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4x5 - Gum Bichromate over Cyanotype - Cyanotype/Lamp Black/Burnt Umber - Eric
*A portrait from my series "Just 5 More Minutes...", portraits of people as they wake up.*
Added a pair of upright supports for the rear standard to the design as I wasn't 100% happy with the stability. These will now lock the standard in place, along with a sprung clip on the back.
Shot 4x5
2 sources of light:
- bare flash shot through 4x6 milky plexiglass. right side, above model's forehead
- left side, huge black foamcore
- background, bare flash creating gradient from left to right
Sinar 4x5 with Horseman 6x9 back.
Schneider-Kreuznach 150mm @ F8.
1 sec, Ilford FP4+.
ID-11 (1+3)
1st test roll :)
after sunset, f8 at 1/8th, never shot a picture this wide open before, see lady rapper for a sharper example. If you wonder why I complain about f8 is because my 4x5 lens is 5.6 so f8 is almost all the way open and depth of field is nill.
The beautiful coast in Santa Barbara, CA.
Taken on a 4x5 Tachihara , with Portra 400NC. Approximately a 1 sec exposure during sunset.
This is the full image, no post processing done other than from the scanner. The next image is a tight crop which I printed at 12x24 and it looks fantastic.
Process: 4x5 cross processed film + digital colour enhance
Camera: Calumet cadet 4x5 + neg scanner
Location: Alberta, Canada
2015-05-08
Calumet 4x5 CC-400
Graflex Tele-Optar 10" (250mm) f/5.6 lens
(expired) Kodak T-Max 400 4x5 film
Adox Adonal (1+50) developer
20ºC - 12min
Kludgy scan of 4X5 negative taken with PINH5AD, a 3D printed pinhole camera www.thingiverse.com/thing:143882 Using a homebrew 4X5 negative carrier for the Epson V500 Scanner www.thingiverse.com/thing:152009 Exposure details listed in comments. Many dust spots and crappy stitching. Light leaks. All my fault and part of the learning curve of using large format sheet film.