View allAll Photos Tagged 320TXP

Death Valley National Park, California

 

Pentax 6x7 (early Non-MLU)

SMC Pentax 6x7 55mm f/4

Kodak 320TXP (220), HC-110B

Zion National Park, Utah

 

Bronica S

75mm f/2.8 Nikkor-P

Kodak 320TXP, HC-110B

A Wood-Field with a Wood-Field (Still Life #2)

Date: November 10, 2022

Camera: Wista 45DX

Lens: Nikkor W 150mm f/5.6

Film: Kodak 320TXP

Developer: HC-110

 

The Shen Hao PTB45

I took this photo with my Wista 45DX, and feel privileged in my humble opinion to photograph with two fine Wood-Field Cameras. And though they are about 30 years apart in age, the technology of Lg Format hasn’t changed much.

-Thomas

  

Abandoned

Date: October 28, 2022

Camera: Wista 45DX

Lens: Nikkor W 150mm f/5.6

Film: Kodak 320TXP

Developer: HC-110

-Thomas

 

Abandoned

I saw this abandoned motorcycle in an open warehouse and put it to rest in memory. Two weeks later I returned to photograph it, just couldn’t rid it from my mind.

a Leaf of Shape & Shades

Date: November 10, 2022

Camera: Shen Hao PTB45

Lens: Nikkor AM-ED 120mm f/5.6

Film: Kodak 320TXP

Developer: HC-110

-Thomas

Julie (Mural Artist)

Date: October 15, 2022

Camera: Wista 45DX

Lens: Nikkor W 150mm f/5.6

Film: Kodak 320TXP

Developer: HC-110

 

Julie

I met Mural Artist Julie while she was painting in Downtown Half Moon Bay. She is quite a colorful person with a beautiful personality. The common bond I’ve learned all Artist share is the love for their art.

-Thomas

 

Death Valley National Park, California

 

Pentax 6x7 (early Non-MLU Handheld)

SMC Pentax 6x7 55mm f/4

Kodak 320TXP (220), HC-110B

The "Salt and Pepper Shaker" Hoodoos, along the Pink Ledges Interpretive Trail, Dixie National Forest, Utah

 

Bronica S

75mm f/2.8 Nikkor-P

Kodak 320TXP, HC-110B

Pine Cone (Still Life No. 1)

Date: October 22, 2022

Camera: Shen Hao PTB45

Lens: Nikkor AM-ED 120mm f/5.6

Film: Kodak 320TXP

Developer: HC-110

-Thomas

Camera: Wista 45DX

Lens: Nikkor W 150mm f5.6

Film: Kodak 320TXP (ei: 160)

Subject: Stopped in to a church I passed along the way

Date: October 10, 2022

Bellows Extension: 165mm

Bellows Compensation: +2/3

Reciprocity Compensation +29s

Actual Exposure: 37s @ f/22.7

Processing: Tray Development

Developer: HC-110 H 1:62

Temperature: 20°c

Developing Time: 8’ 0” (N)

Digitized: Nikon D850, Nikkor 55mm Micro ais

 

Stopped in to a church I passed along the way…

I been visiting for over three years now, and every time I visit it’s been empty. At first I felt awkward sitting alone, but soon realizing it’s the first church I sat in where I truly feel spiritually enlightened. Today I quietly prayed for Dad. Three days later he passed peacefully at the age of ninety-seven. And although he never knew I like to photograph or seen any of my photos…this one’s for you Dad.

May you Rest In Peace 🙏

-Thomas

 

Camera: Shen Hao PTB45

Lens: Nikkor W 150mm f5.6

Film: Kodak 320TXP (ei: 160)

Subject: A Walk in the Park

Date: September 25, 2022

Bellows Extension: 150mm

Exposure: 1/4s @ f/22

Processing: Tray Development

Developer: HC-110 H 1:62

Temperature: 20°c

Developing Time: 8’ 0” (N)

Digitized: Nikon D850, Nikkor 55mm Micro ais

-Thomas

 

Banff National Park

Bronica S

75mm f/2.8 Nikkor-P

320TXP (220 Size) D-76

4x5 large format a Vintage lens Angulon 90mm f6.8 Kodak 320txp developed TMX-D

Kodak 320TXP; D76;

Agfa MC111

Se5 1+10+ 1L H2O+ 20D+2f

10 ml NH4CL + 5 Catechol

Death Valley National Park, California

 

Pentax 6x7 (early Non-MLU)

SMC Pentax 6x7 55mm f/4

Kodak 320TXP (220), HC-110B

Camera: Shen Hao PTB45

Lens: Nikkor W 150mm f5.6

Film: Kodak 320TXP (ei: 160)

Subject: Bev’s Lamp

Date: September 21, 2022

Bellows Extension: 180mm

Bellows Compensation +2/3

Reciprocity Compensation: 37s

Actual Exposure: 37s @ f/22.3

Processing: Tray Development

Developer: HC-110 H 1:62

Temperature: 20°

Developing Time: 8’ 0” (N)

Digitized: Nikon D850, Nikkor 55mm Micro ais

-Thomas

Yellowstone National Park

 

Pentax 6x7 (Honeywell Non-MLU)

SMC Fisheye Takumar/6x7 35mm f/4.5

Kodak 320TXP (220), HC-110B

Along the Watchman Trail, Zion National Park, Utah

 

Bronica S

75mm f/2.8 Nikkor-P

Kodak 320TXP, HC-110B

Yellowstone National Park

 

Pentax 6x7 (early Honeywell Non-MLU Handheld)

SMC Pentax 6x7 55mm f/4

Kodak 320TXP (220), HC-110B

Kicking Horse River, Yoho National Park, Canada

Bronica S

75mm f/2.8 Nikkor-P

320TXP (220 Size), HC-110B

Death Valley National Park, California

 

Pentax 6x7 (early Non-MLU Handheld)

SMC Pentax 6x7 55mm f/4

Kodak 320TXP (220), HC-110B

4x5 Large format Fujinon A 240mm Kodak 320TXP developed Tmax-D follow to The Massive

Hasselblad 501CM Planar 100,

Kodak 320TXP in Tanol.

Kallitype on Hahnemühle Platinum Rag,

Sodium acetate developer,

MT3 Vario toner: bleach 1+100 45 secs, toner setting D.

Shot one roll of 320 Tri-X Pro on our sledding day. The way the winter has turned out, that was our only real chance for great snow and conditions. Feb '23.

 

TXP@100, expired 12/87; Kodak HC110; Rolleiflex Automat.

Bronica ETR, 75mm f/2.8 Zenzanon MC

320TXP, HC-110B

Yellowstone National Park

 

Pentax 6x7 (early Honeywell Non-MLU)

SMC Fisheye Takumar/6x7 35mm f/4.5

Kodak 320TXP (220), HC-110B

the intrepid camera mk IV

fujinon W 210mm f/5,6

kodak tri-x 320

D-76 stock, 7 min at 21'C

Shot one roll of 320 Tri-X Pro on our sledding day. The way the winter has turned out, that was our only real chance for great snow and conditions. Feb '23.

 

TXP@100, expired 12/87; Kodak HC110; Rolleiflex Automat.

wanderlust travelwide 90

schneider-kreuznach angulon 90mm f/6.8

kodak tri-x 320

adox atomal 49 1+2, 14 min

 

Last one in the triptych.

the intrepid camera mk IV

fujinon W 125mm f/5,6

kodak tri-x 320

pyrocat-hd 1+1+100, 11,5 min, 21'C

 

The second test shot from the batch of Kodak 320TXP that I rceived from patrickjoust, what a gift!

Some call it ugly, some awkward, some imperfect, or what ever the human invented technicalities bring up to mentally block the reality around us. But for me it’s perfection to the purest, down to it's fundamental essence. Life is analog and Nature doesn’t like straight lines for a reason.

 

Press "L".

 

Rittreck 5x7", Fujinon T 400mm f8, 1/8s, Kodak Tri-X 320 Pan Professional (320TXP) developed in Ethol UFG 3 minutes, wet-mounted drumscan.

 

...::: 4nalog :::...

Model: Alina

Camera: Cambo SC

Lens: Sironar 210mm f5.6

Film: Kodak 320TXP

Dev: Kodak D76 1+1 11 minutes 20c in SP445

Scan: Epson V850

Light: Elinchrom Deep octa Front to the right. Large strip box rear left.

Zenza BRONICA S2

Nikkor-P 75mm ƒ2,8

Kodak Professional 320TXP

 

View On Black

the intrepid camera mk IV

fujinon W 125mm f/5,6

kodak tri-x 320

D-76 stock, 7 min at 21'C

Toyo Field 45A / Nikkor-W 5.6/135

320TXP / Pyro 48

 

Agfa MCC 111 / ECO 4812

bleach / Kodak-Polytoner / MT1 Selenium

Yukitsuri (雪吊)

 

en.wikipedia.org/wiki/Yukitsuri

 

Yukitsuri is a Japanese technique for preserving trees and shrubs from heavy snow.

 

Chamonix 45N-2

NIKKOR-W 180mm f5.6

f32 1[s] (R60)

320TXP (4x5)

PERCEPTOL(1:3) 20[C] 11[m]

JOBO 3010

 

EPSON GT-X970 2400dpi scan

 

4x5 large format film Ebony sv45te Angulon 90mm f6.8 Kodak 320TXP developed tmax-D

Horseman 970 (6x9)

Obiettivo Schneider Super Angulon 65mm f8

Pellicola piana Kodak 320TXP sviluppata in HC110 1+50 8min.

 

Ieri in campagna, qualche prova col Super Angulon

I don't get up to Mendocino often enough, and have looked longingly at this barn every time I've driven by. Dewy grass and a bit of nip in the air...

 

#largeformat #graflex #speedgraphic #aeroektar #kodak #320TXP

Another windy and snowy day today, decided to stay indoors and play with my Intrepid 8x10 camera. Had it loaded with a sheet of Kodak 320 TXP, that I exposed at ISO 200 (1 sec, f 32 1/3) and developed in Tetenal Paranol S for 11:15 min at 20°C. Scanned with Epson V800 and edited in PS.

5x7... I mistakenly claimed this as pinhole, but inspection of the negative shows this was taken with the 75mm grandagon... my sincere apologies...

 

largeformat 4x5 graflex speedgraphic aeroektar kodak 320TXP

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