View allAll Photos Tagged 2.8
Car: Ford Capri 2.8 Injection Special.
Date of first registration: 10th June 1986.
Registration region: Chelmsford.
Latest recorded mileage: 135,680 (MOT 14th Sepember 2018).
Date taken: 12th May 2019.
Location: Capri Club International, Badgers Hill, Evesham, UK.
Album: CCI Nationals May 2019
Dimension 35 mm 1:2.8 Prime - 2 (of 7) - Canon EOS M (2012) and Fotodiox EOS-EOS M adapter with Dimension 35 mm 1:2.8 Prime (M42 mount) with Fotodiox M42-EOS Adapter - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
Thank you for 2.8 million views in less than two years (Apr-2017 to Mar-2019)
This is a scan of an original kodachrome slide. It was scanned with an Epson Pro V750, and finished up with very minor post processing work in Photoshop. The default size of this image is 2000x1250 pixels.
Clicking on the photo will enlarge it
The original comes from my own slide collection, which contains both my own photos and those acquired over the past forty or so years collecting.
I began uploading photos into this Flickr photostream to create a home for the slides that have been part of my collection. They deserve to be enjoyed by the aircraft enthusiast community as a whole rather than being tucked away in boxes and binders. Think of it like an old time aircraft slide show but for the 21st century.
Comments are welcome.
Aircraft MSN: 25351
Type & Series: Boeing 747-467
Registration: B-HOY
Operator: Cathay Pacific
Location and date (if possible):
Remarks:
Pentacon Six TL
Carl Zeiss Jena MC Biometar 80mm F/2.8
Gossen Lunasix Pro cds
Heliopan UV/Haze 58mm
Orwochrome UK-17 40asa
Expired 1991
Tetenal C-41 Cross Processed
Zeiss Ikon Contarex Professional (built between 1966 and 1967)
Carl Zeiss Tessar 1:2.8/50 mm
Shot with:
Canon EOS600D
Leica Bellows R (16860)
Leica 100mm f/4 Macro Elmar-R, bellows version (11230)
Rollei 6003 Pro / Zeiss Planar 80mm 1:2.8
Ilford HP5+ / Minolta Autometer IVF / Epson Perfection 4490
Self-developed in Kodak D76 (stock)
Development details on FilmDev
Press "L" it's worth.
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You can follow my street work at my secondary Tumblr blog: www.tumblr.com/blog/smilefromthestreetsyoushoot
Enjoy. Why not? Of course you will. I know, you know it.
Starlight two-door coupe
en.wikipedia.org/wiki/Studebaker_Starlight
en.wikipedia.org/wiki/Studebaker_Canada
www.flickr.com/photos/edk7/53410690479/
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Brampton Street Rods, Shoppers' World cruise night
www.facebook.com/p/Brampton-Street-Rods-100072559831232/
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Nikon D300 + Sigma 24-70mm 1:2.8 DG HSM EX
en.wikipedia.org/wiki/Nikon_D300
www.dpreview.com/reviews/nikond300
www.the-digital-picture.com/Reviews/Sigma-24-70mm-f-2.8-E...
_DSC1859 Anx2 1200h Q90 1.5k f25 f50
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Abused & Abandoned Jungle Dogs.
Nikon D300 DX Camera.
Nikkor 17-55 2.8 Lens.
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MASH K9 Unit.............
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Photo # 1 in series of #2.
Back Story .....................
The day started at 4:AM, a bit early but we had lots of stuff to do.
Had a car lined up for the run out to The Dog Palace in order to transport Mama to see the Vet.
This photo and no# 2 photo shows Mama and Little Ding Bat being treated before we left. In fact it's just before breakfast too.
They're being very patient ., ha ha, pun intended .;-)
Now lets not forget Mr Brown ! He is badly torn up as well with deep nasty lacerations on his throat and side of his face.
It's much easier if four hands treat him rather then two hands.
Mr Brown listens much better to me so I stand over him, bend forward and pull his head up to my chest which exposes his throat.
No# 1 goes to work while I comfort him with my voice.
When I do this act alone it's a bit tricky but Mr Brown does his part well.
In time No# 1 and I were all ready to go except for one thing ? Mama didn't want to participate in today's adventure.
She flat out refused to take part in any way shape or form !
She was real sly sneaking around behind us then under the building where Baby Ding Bat was born, an y'all have read about what's under there ....;-0~~
One thing Mama had completely forgotten........................
"If my mission is to get you there isn't much that will stop me !"
I'm on her trail like a Blue Tic Hound, mud, swamp, bugs, snakes and broken glass were only secondary to the mission at hand.
Now Mama was so funny hiding behind a mound of dirt way back under the building. I noticed the ripples of water moving in a large pool of stagnate water just before the mound, so I knew she was right behind it.And covered with mud once again !
Don't get me wrong here, I'm all the time talking low and slow to comfort her, she just didn't want to see the Vet today.
Know here's a new problem --- Mama just isn't going to get up all happy like an heal along side of me on the way out from under the building , no way !
Can't stand cuz it's maybe a meter of standing room at the highest point.
So I half crawled, half bent over, all the time keeping Mama tucked in close as not to let her escape again. That my friends took a very long time and Mama weighs in at 18 kilos .
Now Mama needs another bath cuz of the stink from under the building, ggggrrrrrrrrr..........
I did too but no time for that , Mama was the main objective right now, I can wait till we get home.
Once the second bath had happened Mama, No# 1 and I all took off for the Vets office.
Line was long but that was expected, it always is but worth the wait.
Mr Vet did a double take when he saw Mama as there was "No Cone" ! The situation was talked over and he understood by wearing a Cone that made her an easy target for the monkeys.
Mr Vet went on to complement us on doing a good job of keeping the wounds clean. He said 99% of the time wounds like these become very infected.Especially in the adverse conditions The Browns live in.
We now have a new formula of antibiotic cream that is mixed with a second compound. Thus making a paste which will even do a better job of fighting off any infection.
But it is to still be applied two times a day, morning and night. No big deal, that has been taking place all along anyway.
Loaded Mama back into the car for the return trip. Maybe a minute or two before The Dog Palace Mama sat up in the back seat and started talking, she knew she would be back with Mr Brown and Baby Ding Bat very soon ....;-)
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Last night the word had been put out, we needed to know if the roads up by Lucy were passable ?
Message came back saying yes but still lots of debris in the road, good enough for us.
After taking care of The Browns the next phase of the plan was to go find Lucy.
True, lots of silt,sand and sticks on the road but sadly there was no Lucy.
Parked the car and took our time trying to find any clue of her presence, didn't find any.Looked high and low using all my Indian tracking skills. Not one single sign that she or any dogs had been in the area. We'll try again tomorrow.................
Time to wrap this up, so that means this is The End for today.
Thank You.
Jon&Crew.
Please help with your temple dog donations here.
www.gofundme.com/f/help-for-abandoned-thai-temple-dogs
Please,
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Invites Large Logos or Copy/Pastes.
© All rights reserved.
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Sigma SD15
(Tessar) aus Jena T 1:2.8 f=50mm
Das Objektiv wurde von 1961 bis 1965 gefertigt. Ab dieser Bauform (Bauform 4) wurde die Blende als automatische Druckblende mit 6 Blendenlamellen ausgeführt. Bei SLR’s wird im Augenblick der Aufnahme der Blendenstößel eingedrückt und damit die eingestellte Blende mechanisch eingestellt. Diese automatische Funktion ist bei DSLR’s nicht mehr gegeben, weil der mechanische Impuls fehlt. Stattdessen muss bei der Aufnahme die Abblendtaste manuell betätigt werden.
Der Vorteil dieser Konstruktion ist, dass die manuelle Scharfstellung mit mehr Licht bei Offenblende erfolgt. Unscharfe Aufnahmen lassen sich dadurch deutlich reduzieren. Vergisst man allerdings das Betätigen der Abblendtaste, ist die Aufnahme i.d.R. überbelichtet.
Ansonsten hat sich außer dem Design (bisher alufarben ab jetzt schwarz lackiert) wenig geändert. Größte Blendenöffnung ist f2.8, kleinste f22 einstellbar in halben Blendenschritten. Mit der Möglichkeit digitaler Nachbearbeitung ist m.E. der letzte Aspekt zu vernachlässigen. Ich lasse mich aber gerne auch vom Gegenteil überzeugen.
Objektive mit der Gravur „T 1:2.8/50 aus Jena oder JENA“ wurden für westliche Auslandsmärkte produziert. Entsprechend ziert auch das höchste Qualitätssiegel der DDR „Q1“ das Objektiv.
Seit 1952 wurden vom Amt für Standardisierung, Messwesen und Warenprüfung - der Warenprüfanstalt der DDR - Gütezeichen vergeben. Sie galten bei "klassifizierungspflichtigen Erzeugnissen die mit hoher Effektivität" hergestellt werden. Mit „Q1“ wurden „Weltmarktspitzenerzeugnisse“ gekennzeichnet.
Aber das mit dem Gütesiegel muss man sich nicht unbedingt merken. Für den „Hausgebrauch“ reicht aus: nix kaufen wo „Carl Zeiss Jena DDR“ draufsteht, besser ist „aus Jena“ und nur „T“ anstelle „Tessar“.
Letztere waren geprüft und für den West-Export vorgesehen. Die mit dem schmucken Volltitel waren für die Werktätigen im Osten gut genug. Vorausgegangen war ein Rechtsstreit der in den Westen abgehauenen Zeissler gegen die DDR.
Mit dem Rückzug der Amerikaner aus Thüringen waren einige Zeissler mitgezogen. In Oberkochen gründeten sie ein eigenes Unternehmen namens Zeiss. Anfangs gab es mit den Jenaer Kollegen noch einen regen Austausch. Der passte aber den DDR-Oberen nicht. Ab Februar 1954 bekamen die Jenaer einen Maulkorb verpasst und alle Verbindungen wurden unterbunden.
Als Folge des Rechtsstreites wurden der DDR für Exporte nach Westdeutschland die Markenrechte „Carl Zeiss“ und „Tessar“ abgesprochen.
Um an Devisen ranzukommen, waren die DDR-Oberen bereit Kreide zu fressen und jegliche Kröte zu schlucken. Während an den Klassenfeind Qualitätsprodukte unter Wert verscherbelt wurden, konnte die eigene Bevölkerung froh sein, überhaupt was zu bekommen.
Das „Adlerauge“ ist ein Stück Technikgeschichte. An seinem Anfang haben kluge Menschen neue Erkenntnisse in der Mathematik, Physik, Chemie, Feinmechanik genutzt und etwas geschaffen, was es so noch nicht gab. Entsprechend groß war die Bereitschaft dafür tief in die Tasche zu greifen, um es zu besitzen. Sein Kaufpreis entsprach dem Gegenwert seines Gewichts in Gold!
bis jetzt:
www.flickriver.com/photos/150811378@N08/
more flickr projects you can find in my profile:
<a href="https://www.flickr.com/people/97875468@
Fierce Grey Wolf Baring Teeth Winter Snow Sony A1 ILCE-1 Fine Art Montan Gray Wolves Wildlife Photography! Sony Alpha 1 & Sony FE Telephoto Zoom 70-200mm f/2.8 GM OSS! West Yellowstone Elliot McGucken Fine Art Wildlife Photography Sony Alpha1 !
All my photography celebrates the physics of light! The McGucken Principle of the fourth expanding dimension: The fourth dimension is expanding at the rate of c relative to the three spatial dimensions: dx4/dt=ic .
Lao Tzu--The Tao: Nature does not hurry, yet everything is accomplished.
Light Time Dimension Theory: The Foundational Physics Unifying Einstein's Relativity and Quantum Mechanics: A Simple, Illustrated Introduction to the Unifying Physical Reality of the Fourth Expanding Dimensionsion dx4/dt=ic !: geni.us/Fa1Q
"Between every two pine trees there is a door leading to a new way of life." --John Muir
Epic Stoicism guides my fine art odyssey and photography: geni.us/epicstoicism
“The clearest way into the Universe is through a forest wilderness.” --John Muir
Epic Poetry inspires all my photography: geni.us/9K0Ki Epic Poetry for Epic Landscape Photography: Exalt Fine Art Nature Photography with the Poetic Wisdom of John Muir, Emerson, Thoreau, Homer's Iliad, Milton's Paradise Lost & Dante's Inferno Odyssey
“The mountains are calling and I must go.” --John Muir
Epic Art & 45EPIC Gear exalting golden ratio designs for your Hero's Odyssey:
Support epic fine art! 45surf ! Bitcoin: 1FMBZJeeHVMu35uegrYUfEkHfPj5pe9WNz
Exalt the goddess archetype in the fine art of photography! My Epic Book: Photographing Women Models!
Portrait, Swimsuit, Lingerie, Boudoir, Fine Art, & Fashion Photography Exalting the Venus Goddess Archetype: How to Shoot Epic ... Epic! Beautiful Surf Fine Art Portrait Swimsuit Bikini Models!
Some of my epic books, prints, & more!
Exalt your photography with Golden Ratio Compositions!
Golden Ratio Compositions & Secret Sacred Geometry for Photography, Fine Art, & Landscape Photographers: How to Exalt Art with Leonardo da Vinci's, Michelangelo's!
Epic Landscape Photography:
A Simple Guide to the Principles of Fine Art Nature Photography: Master Composition, Lenses, Camera Settings, Aperture, ISO, ... Hero's Odyssey Mythology Photography)
All art is but imitation of nature.-- Seneca (Letters from a Stoic - Letter LXV: On the First Cause)
The universe itself is God and the universal outpouring of its soul. --Chrysippus (Quoted by Cicero in De Natura Deorum)
Photographs available as epic fine art luxury prints. For prints and licensing information, please send me a flickr mail or contact drelliot@gmail.com with your queries! All the best on your Epic Hero's Odyssey!
Photo taken: South Kuta Beach - Bali, Indonesia
--- in Dutch ---
de Stilte voor de Storm
Canon EOS 50D | Sigma 17-70mm f/2.8-4 DC Macro OS HSM
1/640 sec | f/10.0 | 23 mm | iso 200 | 0 ev
On Explore, interestingness highest position: # 157 on March 23, 2011.
© All Rights Reserved
Encore un fou furieux qui bricole au fond de son garage.
www.facebook.com/charliephotofrance
Caméra Nikon D7000
Exposition 0,025 sec (1/40)
Ouverture f/2.8
Longueur focale 24 mm
Vitesse ISO 1000
*MIR-1 2,8/37:
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*Youtube: www.youtube.com/channel/UCY9Bh7DI84wADBy9gystIIw
*Instagram:
www.instagram.com/gde_u_kosmosa_niz/
*Pikabu:
Londra (GB) - Sony α A850 + Konica Minolta 17-35mm f/2.8-4
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Car: Ford Granada 2.8 Ghia X auto.
Year of manufacture: 1982.
Date of first registration in the UK: 1st January 1983.
Place of registration: Taunton.
Date of last MOT: 4th February 2022.
Mileage at last MOT: 32,728.
Date of last change of keeper: 11th September 2019.
Date taken: 17th April 2022.
Location: Beach Lawns, Weston-Super-Mare, UK.
Pentax-110 Standard Lens on MFT - 2 (of 25) - Olympus OM-D E-M10 Mark II with Pentax-110 1:2.8 24mm (48mm eq.) & Pixco PTX110-m4/3 adapter - Photographer Russell McNeil PhD (Physics) lives on Vancouver Island, where he works as a writer.
Mir-1 (Мир-1) 2.8/37mm
www.zenitcamera.com/archive/lenses/mir-1.html
Industar-50 (Индустар-50) 3.5/50mm
Helios-44 (Гелиос-44) 2/58mm
www.zenitcamera.com/archive/lenses/helios-44.html
Jupiter-9 (Юпитер-9) 2/85mm
www.zenitcamera.com/archive/lenses/jupiter-9.html
Helios-40 (Гелиос-40) 1.5/85mm
www.zenitcamera.com/archive/lenses/helios-40.html
Industar-24M (Индустар-24М) 3.5/105mm
www.zenitcamera.com/archive/lenses/industar-24.html
Tair-11 (Таир-11) 2.8/133mm
www.zenitcamera.com/archive/lenses/tair-11.html
Jupiter-11 (Юпитер-11) 3.5/135mm
www.zenitcamera.com/archive/lenses/jupiter-11.html
Jupiter-6 (Юпитер-6) 2.8/180mm
www.zenitcamera.com/archive/lenses/jupiter-6.html
Telemar-22 5.6/200mm
MTO-500 8/500mm www.zenitcamera.com/archive/lenses/mto-500.html
MTO-1000 10/1000mm www.zenitcamera.com/archive/lenses/mto-1000.html