View allAll Photos Tagged 3fps
ISS Solar Transit taken from Pelsall, West Midlands. This was shot while the ISS was 577Km from my location and it only took 0.94s for it to cross the sun, in that time I managed to grab 17 frames with it showing against the Solar disk.
Technical details
Coronado SolarMax II 60 Telescope BF10
Point Grey Chameleon 13S2M-CS Mono Camera @ 18.3fps
4 x 1000 frames for the solar disk and proms
17 x individual frames showing the ISS against the solar disk
It's a composite of 21 layers. two layers are the finished image for the surface. two layers are for the prominences and then the 17 frames showing the ISS are layered with a mask hiding everything except for the ISS.
Morning sun.
Shot taken with Nikon DSLR D800E and AF-S 24mm f1.8G.
5 years after Nikon entered the mirrorless segment, they finally have a D850 successor (launched 2017).
If you are happy with 7fps and can do without IBIS nor care for video, you save a lot of $ without switching and besides, the image quality remains unchanged since the Z8 stacked sensor is very likely derived from the same 45.7mp unstacked version in the 6 years old D850. Ultimately there’s no rush to switch even now but for those intending to do so, there is finally a viable option in the Z8.
1) Cost of switching to mirrorless is a lot more than just buying a new camera.
• Cost of new Z8 and
• Cost of buying Z lenses, using existing DSLR lenses with FTZ adapter is at best a temporary solution and Nikon allowed IBIS to work only in 3 axis via FTZ.
2) Advantages of Z8 vs D850
• 20fps vs 7fps full resolution, full AF with zero concern of wearing out a mechanical shutter. D850 with minimal mirror and shutter vibrations is only 3fps in Qc mode, higher fps in LV but with rolling shutter penalty, all these are not relevant for fast paced subjects at > 1/FL shutter speeds hence 7fps remains the relevant comparison.
• IBIS, useful for low light handheld shooting of still subjects.
• Much better video thanks to stacked sensor.
• No need for lens calibration, especially useful for shallow DOF such as super telephoto lenses and shooting fast prime lenses wide opened.
• Z supertelephoto prime lenses for wildlife and birding.
3) Advantages of D850 vs a new Z8
• Below ISO500, D850 has better Dynamic Range (⅓ to 1EV) including at Base ISO64. 1st generation stacked sensor typically has worse Dynamic Range than their unstacked version.
• No additional cost if you already own one, even cheaper to buy used after the Z8 launch.
• Continue to use your existing DSLR lenses with no additional cost. While Z lenses may have better MTFs, whatever real-life perceivable gap can be bridged via competent post-processing. In addition, lens sharpness is not everything and Nikon themselves have admitted to placing more emphasis on Z lens sharpness at the expense of other lens attributes (rendering etc).
• Wider variety and cheaper DSLR lens options esp 3rd party.
Good things come to those who wait, congrats to those who have held out till now and not fall for the siren call of shills/influencers who have been misrepresenting that the Z7/Z7ii replaces D850. The Z7/Z7ii was launched at the same price as D850 but the Z7/Z7ii was even not pro spec unlike the D850 which is.
Those who jumped into Z7 and then Z9, some are already saying that the Z8 is not for them, upgrade fatigue is real. Z8 at $3,999 is a very good deal.
For those still shooting with 36mp D800/D800E/D810, the right camera to buy would be a potential 33mp Z6iii with the Sony sensor from A7IV.
Update Aug 2023
================
The newly released Nikon Z8 has already seen 2 service recalls, 1st for lens mount that fails to lock on the lens being mounted and the 2nd for strap lugs that can detach from the camera body. Both are low tech basic parts but can result in the mounted lens dropping to the ground or both body and mounted lens dropping in the case of strap lugs failure.
It's best to hold off buying the Z8 for a while especially when the straps lug failure could point to a design flaw. For the Nikon fanbois shills who claimed that they aren't affected since they don't use strap lugs, the issue will raise its head when they try to sell off their cameras as buyers of this camera are typically not casual users.
www.nikonusa.com/en/service-and-support/service-advisorie...
Just another Herring Gull. With 5D2 and the fast EF200 F2.8L II USM. Main drawback of the older camera for this work is the maximum frame rate of 3fps for flight shots but otherwise the old 5D2 still punches above its age.
Loch Tuath, Isle of Mull | Scotland
Similar to the first image I posted in this series, but of a different eagle. It's my favourite photo from the session as the frame caught the bird a split second before it took the fish. It was the image I wanted - wings well back, talons stretched and eyes focused.
I favoured the slower D850 over the D500 to ensure I captured as much detail as possible. It cost me 3fps, but fortunately we had a few opportunities to get the photos that mattered.
Although I’ll probably post a couple more shots over the next day or two, if you want to see a good selection of images and read about the session then please see the ’Mull - Sea Eagles’ photo set on my website.
here is the first photo, www.flickr.com/photos/uncletee/32875615504/in/dateposted-..., and this is the next shot in the 3fps burst, showing he missed the catch, Montlake, Seattle, WA. Sony A6500 and FE90/2.8 Macro G.
'Catching balls is good fun - and the higher they go, the bigger the challenge.'
This sequence of three were taken together (so cover around a second, given my D60 does 3fps) after heaving Rosie's ball high up (30ft?) in the air - and the clever girl caught it!
I snapped four photos of this girl, and this best I got at 3fps. She told me what it said, but I really just wanted the shot before her manager came over.
My first ever collage/image blend! :)
I know a lot of you are probably 'wheelsed out' so forgive me while i work through the rest of my images!
This was jump No. 3, The first Jump of Monday, and a very brave one at that to do such a blind jump in the rain!
Proud of my Nikon D3000 with it's 3fps burst and 3 shot buffer! :D
©Guy Wood 2014, Get in contact for permissions!
On my bike before the sun was up this morning - glorious frosty morning with clear skies.
Unfortunately the cloud came over pretty quickly taking the light with it (and hence cutting into the shutter speed available).
The beardies I'm seeing at the moment are, for the most part, feeding at the base of the reedbeds so mving around a lot horizontally. I have an image in my mind of one or two at the base of the reeds with great reflections with the early morning sun shining directly onto them - won't need to be too close up as the light and reflections will make the image. This is slowly heading in that direction - the bird is not sharp enough however WIP.
Got a half decent close-up as well which I'll post soon - there's some wet weather forecast soon so it will be on one of those days.
Oh if any of you use a nikon d7100 - how loud is the shutter? The d7000 is like a kalashnikov being unleashed, I've read that the d610 has a silent shutter at 3fps however even half the sound would be useful as there is no doubt it could be disturbing. Then again I've used it with an otter 20 feet away from me and it couldn't have cared any less.
To answer some of the questions below:
It took approximately 1.000 photos to make this video. All shot in low jpeg quality on a 350D at 3fps. (1728 x 1152)
At home I merged all the images together in Quicktime Pro and imported them in iMovie HD for further editing.
Playback = 24fps
Music:
Philip Glass - Pruit Igoe
Decided to dust off the old 5D2, used the newish EF200 f2.8L as the only F2.8 tele glass I have. (or ever likely to have)
The mk2's max frame rate is about 3fps so no prizes for outright speed, but rather than that I thought its AF system might not keep pace with even these modestly cruising birds.
Wrong. It coped just fine despite having an autofocus system out of the ark, unchanged since the old 5D classic Mk1. Not so great with fast approachers which tended to have the face sharp but the rest less so. The difference between the mk2 and 3 is like night/day, so fine-adjustable is the newer AF system.
The famous Cookie Splash by the famous Siebe or De Vetpan has been phenomena on flickr in recent years. I did this for my photography class, in which the assignment was to take picture for represent actions or movement. Took me total of three tries to get the way i wanted. Since my Nikon D80 only takes 3fps, it was kinda difficult to get it right. Its sure fun taking the picture, but its not afterward when you realized theres coffee everywhere! ha
have a great week everyone!
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Take advantage of your camera's burst mode...
For action photography one of the important requirement in your camera is the burst mode. Entry level cameras have burst mode of 3fps (frames per second), mid range have around 7-9 fps and high end cameras have 10+ fps.
Whenever Tiger approaches a tree there is a high chance of it spraying the tree to mark it's territory. The burst mode helps you here to capture that behaviour.
Here's the exif information of the image in case you are interested:
Canon 1DX Mark II + Canon EF 400mm f2.8 L IS2, ISO 800, f2.8 @ 1/500, Evaluative metering -2/3 stop, AI Servo with back button focusing.
#wildlife #nature #wildlifephotography #animals #photography #naturephotography #birds #animal #wild #outdoors #photooftheday #picoftheday #forest #travelphotography #safari #naturelovers #wilderness #photographer #photographytips #phototours #PhotoTour #SSP #SudhirShivaramPhotography #Bandhavgarh #Tiger #savethetiger
--
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Latest and greatest Nikon DSLR F mount E type lenses; 70-200mm f2.8E, 105mm f1.4E, 28mm f1.4E and all the exotic super telephoto Primes.
Z versions of the 24-70mm f2.8E and 70-200mm f2.8E will be out next year 2019 even though these 2 DSLR E lenses were only released 2 years ago.
Z7 with FTZ adaptor is only 195gms lighter than D850. Z lens road map has 3 undisclosed lenses for 2020, perhaps 1 of them will be a supertelephoto prime.
Will there be a Gen2 pro Z body in 2020 or will there be a hybrid DSLR instead? At this juncture, there is probably no turning back from mirrorless.
20fps without blackout is probably not achievable with the traditional DSLR without detrimental internal vibrations.
Mirrorless will have to overcome rolling shutter artifacts, thus far the A9 fast readout ameliorates the issue. Global shutter may be the ultimate solution but the technology needs to mature to reduce cost, noise and dynamic range penalties before it can be feasible.
The Z7 HANDHELD outputs will undoubtedly be more crisp than the D850 thanks to its IBIS and effective EFC and sans mirror, how much of this new level of crispness is due to the new Z lenses is arguable. Nikon DSLR lenses adapted on Z7, weight saving is only 195gms and the D850 has an effective Qc mode albeit it maxes out at only 3fps. The D850 still has the mirror box that can result in AF misalignment.
Gen2 Z body, that's when things will really get exciting.
My first time lapse capturing the caterpillar of the Common Mime butterfly transforming from a caterpillar into a pupa stage. The entire process takes about 5 mins.
Notice the wire-like structure supporting it, there's the main feature in the pupa stage which it is suspended from, until the butterfly emerges.
This guy knows just what to do, no need instruction manual, no need to google for info, no asking Siri for advice, need no guidance, no need to ask his mother and certainly does not require any on-the-job training. It does it right the first time. Once the stage is set, something very remarkable starts to happen inside the pupa. Its mode of travelling is amazingly change from crawling to flying once the overhaul is done in 13days.
video 3fps speed.
Been thinking about this shot for a while. It's easy enough to light, but much more tricky than drop shots to get the timing right of the burst. At least with droplet shots you know that the splash will occur as soon as it hits the water, with bubbles they appear to be able to sit for a fraction of a second(or sometimes not!) before bursting.
ODC - Soft light (what could be softer and lighter than a bubble, yes I am being sarcastic!)
Strobist info:
YN 560 @ 1/128 camera right bare aimed at battery tip
Canon 580 EX ii at 1/128 camera left bare aimed at battery tip
I'm off to clean off my table top which is now a few centimeters deep in bubble juice!
+ 3 in comments
PS, If you're wondering why I used a battery, I started off with a needle, but then I realised I could make the stupid joke in the title....
PPS, If you want a song to go with this then look no further than:this
PPPS, the super observant amongst you will notice this was taken with my 50D, I started with the 5D but the 50's 6.3FPS makes doing this much, much easier
PPPPS, have a great day y'all! ;)
We were having our rear porch replaced and a deck added so I thought I would give one of last year's Christmas gifts a workout. I received an Aputure Intervalometer last Christmas and hadn't found a good time to use it til now. Camera was set on a tripod and positioned looking out our rear door. The first part is taken thru the glass on the back door and the second half the camera was moved to the new rear porch to look down on the deck construction. Entire construction took approx 14 hours more or less. The video was made by combining the individual shots at the rate of 3 fps.
(Alcedo atthis)
Fam.: Alcedinidae
ENG.: Kingfisher
ESP.: Martín pescador
Arroyo La Gitana
Córdoba. Spain
15 December 2019
_______________________
!MUCHAS GRACIAS POR VER LA FOTO!
THANKS FOR WATCHING!
Photo story:
The story behind this series of pictures is something unique I lived yesterday. It was sunday and I prepared my rucksack and made my plans to spend many hours at the stream, planting lots of oak seeds and take photos. But the day went in another direction, so I spent some time at work, later cleaning up, cooking, taking care of my grandmother... I took launch tooo late and I was tired so went to cancel my plans to go to the stream, but something called me to go even though I was going to have very short time of sunlight. Couldn´t imagine something MAGICAL was waiting for me: the kingfishers appeared briefly giving me no chance to catch them. One appeared and gave me the chance of two shots. I wasn´t prepared to see it right in front of me. Then it went away. It was when sun was gone and light started to really fade away when a Magic blue angel came again to perch at the same tree branches over the water of the stream. Flew few times from one branch to another very slowly, like a hummingbird. It was so quiet that I was able to take my shutter speed as low as 1/20s to reduce noise. My Quiet Continuos 3fps was switched then to reduce noise. I tried many shutting modes, speeds, etc, with the fear it could notice of me and go away... BUT IT WAS THERE... EVERYTHING POINTED IT WAS GOING TO STAY THERE TO SLEEP THAT NIGHT. WOW! I understood soon it was going to be one of the most magical moments of my life. And it was so. I didn´t know what to do but didn´t want to disturb it anyway, so decided to stay there as much as possible. It was completely dark when I saw its blue back reflect from my phone light checking that it wasn´t disturbed by me to say goodbye. GOODNIGHT KING. THANKS!.
_______________________
Image: © RMG Wheels & Spokes Lab. *
Forbidden use without prior authorization
(DSC_93)
_______________________
I am the owner of RMG Wheels & Spokes Lab., a company specialized in the Bicycle Wheels world with a solid ENVIRONMENTAL COMPROMISE.
(Use a computer for a better website concept experience)
Our Flickr gallery:
www.flickr.com/photos/142233937@N03/albums
_______________________
We are living in a Climate Emergency situation.
Stop talking, START ACTING.
(I´m reducing photos size and resolution here in order to reduce their storage in the servers)
-Reduce Energy demand
-Reduce Water demand
-Reduce Matter demand
-Reuse
-Separate trash
-Recycle
-Use your bike, feet, public transportaion
-Plant autochthonous trees/seeds
-Consume Local products/food
-Learn about Science (Ecology i.e.)
-Think Locally, act Globally.
Enjoy Nature, but remember, IT DOESN´T BELONG TO US.
RESPECT LIFE ON EARTH
_______________________
Climate Change is Real.
It´s happening NOW.
Global Warming is Real
Planet Temperature Anomaly:
climatereanalyzer.org/wx/DailySummary/#t2anom
RMG commitment:
rmgwheels.com/compromiso-mediambiental/
_______________________
*El uso de la imagen con fines comerciales sin la autorización expresa del autor queda totalmente prohibido. Puede ser vinculada en redes sociales con fines divulgativos/educativos , pero nunca comerciales. Gracias.
*Unauthorized use of the image for commercial purposes without copyright owner permission is totally forbidden. It can be used on the internet social media as an informative/educative message but in any case for a profitable use. Thanks.
-
Shot with #Ricoh #Pentax #2845 f/4.5 ED AW SR on the #645z #losangeles #munozphoto #mediumformat #handheld #3fps #fasterthanlight
The New Nikon M1.
38.6 Million Pixels (5109 x 7643px)
MX format CMOS sensor 36x54mm
Nikon EXPEED Image processor
New Nikon M mount with AF coupling and AF contacts
Max 3fps (NO FX or DX cropping)
ISO 50 - 1600
Flash X-Sync: 1/1000 sec
TTL flash control with 1,005-pixel RGB sensor; i-TTL balanced fill-flash and standard i-TTL fill-flash available with SB-800, 600 or 400
4.0" low-temperature polysilicon TFT LCD
Live View mode
Dual Compact Flash Type I or II
(Alcedo atthis)
Kingfisher
Martín pescador
Arroyo La Gitana
Córdoba. Spain
15 December 2019
_______________________
!MUCHAS GRACIAS POR VER LA FOTO!
THANKS FOR WATCHING!
Photo story:
The story behind this series of pictures is something unique I lived yesterday. It was sunday and I prepared my rucksack and made my plans to spend many hours at the stream, planting lots of oak seeds and take photos. But the day went in another direction, so I spent some time at work, later cleaning up, cooking, taking care of my grandmother... I took launch tooo late and I was tired so went to cancel my plans to go to the stream, but something called me to go even though I was going to have very short time of sunlight. Couldn´t imagine something MAGICAL was waiting for me: the kingfishers appeared briefly giving me no chance to catch them. One appeared and gave me the chance of two shots. I wasn´t prepared to see it right in front of me. Then it went away. It was when sun was gone and light started to really fade away when a Magic blue angel came again to perch on the same tree branches over the water of the stream. Flew few times from one branch to another very slowly, like a hummingbird. It was so quiet that I was able to take my shutter speed as low as 1/20s to reduce noise. My Quiet Continuos 3fps was switched then to reduce noise. I tried many shooting modes, speeds, etc, with the fear it could notice me and go away... BUT IT WAS THERE... EVERYTHING POINTED IT WAS GOING TO STAY THERE TO SLEEP THAT NIGHT. WOW! I understood soon it was going to be one of the most magical moments of my life. And it was so. I didn´t know what to do but didn´t want to disturb it anyway, so decided to stay there as much as possible. It was completely dark when I saw its blue back reflect from my phone light checking that it wasn´t disturbed by me to say goodbye. GOODNIGHT KING. THANKS!.
_______________________
Image: © RMG Wheels & Spokes Lab. *
Forbidden use without prior authorization
(DSC_9302)
_______________________
I am the owner of RMG Wheels & Spokes Lab., a company specialized in the Bicycle Wheels world with a solid ENVIRONMENTAL COMPROMISE.
(Use a computer for a better website concept experience)
Our Flickr gallery:
www.flickr.com/photos/142233937@N03/albums
_______________________
We are living in a Climate Emergency situation.
Stop talking, START ACTING.
(I´m reducing photos size and resolution here in order to reduce their storage in the servers)
-Reduce Energy demand
-Reduce Water demand
-Reduce Matter demand
-Reuse
-Separate trash
-Recycle
-Use your bike, feet, public transportaion
-Plant autochthonous trees/seeds
-Consume Local products/food
-Learn about Science (Ecology i.e.)
-Think Locally, act Globally.
Enjoy Nature, but remember, IT DOESN´T BELONG TO US.
RESPECT LIFE ON EARTH
_______________________
Climate Change is Real.
It´s happening NOW.
Global Warming is Real
Planet Temperature Anomaly:
climatereanalyzer.org/wx/DailySummary/#t2anom
RMG commitment:
rmgwheels.com/compromiso-mediambiental/
_______________________
*El uso de la imagen con fines comerciales sin la autorización expresa del autor queda totalmente prohibido. Puede ser vinculada en redes sociales con fines divulgativos/educativos , pero nunca comerciales. Gracias.
*Unauthorized use of the image for commercial purposes without copyright owner permission is totally forbidden. It can be used on the internet social media as an informative/educative message but in any case for a profitable use. Thanks.
-
(Alcedo atthis)
Kingfisher
Martín pescador
Arroyo La Gitana
Córdoba. Spain
15 December 2019
_______________________
!MUCHAS GRACIAS POR VER LA FOTO!
THANKS FOR WATCHING!
Photo story:
The story behind this series of pictures is something unique I lived yesterday. It was sunday and I prepared my rucksack and made my plans to spend many hours at the stream, planting lots of oak seeds and take photos. But the day went in another direction, so I spent some time at work, later cleaning up, cooking, taking care of my grandmother... I took launch tooo late and I was tired so went to cancel my plans to go to the stream, but something called me to go even though I was going to have very short time of sunlight. Couldn´t imagine something MAGICAL was waiting for me: the kingfishers appeared briefly giving me no chance to catch them. One appeared and gave me the chance of two shots. I wasn´t prepared to see it right in front of me. Then it went away. It was when sun was gone and light started to really fade away when a Magic blue angel came again to perch on the same tree branches over the water of the stream. Flew few times from one branch to another very slowly, like a hummingbird. It was so quiet that I was able to take my shutter speed as low as 1/20s to reduce noise. My Quiet Continuos 3fps was switched then to reduce noise. I tried many shooting modes, speeds, etc, with the fear it could notice me and go away... BUT IT WAS THERE... EVERYTHING POINTED IT WAS GOING TO STAY THERE TO SLEEP THAT NIGHT. WOW! I understood soon it was going to be one of the most magical moments of my life. And it was so. I didn´t know what to do but didn´t want to disturb it anyway, so decided to stay there as much as possible. It was completely dark when I saw its blue back reflect from my phone light checking that it wasn´t disturbed by me to say goodbye. GOODNIGHT KING. THANKS!.
_______________________
Image: © RMG Wheels & Spokes Lab. *
Forbidden use without prior authorization
(DSC_9326)
_______________________
I am the owner of RMG Wheels & Spokes Lab., a company specialized in the Bicycle Wheels world with a solid ENVIRONMENTAL COMPROMISE.
(Use a computer for a better website concept experience)
Our Flickr gallery:
www.flickr.com/photos/142233937@N03/albums
_______________________
We are living in a Climate Emergency situation.
Stop talking, START ACTING.
(I´m reducing photos size and resolution here in order to reduce their storage in the servers)
-Reduce Energy demand
-Reduce Water demand
-Reduce Matter demand
-Reuse
-Separate trash
-Recycle
-Use your bike, feet, public transportaion
-Plant autochthonous trees/seeds
-Consume Local products/food
-Learn about Science (Ecology i.e.)
-Think Locally, act Globally.
Enjoy Nature, but remember, IT DOESN´T BELONG TO US.
RESPECT LIFE ON EARTH
_______________________
Climate Change is Real.
It´s happening NOW.
Global Warming is Real
Planet Temperature Anomaly:
climatereanalyzer.org/wx/DailySummary/#t2anom
RMG commitment:
rmgwheels.com/compromiso-mediambiental/
_______________________
*El uso de la imagen con fines comerciales sin la autorización expresa del autor queda totalmente prohibido. Puede ser vinculada en redes sociales con fines divulgativos/educativos , pero nunca comerciales. Gracias.
*Unauthorized use of the image for commercial purposes without copyright owner permission is totally forbidden. It can be used on the internet social media as an informative/educative message but in any case for a profitable use. Thanks.
-
This was comet 41P Tuttle-Giacobini-Kresak in the early evening (from 19:45 to 21:27 UT/GMT) of 22 March as the comet was moving away from M108. In the process the comet can clearly be seen to occult faint 14.7 magnitude star GSC 3827-0011 at around 20:05-07.
I've speeded the image up to 3fps = 135seconds in real time every second.
Peter
I was across town taking sunrise photos of a car dealership when I saw smoke billowing up across town. I started to pack up my gear and drive over immediately, but I continued to photograph the sunrise. Given that opportunity again, I will beat the fire trucks to the fire.
When I arrived at the scene of the fire an hour later, the smell of smoke was in the air and an occasional ash drifted down from the sky. The firemen were stowing their gear. I had taken a few photographs of bystanders and gawkers when I spotted a fireman emerging from behind the smoldering wreckage of the 100 year old home. I met him at the ladder truck as he slung his oxygen breathing aparatus and wet jacket inside and dropped his heavy fireman's trousers. He kicked off his rubber boots as I asked him for a quick portrait. "Just a moment," he said, as he stepped into black leather work boots.
The exhausted young man was kind enough to keep his classic leather fireman's helmet on for the shot, but he was obviously wanting to get some water and cool down a bit from the rush of adrenaline. I took several frames from two different angles at 3fps and let him get on with his work. His job wasn't over just because the fire was out.
I didn't want to push my luck asking for his name. I was beyond the invisible barrier that firemen and policemen like to keep at the scene of a fire or accident, and I was an unknown person with a camera. I thanked him and moved back to where the news crews were, across the street. I decided I would simply call him "Unknown Fireman." When I later examined the photos, I realized his nickname was on his helmet.
Thank you Easy, both for a snippet of your time while your adenaline was dumping, and for not tossing me back behind that invisible barricade. Easy is my forty-second stranger in the 100 Strangers project. Find out more about the project and see pictures taken by other photographers at the flickr group page.
Overcast morning sun. Nikon D200, 50mm.
The 100 Strangers website can be found at 100strangers.com/
NIKON F-801 (1988)
Set of photos taken with this camera
SPECIFICATIONS (from the instructions manual)
Type of camera - Integral-motor autofocus 35mm single-lens reflex
Picture format - 24mm x 36mm (standard 35mm film format)
Lens mount - Nikon F mount
Lens - AF Nikkor lenses, and other Nikon lenses with Nikon F mount (with limitation) available
Focus modes - Autofocus, and manual focus with electronic rangefinder
Autofocus Autofocus detection system - TTL phase detection system using Nikon advanced AM200 autofocus module
Autofocus detection range - Approx. EV minus I to EV 19 (at ISO100)
Autofocus actuation method - Single servo and continuous servo
Autofocus lock - Possible by lightly pressing shutter release button in Single Servo AF mode or by using AF Lock button
Electronic rangefinder - Available in manual focus mode with an AF Nikkor and other Ai-type Nikkor lenses with a maximum aperture of f/5.6 or faster
Exposure metering - Two types of exposure metering systems - Matrix Metering and Centre-Weighted
Exposure meter switch - Activated by lightly pressing shutter release button; stays on for approx. 8 sec. after lifting finger from button
Metering range - EV 0 to EV 21 (at ISO 100 with f/1.4 lens) f
Exposure modes - Programmed auto (PD, P, PH), shutter-priority auto (S), aperture-priority auto (A) and manual (M) modes
Programmed auto exposure control - Both shutter speed and aperture are set automatically; flexible program in one EV step possible
Shutter-priority auto exposure control - Aperture automatically selected to match manually set shutter speed
Aperture-priority auto exposure control - Shutter speed automatically selected to match manually set aperture
Manual exposure control - Both aperture and shutter speed are set manually
Shutter - Electro magnetically controlled vertical-travel focal-plane shutter
Shutter release - Electromagnetic shutter by motor trigger
Shutter speeds - Lithium niolbate oscillator-controlled speeds from 1/8000 to 30 sec.; electro-magnetically controlled long exposure at B setting
Viewfinder - Fixed eye level pentaprism High-eyepoint type; 0.75X magnification with 50mm lens set at infinity; 92% frame coverage
Eye point - Approx. 19mm
Eyepiece cover - Model DK-8 prevents stray light from entering viewfinder
Focusing screen - Nikon advanced B-type Briteview screen with central focus brackets for autofocus operation
Viewfinder information - The following LCD indications appear: focus indicators, exposure modes, shutter speeds/film speeds, aperture/ exposure compensation value, electronic analogue display, exposure compensation mark; ready-light LED; viewfinder display is illuminated automatically or by pressing the viewfinder illumination button
LCD information - The following indications appear: exposure modes, metering types, exposure compensation, electronic analogue display, shutter speeds/film speeds, aperture/exposure compensation value, film speed setting, DX-coded film speed setting, film advance mode, film installation, film advance and rewind, self-timer, multiple exposure, frame counter/ self-timer duration/number of multiple exposure
Electronic beeper - With power switch in beeper position, beeper sounds in the following cases: operation signals; (1) at end of film roll: (2) when film rewinding is complete; (3) during self-timer operation; alert signals; (1) for over- or underexposure and possible picture blur in PD, P, PH or A mode; (2) when lens is not set to the smallest aperture setting in PD, P, PH or S mode; (3) when non-DX-coded film, damaged film or film with an unacceptable DX code is loaded; (4) such as torn or damaged film during film advance
Auto exposure lock - Available via sliding the AE Lock lever while the meter in on
Film speed range - ISO 25 to 5000 for DX-coded film; ISO 6 to 6400 for manual setting
Film speed setting - At DX position, automatically set to ISO speed of DX-coded film used; with non-DX-coded film, ISO speed is set manually
Film loading - Film automatically advances to first frame when shutter release button is depressed once
Film advance - In S (Single-frame) shooting mode, film automatically advances one frame when shutter is released; in CH (Continuous High) or CL (Continuous Low) shooting mode, shots are taken as long as shutter release button is depressed; in CH mode, shooting speed is approx. 3.3fps, and in CL, approx., 2.0 fps (in Continuous Servo Autofocus or manual focus mode, with new batteries at normal temperatures, and a shutter speed faster than 1/125 sec. in manual exposure mode).
Frame counter - Accumulative type: counts back while film is rewinding
Film rewind - Automatically rewinds by pressing film rewind button and multiple exposure film rewind button; approx. 10 sec. per 24-exposure roll; stops automatically when film is rewound
Self-timer;- Electronically controlled; timer duration can be selected between 2 to 30 sec. in one sec. increments; blinking LED indicates self-timer operation; two-shot self-timer is possible; cancelable
Exposure compensation - Possible using exposure compensation button within ±5 EV range in 1/3 EV steps
Multiple exposure - Up to 9 exposures can be set
Depth of Field preview button;- Provides visual verification of depth of field; can be previewed in A or M mode
Reflex mirror - Automatic, instant-return type
Camera back - Hinged back; exchangeable with Nikon Multi-Control Back MF-21 or Data Back MF-20
Accessory shoe - Standard ISO-type hot-shoe contact; ready-light contact, TTL flash contact, monitor contact
Flash synchronization - 1/60 to 1/250 sec. in PD, P, PH or A mode; in S or M mode, shutter fires at speed set, and when set from /250 to 1/8000 sec., shutter is automatically set to 1/250 sec.; down to 30 sec. shutter is available by using SB-24 in rear-curtain sync
Flash ready-light - Viewfinder LED lights up when Nikon dedicated speedlight is ready to fire; links to warn of poor camera/speedlight connection or insufficient light for correct exposure
Autofocus flash photography - Possible with Nikon Autofocus speedlights SB-24, SB-23, SB-22 or B-20 etc.
Power source - Four AA-type batteries
Lens displayed - AF Nikkor 85 mm 1:1.8
Some shots taken with it
I Invite you to visit my blog at Classic Cameras
(Alcedo atthis)
Fam.: Alcedinidae
ENG.: Kingfisher
ESP.: Martín pescador
Arroyo La Gitana
Córdoba. Spain
15 December 2019
_______________________
!MUCHAS GRACIAS POR VER LA FOTO!
THANKS FOR WATCHING!
Photo story:
The story behind this series of pictures is something unique I lived yesterday. It was sunday and I prepared my rucksack and made my plans to spend many hours at the stream, planting lots of oak seeds and take photos. But the day went in another direction, so I spent some time at work, later cleaning up, cooking, taking care of my grandmother... I took launch tooo late and I was tired so went to cancel my plans to go to the stream, but something called me to go even though I was going to have very short time of sunlight. Couldn´t imagine something MAGICAL was waiting for me: the kingfishers appeared briefly giving me no chance to catch them. One appeared and gave me the chance of two shots. I wasn´t prepared to see it right in front of me. Then it went away. It was when sun was gone and light started to really fade away when a Magic blue angel came again to perch at the same tree branches over the water of the stream. Flew few times from one branch to another very slowly, like a hummingbird. It was so quiet that I was able to take my shutter speed as low as 1/20s to reduce noise. My Quiet Continuos 3fps was switched then to reduce noise. I tried many shutting modes, speeds, etc, with the fear it could notice of me and go away... BUT IT WAS THERE... EVERYTHING POINTED IT WAS GOING TO STAY THERE TO SLEEP THAT NIGHT. WOW! I understood soon it was going to be one of the most magical moments of my life. And it was so. I didn´t know what to do but didn´t want to disturb it anyway, so decided to stay there as much as possible. It was completely dark when I saw its blue back reflect from my phone light checking that it wasn´t disturbed by me to say goodbye. GOODNIGHT KING. THANKS!.
_______________________
Image: © RMG Wheels & Spokes Lab. *
Forbidden use without prior authorization
(DSC_93)
_______________________
I am the owner of RMG Wheels & Spokes Lab., a company specialized in the Bicycle Wheels world with a solid ENVIRONMENTAL COMPROMISE.
(Use a computer for a better website concept experience)
Our Flickr gallery:
www.flickr.com/photos/142233937@N03/albums
_______________________
We are living in a Climate Emergency situation.
Stop talking, START ACTING.
(I´m reducing photos size and resolution here in order to reduce their storage in the servers)
-Reduce Energy demand
-Reduce Water demand
-Reduce Matter demand
-Reuse
-Separate trash
-Recycle
-Use your bike, feet, public transportaion
-Plant autochthonous trees/seeds
-Consume Local products/food
-Learn about Science (Ecology i.e.)
-Think Locally, act Globally.
Enjoy Nature, but remember, IT DOESN´T BELONG TO US.
RESPECT LIFE ON EARTH
_______________________
Climate Change is Real.
It´s happening NOW.
Global Warming is Real
Planet Temperature Anomaly:
climatereanalyzer.org/wx/DailySummary/#t2anom
RMG commitment:
rmgwheels.com/compromiso-mediambiental/
_______________________
*El uso de la imagen con fines comerciales sin la autorización expresa del autor queda totalmente prohibido. Puede ser vinculada en redes sociales con fines divulgativos/educativos , pero nunca comerciales. Gracias.
*Unauthorized use of the image for commercial purposes without copyright owner permission is totally forbidden. It can be used on the internet social media as an informative/educative message but in any case for a profitable use. Thanks.
-
I have a very important decision to make in the next week or so. I have come across a used Canon 5D in great condition with the 70-200mm f/4 lens (above). But now I need to sell one of the camera systems. Should I stick with Nikon or go with Canon?
Pros of the Canon 5D setup:
Magnificent low noise at iso1600 - the D200 is virtually unusable at > ISO800
*pro* $3000 body
12.8 megapixel
It came with the top of line 580EX speedlite flash
Lighter without battery grip
Full-frame sensor - can get *real* super wide angle shots and capture more detail (sharpness)
I would need to buy a wide walk-around zoom lens (this is probably a con)
Pros of the Nikon D200 setup:
Can do 5fps vs. 3fps shooting on the 5D
Can do up to 9 shots auto bracketing from -4 to +4 EV compared to only 3 shots on the 5D
Much better UI and layout of buttons (for example, the 3 "kings" on the top of the left dial, and the BKT button on the back, not hidden in the menus like on the 5D)
I just ordered a 70-200mm f/2.8 VR ...and want to see how it performs
I have more accessories for the D200 (battery pack, wide angle lens)
... choices... choices. What would you do?
Nikon SLR D80
項目 規格
感光元件說明 有效 1020萬像素 原色CCD (DX Sensor)
感光元件 23.6 x 15.8 mm
影像大小 3872x2592
其他影像大小 2896x1944, 1936x1296 (sRGB, Adobe RGB)
最大光圈 依鏡頭本身規格
快門範圍 Auto: 30s ~ 1/4000s
M: 30s ~ 1/4000s
支援 B快門
測光模式 420 區域 3D Matrix II , 中央重點, 點測光
曝光補償 -5 ~ +5 EV, 1/2 or 1/3 級距調整
ISO感光度 Auto, 100, 200, 400, 800, 1600, 3200 (1/3EV 調整)
白平衡 自動,固定 6種, 色溫調整, 手動
對焦方式 自動, 11點選擇 (Nikon Multi CAM1000 自動對焦模組)
內建閃燈 提供
外接閃燈 熱靴, i-TTL; 同步快門線插孔 (高速同步 1/200s)
閃燈模式 自動, 防紅眼, 強制閃光, 不閃光, 慢速, 後簾等
手動操控模式 光圈優先, 快門優先, 全手動
場景模式 人像, 風景, 運動, 兒童等
鏡頭轉接環
連拍速度 3fps 連拍 100張
遠端遙控 支援
儲存媒體 SD
記錄格式 RAW NEF (12-bit), JPEG: Fine, Normal
觀景窗 光學觀景窗(0.94x 放大率, 95% 視野率)
LCD螢幕 2.5 吋,230,000 像素,
傳輸介面 USB 2.0
視訊輸出 NTSC/PAL
使用電池 專用: EN-EL3e
外觀尺寸 132 x 103 x 77mm
機身重量 淨重: 585g
PictBridge 支援
There were so many possible compositions and plenty of angles to shoot and capture at the Disney Concert Hall. I was really fascinated... astounded! I didn't know where to begin at all!
Until I saw this in my viewfinder. I was literally mesmerized... silenced... by this very scene right in front of me. A heartbeat moment! ( I was too enchanted that I forgot to bracket "Temple" on 3fps... for possible future HDR endeavours). I think this was my ONLY capture of and at this angle, this beautiful scene.
I was hushed.
It was the Geometry...
(Note: The top of this landing was where the guy in this capture was standing at when I took the shot.)
(Alcedo atthis)
Kingfisher
Martín pescador
Arroyo La Gitana
Córdoba. Spain
15 December 2019
_______________________
!MUCHAS GRACIAS POR VER LA FOTO!
THANKS FOR WATCHING!
Photo story:
The story behind this series of pictures is something unique I lived yesterday. It was sunday and I prepared my rucksack and made my plans to spend many hours at the stream, planting lots of oak seeds and take photos. But the day went in another direction, so I spent some time at work, later cleaning up, cooking, taking care of my grandmother... I took launch tooo late and I was tired so went to cancel my plans to go to the stream, but something called me to go even though I was going to have very short time of sunlight. Couldn´t imagine something MAGICAL was waiting for me: the kingfishers appeared briefly giving me no chance to catch them. One appeared and gave me the chance of two shots. I wasn´t prepared to see it right in front of me. Then it went away. It was when sun was gone and light started to really fade away when a Magic blue angel came again to perch on the same tree branches over the water of the stream. Flew few times from one branch to another very slowly, like a hummingbird. It was so quiet that I was able to take my shutter speed as low as 1/20s to reduce noise. My Quiet Continuos 3fps was switched then to reduce noise. I tried many shooting modes, speeds, etc, with the fear it could notice me and go away... BUT IT WAS THERE... EVERYTHING POINTED IT WAS GOING TO STAY THERE TO SLEEP THAT NIGHT. WOW! I understood soon it was going to be one of the most magical moments of my life. And it was so. I didn´t know what to do but didn´t want to disturb it anyway, so decided to stay there as much as possible. It was completely dark when I saw its blue back reflect from my phone light checking that it wasn´t disturbed by me to say goodbye. GOODNIGHT KING. THANKS!.
_______________________
Image: © RMG Wheels & Spokes Lab. *
Forbidden use without prior authorization
(DSC_9303)
_______________________
I am the owner of RMG Wheels & Spokes Lab., a company specialized in the Bicycle Wheels world with a solid ENVIRONMENTAL COMPROMISE.
(Use a computer for a better website concept experience)
Our Flickr gallery:
www.flickr.com/photos/142233937@N03/albums
_______________________
We are living in a Climate Emergency situation.
Stop talking, START ACTING.
(I´m reducing photos size and resolution here in order to reduce their storage in the servers)
-Reduce Energy demand
-Reduce Water demand
-Reduce Matter demand
-Reuse
-Separate trash
-Recycle
-Use your bike, feet, public transportaion
-Plant autochthonous trees/seeds
-Consume Local products/food
-Learn about Science (Ecology i.e.)
-Think Locally, act Globally.
Enjoy Nature, but remember, IT DOESN´T BELONG TO US.
RESPECT LIFE ON EARTH
_______________________
Climate Change is Real.
It´s happening NOW.
Global Warming is Real
Planet Temperature Anomaly:
climatereanalyzer.org/wx/DailySummary/#t2anom
RMG commitment:
rmgwheels.com/compromiso-mediambiental/
_______________________
*El uso de la imagen con fines comerciales sin la autorización expresa del autor queda totalmente prohibido. Puede ser vinculada en redes sociales con fines divulgativos/educativos , pero nunca comerciales. Gracias.
*Unauthorized use of the image for commercial purposes without copyright owner permission is totally forbidden. It can be used on the internet social media as an informative/educative message but in any case for a profitable use. Thanks.
-
First attempt at an International Space Station transit of the sun.
This is a 9 exposure stack. The "bow-ties" banding the sun are the images of the ISS
While I still have some camera shake, shutter speed, or focus issues to solve, I'm pretty happy to have caught it at all, let alone 9 frames. Need to work on my technique some more, though
I was also lucky that there are so many sun spots. There are 4 numbered sun spots in this image (labeled). Number 1461 was visible this morning but did not show on this image. See www.spaceweather.com
A big shout out to Enrico (www.flickr.com/photos/64152254@N05/) for spotting the opportunity and helping me learn the tools. Also to Steven (www.flickr.com/photos/steventheamusing/) for his blog that shows where to stand (blog.starcircleacademy.com/2012/02/iss-predictions/).
Canon EOS 50D shooting JPGs at 6.3fps. Orion 1300mm refractor telescope.1/1250 sec at ISO 1250. iPhone Atomic Clock app. Orion Solar Filter.
Do Not try this without a proper filter!!
Merged RAW images. E-510 + 40-150mm @ 150mm, f22, -0.3EV, 0.6sec (3fps), ISO200, tripod. 22 May 2009 @ 3:44PM (EXPLORE)
Rain Lilies are low clump-forming perennials with dark green slim grass-like or needle-like leaves about 10-12 inches long - depending on the species. Flowers of Rain Lilies, about 2-3 inches wide are held above a hollow foot-tall stalk and usually burst into blooms after the rain (thus so called!) following a dry period. Blooms come in various colours of pink, white or yellow and last for about 2 days
As hardy plants, Rain Lilies hardly need much attention besides the usual watering and fertilizing! However, it is important to keep the clumps neat and tidy by removing the dried and yellow leaves as well as deadheading. It’s advisable to occasionally check for root disease due to over-watering or excessive rainfalls and treat it with pesticide to prevent speading!
first time in competition.
my lens isn't very fast and my camera only shoots at 3fps, but you
get the idea.
NIKON F-801 (1988)
Set of photos taken with this camera
SPECIFICATIONS (from the instructions manual)
Type of camera - Integral-motor autofocus 35mm single-lens reflex
Picture format - 24mm x 36mm (standard 35mm film format)
Lens mount - Nikon F mount
Lens - AF Nikkor lenses, and other Nikon lenses with Nikon F mount (with limitation) available
Focus modes - Autofocus, and manual focus with electronic rangefinder
Autofocus Autofocus detection system - TTL phase detection system using Nikon advanced AM200 autofocus module
Autofocus detection range - Approx. EV minus I to EV 19 (at ISO100)
Autofocus actuation method - Single servo and continuous servo
Autofocus lock - Possible by lightly pressing shutter release button in Single Servo AF mode or by using AF Lock button
Electronic rangefinder - Available in manual focus mode with an AF Nikkor and other Ai-type Nikkor lenses with a maximum aperture of f/5.6 or faster
Exposure metering - Two types of exposure metering systems - Matrix Metering and Centre-Weighted
Exposure meter switch - Activated by lightly pressing shutter release button; stays on for approx. 8 sec. after lifting finger from button
Metering range - EV 0 to EV 21 (at ISO 100 with f/1.4 lens) f
Exposure modes - Programmed auto (PD, P, PH), shutter-priority auto (S), aperture-priority auto (A) and manual (M) modes
Programmed auto exposure control - Both shutter speed and aperture are set automatically; flexible program in one EV step possible
Shutter-priority auto exposure control - Aperture automatically selected to match manually set shutter speed
Aperture-priority auto exposure control - Shutter speed automatically selected to match manually set aperture
Manual exposure control - Both aperture and shutter speed are set manually
Shutter - Electro magnetically controlled vertical-travel focal-plane shutter
Shutter release - Electromagnetic shutter by motor trigger
Shutter speeds - Lithium niolbate oscillator-controlled speeds from 1/8000 to 30 sec.; electro-magnetically controlled long exposure at B setting
Viewfinder - Fixed eye level pentaprism High-eyepoint type; 0.75X magnification with 50mm lens set at infinity; 92% frame coverage
Eye point - Approx. 19mm
Eyepiece cover - Model DK-8 prevents stray light from entering viewfinder
Focusing screen - Nikon advanced B-type Briteview screen with central focus brackets for autofocus operation
Viewfinder information - The following LCD indications appear: focus indicators, exposure modes, shutter speeds/film speeds, aperture/ exposure compensation value, electronic analogue display, exposure compensation mark; ready-light LED; viewfinder display is illuminated automatically or by pressing the viewfinder illumination button
LCD information - The following indications appear: exposure modes, metering types, exposure compensation, electronic analogue display, shutter speeds/film speeds, aperture/exposure compensation value, film speed setting, DX-coded film speed setting, film advance mode, film installation, film advance and rewind, self-timer, multiple exposure, frame counter/ self-timer duration/number of multiple exposure
Electronic beeper - With power switch in beeper position, beeper sounds in the following cases: operation signals; (1) at end of film roll: (2) when film rewinding is complete; (3) during self-timer operation; alert signals; (1) for over- or underexposure and possible picture blur in PD, P, PH or A mode; (2) when lens is not set to the smallest aperture setting in PD, P, PH or S mode; (3) when non-DX-coded film, damaged film or film with an unacceptable DX code is loaded; (4) such as torn or damaged film during film advance
Auto exposure lock - Available via sliding the AE Lock lever while the meter in on
Film speed range - ISO 25 to 5000 for DX-coded film; ISO 6 to 6400 for manual setting
Film speed setting - At DX position, automatically set to ISO speed of DX-coded film used; with non-DX-coded film, ISO speed is set manually
Film loading - Film automatically advances to first frame when shutter release button is depressed once
Film advance - In S (Single-frame) shooting mode, film automatically advances one frame when shutter is released; in CH (Continuous High) or CL (Continuous Low) shooting mode, shots are taken as long as shutter release button is depressed; in CH mode, shooting speed is approx. 3.3fps, and in CL, approx., 2.0 fps (in Continuous Servo Autofocus or manual focus mode, with new batteries at normal temperatures, and a shutter speed faster than 1/125 sec. in manual exposure mode).
Frame counter - Accumulative type: counts back while film is rewinding
Film rewind - Automatically rewinds by pressing film rewind button and multiple exposure film rewind button; approx. 10 sec. per 24-exposure roll; stops automatically when film is rewound
Self-timer;- Electronically controlled; timer duration can be selected between 2 to 30 sec. in one sec. increments; blinking LED indicates self-timer operation; two-shot self-timer is possible; cancelable
Exposure compensation - Possible using exposure compensation button within ±5 EV range in 1/3 EV steps
Multiple exposure - Up to 9 exposures can be set
Depth of Field preview button;- Provides visual verification of depth of field; can be previewed in A or M mode
Reflex mirror - Automatic, instant-return type
Camera back - Hinged back; exchangeable with Nikon Multi-Control Back MF-21 or Data Back MF-20
Accessory shoe - Standard ISO-type hot-shoe contact; ready-light contact, TTL flash contact, monitor contact
Flash synchronization - 1/60 to 1/250 sec. in PD, P, PH or A mode; in S or M mode, shutter fires at speed set, and when set from /250 to 1/8000 sec., shutter is automatically set to 1/250 sec.; down to 30 sec. shutter is available by using SB-24 in rear-curtain sync
Flash ready-light - Viewfinder LED lights up when Nikon dedicated speedlight is ready to fire; links to warn of poor camera/speedlight connection or insufficient light for correct exposure
Autofocus flash photography - Possible with Nikon Autofocus speedlights SB-24, SB-23, SB-22 or B-20 etc.
Power source - Four AA-type batteries
Lens displayed - AF Nikkor 85 mm 1:1.8
I Invite you to visit my blog at Classic Cameras
NIKON F-801 (1988)
Set of photos taken with this camera
SPECIFICATIONS (from the instructions manual)
Type of camera - Integral-motor autofocus 35mm single-lens reflex
Picture format - 24mm x 36mm (standard 35mm film format)
Lens mount - Nikon F mount
Lens - AF Nikkor lenses, and other Nikon lenses with Nikon F mount (with limitation) available
Focus modes - Autofocus, and manual focus with electronic rangefinder
Autofocus Autofocus detection system - TTL phase detection system using Nikon advanced AM200 autofocus module
Autofocus detection range - Approx. EV minus I to EV 19 (at ISO100)
Autofocus actuation method - Single servo and continuous servo
Autofocus lock - Possible by lightly pressing shutter release button in Single Servo AF mode or by using AF Lock button
Electronic rangefinder - Available in manual focus mode with an AF Nikkor and other Ai-type Nikkor lenses with a maximum aperture of f/5.6 or faster
Exposure metering - Two types of exposure metering systems - Matrix Metering and Centre-Weighted
Exposure meter switch - Activated by lightly pressing shutter release button; stays on for approx. 8 sec. after lifting finger from button
Metering range - EV 0 to EV 21 (at ISO 100 with f/1.4 lens) f
Exposure modes - Programmed auto (PD, P, PH), shutter-priority auto (S), aperture-priority auto (A) and manual (M) modes
Programmed auto exposure control - Both shutter speed and aperture are set automatically; flexible program in one EV step possible
Shutter-priority auto exposure control - Aperture automatically selected to match manually set shutter speed
Aperture-priority auto exposure control - Shutter speed automatically selected to match manually set aperture
Manual exposure control - Both aperture and shutter speed are set manually
Shutter - Electro magnetically controlled vertical-travel focal-plane shutter
Shutter release - Electromagnetic shutter by motor trigger
Shutter speeds - Lithium niolbate oscillator-controlled speeds from 1/8000 to 30 sec.; electro-magnetically controlled long exposure at B setting
Viewfinder - Fixed eye level pentaprism High-eyepoint type; 0.75X magnification with 50mm lens set at infinity; 92% frame coverage
Eye point - Approx. 19mm
Eyepiece cover - Model DK-8 prevents stray light from entering viewfinder
Focusing screen - Nikon advanced B-type Briteview screen with central focus brackets for autofocus operation
Viewfinder information - The following LCD indications appear: focus indicators, exposure modes, shutter speeds/film speeds, aperture/ exposure compensation value, electronic analogue display, exposure compensation mark; ready-light LED; viewfinder display is illuminated automatically or by pressing the viewfinder illumination button
LCD information - The following indications appear: exposure modes, metering types, exposure compensation, electronic analogue display, shutter speeds/film speeds, aperture/exposure compensation value, film speed setting, DX-coded film speed setting, film advance mode, film installation, film advance and rewind, self-timer, multiple exposure, frame counter/ self-timer duration/number of multiple exposure
Electronic beeper - With power switch in beeper position, beeper sounds in the following cases: operation signals; (1) at end of film roll: (2) when film rewinding is complete; (3) during self-timer operation; alert signals; (1) for over- or underexposure and possible picture blur in PD, P, PH or A mode; (2) when lens is not set to the smallest aperture setting in PD, P, PH or S mode; (3) when non-DX-coded film, damaged film or film with an unacceptable DX code is loaded; (4) such as torn or damaged film during film advance
Auto exposure lock - Available via sliding the AE Lock lever while the meter in on
Film speed range - ISO 25 to 5000 for DX-coded film; ISO 6 to 6400 for manual setting
Film speed setting - At DX position, automatically set to ISO speed of DX-coded film used; with non-DX-coded film, ISO speed is set manually
Film loading - Film automatically advances to first frame when shutter release button is depressed once
Film advance - In S (Single-frame) shooting mode, film automatically advances one frame when shutter is released; in CH (Continuous High) or CL (Continuous Low) shooting mode, shots are taken as long as shutter release button is depressed; in CH mode, shooting speed is approx. 3.3fps, and in CL, approx., 2.0 fps (in Continuous Servo Autofocus or manual focus mode, with new batteries at normal temperatures, and a shutter speed faster than 1/125 sec. in manual exposure mode).
Frame counter - Accumulative type: counts back while film is rewinding
Film rewind - Automatically rewinds by pressing film rewind button and multiple exposure film rewind button; approx. 10 sec. per 24-exposure roll; stops automatically when film is rewound
Self-timer;- Electronically controlled; timer duration can be selected between 2 to 30 sec. in one sec. increments; blinking LED indicates self-timer operation; two-shot self-timer is possible; cancelable
Exposure compensation - Possible using exposure compensation button within ±5 EV range in 1/3 EV steps
Multiple exposure - Up to 9 exposures can be set
Depth of Field preview button;- Provides visual verification of depth of field; can be previewed in A or M mode
Reflex mirror - Automatic, instant-return type
Camera back - Hinged back; exchangeable with Nikon Multi-Control Back MF-21 or Data Back MF-20
Accessory shoe - Standard ISO-type hot-shoe contact; ready-light contact, TTL flash contact, monitor contact
Flash synchronization - 1/60 to 1/250 sec. in PD, P, PH or A mode; in S or M mode, shutter fires at speed set, and when set from /250 to 1/8000 sec., shutter is automatically set to 1/250 sec.; down to 30 sec. shutter is available by using SB-24 in rear-curtain sync
Flash ready-light - Viewfinder LED lights up when Nikon dedicated speedlight is ready to fire; links to warn of poor camera/speedlight connection or insufficient light for correct exposure
Autofocus flash photography - Possible with Nikon Autofocus speedlights SB-24, SB-23, SB-22 or B-20 etc.
Power source - Four AA-type batteries
Lens displayed - AF Nikkor 85 mm 1:1.8
I Invite you to visit my blog at Classic Cameras
This was the first time I've tried the 100-400mm on my Full Frame 5D Mk 1. It's an old camera by todays standards with a 12 Megapixel Sensor and 3fps burst speed. It is however a full frame camera and this means the image quality is actually rather good. I found when I did manage to get sharp images they were very sharp with nice clear detail. Infact in terms of sheer clarity I'd say it was better than the 7D MK II. However it won't really be using it for wildlife due to the poor AF performance and slowness of the camera. It should work quite nicely for landscape images however.
Using SoftTH I have downsampled the sim from the same resolution of a Canon 5D MkIII to show the possibilities achievable - the sim ran at 3FPS though, i only have one fairly weak GPU but a pair of 980s in SLI might be an interesting proposition for playing TS2015 in 4K and above!
My favorite manual focus SLR body. I have 2 of these and they've never let me down. 3fps motor drive, Manual, Aperture Priority, Shutter Priority or Priority exposure modes, Autobracketing and exposure compensation are no problem. Center weighted, Spot or Multi Segment Matrix metering. Being small and lightweight, this camera is very comfortable to carry. It's the perfect camera if you don't need a high speed motor drive or autofocus. Photo taken with Contax Aria, Contax TLA360 Flash with Lumiquest Mini Softbox attachment, Studio Systems SP920MDLVP Monolight with Small Softbox, Zeiss Planar 50mm F1.7 lens, Tiffen 81A Warming filter, Fuji Provia 100F, F16 at 1/125 sec., Nikon Coolscan V ED, Photoshop Elements 2.0, Metered with a Sekonic L-508 Zoom Master.
Nikon SLR D60
項目 規格
感光元件說明 有效 1020萬像素 原色CCD (DX Sensor)(CCD防塵機構)
感光元件 23.6 x 15.8 mm
影像大小 3872x2592
其他影像大小 2896x1944, 1936x1296 (sRGB, Adobe RGB))
最大光圈 依鏡頭本身規格
快門範圍 Auto: 30s ~ 1/4000s
M: 30s ~ 1/4000s
支援 B快門
測光模式 420 區域(3D Color Matrix Metering II ), 中央重點, 點測光(2.5%)
曝光補償 -5 ~ +5 EV, 1/3 級距調整
ISO感光度 Auto, 100~1600
白平衡 自動,固定 6種, 手動
對焦方式 自動, 3 點選擇 (Nikon Multi CAM530 自動對焦模組)
內建閃燈 提供
外接閃燈 熱靴, i-TTL; 同步快門線插孔 (高速同步 1/200s)
閃燈模式 自動, 防紅眼, 強制閃光, 不閃光, 慢速, 後簾等
手動操控模式 光圈優先, 快門優先, 全手動
場景模式 人像, 風景, 運動, 兒童等
鏡頭轉接環
連拍速度 3fps 連拍 100張
遠端遙控 支援
儲存媒體 SD
記錄格式 RAWNEF (12-bit), JPEG
觀景窗 光學觀景窗(放大率為 0.80x,視野率為 95%)
LCD螢幕 2.5 吋,230,000 像素,
傳輸介面 USB 2.0
視訊輸出 NTSC/PAL
使用電池 專用: EN-EL9
外觀尺寸 126 x 94 x 64mm
機身重量 淨重: 495g
PictBridge 支援
附註 具備動態的 D-Lighting 功能,以支援高反差時,產生較大動態範圍的影像
I'd just got my camera out to take a photo of some of the new stencil graffiti that seems to have cropped up overnight when I heard sirens. To my luck - and someone else's misfortune, this sped round the corner.
This is another one with natural speed blur. Say it with me once again... three cheers for 3fps burst mode!
For the technically inclined timelapse photographer using Nikon D300/D700/D3 etc, here's the schematics for the Rapid Interval Timer I just finished and tested. With this timer, you'll be able to shoot continous bursts of much more than the limited 100 (D3 is 130) images that the camera itself permit in the CH high speed drive mode. With the D300 you'll reach nearly 3fps shooting RAW frames until the card fills up. For the wiring and 10-pin connector to the body, I used a cheap Micnova MQ-S2 wired remote cabling.
Detailed description of the finished timer here and hooked up to the D300 here.