View allAll Photos Tagged 94:

aspen, colorado

1977

 

flying kites, galena avenue

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

94 1538 der Rennsteigbahn is turned on the turntable in the Sonneberg / Germany depot.

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94 1538 der Rennsteigbahn wird auf der Drehscheibe im Lokbahnhof Sonneberg gedreht.

aspen, colorado

1977

 

peter's spaceship

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

keystone, colorado

march 1977

 

nastar national championships, march 24-26, 1977

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

new york city

1977

 

washington square

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

started from a scanned marble paper, fish digital collage and poem

atlanta, georgia

1977

 

mother's finest, in concert

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

aspen, colorado

1977

 

peter's spaceship

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

atlanta, georgia

1977

 

mother's finest, in concert

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

Phot0766.Jpg

new york city

1977

 

volleyball, washington square park

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

Elephant Parade in London, May - July 2010

94 1538 der Rennsteigbahn is turned on the turntable in the Sonneberg / Germany depot.

/

94 1538 der Rennsteigbahn wird auf der Drehscheibe im Lokbahnhof Sonneberg gedreht.

aspen, colorado

1977

 

trampoline

backyard, dewolf home

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

Sunday, September 12, 2010

 

This was from 5th grade. I went to the state art award thingy and someone made this for me. The line was HUGE.

 

Anywho, I was taking pictures this morning of me holding various frames or pictures. +1 In Comments! I uploaded the other one too.

 

I love love love my fingers and my eyes :)

 

I love it!

Plan view of the ramp. The yellow benchmark is visible at the bottom of the image.

 

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Up until the late 19th Century the Islais Creek basin on San Francisco’s southern coast was an impressive tidal marsh. Then the exuberant application of explosives, steam, and later diesel power filled the marsh to create district of industrial works.

 

In the current day there is little to recognize of the former wetlands. The Islais Creek channel is still there in a formal, channelized way. Here and there you can find small patches of long neglected shoreline where nature has managed to soften the industrial vocabulary of the landscape. One example is Heron’s Head Park, which we documented earlier in the Hidden Ecologies project. On Saturday I visited another bit of the shore right at the outlet of Islais Creek. This is a site called Pier 94 where the Golden Gate Audubon Society is managing a small plot of land to provide habitat for wildlife and waterfront access for humans.

 

My colleague Wayne Lanier asked if I could take KAP images of the site showing the placement several benchmarks. It turned out to be a difficult session. The marine layer dealt us an overcast that was pretty thick at times. Meanwhile winds were wandering from near calm to over 15 mph with azimuth shifts of 90 degrees or so. I tried a couple of kites before settling on the 7.5-foot Rokkaku and flew this for an hour before getting enough lift for the camera. The KAP rig then went up and down a half dozen times due to lulls in the wind. Some of the retrievals bordered on urgent.

 

The afternoon produced images covering most of the site. But it was one of those sessions where the bulk of my attention was on the kite flying and tending to camera survival. In the end the images were not very good. My 10-22mm lens somehow got set wide open (f4.0), a condition where the corners are way too soft and, worse yet, the camera was switched to matrix metering which seems to cause focusing issues when the camera is aloft. Add a bit of motion blur and inattention to controlling the camera as I struggled with the kite and the session image quality was the worst in a couple of years. So, I am chalking this trip up as a scouting session and look forward to a follow up shoot under more friendly conditions.

 

STS094-307-001 (1-17 July 1997) --- Five NASA astronauts and two payload specialists who spent 16 days in space in support of the Microgravity Science Laboratory (MSL-1) mission pose for the traditional in-flight crew portrait. In the front, left to right, are astronauts Susan L. Still, pilot, and Janice E. Voss, payload commander. In the middle row are, from the left, Michael L. Gernhardt, mission specialist; James D. Halsell, Jr., mission commander; and Gregory T. Linteris, payload specialist. On the back row are Donald A. Thomas (left), mission specialist; and Roger K. Crouch, payload specialist.

atlanta, georgia

1977

 

mother's finest, in concert

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

atlanta, georgia

1977

 

mother's finest, in concert

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

atlanta, georgia

1977

 

mother's finest, in concert

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

The only photo of myself on the actual concert grounds and its just the back of my head ;-(

Number 94 in the Dutch Championship GT's & Touring Cars (NK GTTC) is the Mazda RX-3 with Wankel engine of Gust van Haelst. © Bert Visser

aspen, colorado

1977

 

photo shoot

(double exposure)

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

new york city

1977

 

wedding party

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

keystone, colorado

march 1977

 

nastar national championships, march 24-26, 1977

 

part of an archival project, featuring the photographs of nick dewolf

 

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

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