View allAll Photos Tagged 200watt
blog for a new essay on the art of criticism.
So...monochrome. It finally happened. Mind you, I have never, never been able to create a monochrome image that I am happy with. I thought I was powerless to do so.
I'm telling you, the setup for this had my husband and I cracking up. I rigged a hair dryer to a c-stand that was also holding a 200watt china ball camera right.
Pears take so long to get just ripe enough to eat. They just sit around on the table seeming to do nothing - we can't see them ripening. But, I can't look at them without thinking of a photograph. Soon, they will be gone!
This photo taken with the Canon 5D Mk II using the Canon 50mm f2.5 Macro lens, 1/1 sec. @ f22. Lighting: Ascor QC1000 Studio Stobe system using diffused quartz modeling lights, 1 head at 400watts in Large softbox upper left front side with large white card reflector on right side with 200watt diffused dish pointed into card reflector to soften shadows and add highlights to pear sides.
Processed using Camera Raw, Photoshop CS5, Topaz ReMask3, Topaz Adjust 5, and FastStone Editor.
Many thanks to SkeletalMess for the kind and generous sharing of his wonderful textures. Please visit Jerry's work at: www.flickr.com/photos/skeletalmess/
This photo is © copyright-registered material and cannot be used for any purpose without the express written permission of the copyright holder, Kevin D. Renz!
My New Website is now ready and I would certainly appreciate your visits!
I, for one, read Jane Austen's work over and over. When I read Jane Austen, I generally read from paper-bound books as they are lighter and easier to handle than the fine collection you see here.
I believe one cannot get enough Jane Austen. I wish that she left a greater body of work as her legacy to literature. I feel it to be a terrible waste that her writing career was such a relatively short one. But what a joy that she wrote what she did, that her works live on today, and with such tremendous popularity!
"It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife."
So begins Jane Austen's Pride and Prejudice, perhaps my most favorite, certainly, of all her works, and possibly of all books I have read in my life.
This photograph is my tribute to her wonderful art, literature, and memory. . .
The photograph is of my Illustrated, leather bound, collector's edition from The Easton Press of Nowalk, CT. The paperbacks in the background are "What Jane Austen Ate and Charles Dickens Knew," by Daniel Pool, "The Oxford Illustrated Jane Austen - Minor Works," R.W. Chapman, "Letters From Pemberley - The First Years," by Jane Dawkins, "An Unequal Marriage, or Pride and Prejudice - Twenty Years Later" by Emma Tenant, and "Pemberley, or Pride and Prejudice Continued" by Emma Tenant.
This photo taken with the Canon 5D Mk II using the Canon 50mm f2.5 Macro lens, 1/1 sec. @ f22. Lighting: Ascor QC1000 Studio Stobe system using diffused quartz modeling lights, 1 head at 800watts in Large softbox upper left front side with large white card reflector on right side with 200watt diffused dish pointed into card reflector to soften shadows and add highlights to the gold pages of the books.
Processed using Camera Raw, Photoshop CS5, Topaz ReMask3, Topaz Adjust 5, and FastStone Editor.
Many thanks to SkeletalMess for the kind and generous sharing of his wonderful textures. Please visit Jerry's work at: www.flickr.com/photos/skeletalmess/
This photo is © copyright-registered material and cannot be used for any purpose without the express written permission of the copyright holder, Kevin D. Renz!
My New Website is now ready and I would certainly appreciate your visits!
I love painting water color but I find it to be truly difficult. More so than oil or acrylic. I think the reason is that I have to work from light to dark without white except for the paper, which truly makes it a challenge for me.
I suppose that is one of the reasons that I love photography. Here is my Watercolor Still Life! Too bad I didn't paint it! Though I did paint the small watercolor studies seen in this shot!
This photo taken with the Canon 5D Mk II using the Canon 50mm f2.5 Macro lens, 1/1 sec. @ f22. Lighting: Ascor QC1000 Studio Stobe system using diffused quartz modeling lights, 1 head at 600watts in Large softbox upper left side, and 200watt diffused dish camera right quite high and just glancing over the surface to moderate the shadows.
Processed using Camera Raw, Photoshop CS5, Topaz ReMask3, Topaz Adjust 5, and FastStone Editor.
Many thanks to SkeletalMess for the kind and generous sharing of his wonderful textures. Please visit Jerry's work at: www.flickr.com/photos/skeletalmess/
This photo is © copyright-registered material and cannot be used for any purpose without the express written permission of the copyright holder, Kevin D. Renz!
My New Website is now ready and I would certainly appreciate your visits!
This is a re-edit of a shot that I took several months ago. It seemed to be a popular shot in that many people looked at it, commented favorably, even made it a favorite. But, to be honest, I never liked it in its old form. Frankly, it embarrassed me and I thought about pulling it from the photo stream many times.
Well, I always thought it had potential and so I re-edited it and gave it some thoughtful work. Including the full HDR cycle with a five-shot-bracket, tonemapping, texurization - the full Monty! I hope that my contacts and other friends like it as much as I do now!
This photo taken with the Olympus E-30 using the Zuiko 35mm f3.5 Macro lens, 1/1 sec. @ f22. Lighting: Ascor QC1000 Studio Stobe system using diffused quartz modeling lights, 1 head at 600watts in Large softbox upper left side slight to the rear, and 200watt diffused dish camera right.
Processed using Camera Raw, Photoshop CS5, Lots of Topaz ReMask3, Topaz Adjust 5, Dynamic Photo HDR, and FastStone Editor.
Many thanks to SkeletalMess for the kind and generous sharing of his wonderful textures. Please visit Jerry's work at: www.flickr.com/photos/skeletalmess/
This photo is © copyright-registered material and cannot be used for any purpose without the express written permission of the copyright holder, Kevin D. Renz!
My New Website is now ready and I would certainly appreciate your visits!
I find myself still fascinated by and working with pears today! Three different varieties - I might just eat them this weekend!
This photo taken with the Olympus E30 using the Zuiko 35mm f3.5 Macro lens, 1/4 sec. @ f11. Lighting: Ascor QC1000 Studio Stobe system using diffused quartz modeling lights, 1 head at 400watts in Large diffused reflector dish upper left back-side with large white card reflector on right side with 200watt diffused dish pointed into card reflector to soften shadows and add highlights to copper vessel.
Processed using Camera Raw, Photoshop CS5, Topaz ReMask3, Topaz Adjust 5, and FastStone Editor.
Many thanks to SkeletalMess for the kind and generous sharing of his wonderful textures. Please visit Jerry's work at: www.flickr.com/photos/skeletalmess/
This photo is © copyright-registered material and cannot be used for any purpose without the express written permission of the copyright holder, Kevin D. Renz!
My New Website is now ready and I would certainly appreciate your visits!
Again, my tribute to the incredible artistry of my favorite author: Jane Austen!
How I wish that she had a longer and more prolific career!
This photo taken with the Canon 5D Mk II using the Canon 50mm f2.5 Macro lens, 1/1/2sec. @ f22. Lighting: Ascor QC1000 Studio Stobe system using diffused quartz modeling lights, 1 head at 800watts in Large softbox upper left front side with large white card reflector on right side with 200watt diffused dish pointed into card reflector and spilling onto set in order to soften shadows and add highlights to the ink-well and pen stand.
Processed using Camera Raw, Photoshop CS5, Topaz ReMask3, Topaz Adjust 5, and FastStone Editor.
This photo is © copyright-registered material and cannot be used for any purpose without the express written permission of the copyright holder, Kevin D. Renz!
My New Website is now ready and I would certainly appreciate your visits!
Another, older, image that I felt would benefit from a fresh edit. Hope that it finds some friends!
This photo taken with the Canon 5D Mk II using the Canon 50mm f2.5 Macro lens, 1/1 sec. @ f22. Lighting: Ascor QC1000 Studio Stobe system using diffused quartz modeling lights, 1 head at 400watts in Large softbox upper left side with large white card reflector on right side with 200watt diffused dish pointed into card reflector to soften shadows and add highlights to pepper front and side surfaces.
Processed using Camera Raw, Photoshop CS5, Topaz ReMask3, Topaz Adjust 5, and FastStone Editor.
Many thanks to SkeletalMess for the kind and generous sharing of his wonderful textures. Please visit Jerry's work at: www.flickr.com/photos/skeletalmess/
This photo is © copyright-registered material and cannot be used for any purpose without the express written permission of the copyright holder, Kevin D. Renz!
My New Website is now ready and I would certainly appreciate your visits!
that monster above is a part of a new project am working on for a detailing shop it is one of the great detailing shop here in Kuwait, i had great fun shooting the car and watch how they do miracles with it with all those kinds of wax and polish... the above is only a teaser :p so get ready for some good stuff within days ;)
==========================================
CameraNikon D300S
Exposure0.008 sec (1/125)
Aperturef/14.0
Focal Length70 mm
ISO Speed400
Exposure Bias0 EV
Flash2 Flashes 200watt each with 2 soft boxes
More green. MUCH MORE GREEN! I tend to stay up quite late so it is still St. Patrick's Day to me! Enjoy!
This photo taken with the Canon 5D Mk II using the Canon 50mm f2.5 Macro lens, 1/1 sec. @ f22. Lighting: Ascor QC1000 Studio Stobe system using diffused quartz modeling lights, 1 head at 400watts in Large softbox upper left side with large white card reflector on right side with 200watt diffused dish pointed into card reflector to soften shadows and add highlights to pepper front and side surfaces.
Processed using Camera Raw, Photoshop CS5, Topaz ReMask3, Topaz Adjust 5, and FastStone Editor.
Many thanks to SkeletalMess for the kind and generous sharing of his wonderful textures. Please visit Jerry's work at: www.flickr.com/photos/skeletalmess/
This photo is © copyright-registered material and cannot be used for any purpose without the express written permission of the copyright holder, Kevin D. Renz!
My New Website is now ready and I would certainly appreciate your visits!
Last weekend i did some caving in Belgium, these are not legal caves, wich makes it easier to take pictures. The lights are 2 colemans, one of 175watt and 200watt and about 20 candlelights.
Photo fait avec un flash godox ad200. Pleine puissance. Des fois je voudrais un flash encore plus puissant.
Strobist: photo made with a godox ad200 at right of the camera. Full Power. Sometimes i would like more power. 200watt is not always enough. You have to put the flash near you.
Green! It is, after all, St. Patrick's Day and I am cooking my Corned Beef and Cabbage! So, while it was cooking, I shot some green peppers. The peppers have no significance other than being green and being on hand! Hope you like them!
This photo taken with the Canon 5D Mk II using the Canon 50mm f2.5 Macro lens, 1/1 sec. @ f22. Lighting: Ascor QC1000 Studio Stobe system using diffused quartz modeling lights, 1 head at 400watts in Large softbox upper left back-side with large white card reflector on right side with 200watt diffused dish pointed into card reflector to soften shadows and add highlights to pepper front surfaces.
Processed using Camera Raw, Photoshop CS5, Topaz ReMask3, Topaz Adjust 5, and FastStone Editor.
Many thanks to SkeletalMess for the kind and generous sharing of his wonderful textures. Please visit Jerry's work at: www.flickr.com/photos/skeletalmess/
This photo is © copyright-registered material and cannot be used for any purpose without the express written permission of the copyright holder, Kevin D. Renz!
My New Website is now ready and I would certainly appreciate your visits!
Technical Specs :
Camera Model: Canon EOS 5D Mark II
Lens : Canon EF17-40mm f/4L USM
Program : Manual
Focal length : 17mm
Exposure: 1/125 sec
F-stop: f/6.3
Iso Speed : 100
Flash : 2 Flash = 1 Beauty Dish 200-Watt & 1 Flash 200-Watt
Other: On tripod + Timer
Software: Adobe Photoshop CS5 Macintosh
Model: Me & My Friends
Date : 178/2010 at 5.29am
Location : Kuwait - Failaka Island
© Fahad Ben Hussain
Copyrights for all Photos in this Photostream belongs solely to Fahad Ben Hussain.
Images may not be copied, downloaded, or used in any way without the expressed, written permission of the photographer.
If you interested to use, or buy any Photo send an Email to:
king_787@hotmail.com
حقوق الطبع والنسخ والنشر والحفظ في هذا الالبوم جميعها محفوظة وحصرية لـ فهد بن حسين
ولا يمكن حفظ او نسخ او نشر او استخدام اي من الصور بدون اذن او عقد مسبق مع المصور
ان كان لديك الرغبة في استخدام او شراء اي من الصور الخاصة بالمصور يمكنك مراسلتي عبر البريد الالكتروني المذكور أعلاه
وأي تعديات تخالف ما تم ذكره مسبقاً ستعرض مرتكبها للمسائلة والملاحقة القانونية
Camera: Canon EOS 50D
Exposure: 0.005 sec (1/200)
Aperture: f/5.6
Focal Length: 90 mm
ISO Speed: 100
I used two 200watt strobes place on either side of the smoke.
Strobist: Calumet genesis 200watt strobe into a 40inch shoot thru umbrella At 30 I believe.
3 Stop ND filter
85mm 1.8 shot at 3.2
Technical Specs :
Camera Model: Canon EOS 5D Mark II
Lens : Canon EF50mm f/1.4 USM
Program : Manual
Focal length : 50mm
Exposure: 1/125 sec
F-stop: f/7.1
Iso Speed : 160
Flash : 1 softbox 200-Watt , 1 snoot 200-Watt , 1 flash 60-Watt for rem light
Software: Adobe Photoshop CS5 Macintosh
Other: Handheld
Model: My Brothers Mshari
Date : 16/9/2010
Location : Kuwait - My Home Studio
© Fahad Ben Hussain
Copyrights for all Photos in this Photostream belongs solely to Fahad Ben Hussain.
Images may not be copied, downloaded, or used in any way without the expressed, written permission of the photographer.
If you interested to use, or buy any Photo send an Email to:
king_787@hotmail.com
حقوق الطبع والنسخ والنشر والحفظ في هذا الالبوم جميعها محفوظة وحصرية لـ فهد بن حسين
ولا يمكن حفظ او نسخ او نشر او استخدام اي من الصور بدون اذن او عقد مسبق مع المصور
ان كان لديك الرغبة في استخدام او شراء اي من الصور الخاصة بالمصور يمكنك مراسلتي عبر البريد الالكتروني المذكور أعلاه
وأي تعديات تخالف ما تم ذكره مسبقاً ستعرض مرتكبها للمسائلة والملاحقة القانونية
Long out of production, the linear sodium lamp (SLI/H = Sodium Linear / Horizonal burning) was a product born of 1950s technology in an effort by lamp manufacturers to improve the light output from sodium lamps. The lamps, which looked like clear glass fluorescent tubes were available in various wattages, but eventually lost the race to their single-capped rivals, the SOX lamp, a type commonly used in street lighting today (especially in the UK and the Netherlands). Falling demand for the SLI/H lamp brought production to an end in the mid 1980s.
This from Lamptech:
The Linear Sodium concept was first conceived by BTH Mazda in the mid 1950's. It was an idea that came into existence following some co-operative work on fluorescent lamps of non-circular cross-section that took place between GE of America and BTH, its allied British operation. GE later launched its distinctive "Power-Groove" fluorescent tubes in the USA while BTH adapted the technology for the sodium lamp....
Half tones | 1/100 | f 8 | ISO 100 |
Editin : Dave Hill Style
Stobist : cross 2 lighting side by side (right:1/4 left:1/4) + SoftBox | Half Tones Style
YN tranmitter + 200watt lighting set
An old (late 1960s–early '70s) General Electric (USA) sleeve I found in a lecture hall undergoing renovation, for a 200-watt incandescent lightbulb.
Such a power-hungry bulb was recommended for use in table lamps endorsed by the Better Light, Better Sight Bureau, a now-defunct organization promoting bright lighting for reading and other tasks, presumably meaning more revenues for electric utilities. (I shudder to think about the amount of power consumed to light dozens of these bulbs in the lecture hall before it was retrofitted with fluorescent lighting.) Nowadays, an LED table lamp can crank out as much brightness as those old energy-hog bulbs for less than one-tenth the power consumption.
Isn't life great when you've just bought yourself some new trainers?
This pic was taken in my studio (which is also available for rental) in Houten, The Netherlands.
Setup:
- 2 x bare 500watt Bowens studio light onto a white backdrop.
- 1 x 600watt Visico studio light into a 120cm octabox on the left, next to the camera
- 1 x 200watt Bowens into a relatively small softbox on the right of the camera.
Shot taken with a Canon 5d Mark II & a 45mm TS-E lens, but didn't tilt the lens like you're supposed to do/can do. :)
300watt flash on the right, 45 degrees, 200watt flash on the left a bit towards the background(both fired through umbrellas), an off-camera flash lightning the background. +d300
Technical Specs :
Camera Model: Canon EOS 5D Mark II
Lens : Canon EF50mm f/1.4 USM
Program : Manual
Focal length : 50mm
Exposure: 1/100 sec
F-stop: f/9
Iso Speed : 100
Flash : 2 softbox 200-Watt , 2 flash 60-Watt for rem light , One Flash 60-Watt For Backdrop
Software: Adobe Photoshop CS5 Macintosh
Model: Me
Date : 10/1/2011
Location : Kuwait - My Home Studio
© Fahad Ben Hussain
Copyrights for all Photos in this Photostream belongs solely to Fahad Ben Hussain.
Images may not be copied, downloaded, or used in any way without the expressed, written permission of the photographer.
If you interested to use, or buy any Photo send an Email to:
king_787@hotmail.com
حقوق الطبع والنسخ والنشر والحفظ في هذا الالبوم جميعها محفوظة وحصرية لـ فهد بن حسين
ولا يمكن حفظ او نسخ او نشر او استخدام اي من الصور بدون اذن او عقد مسبق مع المصور
ان كان لديك الرغبة في استخدام او شراء اي من الصور الخاصة بالمصور يمكنك مراسلتي عبر البريد الالكتروني المذكور أعلاه
وأي تعديات تخالف ما تم ذكره مسبقاً ستعرض مرتكبها للمسائلة والملاحقة القانونية
My contact, Martin, aka Swedish Goose and I were partnered for round 27 of Get Pushed. I have long admired Martin's long exposures and light painting. He gave me a fun, albeit uniquely challenging, push for this round. Martin wrote, "I want you to do a long exposure using different lights to put yourself in twice. Hopefully you can come up with some kind of story." He gave me an example of one of his own images that I had recently admired while perusing his stream looking for an appropriate challenge for him.
I found this push really challenging. I spent a total of about 6 hours trying to get something even remotely resembling Martin's example. I was getting flabbergasted and wrote to Martin on three occasions to try and clarify the process. I spent time on Tuesday night in my hotel trying to get the shot off. My best example from my trip is included in the comments but you will see it came out incorrectly. Last night, my youngest helped me for a few more hours; switching lights off and on and actuating the shutter on the remote for me as I dashed about trying to get the correct light for this push. I wrote Martin and mistook his message to mean he had created his image as a composite. My results from that experiment are uploaded here. Yet, even as I posted my response, something felt incorrect about it. Martin contacted me to tell me that I was mistaken in my interpretation of his message. His image was a single long exposure.
I was going to wait to nightfall to try and get my push accomplished but my OCD got the better of me. I blocked up the windows in my garage comme studio, set up a backdrop, dug out an old LCD lamp, and put a soft box on a 200watt incandescent with a reflector. I set up the tripod, the corded shutter remote, and set my focus. This image took me three more shots and about 30 more minutes to achieve (the SOOC is in the comments below). I had to adjust the distance of the lights to my body three times. I needed the LCD closer and used it to expose the selfie in the Vendetta mask. I needed to pull the softbox away and used it to expose the selfie sans mask. Both lights were set up directly in front of me with the LCD on the floor in front of me about a meter and a half meter in front of the camera. The soft box was set about 2 meters behind and about a half meter behind the camera. I counted roughly 20 seconds on the LCD exposure and 10 seconds on the soft box exposure. I shut off each light as I changed positions. Martin wrote that he cropped his original image to get to the image he posted. I liked the framing of mine but I decided to duplicate the image, and set it as a Multiply at 75%. I then added a single texture called vintage background (that I cannot recall the source of) on overlay at 75%.
In the end, I figured out that the trick to this bit of trick photography is not to use intense lights. In fact, I found that the gentler the light source used the better the results that were achieved. The LCD seemed to work best but required the longest exposure. Tungsten and florescent worked but required mere seconds to cause overexposure. There is something about the incandescents, especially when modified by the softbox, that I found really worked for me in this process. Like the tungsten and florescents, the incandescents didn't require as long a time in exposure as the LCD but there was a more admirable quality to the light they produced, especially when converted to mono.
Played with my new light shades on steroids (200 watt bulbs & silver foil snoot!) one on each side of the smoke. Created some smoke and captured it!!
Learnings:
> 2 200Watt bulbs are still enough to shoot smoke at ISO 100 & f/10+
> It pays to read articles and learn from them
This company "REM" from EU offers the ROV system REM:
You can find more information in pdf files on the following address:
A multi-purpose ROV system REM standard has several modifications which can be applied for various underwater survey operations.
ROV technical specifications
- 4(3) magnetically coupled thrusters
- Operating depth up to 120 m, maximal depth 150 m
- Cruising speed up to 2 knots
- Ultra thin flexible Kevlar umbilical cable (3mm), up to 200 m long
- Color camera PAL CCD 1/3", 480 TV Lines, 0.3 lux, digital ZOOM and surface module of color rendering control
- Two clusters of ultra-bright LEDs
- Depth sensor with accuracy 0.1 m, auto-depth mode
- Power supply 220VAC or 12VDC battery
- Total power consumption 200Watt
- Full system packed in two high-performance waterproof STORMCASE
- ROV weight: 3 kg, total system weight: 18 kg
- ROV dimensions: 310x180x150 mm
- data display
System basic set:
- REM Rov standard submersible (operating depth up to 120m)
- Umbilical cable, 80m
- Digital compass with the auto-heading mode (data on screen)
- Depth gauge (autodepth mode)
- Cable reel (plastic)
- LCD monitor 8"
- Surface control/power unit
- Joystick Sony PSone
- Cable connectors set
- Repair kit
- User's manual
- ROV warranty (except connecting cable and propellers) is 1 year. Time of delivery is 2 – 6 weeks.
Extra Equipment
Additional side lights
2 clusters of ultra-bright LEDs
Rear camera with ambedded cluster LED lights
Camera is installed instead rear thrusters; extremely useful survey of side walls of underwater facilities, ship hulls, bottom etc.
Laser pointers
Use for measuring sizes of various underwater objects.
Powerfull thtruster
These thrusters increase cruising speed of the vehicle in 1.5-2 times; allow to install additional equipment on the vehicle.
Grabber
It is can be used for sampling or fixing of the vehicle on the underwater object (compression load up to 5 kg; air weight - 0.5 kg; dimensions - 250x30 mm). It is recommended to install the manipulator on a vehicle with more powerful thrusters.
Video vision glasses V-490
Personal glasses are very useful during the field work.
LCD monitor 8"
Monitor is installed inside the shipping case.
Polypropylene frame with positively buoyant module
The frame protects the underwater vehicle against damage, reduces probability of a hook, raises stability of the vehicle during the motion, and used as a base for installation of the additional equipment.
High sledge runners
Sledge runners are essential during the operations on the muddy bottom and necessary for the laser pointers installation.
Wireless joystick Logitech Cordless Action Controller
Joystick increases steering ease of the vehicle.
Movable lift point
Movable lift point aloud to reel on/reel off the cable on a cable frame during the vehicle operation.
Aluminium cable frame with movable lift point (cable up to 200 m, diameter 3 mm)
This is a special proprietary designed cable frame.
High-performance waterproof case (packed system)
Two cases are necessary for installation of the complete set of the equipment.
Coaxial tether (3 mm); 1 m.
The cable is a unique super thin underwater cable with breaking load up to 100 kg.
The apparently casual pattern with which the composition of irregular planes creates a volume around the light source, determines the dynamic character of Big Bang's exuberant personality. A powerfully structural luminous body, characterized by a play of shadow and light, with great visual impact yet airy in appearance, it is ideal for personalizing rooms in any style, even when used alone. It provides an intense, vivid and direct light. The panels that compose the lamp and function as translucent diffusers are made out of metacrylate and are available in white or in two-color versions: white/gray, white/red.
* Dimensions 37.75"W X 78.75" overall height (can be field shortened).
* Uses 1 X 200Watt R7s linear halogen lamp (not included).
Technical Specs :
Camera Model: Canon EOS 5D Mark II
Lens : Canon EF50mm f/1.4 USM
Program : Manual
Focal length : 50mm
Flash : 2 softbox 200-Watt , 2 flash 60-Watt for rem light
Software: Adobe Photoshop CS5 Macintosh
Model: My Brothers Fawaz
Location : My Home Studio
© Fahad Ben Hussain
Copyrights for all Photos in this Photostream belongs solely to Fahad Ben Hussain.
Images may not be copied, downloaded, or used in any way without the expressed, written permission of the photographer.
If you interested to use, or buy any Photo send an Email to:
king_787@hotmail.com
حقوق الطبع والنسخ والنشر والحفظ في هذا الالبوم جميعها محفوظة وحصرية لـ فهد بن حسين
ولا يمكن حفظ او نسخ او نشر او استخدام اي من الصور بدون اذن او عقد مسبق مع المصور
ان كان لديك الرغبة في استخدام او شراء اي من الصور الخاصة بالمصور يمكنك مراسلتي عبر البريد الالكتروني المذكور أعلاه
وأي تعديات تخالف ما تم ذكره مسبقاً ستعرض مرتكبها للمسائلة والملاحقة القانونية
Half tones | 1/100 | f 8 | ISO 100 |
Editin : Dave Hill Style
Stobist : cross 2 lighting side by side (right:1/4 left:1/4) + SoftBox | Half Tones Style
YN tranmitter + 200watt lighting set
Strobist: Calumet genesis 200watt strobe into a 40inch shoot thru umbrella At 30 I believe.
3 Stop ND filter
85mm 1.8 shot at 3.2
A group exploring Tumbling Rock cave through the Fresh Air Family organization. This group went to the Topless Dome where they got a chance to see the 396' dome in all its glory.
For more information on Fresh Air Family visit their website:
Strobist info: Backlit using Lumedyne 200watt dual head manually fired, front lit using Sunpack triggered by a Firefly 2 slave.
Technical Specs :
Camera Model: Canon EOS 5D Mark II
Lens : Canon EF50mm f/1.4 USM
Program : Manual
Focal length : 50mm
Exposure: 1/100 sec
F-stop: f/9
Iso Speed : 100
Flash : 2 softbox 200-Watt , 2 flash 60-Watt for rem light
Software: Adobe Photoshop CS5 Macintosh
Model: My Brothers Fawaz
Date : 27/9/2010
Location : Kuwait - My Home Studio
© Fahad Ben Hussain
Copyrights for all Photos in this Photostream belongs solely to Fahad Ben Hussain.
Images may not be copied, downloaded, or used in any way without the expressed, written permission of the photographer.
If you interested to use, or buy any Photo send an Email to:
king_787@hotmail.com
حقوق الطبع والنسخ والنشر والحفظ في هذا الالبوم جميعها محفوظة وحصرية لـ فهد بن حسين
ولا يمكن حفظ او نسخ او نشر او استخدام اي من الصور بدون اذن او عقد مسبق مع المصور
ان كان لديك الرغبة في استخدام او شراء اي من الصور الخاصة بالمصور يمكنك مراسلتي عبر البريد الالكتروني المذكور أعلاه
وأي تعديات تخالف ما تم ذكره مسبقاً ستعرض مرتكبها للمسائلة والملاحقة القانونية
Intel-based iMac 20"
KRK ROKIT RP5's G2
M-Audio Xponent
Torq
Audio-technica headphones
Logitech THX 200Watt Speakers
Half tones | 1/100 | f 8 | ISO 100 |
Editin : Dave Hill Style
Stobist : cross 2 lighting side by side (right:1/4 left:1/4) + SoftBox | Half Tones Style
YN tranmitter + 200watt lighting set
"Life was like a box of chocolates. You never know what you're gonna get." This now cliched quote from the film Forrest Gump was something or the only thing I had in my mind while taking this photograph.
Well, behind the curtain, this box of chocolates is a gift from a close friend who has just returned from UK.
And in photography front thanks to Better Photography and specially to Anirban Brahma for the 200Watt-Bulb-in-house lighting technique which I have used here.
Taken with a umbrella from the side, power low to get a soft focus, flash used to get halo in background.
Umbrella 15-20cm from left.
Pentax K-5 with FA 50mm f1.4 200Watt flash with small umbrella Nikon sb-25 on background
Shot with a Nikon D300s, Tamron 17-55mm f2.8. 2 200watt studio flashes to left of frame on half power through soft boxes.
Processed in CS4
Mesa Boogie Mark II-B C300 Very Rare Version of the Mark 2 series. Single channel, 200Watt tube head!!
Sovteck MIG 100, great sounding russian head. Very Marshallish, yet with its own darkness.
Covered up is an 1971 Ampeg V4-B!
Strobist:
580EXII camera right~30-45deg, ~45 deg higher than head. Full power into white shoot-through 43" umbrella (with home-made 'soft-box'...see below for details) Umbrella fairly close to subject...~3-4 feet.
430EX bare ~full power i think, camera left, 45deg behind subject, ~10-20deg above.
Triggers: Cactus V2 /Gadge Infinity
Iso: 100
1/200 sec (max for Cactus triggers)
f/13
50mm on the 24-105mm F4L
home-made 'soft-box' for umbrella:
cut 8 panels of black posterboard to triangle-like shapes, taped edges together(except the last edges), used spray adhesive to glue aluminum foil to one side of taped posterboard shape.
velcro on the edges of the last connecting side to remove and fold flat.
When velcro'd together it makes a cone-ish shape to fit the perimeter of the umbrella and come back to the flash.
clipped to the edges of the umbrella to hold.
Gives me a little more power and more control of the light, especially when shooting in tight spaces where walls may be nearby the stand.
Also, I can drop 2 compact florescent bulbs into the cone and velcro them to the stand to serve as a 100-200watt modeling light!
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#vt75 #vtbox #evolv #vaping #vapepics #vapefam #vapebabes #vape #vapestagram #gilswhovape #vapelyfe #instavape #vapelife #dripclub #vapesociety #vapelove #vapeworld #vapepon #VT200 #dna200 #vt133 #200watt #133watt #DNA #box26650 #18650box #wholesale #26650box
1947 Speed Graphic, Graflex Optar 4.7/135, Kentmere RC glossy paper neg. Rated ISO1, preflashed, Exposure 12 min f/11 for interior night light illumination, then 2 seconds under a couple of tungsten 200watt lights scanned/inverted v550, tone in CS4.
"Life was like a box of chocolates. You never know what you're gonna get." This now cliched quote from the film Forrest Gump was something or the only thing I had in my mind while taking this photograph.
Well, behind the curtain, this box of chocolates is a gift from a close friend who has just returned from UK.
And in photography front thanks to Better Photography and specially to Anirban Brahma for the 200Watt-Bulb-in-house lighting technique which I have used here.