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One camera. One lens.
One film.
One developer.
One luminance channel (B&W).
At least one photo/day.
At least one roll/week.
At least one darkroom or lab print/week for 52 weeks.
Who’s game?
The sure cure for GAS.
This was the content of the Flickr post...
Large version at: emulsive.org/articles/52-rolls-2016-call-for-participants
Filed under: #52Rolls #Articles #FilmCulture #110FormatFilm #120MediumFormatFilm #35MmFormatFilm #4X5FormatFilm #52RollsProject #8X10FormatFilm #Challenges #FullFrame #HalfFrame #UrbanHafner
The first of my two pinhole shots at the International Pinhole Day.
Twitter : tehaha Portfolio: arnehalvorsen.zenfolio.com
We’re back again and this time we’re sitting down with Craig Pindell, native of Cheyenne, Wyoming and (mostly) 8×10 nut philosopher. Despite offering us an 8×10 selfie via Twitter (a promise he has yet to keep!), we think Craig has some pretty interesting work and thoughts...
Large version at: emulsive.org/interviews/i-am-craig-pindell-and-this-is-wh...
Filed under: #Interviews #120/MediumFormatFilm #4X5FormatFilm #8X10FormatFilm #CraigPindell #Fuji #FujiAcros100 #Interview #Kodak #KodakT-MAX100(TMX)
35mm, medium format, large format...today's interviewee takes it all in his stride, shooting developing and printing everything himself as he goes. Oh, and he's into year two of an ongoing large format 365 project. Someone keep this man in developer so we can see how far he goes.
It's time to...
Read more at: emulsive.org/interviews/i-am-brian-miner-and-this-is-why-...
Filed under: Interviews and #4X5FormatFilm #BrianMiner #Fuji #FujiVelvia100RVP100 #Kodak #KodakTriX320320TXP #Toyo
Seriously, what is it about Large Format photography that makes me want to literally dive in to an image? (I can’t swim, so the feeling is doubly strange for me).
With that in mind, I felt it time to have another LF photographer join us and share his thoughts on film photography. Today...
Read on at: emulsive.org/interviews/film-photographer-interviews/inte...
Filed under: #FilmPhotographerInterviews, #Interviews, #4X5FormatFilm, #8X10FormatFilm, #Caffenol, #EMULSIVEInterview, #FilmPhotographerInterviews, #FujiXRayFilm, #ILFORD, #ILFORDDelta100Professional, #ILFORDHP5PLUS, #Interview, #LargeFormat, #MatthewHinther, #Schneider, #Sinar
#shootfilmbenice #filmphotography # believeinfilm
Shot on ILFORD Delta 100 Professional at EI 100
Black and white negative film in 4x5 format
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Filed under: #Mediumformat, #Photography, #2018May, #4X5FormatFilm, #BlackAndWhiteNegativeFilm, #EI100, #EMULSIVEDailyPhoto, #Graflex, #GraflexPacemakerSpeedGraphic, #ILFORD, #ILFORDDelta100Professional, #ISO100, #Kodak, #KodakProjectionAnastigmat161MmF45
#shootfilmbenice #filmphotography #believeinfilm
Seriously, what is it about Large Format photography that makes me want to literally dive in to an image? (I can’t swim, so the feeling is doubly strange for me).
With that in mind, I felt it time to have another LF photographer join us and share his thoughts on film photography. Today...
Large version at: emulsive.org/interviews/i-am-matthew-hinther-and-this-is-...
Filed under: #Interviews #4X5FormatFilm #8X10FormatFilm #Caffenol #FujiXRayFilm #ILFORD #ILFORDDelta100Professional #ILFORDHP5 #LargeFormat #MatthewHinther #Schneider #Sinar
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Fuji Provia 100F (RDP III) shot at EI 100.
Color reversal (slide) film in 4x5 format.
Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic.
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Large version at: emulsive.org/photography/large-format/bougainvillea-bonsa...
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Filed under: #Largeformat #Photography #2017March #4X5FormatFilm #EI100 #EMULSIVEDailyPhoto #Fuji #FujiProvia100FRDPIII #Graflex #GraflexPacemakerSpeedGraphic #Kodak #KodakAeroEktar17825
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Shot on #Rollei Infrared 400 at EI 400
Black and white negative film in 4x5 format
#Graflex Speed Graphic, Graflex Optar 135 f/4.7
Developed in #Cinestill Df96 monobath
Large version at: emulsive.org/photography/large-format/the-left-of-right-s...
Filed under: #Largeformat, #Photography, #2018September, #4X5FormatFilm, #Cinestill, #CineStillDf96Monobath, #EI400, #EMULSIVEDailyPhoto, #Graflex, #GraflexOptar135MmF47, #GraflexPacemakerSpeedGraphic, #ISO400, #Rollei, #RolleiInfrared400
#shootfilmbenice #filmphotography #believeinfilm
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Fuji Provia 100F (RDP III) shot at EI 100.
Color reversal (slide) film in 4x5 format.
Kodak Aero Ektar 7" (178mm) f/2.5 - Graflex Pacemaker Speed Graphic.
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Large version at: emulsive.org/photography/large-format/%e9%96%80-men-door-...
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Filed under: #Largeformat #Photography #2017March #4X5FormatFilm #EI100 #EMULSIVEDailyPhoto #Fuji #FujiProvia100FRDPIII #Graflex #GraflexPacemakerSpeedGraphic #Kodak #KodakAeroEktar17825
I’m bored.
Photographically, that pretty much sums up the past few months for me. Yes I know it’s probably not best to start off this update post with a lamenting and needy statement but there it is. Can’t take it back now.
I guess it’s partly because the weather has been...
More at: emulsive.org/articles/52-rolls-2016-week-14-17-update
Filed under: #52_Rolls, #Articles
Today we’re sitting down with Marcus Carlsson, Swedish large format aficionado, sometime digital shooter, obsessive DIY-ist and more recently, app developer.
We’ll be telling you more about his Analogue App a little later. For now, let’s see what he has to say for himself.
Over ...
More at: emulsive.org/interviews/i-am-marcus-carlsson-and-this-is-...
Filed under: #Interviews
Ilford HP5+ shot at EI 800.
Black and white negative film in 4x5 format.
Processed as slide film and pushed one stop.
Large version at at: emulsive.org/photography/prayer-day-ilford-hp5-4x5
Filed under: #2016_June, #4X5_Format_Film, #Black_And_White_Film, #EI_400, #EI_800, #EMULSIVE_Daily_Photo, #ISO_400, #ISO_800, #Pushing_Film, #Slide_Film__Black_And_White_Reversal
If you believe when today’s photographer says he’s only been shooting film for the past four or five years, you’re in the minority. His work is beautiful, uncluttered and brings me wonderful feelings of peace.
There’s more from the man himself below, so over to you...
More at: emulsive.org/interviews/i-am-bobby-kulik-and-this-is-why-...
Filed under: #Interviews
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It must be 30 years since I’ve used ILFORD FP4 PLUS, of course, it was plain FP4 in those days (I stopped using it before the PLUS arrived in 1990). ILFORD’s FP films have been around in various guises since 1935, that’s 83 years and long may it continue. I was given a fresh roll last year ...
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Read on at: emulsive.org/articles/5-frames-with/5-frames-with-ilford-...
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Filed under: #5FramesWith, #Articles, #ILFORDFilms, #35MmFormatFilm, #4X5FormatFilm, #BlackAndWhiteNegativeFilm, #ILFORDFP4PLUS, #LeicaM2
#shootfilmbenice #filmphotography #believeinfilm
My second pinhole camera shot from the World Pinhole Day straight out of the camera and Mr. Stasi's lab. Think I got exposure pretty okey, had plan to capture more of the details in the tree and as such it is a bit over overexposed. But it is a bit fascinating how clearly details may come out of these no glass cameras. Why, it is a pinhole surveillance shot, the license plate number is clearly readable!
Yea, yea, composition sucks but give me a break, there is no viewfinder here and it is only my second attempt! May be crazy enough to pursue this and get some experience... And I was running late, not sure what Mr. Stasi does to photographers not returning their borrowed cameras in time on Pinhole Day, not sure I would like to learn...
Twitter : tehaha Portfolio: arnehalvorsen.zenfolio.com