View allAll Photos Tagged ADOX
Firenze, il Duomo
Leica M6, Carl Zeiss Biogon 35mm f2
Adox CHS50, 9min in Rodinal 1+50
Negative captured with a DSLR and developed in LR5.7
This is my Adox Blitz bakelite pseudo TLR box camera from ca. 1950. The camera is fitted with a focusable f8 lens and an instantaneous (I believe the speed is 1/50 sec) and time shutter. It has two aperture settings - f8 and f11 - plus a tripod socket and a cable release socket.
Sample shots:
• Adox Silvermax 100
• Simax Dev (1+29) 11m @ 20˚
• Nikon FM3A
• ?? Prob Nikkor 20mm ??
• Valletta, Malta, July 2019
Zenit B
Industar 50-2 50mm F/3.5
Gossen Luna-Pro (cds)
Adox Color Implosion
Tetenal C-41
Underpass and or overpass, taken on Fujica GW690, with built in Fujinon 90mm f/3.5 lens. On Ilford FP4 plus @ 125asa. Developed in Adox Rodinal (1:25) then scanned on Epson v550 with SilverFast®8.
M2
Fuji Acros (X2016)
35mm Summaron f3.5 LTM (1952)
Adox Silvermax 1+30 20C 10:00
YellowFilter
#classiclenses
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#35mmSummaron
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#classiclensespodcast
#photographywithclassiclenses
#bestvintagelens
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#FujiAcros
#leicaMA
#SanFrancisco
#negativepositives
#AdoxSilvermax
#LeicaMag
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Love this film: no any grain and the resolution is better than digital sensor can do...
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Film: Adox CMS 20 II
Developer: Adox Adotech III (1:9, 9 min, 22°C)
Scanner: Nikon CoolScan LS-5000 ED
* Used B+W Orange filter 040 MRC
Steam Hammer, the important valve at the top that allowed the steam to force the piston down and then back up again.
ADOX CHS 100ii @200iso
Minolta X-700
Minolta MD 50mm f/1.7
Developed in Zone Imaging 510 Pyro
Digitised with Nikon D700
Tamron Adaptall 2 90mm f/2.5 Macro
Affinity Photo 2
Took the camera for a wander with an some expired Delta 3200 loaded. As it turns out I under exposed the whole film, so it's either the film was poorly stored or the light meter is not working correctly or more possible, user error....
Taken with Hasselblad 501cm and 80mm Planar f2.8 *t CB lens, on Ilford Delta 3200 and developed in Adox Rodinal 1+25 for 11 minutes at 20°c. Digitised with Epson v550 and SilverFast®8 (SE) at 3200ppi...
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Film: Adox CMS 20 II
Developer: Adox Adotech III (1:9, 7 min, 24°C)
Scanner: Nikon CoolScan LS-5000 ED
* Used B+W filter 040 ORANGE MRC
08-Sep-2023 15:45
Adox CHS100 II rated @ EI 50
Ebony 45SU
Nikkor M-300mm f9
Developed in Euro HC110 - Dilution E (1+47) for 7 mins (N-1) @ 20C
(N) Development is 9 mins. I reduced by about 30%
Pre-wash : 5 mins @ 20C
Inversions for 30 sec then two every 30 sec
Two water Stop Baths for 1 min each
Ilford Rapid Fixer (1+4) 4 minutes
Base Tilt : 20 deg forward
Mid tone LV = 12
Highlight = 14
Shadow = 10
Filters : None
Final LV=12
1/2 sec @ f32
Directly enlarged blossoms onto Adox MCC 110, two trays Catechol/Meritol, toning MT3 Vario Schwefeltoner
Leica M6TTL | Leica Summicron 50 f.2 V. | ORWO UN54 100
Digitized with Canon EOS 6D | lighttable | digitazia
Home developed in Adox FX39II 1/9 | 8,5 min / 20 deg C min / 20 deg C
Negative Lab Pro v2.3.0 | Color Model: B+W | Pre-Sat: 3 | Tone Profile: LAB - Standard | WB: Auto-Neutral | LUT: Frontier