Cathy's is on the top, this is the only photo I have before I gave it to her!

photo montage

1959

foreground:

men hauling bananas

montego bay, jamaica

background:

unidentified

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

2015-05-08

Calumet 4x5 CC-400

Graflex Tele-Optar 10" (250mm) f/5.6 lens

(expired) Kodak T-Max 400 4x5 film

Adox Adonal (1+50) developer

20ºC - 12min

Two different edges of the same large field that is slated for development in Goleta, Calif. Used a 6" petzval on a Speed Graphic--outdated 4x5 Tri-X.

metéora, greece

1959

monastery

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

1900 Conley 4x5 box camera test • Ilford FP4

Calumet 4x5 monorail

Schnieder 240mm convertible lens

2 minutes @F22

yellow filter

Acros 100, shot and developed at 100 ISO

Scanned with Epson V700 @ 2400 dpi

major crop,dust removal, burned in water, and adjusted contrast

Galveston Bay as viewed from a friend's yard in Kemah, Tx.

First shot with my "new" lens. A portion of the original negative was unexposed. Apparently, I had not completely inserted the negative holder. I decided to crop it out and then some...

boston, massachusetts

1958

sailboats, charles river

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

a large format slide of tulip in the morning. The lens was an instrument measuring lens that had been mounted on COPAL3 shutter. I forgot carrying ND filter so the photo was taken with f4 which lost the maximum bokeh. The lens is extremely sharp even wide open.

APO Supercondimentar 120mm f2.8

Fotos con Calumet 45N y placas FP4

paris, france

1959

notre-dame de paris

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

Using the Harman Titan pinhole ans 4x5 rc photopaper, very sunny conditions, 30 sec exposure, 75mm cone.

My first 4x5 photos taken with a Linhof Technikardan 45 on Ilford HP5 400.

southwestern united states / northwestern mexico

1958

power lines

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

来自Lofter

4x5 on Shanghai 100 asa film. 135mm schneider

Kodak Tri-X 320 4x5 negs processed in Kodak HC-110 1:119 for 21min in the SP-445. The line on this one were caused by my loading the film into the tank with the emulsion facing the wrong way, oops!

Toyo-View D45M, Ilford Delta 100, 12 mins Ilfotec DD-X, 4 mins TF-4. Scanned Epson 800 @ 4800 dpi. Dust removal in Lightroom.

来自Lofter

I've been thinking about getting an Epson V800 scanner for my larger than 35mm negatives but it is really expensive so instead I tried taking a picture of the negative on a light box with the Sony A6000 and seeing what I could get. This was handheld in a room with competing lights but it's not so bad. I could improve on it a bit and it will probably be good enough for online

posting.

Polaroid 110A/B conversion 4x5 back, in red Ostrich built by Patrick Putze

©2010 | T H A W L E Y

Rollei R3 4x5"

Carbon Infinity

4x5 Architecture

4x5 tintype.

Was so pleased to have the opportunity to try out some more wet plate photography at McArthur's Store, Dunbar (Scotland) with Alastair Cook while he was there, in June.

Graflex RB Super D 4x5 SLR

Kodak Ektar 190mm f/5.6

T-Max 100 in Rodinal 1:100

1/60 @ f/5.6

cape cod, massachusetts

1959

ropes, pulley, and fishing net

(damaged negative)

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

boston, massachusetts

1959

"escape"

fire escapes, beacon hill

(positive)

(intermediate step in the creation of a "black and white inversion" - nick's home-brewed process ~sl)

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

来自Lofter

J'ai pris des clichés couleur avec un dos 6x9.

4x5

Another thing I'm submitting for the Student Art Gallery's Finite 4x5" show.

boston, massachusetts

1959

"escape"

fire escapes, beacon hill

(intermediate step in the creation of a "black and white inversion" - nick's home-brewed process ~sl)

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

来自Lofter

Day 59

Came up to milwaukee to shoot a bunch of 4x5 film. Victoria drove all over and had a great time, by the end of the day I had shot 12 sheets of film, pretty good day.

Slighty cropped version of the full 4x5 frame.

Sichuan Prov., China.

paradise for LF photographe

chicago, illinois

1959

tugboats, port of chicago

(positive)

(intermediate step in the creation of a "black and white inversion" - nick's home-brewed process ~sl)

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com

northern arizona

1958

navajo woman weaving a rug

part of an archival project, featuring the photographs of nick dewolf

© the Nick DeWolf Foundation

Image-use requests are welcome via flickrmail or nickdewolfphotoarchive [at] gmail [dot] com