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and excuse my bad hair day :) outtake from 52 frames!

my entry for this weeks 52 frames

theme - self portrait

best I can do for today. lol

 

which one?

Hey guys! I've been sucked into the 52 frames project again this year and so far it's been awesome. At this rate. I don't see myself backing out at 14 weeks like last year. It's more active over on instagram than it is over here so I've been trying to post here also when I can. Some of you are participating and its been awesome interacting with yall and seeing your images there too! Have a fantastic weekend! I'll be catching up the best I can soon!

  

www.youtube.com/watch?v=5ClCaPmAA7s

week 3

52 frames challenge - down low

what you all think?

 

Thank you :)

my submission for this weeks challenge, 2020 in a photo, 52 frames challenge, I think this photo says it all or most of it for the year 2020.

 

Thank you all for stopping by and I so appreciate your comments and faves.

 

Lets all ring in the year 2021 with hopeful and positive hearts.

 

love and light xoxoxo

Had a lovely little walk yesterday locally, down by the river Severn. While focusing to get shot of some clover in a field, I noticed these little water droplets on a blade of grass.

 

Thought it made an interesting shot for this weeks 'get low' 52 frames.

Had fun with oil and water, got some interesting results.

 

I used my tablet underneath the dish of water to get the colours & patterns

 

This was my submission for week 4/52 52 frames 'water'

 

The Trifid nebula can be found in the constellation of Sagittarius about 5000 light years away, being a bright emission nebula that can be seen with binoculars. The nebula appears very low in the sky here in England, and is not an easy imaging target due to the air pollution and murk being so low down in the sky. Special narrow band filters and looong exposures are required to reveal good detail and structure.

This image was acquired with more modest kit, back in April/May, when the sky was very clear and transparent, due to the depleted pollution from industry and aircraft during locked down. Although there was still a light pollution dome on my near horizon, the severity of the image color cast in my image was easier to reduce in the final image, due to the cleaner sky. Back to normal now, couldn`t achieve this image again.

MN190/7inch Maksutov Newtonian Reflector, F5.3

NEQ6 GOTO Equatorial mount.

EOS760D + CLS filter (city light suppression)

52 frames @ ISO6400, 35mins exposure time.

Post processing in Deep Sky Stacker, Lightroom 5 and Canon DPP.

 

It's been a while! I've been inspired by others to take part in the 52 frames challenge this year. I've missed using my camera and I'm looking forward to the challenges ahead.

 

This weeks challenge, self portrait. I had no idea what I was going for when I starting shooting, this is my favourite from quite a few photos. Not perfect, but I like it.

I had a go at double exposures which turned out to be quite fun to shoot, and interesting. I will share those at some point!

 

I hope you are all well.. And happy new year ✨💛

Week 1.

52 Frames Challenge 2016.

Self-Portrait

Oxford collar button. Canon MP-E 65mm @ 1.5x

Focus stacking of 52 frames

Taken for Compositionally Challenged - Week 27 - Negative Space

I’m lucky enough my local photography club has set up remote shooting. Great fun way to spend an evening at home and still get some brilliant images! The 52Frames brief was to shoot a horizon, so I got a fluffy cloud on mine 😊

week 3 for 52 frames entry

- wabi sabi

well maybe not quite the best entry for this category, but this is it :)

We're back from our travels and staying with family right now. We move into an apartment in 2 weeks while we build our home in Grandy, North Carolina. It's been quite the whirlwind but it also feels good to be getting back to normal

This weeks pick for 52 frames weekly challenge - Abandoned

 

This is a shot that I originally took about a year ago in our local cemetery during one of our camera club walkabouts. I always liked the concept but was never happy with certain elements of the shot. So last night after work I went back to the cemetery hoping against hope that the bear would still be there and he was! He was looking even more abandoned and forlorn.

 

I like this version much better. Still strangely feel sorry for the bear though.

 

10/52

I have never frozen flowers to photograph, so decided to try it with some different flowers. This is a small zinnia about 2 inches across that was pink before freezing and turned a pretty purple color

52frames.com | Week 29/2021 | "Product Photography"

 

Inspired by this article.

 

I took the picture of this flower on a white background then used the sky replacement filter in PS to create the "sunset"

52 Frames Weekly Photo Challenge Assignment: Shallow Depth of Field

Stack, Zerene, 52 Frames,4K-Postfocus

 

The Chesapeake Bay Bridge Tunnel, is 23 miles long (37km) spanning the mouth of the Chesapeake and connecting the Virginia Beach/Norfolk, VA area with Virginia's Eastern Shore. In two places the bridge becomes a tunnel to let large ships enter the bay.

 

I have photographed this bridge previously but never from this angle, beneath the two spans and between them.

 

I made this image for the 52 Frames photo site, for the theme of "Leading Lines." I think this image has several!

 

Thanks, friends, for helping this image into Explore, June 26, 2023.

"Beauty surrounds us but usually we need to be walking in a garden to know it" - Rumi

This flower is from the azaleas we planted in the spring

My Week 2 submission for 52 Frames "Hello from"

My assignment this week for 52-Frames was "High Noon," meaning I should make an image with the sun high in the sky.

 

After trying a number of options, I settled on this statue. This is part of a large statue located outside the Chrysler Art Museum in Norfolk, Virginia. The piece is called "The Torch Bearers" and was created by Anna Hyatt Huntington (1876-1973). If viewed as a whole, you would be able to see that the rider is reaching down to a wounded man on the ground to take the torch from him.

 

What drew me to the statue was the contrast between light and shadows. According to my photo's EFIX info, I made the image at 12:40, and chose to frame it from behind because it was the only vantage point with a clear background and with strong side light from the bright mid-day sun. After looking at both color and B&W, I decided that the B&W produced a more dramatic result.

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