View allAll Photos Tagged 400ml
HP5 in Finol,
Kallitype, Sodium acetate developer,
1st MT12 Cobalt toner 12+9+7+4+450ml 1:30 mins
2nd MT7 Iron Blue 4+2+4+3+400ml 2 mins
3rd Lead acetate 3% 1 min.
Kallitype, HPR, Sodium acetate developer,
1st MT17 Selenium toner 1+8 2 mins,
2nd Cobalt toner 12+8+7+4+400ml 2 mins,
3rd MT7 Iron toner 4+2,5+5+3+450ml 1:45 mins, Lead acetate toner 2,5% 30 secs.
"Café de Las Horas" has a fascinating bohemian atmosphere and it's located in the heart of Valencia. From the outside, it looks like nothing more than an ordinary café, but the inside features an impressive design. It also hosts live music and theme parties inspired by victorian and retro movies.
"Café de Las Horas" tiene un ambiente bohemio fascinante y está ubicado en el corazón de València. Desde el exterior, parece nada más que una cafeterÃa normal, pero el interior presenta un diseño impresionante. También alberga música en vivo y fiestas temáticas inspiradas en pelÃculas retro y victorianas.
Carrer del Comte d'Almodóvar
Ciutat Vella de Valéncia (Spain)
"Agua de València" (Cóctel)
Ingredientes para 6 personas, servir en jarra de 2 litros:
- 6-8 naranjas (400ml de zumo)
- 400ml de cava o champagne (mejor frÃo)
- 200ml de ginebra
- 200ml de vodka
- 100g de azúcar (Opcional)
- Cubitos de hielo
Kallitype 21x21cm, Bergger Cot-320; MT10 Gold Toner, ATS fixer, 20mins wash, followed by a weak MT7 Iron Blue Toner (2+2+6+2+400ml) 1:30
A very easy summer desert. Here is a recipe.
500g strawberries, hulls removed
400ml double cream
3 x 7.5cm/3in ready-made meringue nests
1 tbsp icing sugar
In a large bowl whisk the cream with the icing sugar until it holds its shape. Crush the meringues and fold in. Reserve 3 pretty strawberries for decoration and 4-5 ripe ones for the sauce. Chop the rest and add to the cream and meringue mixture. Spoon equal amounts of the mixture into four cold martini glasses. Blend the rest of the strawberries to make the sauce. Pour the sauce over and decorate with strawberry slices.
Enough for 3 generous servings.
Après des recherches sur internet j'ai trouvé le nom de cette indésirable ! Il s'agit de la Punaise de la tortue -
Oui, elle attaque la tomate en suçant le jus....
Trouvé sur le net pour s'en débarrasser :
Écraser des gousses d'ail, mélanger à 400ml d'eau puis pulvériser ...
Je l'ai fait, sera-ce efficace ?....
A voir ! :-))
Efke IR820 rated at 6 ASA, Finol 1+1+100
Kallitype on Hahnemühle Platinum Rag, sodium acetate developer.
Bleached on the left and redeveloped with SE6 Blue. This produces larger silver crystals, which has the advantage of not having to fear the fading that usually occurs when toning with selenium (made for silver gelatine). The hue is cooler than before.
Middle: MT1 Selenium toner 1+30 45 seconds.
Right: If a cooler shade is desired, it can be toned again in Iron Blue Toner (5+5+10+5+400ml one minute). Because of the combination with selenium, the resulting colour is initially on the greenish side. A post-treatment with lead acetate (2.5% solution 20 seconds) shifts the colour to a cooler blue.
Nach dem ausgefallenen Weihnachtsessen hatte ich das Fleisch als Rollbraten eingefroren und jetzt erst verarbeitet.
Wildschweinbraten
750 g bis 1 kg Wildschweinbraten (aus der Keule)
3 Zwiebeln
1 Möhre
1 St. Sellerie
6 Wacholderbeeren 3-4 Schwarzer Pfefferkörner 1 Gewürznelke
3 EL Butterschmalz
2 EL Mehl
2 EL Tomatenmark
2-3 Lorbeerblätter
250 ml Rotwein
250 ml Fond (400ml)
Salz, Pfeffer
Zubereitung:
1. Das Fleisch waschen und trocken tupfen.
2. Zwiebeln, Möhre und Sellerie schälen grob würfeln. Wacholder, Pfefferkörner und Nelke im Mörser fein zerstoßen.
3. Den Braten mit dem Salz und den Gewürzen gut einreiben
4. 2 EL Butterschmalz in einem Bräter oder schweren Topf erhitzen und Fleisch rundherum anbraten und herausnehmen.
5. Zwiebeln und Gemüse im Bratfett kurz anrösten und mit Mehl bestäuben
6. Kurz anschwitzen lassen, Tomatenmark unterrühren und mit anrösten lassen.
7. Fleisch und Lorbeerblätter in den Bräter geben.
8. Wein nach und nach angießen und immer wieder aufkochen lassen.
9. Backofen vorheizen (E-Herd: 200 °C/Umluft: 175 °C/Gas: Stufe 3) und den Braten erst für 30 min. zugedeckt und später für ca. 2 Stunden schmoren lassen.
10. Nach und nach die Brühe dazu gießen und den Braten immer wieder zwischendurch mit dem Fond begießen.
(Der Deckel war die ganze Zeit drauf, alle halbe Stunde gewendet, den Fond zu Beginn gleich ganz rein gekippt)
11. Den Braten warm stellen und den Fond durchsieben und einkochen lassen, bis er etwas eingedickt ist (war nicht nötig).
12. Noch einmal mit Salz und Pfeffer abschmecken und mit der gewünschten Beilage servieren.
13. In die Soße habe ich noch 1 EL Johannisbeergelee gegeben, das hat sich gut gemacht.
www.jagdschule-bayern.de/wildschweinbraten/
IMG_9512
Rolleiflex T2
60/5,6 (11mit Ka. zum Motiv)
Fomapan 220@100
Entwickler Bergger PMK, Ansatz 515ml: 5ml+10ml Entwickler+500ml Wasser 24 Grad, 8Min
Stoppbad Ilford Ilfostop, Ansatz 500ml: 25ml Ilfostop+475ml Wasser 24 Grad
1:19 bei 20 Grad, Stoppzeit 20 Sek.
Fixierbad Ilford Rapid Fixer, Ansatz 500ml: 100ml Fix+400ml Wasser 24 Grad
1:4 bei 20 Grad, Fixierdauer 6 Min
Netzmittel Tetenal Mirasol 2000,
Ansatz 501,25ml: 1,25ml Netzm.+500ml destilliertes Wasser
1:400 bei ca. 24 Grad,
Camera: Canon AE-1 Program
Lens: Canon FD 50mm 1.8
Filter: Hoya Infrared R72
Film: Rollei Infrared 400
D-76 1:1 10 Min. 68 F.
Ilford WT RC
Bleached with:
1 part Stock A (20g Potassium Dichromate, 400ml water)
5 parts Stock B (40ml Muratic Acid containing 34% hydrochloric acid, 400 ml water),
20 parts Water.
Redeveloped in Caffenol-C 90 sec. at 90°F
Slightly bleached again.
Microtek ScanMaker 6100
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/5344848758/in/set-7215...
Camera: Canon AE-1 Program
Lens: Canon FD 50mm 1.8
Filter: Hoya Infrared R72
Film: Rollei Infrared 400
D-76 1:1 8 Min. 73 F.
Scanned from Ilford IT-8 toned print on
Ilford WT RC.
IT-8 process:
Print bleached with:
1 part Stock A (20g Potassium Dichromate, 400ml water)
5 parts Stock B (40ml Muratic Acid containing 34% hydrochloric acid, 400 ml water),
20 parts Water.
Redeveloped in Caffenol-C.
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/5344848758/in/set-7215...
lith print on kodak bromesko. moersch easy lith kit. 15ml part a, 15ml bart b, 400ml water, no old brown, heated to about 35C. Quite a rapid developement, maybe 5 or 6 minutes in the tray. The tones are pretty accurate to whats on the print, truly beautiful paper this :)
Fomapan200:
Entwickler Adox Rodinal, Ansatz 500ml: 10ml Entwickler+490ml Wasser 20 Grad
1:50 bei 20 Grad,
Stoppbad Ilford Ilfostop, Ansatz 500ml: 25ml Ilfostop+475ml Wasser 20 Grad
1:19 bei 20 Grad, Stoppzeit 20 Sek.
Fixierbad Ilford Rapid Fixer, Ansatz 500ml: 100ml Fix+400ml Wasser 20 Grad
1:4 bei 20 Grad, Fixierdauer 2-5
Netzmittel Tetenal Mirasol 2000,
Scan bei Gerhard H Epson 550
LR TM1ka
lith print on kodak bromesko. moersch easy lith kit. 15ml part a, 15ml bart b, 400ml water, no old brown, heated to about 35C. Quite a rapid developement, maybe 5 or 6 minutes in the tray. The tones are pretty accurate to whats on the print, truly beautiful paper this :)
Waterfalls like Dynjandi are impressive from anywhere you can see them. After taking several shots from the base of it, already in the parking lot, I saw the possibility of taking a shot of a small detail of the water fall with the 400ml telephoto lens.
Not very exciting, but I work for a firm that sells Dexion racking and because I'm in sales, I thought I'd upload this image to see if anyone fancies buying the very same rack to tidy up your paint.
This rack is 1600mm high x 800mm wide x 300mm deep and will cost £40.00 +VAT
It will store 264 cans of 400ml paint, which isn't included in the forty quid price. :)
Delivery extra depending on where you want it sent.
If you would like to receive a catalogue - pm me and I'll let you know my work email (or give me yours)
If you work for a company that might use shelving, racking, mezzanine floors, Industrial Partitioning, sack trucks and anything else that you might need in a warehouse or office environment, please contact me and give some work to a fellow writer.
Thanks.
Camera: Pentax K-1000
Lens: SMC Pentax-M 1.4/50
Filter: Yellow
Film: Tri-X 400 @ 200 ISO
D-76 1:1 10 Min. 68 degrees
Scanned from print on
Ilford MGRC WT developed in Caffenol-C
Bleached with:
1 part Stock A (20g Potassium Dichromate, 400ml water)
5 parts Stock B (40ml Muriatic Acid containing 34% hydrochloric acid, 400 ml water),
20 parts Water.
Redeveloped in Caffenol-C. Bleached again lightly in diluted bleach.
SEE THE CAMERA AT THE LINK BELOW:
Camera: Nikon FE2;
Film: expired Polypan F, ISO 100;
Lens: Nikkor Ais 28/2.8;
Developing: Kodak HC110 (4,5ml+400ml=35min/22C).
8/250 Hellgelbfilter Roleiflex T2
Foma200@100
Entwickler Bergger PMK, Ansatz 515ml: 5ml+10ml Entwickler+485ml Wasser 24 Grad, 8Min
Stoppbad Ilford Ilfostop, Ansatz 500ml: 25ml Ilfostop+475ml Wasser 24 Grad
1:19 bei 20 Grad, Stoppzeit 20 Sek.
Fixierbad Ilford Rapid Fixer, Ansatz 500ml: 100ml Fix+400ml Wasser 24 Grad
1:4 bei 20 Grad, Fixierdauer 6 Min
Netzmittel Tetenal Mirasol 2000,
Ansatz 501,25ml: 1,25ml Netzm.+500ml destilliertes Wasser
1:400 bei ca. 24 Grad,
056 x Mtn Black valpo.
Para hacer su pedido solo escribenos por inbox y podemos
hacer entrega del pedido en cualquer estacion del "METRO DE VALPARAISO".
www.montana-cans.com/products/Cans/Montana_BLACK/Montana_...
(El material expuesto no tiene relacion con la tienda solo fue extraido de internet)
Foto: Gautier
Abertura da exposição e lançamento do livro 400ML em Paris
opening of the Exhibition in the
Maison des métallos
and book 400 ML
Unloved task of developer optimizing for a High-Resolution-Film. I don´t like these films, but wat mut dat mut. ISO 16 geht, ISO 20 ist schon grenzwertig.
Zur Belohnung eine Tonung und eine Kanne Tee.
Adox Variotone 28x28cm
MT1 Selen 1+10 1 min
MT8 Kupfer 40+20+20+400ml 1 min
MT7 Eisenblau 5+5+10+5+400ml 45 secs - Blauton abgeschwächt in dünnem Alkalibad
Camera: Canon AE-1 Program
Lens: Canon FD 50mm 1.8
Filter: Hoya Infrared R72
Film: Rollei Infrared 400
D-76 1:1 10 Min. 68 F.
Ilford WT RC
Bleached with:
1 part Stock A (20g Potassium Dichromate, 400ml water)
5 parts Stock B (40ml Muratic Acid containing 34% hydrochloric acid, 400 ml water),
20 parts Water.
Redeveloped in Caffenol-C 90 sec. at 90°F
Slightly bleached again.
Microtek ScanMaker 6100
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/5344848758/in/set-7215...
Print negative was made by a contact of a lith print on film.
Salt print onto Bergger Cot-320.
MT14 Selenium toner 1+20 1min, MT7 Iron toner 5+5+10+5+400ml 1:30mins
Fomapan200:
Entwickler Adox Rodinal, Ansatz 500ml: 10ml Entwickler+490ml Wasser 20 Grad
1:50 bei 20 Grad,
Stoppbad Ilford Ilfostop, Ansatz 500ml: 25ml Ilfostop+475ml Wasser 20 Grad
1:19 bei 20 Grad, Stoppzeit 20 Sek.
Fixierbad Ilford Rapid Fixer, Ansatz 500ml: 100ml Fix+400ml Wasser 20 Grad
1:4 bei 20 Grad, Fixierdauer 2-5
Netzmittel Tetenal Mirasol 2000,
Scan bei Gerhard H Epson 550
LR TM1ka
Camera: Canon AE-1 Program
Lens: Canon FD 50mm 1.8
Filter: Hoya Infrared R72
Film: Rollei Infrared 400
D-76 1:1 8 Min. 73 F.
Ilford WT RC
Bleached with:
1 part Stock A (20g Potassium Dichromate, 400ml water)
5 parts Stock B (40ml Muratic Acid containing 34% hydrochloric acid, 400 ml water),
20 parts Water.
Redeveloped in Caffenol-C 90 sec. at 100°F
Next, I'll try redeveloping in a Pyrocatechin developer (maybe Pyrocat) as the Ilford IT-8 process calls for.
SEE THE CAMERA AT THE LINK BELOW:
www.flickr.com/photos/vikingphotos/5344848758/in/set-7215...
Karlos 154. 6x9 pincam.
Rollie RPX 120 roll film 100 @ iso 100. Adolux APH09 (Rodinal). Dilution 1:50, (8ml in 400ml) 19c, 9 minutes. Agitation - 2 inversions every 3 minutes. . Two water baths (stop). Alkaline fix for three minutes.
Castle Stalker.
Karlos No.42. 6x9 / 2x3 medium format pinhole camera with removable 70mm & 110mm pinhole set. Clothe bellows, reversing back and removable Horseman 6x9 / Mamiya 6x7 film back.
Ilford FP4+ @ iso 100. Adolux APH09 (Rodinal). Dilution 1:100, (2.5ml in 250ml for 35mm & 4ml in 400ml for 120), 19c, 60 minutes. Agitation - 4 inversions at the start and 2 inversions at 30 minutes. . Two water baths (stop). Alkaline fix for three minutes.
Karlos No.85. 6x6 pinhole camera with 35mm focal length.
Fomapan 100 120 @ iso 100. Adolux APH09 (Rodinal). Dilution 1:100, (4ml in 400ml), 19c, 90 minutes. Agitation - 4 inversions 30 minutes. Two water baths (stop). Alkaline fix for three minutes.
Some of my most recent lith printing attempts. The mercedes and citroen shots were taken on Kodak 2238 and are half frame negatives, I really love shooting that fine grain film with my olympus pen... The surfer is an old shot on XX.
Whats most interesting about these is the paper. Its well known that the vintage fibre based paper lith's the best but these were printed on Agfa multi contrast resin coated from I guess the 90s. I never expected much to be honest but here's the evidence, it lith's great which is lucky for me because i have a ton of it!
I used Moersch's excellent kit, 400ML water, 100 ml old brown and 10ml each of part A and B.
Camera: Pentax K-1000
Lens: SMC Pentax-M 1.4/50
Filter: Yellow
Film: HP5 plus 400 @ 200 ISO
D-76 1+1 10 Min. 68°
Ilford WT RC Print - Legacy Pro Paper Developer
Bleached with:
1 part Stock A (20g Potassium Dichromate, 400ml water)
5 parts Stock B (40ml Muratic Acid containing 34% hydrochloric acid, 400 ml water),
20 parts Water.
Redeveloped in Caffenol-C 90 sec. at 100°F
SEE THE CAMERA AT THE LINK BELOW: