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CSX 349 Leads a train out of Buffalo and past Depew, New York.

Project 365 - A one year daily shot.

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"This is the way it was

while I was waiting

for your eyes to find me." ~ Rod McKuen

  

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Defective

Taken for macro mondays, Theme "D"

I dare you to move.

 

I don't know how I feel about this...I like it, I think.

 

Sorry for all the old ones, everyone. I really want to finish this project with new photos, but I've been super busy (and there are only fifteen days left of this project, what?!?)

 

But today, I cleaned up gross kid medicine, bought the stupid school supplies I'll never use, drank iced tea, and did four hours of APUSH homework and only finished one chapter. Ugh, I am not excited to do more of that but I have to because school starts September 4th...

Canon EOS 300v

EF 40mm f/2.8

Ilford HP5

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A6 watercolor on Arches paper, from my series "Birds", Nazca art inspired, 2021.

Jeden z ostatnich w tym sezonie składów wagonów, jako Tur zestawiony z SM42-349 oraz trzech bohunów opuszcza Władysławo jadąc w kierunku Helu. SM42-349 oraz SU42-508 to dwie ostatnie chojnickie lokomotywy jeszcze w "starym" malowaniu PR.

Day 349

 

This isn't the most creative thing out there, but a nice splash of bokeh is always nice :)

Have a great day everyone :)

DB 193 349 mit Klv-Zug am 28.03.2020 in Dülken.

Instagram:@wowhannah

  

Society6

Cranberry splash

Europe, Portugal, Algarve, Sotavento, Fuzeta, Harbour, Boats (cropped from T)

 

Boats in the Fuzeta fihery harbour. The Algarvian coastal fishery is primary artisan. The fleet consists almost entirely of traditional wooden ships.

 

The Algarve coastal fishery sector has to deal with:

-catches are failing and the possibilities to better this situation are limited due to environmental considerations and restrictions

-the fishery businesses are small and the income is unstable since it’s being directly dependent on the haul. A part of the income is paid in kind;

-it's difficult to find people willing to work in the sector

-the taxation regime applicable to the sector and the social security contribution regime is seen as prejudicial for those working in the sector.

 

Another manual focus / shallow DoF (lens fully open) exercise. So it's number 15 of The Taming of the shrew (breaking in the Samyang 85 1,4 lens) album here. And number 16 of the Fuzeta/Fuseta album here.

This little coal tit and it's friends are frequent guests at the feeding station.

Female mallard duck among mums

Endless reflection.

Interior of elevator in Bund #18, Shanghai.

外灘十八號電梯內裝,無限的反射。

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