View allAll Photos Tagged ADAS
The Ada bridge or alternatively Sava bridge is a cable-stayed bridge over the Sava river in Belgrade, Serbia. The bridge crosses the tip of Ada Ciganlija island, connecting the municipalities of Čukarica and New Belgrade. The bridge pylon is located on the tip of the island, which has been reinforced with large amounts of concrete and has been slightly enlarged to provide stronger foundations. Construction began in 2008, and the bridge opened on 1 January 2012 Adjoining roads were completed in 2013.
Ada Wong, Resident Evil 4 Photographer: A.Z.Production Cosplay Photography (instagram.com/azproductioncosp) Cosplayer: Peyton (instagram.com/peytoncosplay/) Event: Volta in Cosplay (instagram.com/il.volta/)
Hasselblad 500C, 150mm Sonnar f/4
Kodak Portra 160
Scanned with CanoScan 8800F
Ada Ciganlija
Belgrade, Serbia
-2015
Ada Wong, Resident Evil 4 Photographer: A.Z.Production Cosplay Photography (instagram.com/azproductioncosp) Cosplayer: Sai (www.instagram.com/saiwestwood/)
Lake Ada provides something of a sanctuary for the Arthur River before it enters Milford Sound and flows into the Tasman Sea in the Fiordland district on the west coast of the South island of New Zealand.
Ada´s testing Peter´s new climbing tree. :>
At least there´s a one little doll who likes our cat. Can´t say same thing about some other dolls...x)
Ada Wong, Resident Evil 4 Photographer: A.Z.Production Cosplay Photography (instagram.com/azproductioncosp) Cosplayer: Peyton (instagram.com/peytoncosplay/) Event: Volta in Cosplay (instagram.com/il.volta/)
My friend Ada has come to visit me. She has brought a nice red wine, which of course is in good hands with the maid ;-d
Ada flowed through the castle, a shadow navigating a maze of stone and secrets. Years of training had honed her movements to near-imperceptibility; a silent predator stalking its prey. She read the castle like a map etched in her mind, knowing which passages lay unguarded, where the floorboards creaked, and which sentries were most easily misled. Her focus was a razor's edge, each sense heightened, her goal clear: unearth the castle's deepest, most carefully guarded secrets.
ⓒRebecca Bugge, All Rights Reserved
Do not use without permission.
My maternal grandmother's maternal aunt. Probably from the first years of the 20th century. More about her and the photo can be found here:
dameboudicca.blogspot.com/2009/04/photo-of-week-ada-wennl...
This ADA mat at Union Station in Denver Colorado caught my eye due to the bright color and early morning shadows. I was lucky that it was new and not yet worn or soiled.
"...primeval and reminiscent of ancient totems."
Ada's will
Laumeier Sculpture Park
St. Louis, Missouri
2009
29. 8. 1899.
Ada - and another woman (Mother? sister? cousin? friend? Who knows...)
Photographer: Mertens és Ta (and Co.), Budapest
Muschel mignon, 55x55 mm (it's called Diamond in English speech area). This format was used between 1894 and 1930.
Found photograph.
Hungary
No longer ship-shape & Bristol fashion; iron hanging knees in the grass are all that remain to identify the wreck of the "Ada" at Purton.
She is a rare example of a Bristol Dandy, built in 1869 by Bristol shipwright Thomas Gardner. She spent her long trading life transporting cargoes across the Irish Sea, but by the 1930s she had ended up de-masted and moored in Avonmouth Docks where she was used as a store for for rancid dunnage from imported meat consignments.
She was beached at Purton in 1956 but sadly an arson attack in 1986 destroyed most of her timbers that still protruded above the silt level.
27th October 2009.
location: Foisor- Parc Central- Suceava
www.flickr.com/photos/32468858@N03/
Copyright © Betuel Hreniuc . All rights reserved.
Bain News Service,, publisher.
Ada Jones
[between ca. 1915 and ca. 1920]
1 negative : glass ; 5 x 7 in. or smaller.
Notes:
Title from unverified data provided by the Bain News Service on the negatives or caption cards.
Forms part of: George Grantham Bain Collection (Library of Congress).
Format: Glass negatives.
Rights Info: No known restrictions on publication.
Repository: Library of Congress, Prints and Photographs Division, Washington, D.C. 20540 USA, hdl.loc.gov/loc.pnp/pp.print
General information about the Bain Collection is available at hdl.loc.gov/loc.pnp/pp.ggbain
Higher resolution image is available (Persistent URL): hdl.loc.gov/loc.pnp/ggbain.29158
Call Number: LC-B2- 4979-2
Villa Ada è il secondo più grande parco pubblico di Roma dopo villa Doria-Pamphili, collocato nella zona settentrionale della città, sulla via Salaria, poco fuori le mura aureliane che racchiudono il centro storico.
The charcoal scribbles made from a large helium sphere covered in charcoal spikes in the ADA exhibit at the Balloon Museum
Porretta Terme, 05 Agosto 2012
Cosplayer: Giada Pancaccini
Cosplay: Ada Wong from Resident Evil
Photographer: Andrea Bonvissuto
©2012 Andrea Bonvissuto
(Tutti i diritti sono riservati)
My friend Ada arrives at my home to join my T-ladies dresses party. I welcome her at the door. Wow, Ada brought a big suitcase, probably full of pretty dresses.
Ada Limón was born in 1976 in Sonoma, California, into a family that valued both art and language. With Mexican American and American roots, she grew up among vineyards, horses, and eucalyptus, learning early that words could hold both clarity and mystery. That early sense of language’s power shaped her life in poetry.
She studied theater at the University of Washington, drawn first to performance and the sound of voice. After graduation she moved to New York City and earned her MFA in poetry at New York University, where she studied with Philip Levine, Sharon Olds, and Marie Howe. Their mentorship encouraged her to trust in her own voice, one capable of holding both intimacy and expansiveness.
Her debut collections, Lucky Wreck and This Big Fake World, were published in 2006 and introduced a writer who could turn the ordinary into something luminous. Sharks in the Rivers followed in 2010, weaving themes of love, resilience, and belonging to the natural world.
Limón gained national recognition with Bright Dead Things in 2015, a finalist for the National Book Award, the National Book Critics Circle Award, and the Kingsley Tufts Award. The collection balanced grief with joy, exploring the loss of a stepmother and her move from New York to Kentucky while affirming small moments of resilience. The Carrying in 2018, which won the National Book Critics Circle Award, extended her exploration of the body and its limits, writing openly of infertility and illness alongside the solace of the natural world. The Hurting Kind in 2022 turned to kinship, asking what it means to belong to family, landscape, and the more-than-human world.
In 2022 she was appointed the 24th Poet Laureate of the United States, the first Latina to hold the role. She was reappointed for a second term and launched You Are Here: Poetry in Parks, placing poetry across America’s national parks. Her vision is that poems should meet people where they are, not only in books but in the living world.
Her reach extended even farther when NASA asked her to write a poem for the Europa Clipper mission. The spacecraft launched in 2024 carrying her words engraved onto its body, bound for Jupiter’s icy moon. The poem, In Praise of Mystery: A Poem for Europa, celebrates curiosity and the shared reach of human imagination. It includes the lines:
“We were body once,
we were body now,
water and oxygen,
carbon and calcium.”
With these words Limón became the first Poet Laureate to have her work launched into deep space, a reminder that exploration and poetry spring from the same impulse to wonder.
She often describes her process as one of listening. A poem may begin with the flick of a bird’s wing or the hum of cicadas and expand into a meditation on survival or joy. Her writing is clear, unsentimental, and full of attention. It allows sorrow and astonishment to stand together, showing that both are part of being alive.
Today she lives in Lexington, Kentucky, while maintaining deep ties to California. She continues to write and to serve as an advocate for poetry as a democratic art that belongs to everyone. Her words now live not only in books and parks but also in space, affirming that human imagination has no boundary.