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Forfun em turnê do DVD ao Vivo no Circo Voador
Florianópolis - 21 de dezembro de 2013
Foto de AF Rodrigues
Skeppsholmen is one of the islands of Stockholm. It is connected with Blasieholmen and Kastellholmen by bridges. . On the southern shore is the old sailing ship af Chapman which is now used as a youth hostel. Film: Ilford HP5 PLUS.Dev: D76 1+1, 12,5min, 20°.Camera: Hasselblad 500C/M .Lens: PLANAR 100mm f:/3.5
Malibu Creek State Park Fall Foliage Autumn Colors Winter Landscape Fine Art Nature Photography! Malibu Canyons Fine Art Landscapes! High Res 8K Nikon D810 & AF-S NIKKOR 28-300mm f/3.5-5.6G ED VR from Nikon! Super Sharp Photos Nikon Elliot McGucken Fine Art Malibu Canyon! Socal Autumn!
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
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Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
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Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
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Ralph Waldo Emerson. The happiest man is he who learns from nature the lesson of worship.
Lucius Annaeus Seneca: On entering a temple we assume all signs of reverence. How much more reverent then should we be before the heavenly bodies, the stars, the very nature of God!
John Muir: All the wild world is beautiful, and it matters but little where we go, to highlands or lowlands, woods or plains, on the sea or land or down among the crystals of waves or high in a balloon in the sky; through all the climates, hot or cold, storms and calms, everywhere and always we are in God's eternal beauty and love. So universally true is this, the spot where we chance to be always seems the best.
Waterfront Home - 1 (of 2) - Samsung AF 1050 Compact with 36-105mm Zoom and Fuji X-tra ISO 400 Film - Photographer Russell McNeil PhD (Physics) lives in Nanaimo, British Columbia where he works also as a writer and a personal trainer.
Maquiagem: Pamela Machado
Iluminação/assistente: Luiza Augusto
Making-Of: Iza Amorin
Fotografia e edição: Pamela Machado
Lens：D. Zuiko，38mm F/2.8
Shutter speeds：1/8~1/500
ISO：25~400
Focusing mode：Autofocus
Minimal focusing：100cm
Flash sync speed：1/40
Guide Number (GN)：12
Battery：1.5V，LR6 (AA) *2
Has been a while since I had settled with the first shot made. AF was spot on (I have also lined up the cameras and lens accordingly). Tried to reduce the number of times I use the AF/MF switch after the repair guru informed that once the switch is broken, it’s beyond repair. Have to at least clock a certain mileage before the switch broke down and stuck with MF. This applies to the AFD 20-35mm as well. So far, both D200 and D700 are pretty stubborn (will always focus at the same distance once in the same frame). Have to shift the centre point and half press shutter to try to shift focus.
Anyway, my Pentax collection has suddenly more than doubled towards year end. I guess this is what others meant by hooked on. I can’t or rather won’t say that I am in the cult. Of course, the SPII started my M42 journey 2 years back. But unlike many, I didn’t collect every Taks out there. It’s probably K100D that prompted the move for MZ-5, then K mount Limited lens and finally the ultimate K1. K100D’s limited colored LCD display with menus looked like toy cameras that I bought for my kids when they were younger. Somehow with the right lens, it could produce colours or contrast that I couldn’t explain. MZ-5 is another that look like a toy camera to me. Pair this with the HD 43mm, you get an optically far more superior setup than a new Pentax 17.
K1 is loaded with features and keeps one thinking how to push it further. Like the K100D and MZ-5, it’s just different from the others. This makes a dangerous thinking about the differences in brands like Hasselblad and Leica M. They are in a different league especially in terms of pricing. So far, based on my own research, post processing skills are required in order to fully optimise the their potential (why pay so much yet more work is required to get the better results). Before the rush to acquire them, have to make sure I’m able to make full use of their capabilities and if such work flow suit blends in with my current one. Whatever it is, what comes next will be costly.
Edit: Just realized I have missed out the Pentax DA 18-55mm kit lens. Since it came with the K100D, I didn’t really have a strong impression. I have tested the lens for some time before, but I still don’t fancy the distortion on the wide. It’s a versatile and useful lens though.
Left to right: HD P-DA 35mm f2.8, K1 with HD FA 43mm f1.9, K100 with smc P-DA 15mm f4 ED AL, MZ-5 with smc P-FA 77mm f1.8, Asahi Pentax Spotmatic SP II with SMC Takumar 50mm f1.4, Super-Multi-Coated Takumar 20mm f4.5, SMC Takumar 120mm f2.8
4 camera bodies and 7 lens