View allAll Photos Tagged 24fps

With the iPhone, just rotated and cropped.

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Ménage à trois ...

Film trailer D:

www.lighthouse-film.com/wp-content/uploads/2018/09/Menage...

Film trailer F:

www.cinoche.com/films/le-trip-a-trois/bandes-annonces

Song from Alcazar:

www.youtube.com/watch?v=2o29LLdArlc

OK, funny! We all know the song by Alcazar from 2000. I don't remember the video at all. Click, click ... Internet 2020 - fantastic!

www.youtube.com/watch?v=7CiOWcUVGJM

But - it is embarrassing - the TOP song of the 2000s in Germany:

www.youtube.com/watch?v=2Ua9af7xC9c&feature=emb_title

Oh my god ... 2nd place of the 2000s in Germany:

www.youtube.com/watch?v=NErNvVJEjys

www.dance-charts.de/2019081911976/die-100-beliebtesten-so...

   

Nikon Z9, Nikkor 24-120/4 S 1/50" f8 50mm ISO 2500, 6400K soft box lighting, ProRes 422 HQ 24fps (4K video), DaVinci Resolve 19 Linux (free version), Darktable.

Sample pictures to make me jealous ....

Inshallah My new nikon D90 with 200mm will be in ma hands...

 

come on come on congrats me !!!

  

SPECS.

12.3-megapixel DX-format CMOS imaging sensor

 

Continuous shooting as fast as 4.5 frames-per-second

 

Most interesting feature is HD movie ..

"""""""D-Movie Mode—Cinematic 24fps HD with sound"""""

 

Low noise ISO sensitivity from 200 to 3200:

 

3-inch super-density 920,000-dot color LCD monitor

 

11-point AF system with Face Priority

 

One-button Live View

 

Nikon 3D Color Matrix Metering II with Scene Recognition System:

 

Auto Active D-Lighting

 

In-Camera Image Editing

 

Durable, high precision shutter: Testing to over 100,000 cycles assures shutter life and accuracy.

 

and many more...

 

200mm lense

Nikon Z9, Nikkor 24-120/4 S 1/50" f8 50mm ISO 2500, 6400K soft box lighting, ProRes 422 HQ 24fps (4K video), DaVinci Resolve 19 Linux (free version), Darktable.

GRAND PRIX CYCLISTE DE MONTRÉAL 2015

snip from a .mov file @24fps, 1/60th speed

79mm (eqv) - f/4 - Multiexposure

Follow me on Facebook or Instagram

 

Nikon Z9, Nikkor 24-120/4 S 1/50" f8 50mm ISO 2500, 6400K soft box lighting, ProRes 422 HQ 24fps (4K video), DaVinci Resolve 19 Linux (free version), Darktable.

Timelapse movie of the big Xujiahui intersection.

Taken from the grand staircase of the Grand Gateway mall.

 

I recommend to view it large.

 

Nikon Df, AF-D Nikkor 28/2.8.

17:05 to 18:05, 1 hour, afternoon into the night, at 24fps compressed to about 10 seconds. 1 photo every 15 seconds using the built-in intervalometer of the Df.

 

Compiled with "VirtualDub" as .avi - and actually I'm not quite happy with the crappy .mp4 rendering done by flickr.

  

© All Rights Reserved - you may not use this video in any form without my prior permission.

Cold and dreary, and windy that day...but, I just had to take few shots. ^^* The Q happened to be in the bag...lol

 

Leica Q is great for documentary and journalism...can go as wide as 28mm to macro. My only gripe...wish it had 24fps in video for documentary style film making.

  

Ain't No Mountain High Enough | GrfxDziner.com

 

fiveprime.org/hivemind/Tags/MountMonadnock/

fiveprime.org/hivemind/Tags/MotherChildSeries/

 

________________________________________________

 

Check out this blog from the

Deanna Cremin Memorial Foundation:

Function of Form • Patterns in Nature....

GrfxDziner.com | Blogger gwennie2006:

http://gwennie2006.blogspot.com/2010/01/function-of-form-patterns-in-nature.html

 

___________________________________________

Panoramic made of 15 (vertical format) shots combined

orig size: 8950 pixels wide

.

Our entry for the 2016 American Physical Society's Gallery of Fluid Motion competition (gfm.aps.org), which is held in Portland, OR this year. This video gives a nice visual overview of what I do in my research and how my photo adventures have helped with that. (Also reminds me a bit of those videos we used to watch in school when there's a supply teacher.. :P)

 

More interestingly however, this was shot entirely in 4K (downsampled to 1080p) on the Nikon D500 with the 105mm VR lens (ISO 6400, 24fps, f/11) in my kitchen/lab with some dishwashing liquid, a baking tray, a funnel and a metric ton of patience..

 

(Edited using Final Cut Pro X)

 

Enjoy! :)

 

P.S. These patterns were first observed 2 years ago when I was messing around with my first DSLR the Nikon D3300. I was trying to take a picture of a bubble for the cover of one of my reports. And being a complete noob, it took much longer than I thought it would and it was then that these patterns appeared! We now guess that these things only come out when the bubble is about to rupture, so... silver linings I guess

ReShade

IDK31FC and Smithfield01 FreeCam Table, everything seem to work now without any issues.. timestop,FOV,Roll,Cam. The actions shots I got just been in 1600x900 ( my playing resolution for this game.) 1080p tends to drop to 24fps when busy stomping robots.

 

Table works fine now.. did some testing, but don\'t want to bother with shooting that much atm.

Nikon Z9, Nikkor 24-120/4 S 1/50" f8 50mm ISO 2500, 6400K soft box lighting, ProRes 422 HQ 24fps (4K video), DaVinci Resolve 19 Linux (free version), Darktable.

It was foggy at Brick Pond this morning and the Canada Geese were there in force. They were coming and going fairly often so I took the opportunity to practice panning. This is something I've only just started working on so this is my first attempt that I thought worked fairly well. With panning you set your shutterspeed slow enough to capture the motion of interest. I had it at 1/50 seconds. Find your point of focus which will be your subject. In my case it was the head of the front goose. Pan your camera along with the movement, keeping your focus locked onto your subject. This allows you to capture the motion blur of the out of focus segments on the image with your subject in focus. When done well it can capture the feeling of movement while producing unique abstract quality. What do you think?

 

I was actually set up for video at 24FPS so my settings were 1/50 sec, ISO-100 at f/7.1 which also worked well for panning. October 19, 2018

The Mercury transit across the Sun on 9 May 2016, as seen from 26° Latitude in the Southern Hemisphere (Johannesburg, South Africa).

 

About this video:

This is a time-lapse sequence of Mercury's transit, photographed between 13:05 - 17:25. It was a challenge to image in partly cloudy conditions. At S 26° Latitude, the last bit of the transit was not visible due to the Autumn Sun setting before the transit was complete.

 

The HD Time-Lapse video can also be viewed on YouTube.

 

About Mercury:

The Planet Mercury is a little more than one third the size of Earth. The Sun is a very average mid-sized star, but as a size reference, about 1.3 million Earth sized Planets could fit inside the volume of the Sun.

 

Even though the Planet Mercury orbits around the Sun every 88 days, a transit is rare. This is due to the fact that Mercury orbits in a tilted plane at 7° from Earth's orbit. As a result it usually passes above or below our line of sight to the Sun. The last transit was in 2006, and the next one is in 2019.

 

About the Sunspots:

The large dark spot is Sunspot 2542, and yes it is larger than Mercury (or Earth for that matter). Sunspots are cooler holes in the Sun's Photosphere. The Photosphere has a temperature of 5,800 degrees Kelvin, and Sunspots have temperatures of about 3,800 degrees K. Sunspots only appear to be dark, as they are surrounded by much brighter and hotter regions of the Sun's Photosphere.

 

About the Sun:

The Sun is a G-type Main-Sequence Yellow Dwarf (G2V) Star. As far as stars go, the Sun is a very average star in the middle of its life cycle (around 5 billion years old). Through the process of fusion, the Sun burns approximately 600 million tonnes (metric tons) of Hydrogen each second, turning it into 596 million tonnes of Helium. As the Hydrogen nuclei fuse, Photons are emitted, which in short is why the Sun and other stars shine.

 

The Sun is roughly 150,000,000 km (93,205,679 mi) from Earth. The speed of light is 300,000 km/sec (186,000 miles/sec), which means that the light took just over 8 light-minutes (8 minutes and 26 seconds) to reach my Telescope.

 

Gear:

Canon 60Da DSLR.

GSO 6" f/4 Imaging Newtonian Reflector Telescope.

6" Thousand Oaks Optical R-G Solar "White Light" Solar Filter.

2" 2x Tele Vue PowerMate.

Tele Vue Sol-Searcher.

Celestron AVX.

 

Martin

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[Home Page] [Photography Showcase] [eBook] [Twitter]

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Nikon Z9, Nikkor 24-120/4 S 1/50" f8 120mm ISO 2500, 6400K soft box lighting, ProRes 422 HQ 24fps (4K video), DaVinci Resolve 19 Linux (free version), Darktable.

Found at the Karel Zeman Museum, Prague.

402 x 6 second exposures.

f2.8 - iso 5000 for each shot.

 

24fps output in photoshop.

This isolated and stationary convective cloud provided 30 minutes of timelapse fun. 1st scene is with my 35mm and the 2nd with my 85mm Nikkor lenses. Note that rainfall was minimal based on radar but the cloud's shadow was evident on the right (eastern side).

ReShade

IDK31FC and Smithfield01 FreeCam Table, everything seem to work now without any issues.. timestop,FOV,Roll,Cam. The actions shots I got just been in 1600x900 ( my playing resolution for this game.) 1080p tends to drop to 24fps when busy stomping robots.

 

Table works fine now.. did some testing, but don\'t want to bother with shooting that much atm.

Probably one of the better curves in the Canadian Rockies, and where trains run frequently.

 

Intentionally dragged the shutter out to 1/2 sec to create motion blur in each frame. Rendered at 24fps, cool pulsing motion.

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CN eastbound passing through the Solomon Curve on the Edson sub yesterday morning.

stills from an anti-communist propaganda film from the fifties.

stills from an anti-communist propaganda film from the fifties.

195 x 8 second exposure at 24fps

felicidad

amarillo

tardes

Bogotanas

24fps

Janssen e Rima Janssen

24 settembre 2021

San Romualdo (RA)

Celestron C9.25 - Ioptron ieQ30pro

QHY5III 185C - Barlow Televue 2x

180" film a 24fps

Acquisizione Firecapture 2.7

Elaborazione: Autostakkert3, Astrosurface, MaximDL, Paint Shop Pro2021

www.cfm2004.altervista.org/astrofotografia/luna-hires/jan...

[This image was created from a focus stack of 20 individual shots in the Nikon D850 and processed with Affinity Photo.]

 

Let me introduce you to my new companion. No, I most certainly have not given up my Nikon. But I really needed a fully manual compact camera to put in my coat pocket and have with me most of the time. I looked at several options and was very impressed by the Fujifilm X100V. That camera has a fixed 35mm lens and is great for street photography. In the end though I was won over by the build characteristics of the Leica and its 24-75mm f/1.7-2.8 lens. A little more flexibility. Both cameras have a wonderful retro look and feel about them.

 

The Leica D-Lux 7 is a premium compact camera with a 17 megapixel, multi-aspect Micro Four Thirds sensor. I will show you a couple of test shots today, that I think highlights two characteristics that absolutely convinced me: 17 megapixels doesn't sound like much today, but this is no ordinary sensor. I think you'll agree the quality of its resolution and colour reproduction is outstanding - just what I was looking for. This can be traced to the success of the Micro Four Thirds format in the compact camera.

 

For a little camera it packs a lot of punch: UHD 4K video recording at 30/24fps; 2.76m-dot electronic viewfinder; 3.0" 1.24m-dot touchscreen LCD monitor; 11fps burst shooting (that's more than my D850 without a battery grip); built-in Bluetooth and Wi-Fi connectivity; hot shoe-mounted external flash; and in-camera battery charging. We get a choice of four different aspect ratios: 3:2, 16:9, 1:1 and 4:3. But you can easily crop with the fine resolution this sensor gives you.

 

But best of all, despite having all the electronic features one might expect in a quality camera like this, it is fully manual with rangefinder-like top plate dials. It has an electronic viewfinder which was essential since I will only use a rear screen with LE tripod work. The camera needs to be near my eye.

 

* I should mention that it is also a great low light camera with an ISO that can go as high as 25600. A minimum ISO of 200, but that's a perfect daytime setting with this resolution. It is a myth that the lowest possible ISO is better. Noise won't really kick in noticeably before 1600 and even higher on this camera.

HDR time lapse from 1.200 shots. 240 HDRs. 10 sek. interval. Shot with Nikon D300

 

Put together in Quick Time Pro at 24fps

 

The details in 1080p is amazing. You can see it in HD on youtube. And now we can finally see videos in HD on Flickr aswell.

 

Made it to Explore front page. Highest position: #1 on Monday, November 24, 2008

 

It took me 40 min. to shoot this time lapse. While the camera shot the intervals I spotted the local wildlife. I saw a White-tailed Eagle catching a fish inn the ocean and a Goshawk chasing starlings and redwings. The goshawk flew by me at no more than 5-6 meters. I had to put my binoculars down because it was so close.

 

All in all a great trip.

 

I made this tutorial in my HDR Time Lapse group

 

To those who wanted to know, I use my Dell XPS M1530 2,50 GHz, 4,0 GB RAM for all the editing

 

This one went of like a rocket straight to #1 All Time most interesting video on Flickr after just one day. Thanks everybody for your comments and faves.

  

Piccolomini

24 september 2021

San Romualdo (RA)

Celestron C9.25 - Ioptron ieQ30pro

QHY5III 185C - Barlow Televue 2x

180" film a 24fps

Acquisizione Firecapture 2.7

Elaborazione: Autostakkert3, Astrosurface, Paint Shop Pro2021

www.cfm2004.altervista.org/astrofotografia/luna-hires/pic...

and so it goes...

 

kurt vonnegut

11.11.1922 - 04.11.2007

Because I only shoot stills, I figured out how to create some short loops out of them. If I get action I shoot in long bursts, trying to keep the bird/action in the frame. when successful I compile all the stills (at 1/20 fps) into a 24fps movie using QuickTime (Open Image Sequence). I found that slowing the resulting video down to 30% smoothed the action. I use iMovie to slow the video and to add title and transitions, and insert stills. For the loop, i use every frame, saving all as JPG (no crop). The last frames are filled by the owl... Enjoy

Continuing a theme, set by no one, but I seem to be having fun with... ;)

[the screen is black because it's not safe to watch at home but it's safe to watch at work] [such a lame joke, I know 0:-) ]

 

the aero stroll recorded the night I took the levitas 360x180 pano flic.kr/p/2mrrmjT

just having fun, nothing crazy :)

 

v

thank you for stopping by!

no need to leave comments, let's just continue to levitate for another moment or two ;)

~beer/bear hugs~

^

v

| recorded with 24fps, need to play with high rates to get more flexibility | music: Carrots by Josh Pan |

^

ReShade

IDK31FC and Smithfield01 FreeCam Table, everything seem to work now without any issues.. timestop,FOV,Roll,Cam. The actions shots I got just been in 1600x900 ( my playing resolution for this game.) 1080p tends to drop to 24fps when busy stomping robots.

 

Table works fine now.. did some testing, but don\'t want to bother with shooting that much atm.

Nikon Z9, Nikkor 24-120/4 S 1/50" f8 50mm ISO 2500, 6400K soft box lighting, ProRes 422 HQ 24fps (4K video), DaVinci Resolve 19 Linux (free version), Darktable.

Time Lapse shot new years eve 2008 with Nikon D300.

 

701 exposures shot with 10 sek interval.

 

Put together in Quick Time Pro at 24fps

 

Started 20.30 and finished 00.30. After 24 sek in the video you can see yours truly celebrating with my own fireworks shot from the playground.

 

Best viewed in fullscreen or in HD on Youtube or Vimeo

 

Made it to Explore. Highest position: #1 on Saturday, January 17, 2009

 

Our local newspaper wrote an article about me and this video.

 

To answer some of the questions below:

 

It took approximately 1.000 photos to make this video. All shot in low jpeg quality on a 350D at 3fps. (1728 x 1152)

 

At home I merged all the images together in Quicktime Pro and imported them in iMovie HD for further editing.

Playback = 24fps

 

Music:

Philip Glass - Pruit Igoe

   

stills from an anti-communist propaganda film from the fifties.

stills from an anti-communist propaganda film from the fifties.

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