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detailz
Jade Nightraven
jadefiregurl
Peaking
Visit this location at PEAK Lounge [Since 2014] - [Peace : Love : Music] in Second Life
...now i can't let go of this dream
can't believe that i feel
good enough
i feel good enough
its been such a long time coming, but i feel good
and i'm still waiting for the rain to fall
pour real life down on me
cause i can't hold on to anything this good enough...
evanescence
These song lyric bits will go away soon enough. I've been in such a funk for quite a while now that I'm slowly getting out of. It's a fragile but oh so nice feeling.
Today I helped my little sister with her school project. Both she and I made this mask and she made the dress I'm wearing. It was fun running around her garden taking fun shots to show the dress off.. plus I managed to get today's SP out of the way too! Will put some of the other shots up soon ; )
Hope you're all having a good weekend!
Omg my hand looks mangled! :s
74|365
i know this isnt a self portrait, but whatever :P i needed to upload something...
this is from last year
this is jayne anne, my best friend haha
i just found these that i took on her computer, bah!
My mother worked in various capacities including teaching and teaching teachers how to teach.
(Photograph of an original slide taken by my father in the early 1970s.)
Day 74
Ohh I was soo trying to save this for easter, but I could not resist. You might see it pop up a few times, I love that hat.
Primer día del nuevo año. Las apariencias engañan... Nada es lo que parece, pero así es todo mucho más emocionante. Por un año lleno de cosas emocionantes y cargada de cosas buenas y nuevas!
ODD PHOTOGRAPHY , ikon , mazzaro, OMY,FaeTal,karmazz
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Ipswich Buses 74 (YN56 NVF) a Scania Omnicity, photogarphed operating an unlucky route 13 on the 8th of April 2019.
Boeing 747-200 (E-4A) 40787 seen at the Boeing Everett plant (PAE/KPAE), 19 September 1974. First flight was on 6/6/74 and delivered to the USAF on 15/10/74. Later converted to E-4B and remains in service in 2022.
This is where I was, 45 years ago on this day (another Sunday), with almost 80,000 other people. This is the advertisement for the event, taken from the local Long Island newspaper Newsday. I don’t remember the exact date of the issue in which it appeared, but certainly it had to be late August/early September 1974. I clipped it out, and I’ve had it ever since. The illustration on the advertisement was done by Joni Mitchell; it served (in color) as the cover for CSNY’s compilation album So Far, released in August of 1974, about halfway through the tour.
It was a hot, humid day, but clear, no clouds that I remember. I got there very early, just after dawn, dropped off in a police car! lol My father was a uniform sergeant at the time, so he picked me up at home in a patrol car and dropped me off. (I’m sure this wasn’t allowed, really, but it was a very long time ago, and even if Dad was still here I don’t think he’d mind me mentioning this little detail after all these years.) As I stepped out of the car I got some looks, of course (“Narc!” :)—which Dad had been for eight or nine years, actually), but it was general admission, so everybody was just focused on getting to a gate, to get in and get up front—just like me! Which I achieved: after walking around that entire (half-mile) track three or four times looking for a familiar face, I finally spotted an old friend from my hometown right up front, about fifteen feet from the stage. So I joined up with him, he gave me a concert-enhancement tab which I gratefully swallowed, and when he wandered away a little while later, I stayed right where I was and remained there for the entire duration of the show, which was an all-day affair. A photo of the event can be found here Summersault 74 Roosevelt Raceway; I’m right up front, slightly to the right of center (from the viewpoint of the stage), 15-20 feet from the stage (and if you look really hard, you still can’t make me out in that photo :).
It was a really great show, everybody was just great. I remember every act really well, actually. Jesse Colin Young opened the show and was well-received, a relatively short set as I remember (he was a founding member and the lead singer for the 1960s band the Youngbloods). Then the Beach Boys came on, and well, that was like a party! I’ll never forget this big, burly guy, shirtless (like so many others that day—it was hot!), yelling out in the interim between two songs, “Beach Boys! Come to my house! We’ll have a party!” All those hits, everybody singing along in the early afternoon of a clear, hot summer day, a day just made for Beach Boys music, it was a blast.
Next up was Tom Scott and the L.A. Express, a jazz-rock band featuring Robben Ford on guitar. I was in the first year of my own journey on that instrument, so I was utterly transfixed (then and now Robben Ford is a brilliant guitar player. Not just anybody gets to play with Miles Davis, George Harrison, and Joni Mitchell, to mention just three.) And Tom Scott, even if you don’t know who he is, if you’ve heard American pop/rock music in the last 40 years or so, you’ve heard Tom Scott. Google him if you don’t believe me.
Then the goddess took the stage. I will never, ever forget Joni Mitchell’s voice soaring above me, not if I live another hundred years. She was astounding: she played guitar, Appalachian dulcimer, piano, and appeared both by herself and with Tom Scott and the L.A. Express backing her. I don’t remember if she started solo, and then had Tom and the boys join her, or started out with them, played solo, then had them rejoin her. The concert-enhancement tab had reached its peak potency around then, so I’m not exactly sure of the order of things, but I can never forget that glorious voice and those amazing songs.
I believe it was after Joni Mitchell’s performance, in the late afternoon, that Bill Graham ambled on to the stage and said, and I quote because I’ll never forget it, “OK, I have today’s dynamic duo.” He then proceeded to tell us first that Evel Knievel had failed in his attempt that day to jump the Snake River Canyon in Idaho. I don’t remember much reaction to that, maybe a sort of muted groan; I mean, most everyone wanted Evel to make it, so you couldn’t really boo, because then you’d be booing Evel, and he was a pretty popular guy there in the mid 70s. So I don’t remember any real crowd reaction to that—what could you do, you know? But then Bill informed us that Gerald Ford had that day pardoned Richard Nixon of all federal crimes, and that most certainly did get a reaction. I would have to say that’s the loudest boo I’m ever likely to hear in this life—I mean, 80,000 people can make a lot of noise if they want, and Richard Nixon was not at all a popular guy there in the mid 1970s.
Then, as the sun was beginning to go down, Crosby, Stills, Nash and Young came on and for the next three hours or so put on what I remember as a great show. I had just seen them three weeks before in August at the Nassau Coliseum, and that was a great show. I enjoyed this one even more. It was the end of the tour—an added-on date, I believe (there would be one final show a few days later in London at Wembley Stadium)—so, I don’t know, they seemed relaxed and at ease (maybe relieved is a better word: the tour is somewhat notorious in CSNY annals). My memory is they played and sang great, and something I will never forget is Joni Mitchell joining them on “Helpless.” But nothing from this show made it onto the three-disc set the band finally released of this tour a few years ago, CSNY 1974, and songs from both nights at the Coliseum did, so maybe Graham Nash disagrees (he assembled the disc set). Or maybe the recording of this show wasn’t any good, or maybe it wasn’t even recorded at all, I don’t know. All I know is I enjoyed the show, and 80,000 other people seemed to enjoy it too.
I was 17 years old, and that’s my story and I’m sticking to it.