #BUBBLES #MEMBRANES #SELF #ECOLOGY #PLANETOLOGY #ORGANIZATION #EDITING #EDUCATION #WRITER #AUTHOR #ARTIST #PHILOSOPHER #TEACHER #PARTON #MISTY #DOWNTOWN #RECORDSHOP #COEXIST #WITHOUT #TEARS #INDIE #PRESIDENTGAS #LIBRAAGEOFWINTERS #HORNEDGODDESS #SONGFOREUROPE #HOMEBYTHESEA #FUNERALFORAFRIEND #LOVELIESBLEEDING #COSMICSHIVA #MINEMINEMIND #ECHOES #CATERPILLAR #CARNIVALISOVER #KANYEWEST #KATE #VOYAGE #PETER #TSHIRT #TURTLES #DOWN #UNKNOWN #SHESELLSSANCTUARY #CONCERTREPRODUCTIONPOSTERS #GATLINBURG2024 #PJHARVEY #GUARDIANSOFTHEGALAXYSOUNDTRACK #SHIRTDESTINATION #THEMOUNTAINSARECALLING #MAILORDERS #BOBDYLANFAN #TNVINYL #EMINEM #BRIANENOFAN #RECORDSANDCDS #JCOLE #BLACKFLAG #LP #BAJAS #BLUERIDGEMOUNTAIN #BANDSHIRTSETC #ENDOFTHELINE #WHATSYOURFAVORITEPINKFLOYDSONG #BLACKOUT #KOR #HEAVYMETALMUSIC #BESTSHIRTSTORE #YOUTUBEMUSIC #PINKFLOYDTRIBUTE #BLINK182 #GATLINBURGVIBES #BURST #SOUTHPARK #POSTMALONE #NIRVANASHIRT #TOOLBAND #GLASSSPIDER87 #THECLASH #RECORDSGATLINBURG #XO #GATLINBURGRHYTHMSECTION #POISON #BOWIEFANS #VINYLFINDS #MUSICFANS #INDIEVINYL #PLAYBOICARTI #JOPLIN #ASTRALLABYRINTH #NIRVANATSHIRTDESIGN #LUMPYSPACEPRINCESSTHE #JAKETHEDOG #CLASSICROCKLEGEND #SMOKYMOUNTAINCHRISTMAS #GLASSSPIDER1987 #PINKFLOYDFAN #BESTSHIRTSHOP #NO #SINGING #LUMPYSPACEPRINCESS #HOLIDAYSEASON #PRESENTS #LABYRINTHSOUNDTRACK #SCORPIONS #SMOKEYMOUNTAINSNATIONALPARK #PLEASESHOPLOCAL #SUPERMAN #HANKWILLIAMS #SINCE1978 #GLASSSPIDERTOUR #TIEDYETSHIRTS #EVANESCENCE #RAREALBUMS #TSHIRTSTYLE #MAGNET #TRAVELLINGWILBURYS #LIQUIDBLUE #TAYLORNATIONTSHIRTSHOP #PATCH #PARKWAYGATLINBURG #PUNKROCK #ZOMBIES #POLICE #TIEDYEISART #GATLINBURGTNSMOKYMOUNTAINS #GATLINBURGRECORDSTORE #THEKEEPSOUNDTRACK #VINYLCOLLECTORS #THEPOLICE #MUSICDISCOVERY #TIEDYEFASHION #HOODIES #SEPIA #SOUVLAKI #RECORDSHOPRHYTHM #METALSTICKERS #TAYLOR #DELICATESOUNDOFTHUNDER #HEAVYMETALVINYL #1987LIVE #PIN #WHATINTHEWORLD #CREEDENCECLEARWATERREVIVAL #MOUNTAINSTRONG #NATIONALPARKSTICKERSTORE #DRAKE #GLASSPIDER1987 #CROWSOUNDTRACK #NIRVANATSHIRT #KIDCUDI #BADRELIGION #STRAIT #LIQUIDBLUESHIRTS #RHYTHMSECTIONGATLINBURGRECORDSTORE #SHIRTDESIGN #TIEDYE #HARRYSTYLES #PLAYBOI #COLLECTOR #JOLENE #80SROCK #GEIDI #PINKFLOYDLOVE #SHIPPING #ROXYMUSICFAN #VINYLRECORD #RAPMUSIC #THERHYTHMSECTIONGATLINBURG #KATEBUSHFAN #NIGHTRAID #RECORDSTOREGATLINBURG #MORELPS #RHYTHMSECTIONTN #SMOKYTHEMOUNTAINSARECALLING #GATLINBURGSTORE #THREEDAYSGRACE #SOUNDTRACK #PINKFLOYDFANS #TSHIRTSLOVERS #WITCHITAITO #RISKYBUSINESS #SPACEBETWEEN #IMMIGRANTSONG #SOBEGINSOURALABEE #JUBILEESTREET #FOUNTAINS #CLOSETOME #DARE #WHENIGROWUP #AIKEAGUINEA #WAITINGROOM #FUGAZI #MICKJAGGER #SUSSUDIO #COLORADOFARM #GYPSYEYES #LETSSTICKTOGETHER #CARRYONWAYWARDSON #CEREMONY #GOLDENHOURS #ALIVEANDKICKING #LOVEISABATTLEFIELD #PATBENATAR #AEGIANSEA #APHRODITESCHILD #TEMPTATION #SABBATHBLOODYSABBATH #NATIONALACROBAT #FLUFF #SABBRACADABRA #INDARKTREES #SPACEAGELOVESONG #NEWSENSATIONS #HELPMESOMEBODY #REGIMENT #IJUSTWANTYOU #LOVEONAREALTRAIN #ATMOSPHERE #STRANGEPOWERS #THISTIMETOMORROW #KILLINGYOURSELFTOLIVE #WHOAREYOU #LOOKINGFORTODAY #SPIRALARCHITECT #UPTOWN #PROLOGUE #LOVEMYWAY #SEXBEAT #TOUCHITTECHNOLOGIC #NEVERENDINGSTORY #ABOUTAGIRL #BRYANFERRY #WAITINGMAN #EXPOSURE #AERODYNAMICBEATS #INTRO #YOUTH #TOOLONGSTEAMMACHINE #ROBOTROCKOHYEAH #OUTRO #IMPORTED #KILLERS #FRACTALSSPARKLING #BIGSHIP #THOUSANDARMED #SHIRTSHOPS #RISING #RESEARCHRECORDS #RUBYLAZULI #MADE #STRANGERSWHENWEMEET #VEIL #BOY #HEARTHEALING #TALE #NIN #KNOWLEDGEINFORMATION #ISEEADARKNESS #STUDENTOFGOOD #AMETHYSTBRIGHT #AGAINST #CREATOR #CURRENTLY #SUNSHINEDAYDREAM #SOME #SOULFRIENDSHIP #MUSICGATLINBURG #SPIRALLIBRARY #BECAUSEYOUREYOUNG #LODGE #LANA #AVATARWATER #TIMEWINDTHE #1000 #MEDIEVAL #DOORWAYSTAIRWAY #MULTIVERSEOFHEAVEN #RHCP #THIEFSOUNDTRACK #IMGINATIONSTATION #RAREVINYL #BABYSONFIRE #AWARENESS #THANK #BRIAN #ABOUT #SHIRTSHOP #WHATS #INDIVIDUAL #TEMPLELABYRINTH #DIMENSIONBLUE #WRITINGGARDENING #PRESLEY #RANGE #PUNK #RECORDSHOPPINGSTICKERSTORE #SUNANCIENT #LIFESAVINGRECORDS #FLOYD #MOTLEY #OCTOPUS #SACREDFRACTAL #SECTIONS #LOCATION #TIEDYESHIRT #MOST #MAGNETO #PISTOLS #GREATSMOKYMOUNTAINSNATIONALPARK #LIFESECRET #JANIS #PICTURES #FACEBOOK #RETROSTORE #MAGICALCONSCIOUSNESS #MASKS #CROSSOFCHANGES #COMPLEXITYSIMPLICITY #BLACKSTAR #DEVELOPMENT #THAT #MACHINE #HUMORGARDEN #INTODUST #ENGINEER #ITERATIVE #AGEOFWINTERS #ASTRALMANUSCRIPT #TAME #MISTAKE #TUMBLR #MUSICISLOVE #UNITYINDIVERSITY #PRIEST #COSMICHEALING #ULTRARESOLUTION #TRANSCENDENTALPRAGMATISM #THORSHELMET #MOREGREATSMOKYMOUNTAINSNATIONALPARK #VINYLLPS #MEMOIRSOFAMADMAN #TRANSCENDINGHUMAN #IWOULDDIE4U #THEWAYSTATIONWIND #PATTISMITH #LABYRINTHRECEPTIVITY #WORLDDREAM #JIMIHENDRIXVINYL #GUARDIANSAVATAR #JACKSON #STORYTELLER #INTERDIMENSIONALCELESTIAL #O #TOWERAVATAR #EASTTENNESSEE #STARRYEYES #BESTRECORDSHOP #GATLINBURGRECORDS #BILLIEEILISH #WOODSTOCK1 #CHROMATIC #TWIN #LEPPARD #RHYTHMS #DO #OVER #FLOODLAND #MANDALARAINBOW #PINK #ATLANTISREALM #FAMILY #REALISTIC #JUDAS #HOLYIMAGINATION #INEEDYOU #STONES #TYLERCHILDERSRECORDS #ASSORTED #WATERFALLPROTECTION #CASHRECORDS #TSHIRTDESTINATION #SOCIALDEMOCRACY #HIPHOPMUSIC #BETH #SAPPHIRESPIRIT #ALLMAN #MF #HALLWAY #KUANYIN #WATERDIMENSION #AFICIONADO #FORRESTGUMP #STONE #HIGHDETAIL #SCALE #LEARNINGGROWING #RELEASES #SAFETYDANCE #NEGATIVE #NELSON #GRONLANDICEDIT #WINDOWCITY #DEVI #KRISHNADAS #WEST #WILDISTHEWIND #ROSES #PRIME #ANSWER #UHDIMAGE #SUPPORTLOCAL #LIES #POSSIBLE #ETERNALS #TRANSCENDENTALELEPHANT #IWALKEDWITHAZOMBIE #TENWHEELS #MYSTERYMALL #COULEURS #REMINDER #FLAMEIMAGINATION #CHANGINGEVOLVING #ROOM #ENGLAND #2000 #PILGRIM #PEACERECORD #HAVE #BLISSFULAURAOFPROTECTION #GATLINBURGTIME #SURREALDRAGON #YEARONEONEUFO #SPACEGUARDIAN #COLLEGEDROPOUT #FEAR #QUALITY #LIFEMOVING #SPRINGSTEEN #CHRISSTAPLETON #COLOR #MILLER #CRUE #MORNINGBELL #RESURRECTING #PINKFLOYDRECORDS #SENSUALWORLD #TIMEAFTERTIME #5 #PEOPLEHAVETHEPOWER #GHOSTBAND #TIMESPACEMATRIX #MACMILLERMFDOOM #MAIDEN #THERHYTHMSECTION78THERHYTHMSECTION78 #HIGHLYDETAILED #LOVEBALANCE #DEAD #SPIRALBEAUTY #ELEVENDIMENSIONS #CHILDERS #APPALACHIANMOUNTAINS #FM #SPIRALMANDALA #HURRYUPWEREDREAMING #TWELFTHVALLEY #LADYTRON #TRUELOVEWAITS #DISARM #AVALONNEW #BRAHMA #LAPISPOWER #PLACING #MOUNTAINTOWER #N #ROLL #EILISH #WEWEREBORNTHEMUTANTSAGAINWITHLEAFLING #BUT #TODDRUNDGREN #GIEDIPRIMES #FANTASYLIBRARY #OMNAMAHSHIVAYA #ALCHEMISTSLABORATORYLAKSHMI #DETAILED #SEX #BABAORILEY #SELFECOLOGY #MEDICINAL #DAN #STARMAN #MOUNTAINMALLSMASHINGPUMPKINSBUTTERFLY #CARTI #AVENGED #GALAXYENLIGHTENMENT #FRACTALBODHISATTVA #ITEMS #LETTER #REGULARLY #UNFORTUNATELY #BRITNEY #LIVEMUSIC #IF #SCHEME #COMPACT #OFTEN #AROUNDTHEWORLDHARDERBETTERFASTERSTRONGER #NEWYESTONETEMPLEPILOTS #WE #OCEANJUSTICE #182 #LAZARUS #ANCIENTPORTAL #SUSTAINABILITYWISDOM #FUTURISMPROGRESSIVE #CROWNEDBYSTARLIGHT #BONNIEPRINCEBILLY #TIEDYELOVE #PERCEIVING #EMERALDANDROMEDA #OUTOFTHEBLUE #DAZE #PERSERVATIONOFENVIRONMENT #COMIC #EVERYONE #MOUNTAINFOREST #CLASSICROCKFANS #PORTALGATEWAY #WHOLE #ROLLING #ALREADY #FUNERAL #SISTERSOFTHEMOON #GOLDENHAIR #IMPORTSFROMEUROPE #MILKYWAY #STEVEWINWOOD #WINGS #SAVEDMIRACLE #RERELEASES #SUNFLOWERTOWER #GUNS #NAILS #PROSEMUSICWATEROFLIFE #PEOPLEWHODIED #VAUGHAN #BANDTSHIRTS #DOOM #WHO #HALEN #BODHISATTVAOFCOMPASSION #SWIFT #REFRACTIONSOFDAWN #BRUCE #JACKSONBROWNE #COLE #SMASHING #RAY #BLADERUNNERSOUNDTRACK #APPROXIMATELY #PUERNATUSESTNOBIS #GATLINBURGMUSICSTATION #JOHN #BESTSELLER #WIDE #RECEPTIVITYSPACE ************ #HOLYMOUNTAINSOUNDTRACK #PARKGATLINBURG #HEAVENLYPYRAMID #WHATSYOURFAVORITEBOWIELIVE #GATLINBURGGARDEN #SCOTT #TUPELOHONEY #RUNINTOFLOWERS #GATLINBURG2024EMERALD #PEACELIFE #THIS #VALLEYGATEWAY #CANVA #ABSOLUTEBEGINNERS #PIERCE #REDRAIN #VINYLSTICKERS #IS #OBSCURE #EARTHAVATAR #WEEK #GATLINBURGMUSIC #LARGE #DEF #TREEOFLIGHT #RIVERMAGIC #DIVISION #BROADCASTS #TOURISTDESTINATIONRHYTHM #BLUERIDGEMOUNTAINAREA #CHAINS #NEWALBUMS #12 #VOICESFROMACOMMONLAND #VAN #EAR #KANYE #VINYLADDICT #REY #BROTHERS #STRAYKIDS #SYDBARRETT #RECORDSTOREFINDS #IRON #LITTLEREDCORVETTE #BE #BETWEENFLOWERS #GUARDIANOFWORLDS #INNBETWEENWO0RLDS #JOSHUASTARLIGHT #HIPPIE #PUMPKINS #TMETALLICA #NINTHREALITY #TIEDYESHIRTS #VAPOR #SOULSPIRIT #BOTTOM #ASTHEWORLDFALLSDOWN #SMOKIESMUSIC #SMOKYMOUNTAIN #RAGE #RHYTHMSECTIONRECORDSTOREGATLINBURG #GUARDING #COSMOSBLUE #GEORGE #SHIRTSMANDALA #LOVETHEONEYOUREWITH #LETITDOWN #PRODUCTINQUIRIES #CAVE #PLUS #WARDEN #PETTY #JUNG #BOYS #UNDERTHEMILKYWAY #FIELDSOFTHENEPHILIM #SCHOOLOFSTARS #OFFICIAL #LEGENDARYHEARTS #AURAGARDEN #WILLIE #MORERECORDS #TOM #SECRETSOL #ELTON #WELL #GATLINBURGINN #ECHOANDTHEBUNNYMEN #SILVERTOWER #PICTUREDISC #AVALOKITESHVARA #77RHYTHMSECTIONGATLINBURG #MOUNTAINMALLTEMPLARS #MANASA #OLIVIA #WAYLONGJENNINGS #ARE #ENVIRONMENTAL #DEMONSANDWIZARDS #THECARNIVALISOVER #SIMPLICITYANDCOMPLEXITY #ELIZABETHAN #INVISIBLEWORLD #WISDOMANDKNOWLEDGE #BECAUSE #THOUSANDANDTHOUSANDS #CLEANLINESSGODLINESSEMPTINESS #MOVEMENTIMAGINATION #TYPE #SOUNDCHECK #SUPERCLUSTERRAINBOW #NEWBEGINNINGS #BILLIE #BESTRECORDSTORE #ARTMORNINGBELL #STORYTELLINGHUMANITYLUCK #YESHALLBECHANGED #YOUCHANGEDMYLIFE #NOTDARKYET #BLOWININTHEWIND #CANTARA #PILGRIMAGE #SINAI #OPIUM #FROMBEYOND #TEENAGEWILDLIFE #87ANDCRY #ROMANCEINDURANGO #DOMINIONCONCERT #WHATISTHIS #AWAKE #IPITYTHEPOORIMMIGRANT #FUTUREMYTH #IREMEMBER #SONSOFTHESILENTAGE #BIGTIME #HERGESTRIDGE #GREATPLAIN #MAYAGOLD #MOONSHINE #CHAMBER #FIRSTLANDING #ONSOMEFARAWAYBEACH #OVERFIREISLAND #PALANQUIN #SECRETLIFE #SKYSAW #SOMBREREPTILES #SOMEOFTHEMAREOLD #SPIRITSDRIFTING #STELMOSFIRE #TRUEWHEEL #THROUGHHOLLOWLANDS #TWOAGAINSTTHREE #ILLCOMERUNNING #ALTEREDSTATE #BELL #WEIGHTLESS #PRAYERSFORRAININBETWEEN #WHENTHESHIPCOMESIN #BEATOFYOURDRUM #BLUEJEAN @#MOUNTAINMALL #RECORDSHARDERBETTERFASTERSTRONGER #WWW #COM #FRIEDRICH #NIETZSCHE #SPOT #CARRYING #UNIQUE #CONSTANTLY #RESTOCKED #WITH #WWWFACEBOOKCOMGATLINBURGTNMALL #SEND #MESSAGE #ASK #NOTHING #VERY #TRY #AVOID #EATING #FAT #READ #EVERY #NOW #GET #WALKING #CREEDS #NATIONS #MONTY #PYTHONS #MINDSCAPEEVOLUTIONCHANGE #8654364342 #A3 @#THERHYTHMSECTION78DREAMREALMEXPLORATION #STORYTELLINGHUMANITY #GETEMPLE #ELYSIANFIELDS #PLAYFULLY #ASGARDIANS #SEVENFOLD #MUSHROOMHAVEN #INCH #INNINDIGOMOEBIUS #REMASTERED #TYLER #AUDIOPHILE #TWOHEADEDDOG #CHRIS #IMPALA #700 #VINYLALBUMS #ELEVENTHINFINITE #BAD #FUNCTION #DOLLYPARTONCOUNTRY #U #NEWALBUM #AVAILABLE #FLAMEBLUE #SPIRALWIZARDTOWER #GATLINBURGUSA #PRECOGNITION #SISTERSOFTHEMOONCOME #SHIRTSTYLE #DIRECTLY #JANISSTYLE #CLOVERS #DIFFERENT #WWWRHYTHMSECTIONTNCOM #HALLOWEEN #HELL @#MOUNTAINMALLTEMPLARS #USED #PRICES #MICHAEL @#MOUNTAINMALLSMASHINGPUMPKINSBUTTERFLY #VALLEY @#GATLINBURGTN #TYLERCHILDERSINN #OLYMPUS #1988 #MORGAN #RICH #NARRATIVE #YOUR #DREAMSCAPE #THEMES #EMERGED #CORE #CENTERS #FORTIFIED #SYMBOLIZING #STABILITY #POTENTIAL #SELFDISCOVERY #POPULATED #RESCUED #SCIENTISTS #REPRESENTING #INTELLECTUAL #TRAUMA #PROTECTORS #BRUNO #OFFSPRING #SAFEGUARD #INNER #SIGNIFYING #PROTECTIVE #FORCE #COLLABORATION #FORCES #CORPORATION #EXPLOITING #LEADS #EMERGENCE #DRAGONTURTLE #THEY #SYMBOLIZE #STRENGTH #ADAPTABILITY #DEEP #ESTABLISHES #ALLIANCE #WHERE #PROTECT #COASTLINES #BUILD #VAST #SHOWCASING #MUTUAL #RESPECT #TANGIBLE #BENEFITS #WORKING #TRAIN #EMISSARIES #CAPABLE #COMMUNICATE #EMPHASIZES #IMPORTANCE #OPEN #FINDING #COMMON #GROUND #DIVERSE #INTERPRETATIONS #EMPOWERMENT #CONTINUOUS #RECLAMATION #SIGNIFY #ABILITY #OVERCOME #NEGATIVITY #TRANSFORM #SOURCES #EMPHASIS #ON #PERSPECTIVES #SPECIALIZED #ROLES #HIGHLIGHT #COMMITMENT #HARMONIOUS #WELLPROTECTED #PROVIDES #SAFE #WHILE #EXTERNAL #ENSURE #OVERALL #APPROACH #SELFEXPLORATION #ADDRESSING #THREATS #UNLOCKING #HIDDEN #UNDERWATER #BASE #ROLE #TRANSFORMED #CREATURES #ALLIGATOR #CATFISH #SUGGEST #FOCUS #EXPLORING #SUBCONSCIOUS #RESOURCES #PAINT #DYNAMIC #TEEMING #ONGOING #REFLECTS #INTEGRATION #HARNESSING #PERSONAL #LET #ME #KNOW #THERE #ANY #OTHER #SPECIFIC #YOUD #LIKE #SUMMARY #WANT #DIVE #DEEPER #SYMBOLISM #RICHNESS #LEAVES #PLENTY #EXCITING #CONTINUATIONS #FURTHER #HERE #DIRECTIONS #COULD #EXPLORE #INHABITANTS #WHAT #SIGNIFICANCE #CREATURE #SECRETS #POWERS #MIGHT #FOUND #CONFLICT #CONFLICTS #MISUNDERSTANDINGS #FACTIONS #HOW #NAVIGATE #THESE #CHALLENGES #MAINTAIN #COMPLEX #TRANSFORMATIONS #OCCUR #EMERGE #EXISTING #CONTINUES #EVOLVE #SCARY #REPRESENT #OFFER #SIGNIFICANT #INSIGHTS #FEARS #FACE #EXPANDING #SYMBOLS #EXPERIENCES #VASTNESS #QUESTIONS #EMOTIONS #FEEL #WHEN #HAVING #EXCITEMENT #CURIOSITY #SENSE #RECURRING #FIGURES #STAND #HOLD #IMPORTANT #KEYS #PATTERNS #IM #EXCITED #TAKES #NEXT #FREE #SHARING #EXPERIENCESTHATS #BRILLIANT #INTRODUCES #COMPELLING #ELEMENT #SHARED #PURPOSE #INTERPRETATION #FITS #1 #LEGACY #SCAFFOLDING #REMNANT #BRUNOS #PREVIOUS #ACT #SERVES #FOUNDATION #INTERSTELLAR #HIGHLIGHTS #BREAKTHROUGHS #FACILITATING #COLLABORATIVE #SHELL #REINFORCES #THEME #SUGGESTS #UNIFIED #EFFORT #TOWARDS #EXPANSIVE #POTENT #RESOURCE #LEFT #BEHIND #UTILIZED #HIGHER #SIGNIFIES #REMNANTS #TOOLS #4 #OFFERS #SUPPORTIVE #CONTRIBUTES #THEIR #STRENGTHS #GREATER #DOES #ITSELF #REMAIN #STRUCTURE #WHICH #SHAPE #MANNER #CLUES #INCORPORATED #INTERACT #REVERENCE #INTERACTION #VALUED #STORYLINE #WONDERFUL #CONTINUITY #HARNESS #PLAYS #CURIOUS #FORM #EVENTUALLY #I #CANT #PROVIDE #FERTILE #CONTINUED #NARRATIVES #CONTINUE #PLANETARY #WILL #ISLANDS #REVEAL #ENCOUNTER #DISCOVER #YOURSELF #DEVELOP #INTEGRATE #ULTIMATELY #TAKE #CAPABILITIES #EXPLORATIONS #ADDRESS #ALLIGATORCATFISH #PLAY #SOLUTION #PROTECTOR #ARISE #PEACEFUL #REMEMBER #SYMBOLIC #FLUID #EXPERIENCE #MOTIFS #THOSE #GUIDEPOSTS #SELFUNDERSTANDING #UNCOVERING #INCREDIBLE #RESIDES #TRULY #FOLLOW #MIDNIGHTS #ASTROLOGY #MYCHEMICALROMANCE #JIMI #LYNYRD #BEHEMOTH #PEPPERS #HEAVENLY #ZZTOP #VIOLET #MEGADETH #WI #RECORDSRECORDSNATURE #AWAY #YET #CLOSE #FIGHTING #SKYNYRD #CANNIBALCORPSE #CLASH #VINYLS #NEWYORKDOLLS #RECORDSHOPS #SLAYER #FALLOUTBOY #ACCESSORIES #ANTHRAX #DISTURBED #MAYHEM #VINYLCOLLECTIONS #BURZUM #CHINACATSUNFLOWERIKNOWYOURIDER #RHYTHMSECTIONGATLINBURGCOM #FLICKRCOMPHOTOSMUSIC1978 #3 #RECORDSOFNATURE #CHILIPEPPERS #STARISBORN #VALHALLA #SCHOOL #RAINBOWTREE #MOONSMOKYMOUNTAINSSUNFLOWER #NOTHINGELSEMATTERS #WONTGETFOOLEDAGAIN #NOVEMBERRAIN #TOUCH #WECAREALOT #ISTILLBELIEVE #RENEGADE #PURPLEHAZE #OZZYMEDICINEHEALING #EVERYTHING #HAS #HUGE #SELECTION #THEM #SIZES #REISSUES #REMASTERS #AUDIOPHILEQUALITY #SELL #AT #ROCKBOTTOM #BOWIETHE #SECTIONRECORDSTORES #RECORDSGOLDEN #PALETTES #JUICEWRLD #KENDRICK #FIFTH #BARBARIAN #KENDRICKLAMAR #AGAIN #PINKFLOYDFLASHBACK #NINE #COLLEGE #SOLAR #PRINTS #DREAMCORE #MILKY #BOYGENIUS #BRAHMASOCIALDEMOCRACY #RAINBOWHARDSUN #SUNFLOWER #GREATSMOKYMTNSGATLINBURGTENNESSEE #STICKERSTOREWWWFLICKRCOMPHOTOSMUSIC1978 #DIAMOND #CHRISTMAS #CHILI #RHYTHMSECTIONTNCOM #SPACE #REDBUBBLECOMPEOPLERHYTHMSECTIONTNSHOP @#GATLINBURG #BTS #ACIDBATH #BEACHBOYS #TNRHYTHMSECTION #GRABBAGS #HIGHLANDERSOUNDTRACK #THEATER #MALLRECORDS #6 #OPAL #FORCEMAJEURE #THRUMETAMPORPHICROCKS #CHIMESANDCHAINS #1979 #NEWYEARSDAYRECORDS #STICKERSRHYTHMSECTIONGATLINBURG #GATLINBURGTENNESSEERHYTHM #WEEN #BANDSHIRTSETCBANDSHIRTSETC #SMOKYMTNSMALL #MOONCHILDLOVE #TEAR #US #APART #99999999 #777777 #PARKMUSIC #GATLINBURGRECORDSTOWWWRHYTHMSECTIONGATLINBURGCOMOCHET #SMOKYMTNSRECORDS #MUSICSTATIONRECORDS #GATLINBURGTENNESSEERADIOHEAD #TYLERCHILDERSSUNFLOWER #MERMAIDSMUSIC #GRATEFULDEADRARITIES #TRANSFORMATIONSUPERMANCROSSROADS #HURRICANERECORDS #TYLERCHILDERSTOTALLYWIRED #BLOGGERRECORDS #28 #THROUGH #ANCIENT #YOUTUBE #NIRVANASHIRTDESIGN #27 #DAFT #ALONG #TENNSEE #PISCESISCARIOT #GISH #17 #HEARTRECORDS #BRAHMAMANY #OZZYGOODTIMES #PRAYERSFORRAINGREENHGOLDEN #AMERICAN #GRAFFITI #BONJOVI #JPEGMAFIA #FALLINGINREVERSE #FRANKOCEAN #BOBSEGER #MEATLOAF #JELLYROLL #BEYONCE #MAGGIEROGERS #VELVETUNDERGROUND #WHITESTRIPES #STRONGRECORDS #IMAGINATIONLIBRARYRECORDS #STRONGGATLINBURG #RECORDSGATLINBURGRECORDS #PROTECTIONSPIRITABANDONEDLOVE #PICTUREDISCSRECORDS #IMAGINATIONLIBRARYGOLDEN #FORESTRAINBOW #CITYPROTECTION #DOORWAYS #WINDOWS #SHIP #UNDERWORLD #ABSOLUTELY #LCITADEL #VISIONSTICKERSTOREWWWFLICKRCOMPHOTOSMUSIC1978 #PRAYERSFORRAINGREENHIMAGINATIONLIBRARY #THEWIND #PINKORANGERED #HERRAINBOW #OCEANIA #SUPERNOVA #LAMAR #EMBRACEDGOINGTOCALIFORNIA #TSHIRTSHOPGOINGTOCALIFORNIA #EXILES #CHORONZON #MACHINEGUN #GOTMYMINDSETONYOU #GIVEMELOVE #GOODTIMESROLL #DOMEBABY #THEFTANDWANDERINGAROUNDLOSTRAINBOW #L #WWWRHYTHMSECTIONGATLINBURGCOMTREE #COWMIC #MOUNTAINSGOINGTOCALIFORNIA #GATLINBURGSTONETEMPLEPILOTS #WWWREDBUBBLECOMPEOPLERHYTHMSECTIONTNSHOP #CHECK #HOLYMOUNTAINGOINGTOCALIFORNIA #LRECORDSTORES #POSTERSRAINBOW #GATLINBURGNATURE #PRAYERSFORRAINGOINGTOCALIFORNIA #PRAYERSFORRAINPURP #PRAYERSFORRAINPURPTENNESSEE #PRAYERSFORRAINGOLDEN #PRAYERSFORRAINGOINGTOCALIFORNIAOCEANIA #PRAYERSFORRAINGOINGTOCALIFORNIALUCK #PRAYERSFORRAINGOINGTOCALIFORNIARAINBOW #PREMIERRAINBOWIMAGINATIONLIBRARY #PRAYERSFORRAINIMAGINATIONMANDALA #PRAYERSFORRAINGREENH #MAGEWAVEMOONSHADOW #NOAHKAHAN #KINGGIZZARD #YEAHYEAHYEAHS #VAMPIREWEEKEND #DAMNED #D4VD #CRANBERRIES #PHOSPHORESCENT #ARTENSEMBLEOFCHICAGO #TROYESIVAN #NECKDEEP #LINKINPARK #FREDDIEGIBBS #AMERICANGRAFFITI #PICKOFDESTINY #PRAYERSFORRAINRECORDS #RECORDSBUTTERFLY #RECORDSIMAGINATIONLIBRARY #PRAYERSFORRAINCDS #RECORDSNEW #RECORDSSTATIONTOSTATION #MAGINATIONLIBRARY #INBETWEENRAINBOW #NESTLED #HISTORIC #PRISTINE #BEFORE #GOING #BEEN #SHOPS #WAITING #OTHERS #WWWFACEBOOKCOMGATLINBURGMTNMALL @#VISIT #RECORDSUNIVERSAL #FATHERJOHNMISTY75 #MSPELL #YOUCHAMGEDMYLIFE #FOREVER #YOUNG #DONTYOUFORGETABOUTME #STATIONRECORDS #INNWHATISTHIS #DOLLYRAINBOW #LIFERHYTHM #LABYRINTHMAGNETS #GRATEFULDEADSHIRTS #LIFETREEOFLIFE #LIFEPRAYERSFORRAINGREENH #GRHYTHM #LIFEUNSNROSES #CITADELMUSIC #PRAYERSFORRAINGATLINBURG #ALICECOOPER #SUNNYDAYREALESTATE #DAYTOREMEMBER #VIOLENTFEMMES #LEDZEPPELIN+ ! #STILL #PUTTING #SEVERAL #PERFORMANCES #MORE! +++++#NEW + ++ ++#RECORDS ++++#RECORDS +++++ +++++#RECORDS +++++#WHATISTHIS #GUIDE #LIMITED #SHELVING #PUMPKIRS #COOPER #FRANK #DE #MARCO #DEL #SUICIDE & #AREA! #ELSE #SHOULD #MAIN #SHELVES #UNLESS #ODDLY #PACKAGED #DISC #UNEVEN #SLEEVE #REAL #ORIGINAL #HAPPENS #CRAYONS #CONDITION #SHELVES! +#PEACE #NEWEST #DISPLAY #AS #WELL! #OM #GIZZARD #FALLING #REVERSE #A #HREF="HTTPWWWMUSIC1978COM" #REL="NOREFERRER #NOFOLLOW"WWWMUSIC1978COMA #HREF="HTTPWWWFLICKRCOMPHOTOSMUSIC1978" #NOFOLLOW"WWWFLICKRCOMPHOTOSMUSIC1978A #HREF="HTTPWWWRHYTHMSECTIONGATLINBURGCOM" #NOFOLLOW"WWWRHYTHMSECTIONGATLINBURGCOMA #EYEOFHORUSRA #UNDERSTANDING? #MOUNTAINMALL #WHATSYOURFAVORITEPINKFLOYDSONG? #TSHIRT #33 #EQVISPRESLEY #FLOYD #J #POSSIBLE #PEACE3EARTH #SEX #MOUNTAINMALLSMASHINGPUMPKINSBUTTERFLY #IF #WELLBEING #PISTOLS #ASURA #NOT #TWENTYTWO #12" #MINDBENDING #THOUSANDARMED #377RHYTHMSECTIONGATLINBURG #MOUNTAINMALLTEMPLARS #BUTTERFLY #WWWFLICKRCOMPHOTOSMUSIC1978 @#MOUNTAINMALLTEMPLARS @#MOUNTAINMALLSMASHINGPUMPKINSBUTTERFLY #FLICKRCOMPHOTOSMUSIC1978 #MIDNIGHTSLODGECOSMICREFRACTIONSMAIDENFUTURISTICENAMELTHERHYTHMSECTION78THERHYTHMSECTION78KEYACDCNIRVANATSHIRT611UNICORNHEALINGISAMIRACLESECURITYBILLIERAINBOWCASTLETHERHYTHMSECTION78THERHYTHMSECTION78THERHYTHMSECTION78@THERHYTHMSECTION78@THERHYTHMSECTION78@THERHYTHMSECTION78@THERHYTHMSECTION78VALLEYSTICKERS@THERHYTHMSECTION78MUSICLOVERS #NOSTALGIALODGECOSMICREFRACTIONSMAIDENFUTURISTICENAMELTHERHYTHMSECTION78THERHYTHMSECTION78KEYACDCNILODGECOSMICREFRACTIONSMAIDENFUTURISTICENAMELTHERHYTHMSECTION78THERHYTHMSECTION78KEYACDCNIRVANATSHIRT611UNICORNHEALINGISAMIRACLESECURITYBILLIERAINBOWCASTLETHERHYTHMSECTION78THERHYTHMSECTION78THERHYTHMSECTION78@THERHYTHMSECTION78@THERHYTHMSECTION78@THERHYTHMSECTION78@THERHYTHMSECTION78VALLEYSTICKERS@THERHYTHMSECTION78 #LETS #SUMMARIZE * #SELFDISCOVERY #BRUNO #A #TECHNOLOGY #DRAGONTURTLE #WELLPROTECTED #SELFEXPLORATION #UNDERWATER #BASE #ALLIGATOR #CATFISH #YOUD #CREATURE? #BASE? #SYSTEM? #WORLD? #EVOLVE? "#SCARY" #FACES? #ISLAND? #DREAMS? #PEACE? #TIME? #IM #EXPERIENCESTHATS #BRUNOS #SHAPE? #SCAFFOLDING? #PURPOSE? #CANT #REVEAL? #YOURSELF? #DEVELOP? #TAKE? #EXPLORATIONS? #ALLIGATORCATFISH #EMERGE? #WORLDS #ALLIANCE? #ENVIRONMENT? #SELFUNDERSTANDING #ITS #CHINACATSUNFLOWERIKNOWYOURIDER #WWWRHYTHMSECTIONTNCOM #MTN #RECORDS #RHYTHMSECTIONGATLINBURGCOM #FLICKRCOMPHOTOSMUSIC1978 #MISTAKE #SELFDISCOVERY #TRAUMA #TRANSFORMATION #PEOPLE #WISDOM #TOGETHER #WORLD #GROWTH #THREATS #RESOURCES #SECURITY #WELLBEING #EXPLORATION #INHABITANTS #FACTIONS #LIFE #POTENTIAL #PSYCHE #NEXT #1 #TOOL #2 #DISCOVERY #3 #PURPOSE #4 #GOOD #UTILIZED #DREAMSCAPE #COSMOS #NARRATIVES #FLUID #JOURNEY #3RECORDS #TENNESSEE #HARDTOFIND #EUROPE #AUDIOPHILEQUALITY #RERELEASES #ROCKBOTTOM #PRICES #BOWIETHE #BOWIE #STICKERSTOREWWWFLICKRCOMPHOTOSMUSIC1978 #RHYTHMSECTIONTNCOM #REDBUBBLECOMPEOPLERHYTHMSECTIONTNSHOP #CITYOFLIGHT33 #GATLINBURGRECORDSTOWWWRHYTHMSECTIONGATLINBURGCOMOCHET #SMOKYMTNSRECORDS #HEARTRECORDS #PRAYERSFORRAINGREENHGOLDEN ++++ +++++#GATLINBURG #PRAYERSFORRAIN+ #SHOP #REQUESTS! #STICKERS! #RECORDS! #SOUNDTRACKS #ALBUMS! #CDS! #MOUNTAINS! #NEWVINYLRECORDS! #PEACEEARTH ++++#DAZEDANDCONFUSED ++++#RECORDSGOLDEN ++++++ #GOLD+ ++++++#NEWVINYLRECORDS! #3@THERHYTHMSECTION78DREAMREALMEXPLORATION+ #STONETEMPLEPILOTS+++++ #STATION #TREASURETROVE #DESTINATIONWWWREDBUBBLECOMPEOPLESTARLIGHTMOONSHOPBUTTERFLY #CARTOONISH #W #TROVE #LIFESAVINGPRINCE #PEACE3EARTH #INCLUDING #LIFESTATION #ARE #BUTTERFLY #LIBRARY! #ENGLAND! #2XL! #GODS! #POSTERS! #INSTAGRAM! #STORE! #ELYSIUM! #SHOPPING! #WIND! #WORLD! #MUCHMORE! #PINS! #EMBRACED! #DAYS! #MANYMORE! #PATCHES! #EMBRACED!PEACE #SEASON! #YOU! #MIDNIGHTSLODGECOSMICREFRACTIONSMAIDENFUTURISTICENAMELTHERHYTHMSECTION78THERHYTHMSECTION78KEYACDCNIRVANATSHIRT611UNICORNHEALINGISAMIRACLESECURITYBILLIERAINBOWCASTLETHERHYTHMSECTION78THERHYTHMSECTION78THERHYTHMSECTION78@THERHYTHMSECTION78!@THERHYTHMSECTION78!@THERHYTHMSECTION78!@THERHYTHMSECTION78!VALLEYSTICKERS@THERHYTHMSECTION78!MUSICLOVERS #EUROPE! #PRICES!! #NOSTALGIALODGECOSMICREFRACTIONSMAIDENFUTURISTICENAMELTHERHYTHMSECTION78THERHYTHMSECTION78KEYACDCNILODGECOSMICREFRACTIONSMAIDENFUTURISTICENAMELTHERHYTHMSECTION78THERHYTHMSECTION78KEYACDCNIRVANATSHIRT611UNICORNHEALINGISAMIRACLESECURITYBILLIERAINBOWCASTLETHERHYTHMSECTION78THERHYTHMSECTION78THERHYTHMSECTION78@THERHYTHMSECTION78!@THERHYTHMSECTION78!@THERHYTHMSECTION78!@THERHYTHMSECTION78!VALLEYSTICKERS@THERHYTHMSECTION78! #ABSOLUTELY! #EMERGED #CORE #COLLABORATION #INTERPRETATIONS #EMPOWERMENT #BALANCE #PROTECTION #POTENTIAL #SYMBOLISM! #YES! #NARRATIVE #WORLD #RESOLUTION #TRANSFORMATION #MONSTERS #ISLAND #EXPLORING #EXPERIENCES!THATS #DREAMSCAPE! #INTRODUCES #EVOLUTION #RESOURCES #REFLECTION #TAKES! #NEXT! #CONTINUE #STARSHIP #REALM #HARMONY #DREAMS! #RAINBOW #CITADEL #VISIONSTICKERSTOREWWWFLICKRCOMPHOTOSMUSIC1978 #REDBUBBLECOMPEOPLERHYTHMSECTIONTNSHOP #PRAYERSFORRAINGREENHIMAGINATIONLIBRARY ++++++++++++++++++++++++++++++++++++++ ++++++++++++++++++++++++++++++++++++ #SHOP+ #TREASURES+ #ALLALONGTHEWATCHTOWER+ #HENDRIX+ #PINS+ #FORTRESS+ #BOWIE+ #MTNS+ #HEAVENANDHELL+ #BEETLEJUICE+ #PARK+ #BANDS+ #ORDERS+ #AVAILABILITY+ #BUTTONS+ #MORE+ +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ #DAFTPUNK+ #CREATION+ #MEMORY+ #HEALING+ #POSTERS+ #AVALON+ #ROXYMUSIC+ #GATLINBURG+ #GREATSMOKYMOUNTAINS+ #BRIDGE+ #TOWER+ #PEACE+ #IMAGINATION+ #VALLEY+ #TREEOFLIFE+ #SMOKYMOUNTAINS+ #MUSIC+ #TSHIRTS+ #TYLERCHILDERSINN+ #STICKERS+ #PALACE+ #MAGIC+ #LOVE+ #DIAMOND+ #REQUESTS+ #METAL+ #WATERFALL+ #TALKTALK+ #CDS+ #BARBIE+ #RECORDS+ #MUSHROOM+ #BRIANENO+ #OLYMPUS+ #REFUGE+ #ETC #MAILORDERS+ #TENNESSEE+ #ENO+ #SUN+ #BUSH+ #MOUNTAINS+ #RESTORATION+ #PATCHES+ #SHIRTS+ #DUNE+ #NIRVANA+ #COSMOS+ #DYLAN+ #RAINBOW+ #TAROT+ #EMBRACED!GOINGTOCALIFORNIA #RAINBOWTREE #RAINBOWHARDSUN #ARRIVALS! #HEARTRECORDS #GOINGTOCALIFORNIA #OZZY+MEDICINEHEALING +++++++++ #3+ #OZZY+GOODTIMES ++++++++++++++ +#SHIRTS #OZZY+ +++++++++++++ +++#3+++++RECORDS #L #GATLINBURG+++++ #35 +++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++++ #WWWRHYTHMSECTIONGATLINBURGCOMTREE #GATLINBURGSTONETEMPLEPILOTS+++++ #WWWFLICKRCOMPHOTOSMUSIC1978 #WWWREDBUBBLECOMPEOPLERHYTHMSECTIONTNSHOP #LRECORDSTORES #MTNS+ #POSTERS+RAINBOW #SPARK! #PRAYERSFORRAIN+GOINGTOCALIFORNIA #PRAYERSFORRAINPURP #PRAYERSFORRAINPURPTENNESSEE #PRAYERSFORRAIN+GOLDEN #OCEANIA #PRAYERSFORRAIN+GOINGTOCALIFORNIAOCEANIA #PRAYERSFORRAIN+GOINGTOCALIFORNIALUCK #CREATIONLIBRARY #LUCK #PRAYERSFORRAIN+GOINGTOCALIFORNIARAINBOW #PRAYERSFORRAINGREEN #GRE ♈♉♊♋♌♍♎♏♐♑♒⛎ #WHENTHESHIPCOMESIN🔵💙🙏🌻🌼❄️💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜RAINBOW ❄️ 💚💙 💚💙💜#INBETWEEN🔵💙🙏🌻🌼❄️💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜 ⛎ 🙏🌻 🐉 🐦 ❤️♈♉♊♋♌♍♎♏♐♑♒⛎⛎⛎♒♑♐♏♎♍♌♋♊♉♈❤️💛💚💙💜💜💙💚💛❤️🐲🐉💙💜💚💙💜💙💚💚💙💜💜💙💚💚💙💜💙💜💚💚💙💜💚💙💜💚💙💜💚💙💜 🍀🐉💙⭐🌈💜💚🙏🌻🌼️💮✨🌠🐉🐲🐢🌻🌼🌷🍄❤️💛💚💙💜💜💙💚💛❤️♈♉♊♋♌♍♎♏♐♑♒⛎⛎⛎♒♑♐♏♎♍♌♋♊♉♈❤️💛💚💙💜💜💙💚💛❤️🐲🐉💙💜💚💙💜💙💚💚💙💜💜💙💚💚💙💜💙💜💚💚💙💜💚💙💜💚💙💜💚💙💜 💚💙💜💚💙💜 💚 💙 💙💚💛❤️🐲🐉💙💜💚💙💜💙💚💚💙💜💜💙💚💚💙💜💙💜💚💚💙💜💚💙💜💚💙💜💚💙💜 🍀🐉💙⭐🌈💜💚🙏🌻🌼️💮✨🌠🐉🐲🐢🌻🌼🌷🍄❤️💛💚💙💜💜💙💚💛❤️💛💚💙💜💜💙💚💛❤️🐲🐉💙💜💚💙💜💙💚💚💙💜💜💙💚💚💙💜💙💜💚💚💙💜💚💙💜💚💙💜💚💙💜 💙❤️💛💚💙💜💜💙💚💛❤️🐲🐉💙💜💚💙💜 ♈♉♊♋♌♍♎♏♐♑♒⛎⛎🙏❤️💛💚💙💜♈♉♊♋♌♍♎♏♐♑♒⛎⛎❤️💚💙💜♈♉♊♋♌♍♎♏♐♑♒⛎⛎💙✨⭐💚💟💛🐈🐢🐉🐦🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟💚💙💜♈♉♊♋♌♍♎♏♐♑♒⛎⛎♥🌻🐦😻🌝🌜🔵🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀🌈🌠✨⭐💙⭐✨💚💟💜️💮🍀 ☔ 💚💟 💜💚💙💜 🌷🍄❤️💛💚💙💜💜💙💚💛❤️❤️💛💚💙💜💜💙💚💛❤️🐲🐉💙💜💚💙💜💙💚💚💙💜💜💙💚💚💙💜💙💜💚💚💙💜💚💙💜💚💙💜💚💙💜 ♈ ♉ ♊ ♋ ♌🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟🌟💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚💜💚
An amnesiac Toa of Air, Artek struggles to find who he is and where he came from. He joined the Order after they rescued him from the hands of Skakdi and hopes to find his past while working within the Order.
He belongs to Artek206 on the CBW.
British postcard by De Reszke Cigarettes, no. 19 (of a series of 24 cards).
English gentleman-actor Ronald Colman (1891-1958) was a top box office draw in Hollywood films throughout the 1920s, 1930s and 1940s. ‘The Man with the velvet voice’ was nominated for four Academy Awards. In 1948 he finally won the Oscar for his splendid portrayal of a tormented actor in A Double Life (1947).
Ronald Charles Colman was born in 1891 in Richmond, England. He was the fifth of six children of silk importer Charles Colman and his wife Marjory Read Fraser. Ronald was educated at a boarding school in Littlehampton, where he discovered he enjoyed acting. When Ronald was 16 his father died of pneumonia, putting an end to the boy's plans to attend Cambridge and become an engineer. He went to work as a shipping clerk at the British Steamship Company. He also became a well-known amateur actor and was a member of the West Middlesex Dramatic Society (1908-1909). In 1909, he joined the London Scottish Regiment, a territorial army force, and he was sent to France at the outbreak of World War I. Colman took part in the First Battle of Ypres and was severely wounded at the battle at Messines in Belgium. The shrapnel wounds he took to his legs invalided him out of active service. In May 1915, decorated, discharged and depressed, he returned home with a limp that he would attempt to hide throughout the rest of his acting career. He tried to enter the consular service, but a chance encounter got him a small role in the London play The Maharanee of Arakan (1916). He dropped other plans and concentrated on the theatre. Producers soon noted the young actor with his striking good looks, rich voice and rare dignity, and Colman was rewarded with a succession of increasingly prominent parts. He worked with stage greats Gladys Cooper and Gerald du Maurier. He made extra money appearing in films like the two-reel silent comedy The Live Wire (Cecil Hepworth, 1917). The set was an old house with a negligible budget, and Colman doubled as the leading character and prop man. The film was never released though. Other silent British films were The Snow of the Desert (Walter West, 1919) with Violet Hopson and Stewart Rome, and The Black Spider (William Humphrey, 1920) with Mary Clare. The negatives of all of Colman's early British films have probably been destroyed during the 1941 London Blitz. After a brief courtship, he married actress Thelma Raye in 1919. The marriage was in trouble almost from the beginning. The two separated in 1923 but were not divorced until 1934.
In 1920 Ronald Colman set out for New York in hopes of finding greater fortune there than in war-depressed England. His American film debut was in the tawdry melodrama Handcuffs or Kisses? (George Archainbaud, 1920). He toured with Robert Warwick in 'The Dauntless Three', and subsequently toured with Fay Bainter in 'East is West'. After two years of impoverishment, he was cast in the Broadway hit play 'La Tendresse' (1922). Director Henry King spotted him and cast him as Lillian Gish's leading man in The White Sister (Henry King, 1923), filmed in Italy. The romantic tear-jerker was wildly popular and Colman was quickly proclaimed a new film star. This success led to a contract with prominent independent film producer Samuel Goldwyn, and in the following ten years, he became a very popular silent film star in both romantic and adventure films. Among his most successful films for Goldwyn were The Dark Angel (George Fitzmaurice, 1925) with Hungarian actress Vilma Bánky, Stella Dallas (Henry King, 1926), the Oscar Wilde adaptation Lady Windermere's Fan (Ernst Lubitsch, 1925) and The Winning of Barbara Worth (Henry King, 1926) with Gary Cooper. Colman's dark hair and eyes and his athletic and riding ability led reviewers to describe him as a ‘Valentino type’. He was often cast in similar, exotic roles. The film that cemented this position as a top star was Beau Geste (Herbert Brenon, 1926), Paramount's biggest hit of 1926. It was the rousing tale of three brothers (Colman, Neil Hamilton and Ralph Forbes), who join the Foreign Legion to escape the law. Beau Geste was full of mystery, desert action, intrigue and above all, brotherly loyalty. Colman's gentlemanly courage and quiet strength were showcased to perfection in the role of the oldest brother, Beau. The film is still referred to as possibly the greatest Foreign Legion film ever produced. Towards the end of the silent era, Colman was teamed again with Vilma Bánky under Samuel Goldwyn. The two would make a total of five films together and their popularity rivalled that of Greta Garbo and John Gilbert.
Although Ronald Colman was a huge success in silent films, with the coming of sound, his extraordinarily beautiful speaking voice made him even more important to the film industry. His first major talkie success was in 1930 when he was nominated for the Academy Award for Best Actor for two roles - Condemned (Wesley Ruggles, 1929) with Lily Damita, and Bulldog Drummond (F. Richard Jones, 1929) with Joan Bennett. Thereafter he played a number of sophisticated, noble characters with enormous aplomb such as Clive of India (Richard Boleslawski, 1935) with Colin Clive, but he also swashbuckled expertly when called to do so in films like The Prisoner of Zenda (John Cromwell, 1937) with Madeleine Carroll. A falling out with Goldwyn in 1934 prompted Colman to avoid long-term contracts for the rest of his career. He became one of just a handful of top stars to successfully freelance, picking and choosing his assignments and studios. His notable films included the Charles Dickens adaptation A Tale of Two Cities (Jack Conway, 1935), the poetic classic Lost Horizon (Frank Capra, 1937), and If I Were King (Frank Lloyd, 1938) with Basil Rathbone as vagabond poet Francois Villon. During the war, he made two of his very best films - Talk of the Town (George Stevens, 1942) with Cary Grant and Jean Arthur, and the romantic tearjerker Random Harvest (Mervyn LeRoy, 1942), as an amnesiac victim, co-starring with the luminous Greer Garson. For his role in A Double Life (George Cukor, 1947), an actor playing Othello who comes to identify with the character, he won both the Golden Globe for Best Actor in 1947 and the Best Actor Oscar in 1948. Colman made many guest appearances on The Jack Benny Program on the radio, alongside his second wife, British stage and screen actress Benita Hume. Their comedy work as Benny's next-door neighbours led to their own radio comedy The Halls of Ivy from 1950 to 1952, and then on television from 1954 to 1955. Incidentally, he appeared in films, such as the romantic comedy Champagne for Caesar (Richard Whorf, 1950), and his final film The Story of Mankind (Irwin Allen, 1957) with Hedy Lamarr. Hal Erickson at AllMovie: "a laughably wretched extravaganza from which Colman managed to emerge with his dignity and reputation intact." Ronald Colman died in 1958, aged 67, from a lung infection in Santa Barbara, California. He was survived by Benita Hume, and their daughter Juliet Benita Colman (1944). In 1975, Juliet published the biography 'Ronald Colman: A Very Private Person'.
Sources: Hal Erickson (AllMovie), Jim Beaver (IMDb), Julie Stowe (The Ronald Colman Pages), Encyclopaedia Britannica, Wikipedia and IMDb.
And, please check out our blog European Film Star Postcards.
once again, I'm in trouble with my only friend
she is papering the window panes
she is putting on a smile
living in a glass house
once again, packed like frozen food and battery hens
think of all the starving millions
don't talk politics and don't throw stones
your royal highnesses
well of course I'd like to sit around and chat
but someone's listening in.
once again, we are hungry for a lynching
that's a strange mistake to make
you should turn the other cheek
living in a glass house.