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WHY CANDYLIPZ IS UNIQUE
1. Our product is clinically tested for safety and effectiveness.
2. It is dermatologist approved.
3. The design works on 15 anatomical lip zones which includes enhancement of the philtral column and corners of the mouth.
4. Users have the options to work on both lips or target one lip at a time.
5. It creates single or double-lobed lip style.
6. It has the perfect negative pressure for your lips and has a self releasing mechanism so you do not pull on the mouth to take off the plumper.
7. You can control the suction strength at your comfort.
8. It won over 30 beauty and technical design awards internationally.
9. It was granted over 30 patents worldwide.
10. It has been in use successfully for over 7 years and it took 3 years to test and develop.
11. The clinical trials validated results:
No bruising, broken vessels, vascular hemorrhage or broken red blood cells
(Cupping marks are actually erythema- superficial reddening of the skin. They are not bruises!)
- Increase of lip visibility
- The increase of lip blood flow
- Increase of lip tissue vascularization (formation of blood vessels)
- Increase of lip volume
- Decrease of lip lines and wrinkles (increase in tension and smoothing)
- Increase of volume by water accumulation and retention for 24 hours (a natural lip filler)
- increase of lip volume by 36 percent after 60 days without immediate plumping
12. How long do Candylipz results last?
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Fun facts (and legends) about Charles Bridge in Prague, Czech Republic:
1. It's 516 meters (1,693 feet) long, and about 10 meters (33 feet) wide.
2. It was built to connect the castle to the Old Town.
3. There are three towers on the bridge: two on the castle side, one on the Old Town side. (I think you can go up one, maybe more, for slightly better panoramic views.)
4. Its construction has a very specific start time: 5:31 a.m. on the 9 July 1357. (Written another way: 1357.9.7.5:31.) So, it's a palindromic bridge. Supposedly stronger because of it. It was completed 45 years later in 1402.
5. The first stone was laid at the above minute by the Holy Roman Emperor Charles, for whom the bridge is named.
6. It didn't get the name "Charles Bridge" until 1870.
It originally had the more creative names of Stone Bridge or Prague Bridge. The river it spans, by the way, is the Vitava.
7. Prague is famous for being the filming locations of a handful of Hollywood movies (Amadeus, Immortal Beloved, Mission Impossible...and the pinnacle of Hollywood production, XXX -- the first one. For those of you who have deigned to sit through that gem, you'll know the setting was Prague. The final scene (well...penultimate) is of Vin Diesel sitting on these little wooden thingies next to the bridge. You're welcome for the memory, everyone...
8. There are 16 arches shielded by ice guards. (I think that's what the little wooden thingies are.)
9. There are 30 statues or statuaries on the bridge -- 15 on each side -- mostly of religious folk, saints and the like -- that were originally erected around 1700. How many of these are original? Zip. Zero. Nada. All replicas, with the originals in the National Museum, it seems.
10. This bridge/river/area is famous for swans. Why they're here and why they stay, I have no idea. But, they're nice. I saw them, but from a distance.
Now for my personal notes...
I've been on a severely sprained ankle the past few days, so haven't done much shooting in Prague, I'm sad to say. But, this bridge? I imagine it's easily the most photogenic (especially for panoramas) in the city. Looking at these pictures, I'm crying for the loss of my DSLRs and P&S cameras earlier this year. These turned out...ok, and a few slightly better than ok.
The problem with this is that every tourist (and all tourist companies) know this. Whatever you do, do NOT come between...I don't know...11:00 a.m. and 4:00 p.m. or afternoon at all unless you love seeing throngs of people photobombing your shots. Come at sunrise or sundown. Sundown would give the best backlighting and blue hour shots of Old Town, and sunrise would give you the misty/foggy shots of the river and Old Town.
If I lived in Prague, this is exactly the place I'd come, probably once a week or every other week, to shoot in different times and seasons. It's that nice of a spot. Of course, I'd do that if I had my cameras back...
Fun facts (and legends) about Charles Bridge in Prague, Czech Republic:
1. It's 516 meters (1,693 feet) long, and about 10 meters (33 feet) wide.
2. It was built to connect the castle to the Old Town.
3. There are three towers on the bridge: two on the castle side, one on the Old Town side. (I think you can go up one, maybe more, for slightly better panoramic views.)
4. Its construction has a very specific start time: 5:31 a.m. on the 9 July 1357. (Written another way: 1357.9.7.5:31.) So, it's a palindromic bridge. Supposedly stronger because of it. It was completed 45 years later in 1402.
5. The first stone was laid at the above minute by the Holy Roman Emperor Charles, for whom the bridge is named.
6. It didn't get the name "Charles Bridge" until 1870.
It originally had the more creative names of Stone Bridge or Prague Bridge. The river it spans, by the way, is the Vitava.
7. Prague is famous for being the filming locations of a handful of Hollywood movies (Amadeus, Immortal Beloved, Mission Impossible...and the pinnacle of Hollywood production, XXX -- the first one. For those of you who have deigned to sit through that gem, you'll know the setting was Prague. The final scene (well...penultimate) is of Vin Diesel sitting on these little wooden thingies next to the bridge. You're welcome for the memory, everyone...
8. There are 16 arches shielded by ice guards. (I think that's what the little wooden thingies are.)
9. There are 30 statues or statuaries on the bridge -- 15 on each side -- mostly of religious folk, saints and the like -- that were originally erected around 1700. How many of these are original? Zip. Zero. Nada. All replicas, with the originals in the National Museum, it seems.
10. This bridge/river/area is famous for swans. Why they're here and why they stay, I have no idea. But, they're nice. I saw them, but from a distance.
Now for my personal notes...
I've been on a severely sprained ankle the past few days, so haven't done much shooting in Prague, I'm sad to say. But, this bridge? I imagine it's easily the most photogenic (especially for panoramas) in the city. Looking at these pictures, I'm crying for the loss of my DSLRs and P&S cameras earlier this year. These turned out...ok, and a few slightly better than ok.
The problem with this is that every tourist (and all tourist companies) know this. Whatever you do, do NOT come between...I don't know...11:00 a.m. and 4:00 p.m. or afternoon at all unless you love seeing throngs of people photobombing your shots. Come at sunrise or sundown. Sundown would give the best backlighting and blue hour shots of Old Town, and sunrise would give you the misty/foggy shots of the river and Old Town.
If I lived in Prague, this is exactly the place I'd come, probably once a week or every other week, to shoot in different times and seasons. It's that nice of a spot. Of course, I'd do that if I had my cameras back...
For Flickr Group Roulette and Words on Skin and Thirteen Things
Part two of two - my first idea for today's group - not my fave of the two but I wanted to make a point and do a new list because it got me thinking:
1. I've suffered badly from eczema all my life.
2. It is a real pain in the behind.
3. It can make the skin itch madly, which makes you scratch which in turn damages the skin and leaves you red, dry, flaky, looking like crap and generally feeling fairly pissed off.
4. When I was a kid, the doctors said people usually grow out of it by the time they become adults - I didn't - bugger!
5. There is no cure currently, medical treatment is all about controlling outbreaks.
6. That said, I consider myself to be otherwise healthy and I like to think that (touch wood) I'm lucky to be better off than many, many other people who suffer far worse sickness.
7. To fight eczema you have to stick to a rigorous daily routine, based around drinking loads of water, moisturing like mad (like the pic), keeping those nails very short, keeping yourself cool and trying to avoid things that you are allergic to. Pure medication and creams from the doctor are not enough.
8. The doctor told me recently I was extremely allergic to dogs. I've always known this.
9. I have four dogs - but greyhounds have short coats so are not supposed to be so bad. I'd never give them up.
10. I took a picture of my arm as my skin here is usually the first to suffer. It bobbles up very easily if I'm not careful. At the moment it's looking better than it has for years - as generally is the rest of me.
11. It occured to me after Friday's shenanigans that Flickr and FGR in particular has really changed me this year. I think I probably have less than ten photos of me 1971 to 2007. Eczema doesn't make you look good and makes it hard growing up as a kid. You learn to become invisible, to shy away so people can't comment on how you look and that's pretty much the story of my life - it affects everything.
12. So I started FGR 26 Dec 2007 and really wanted to take an active part. I was naturally uncomfortable however with taking self-portraits but felt compelled to try in order to participate properly.
13. Seven months later, I'm a different person and a hundred times more comfortable in front of the camera and in myself. Wanting to do decent photos has also encouraged me to take more control over my daily routine to really make sure I'm doing what I can to keep my eczema manageable. This group has done amazing things for my self-confidence and I think recent photos show that!
It came as a shock to find not only had we visited Iwade before, but had been inside.
I had no memory.
But, it seems we had. So, as we were within 15 minutes from Iwade, I decide to include a return visit.
Iwade is at the edge of Faversham, on the edge of the Swale, just off the main road to Sheppy.
That road is a busy and ugly dual carriageway, so to turn off and drive into the quiet village was something of a surprise.
The church is opposite the Woolpack, and seeing as were hungry, we went in for lunch, which turned out to be a curry and a pint of Broadside (for me) as Adnams can be availanle in Kent.
Afterwards, I went over to the church, where three wardens were making the place look shipshape.
It is clearly an ancient church, the tower looks very old indeed. The wardens tell me they believe it has the oldest bells in England hanging, though they only go ding and dong..
Also impressive was the twisted wooden beams keeping the roof up.
At the end, I was taken to the vestry which they claimed the wall was Saxon. Who am I to argue?
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Tower, nave, south aisle and chancel hug the slope overlooking the estuary of the River Swale. The tower has clear putlog holes - created when the constructional scaffolding was removed. Several of them have been converted into little windows. The south door is medieval with its original handle of two winged lizards. Also medieval is the rood screen, now to be found in the south aisle. The east window of the south chapel is a good quality late medieval representation of the Crucifixion, although parts of it may be nineteenth-century replacements. The nave roof has been plastered to cut down on draughts, leaving the crownposts to sail into nothingness although when Ewan Christian restored the chancel in the 1870s he removed the plaster from that part of the church. The Royal Arms are of George III and there is a sixteenth-century piscina in the chancel.
www.kentchurches.info/church.asp?p=Iwade
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IWADE,
COMMONLY called Warde, lies northward from Bobbing last-described, the parish of Milton intervening, the greatest part of which lies within that hundred, over which that manor claims as paramount. The remaining, or eastern part of it is within the hundred of Tenham, and the lands in it are held of that manor.
THIS PARISH lies very low, and on a level with the adjoining marshes, the situation and look of it is not unlike the sens in Lincolshire. It is hardly known, excepting to those who travel towards the Isle of Shepey, to which the road leads through this parish over the marshes to the King's ferry, from which the village, with the church, stand at about a mile distance, and about two from the town of Milton north-westward.
There are sixteen houses in it, and about sixty or seventy inhabitants. The lands are very even and flat, of a soft boggy nature, almost all of them are pasture ground and marshes, which have great quantities of sheep continually seeding on them. Dr. Plot remarks that the sheep never rot in the marshes of this parish, but that in those of Tenham they do, the sheep having in their livers little animals breeding in the shape of plaise, occasioned, as it is believed, by their feeding on the herb spearwort, which grows there plentifully among the grass. Its low and moist situation close to so large a tract of marshes and the waters of the Swale, which are its northern boundary, render it hardly ever free from fogs and noisome vapours, and in summer in dry weather, the stench of the mud in the ponds and ditches, and the badness of the water, contribute so much to its unwholesomeness, that almost every one is terrified from attempting to live in it, and it is consequently but very thinly inhabited. It has been remarked that the thatch on the roofs of buildings in this parish cannot be preserved long, the rooks and other birds continually carrying it away, which circumstance arises from the quantity of flies harbouring in it, owing to its situation, much more than in other places; and it is for the sake of these flies that the birds unthatch the buildings. There is some land in this parish called Swain's Down, a name plainly of Danish original, and there are still the vestigia of some antient fortifications or works thrown up, remaining on it.
HELMES, or Holmes, now vulgarly called Soames, is a manor which lies partly in this parish, and partly in Milton; the house of it being commonly called the Moated House, from a large moat having been formerly made round it.
This manor was antiently part of the possessions of the family of Savage, seated at Bobbing, one of which, Arnold, son of Sir Thomas Savage, died possessed of it in the 49th year of king Edward III. After which it continued in his descendants of the names of Savage and Clifford, in like manner as Bobbing, down to Alexander Clifford, esq. who resided at this manor of Holmes, during his father's life-time, at whose death he removed to Bobbing; at length his descendant Henry Clifford, esq. of Bobbing, in the reign of queen Elizabeth, alienated it to Thomas Thomson, of Sandwich, whose descendant, of the same name, leaving two sons, Thomas, of Kenfield in Petham, and Henry of Royton-chapel, in Lenham, the latter of them became by his father's will possessed of this manor. After which it passed in the same tract of ownership as Royton, (fn. 1) till it was sold with that estate to Thomas Best, esq. of Chilston, who by will in 1795, gave it with his other estates in this county to his nephew George Best, esq. of Chilston, and he has lately sold it to Mr. Joseph Rond Davies, the present owner of it.
Charities.
John Bunce, of Milton, linen-draper, by his will in 1681, left to the poor of this parish 40s. chargeable on an estate at Iwade, belonging to Mr. John Murton, of Goodnestone, to be distributed among them by the churchwardens on St. John's day.
The poor constantly relieved are about eight, casually not more than one or two.
IWADE is within the ECCLESIASTICAL JURISDICTION of the diocese of Canterbury, and deanry of Sittingborne.
The church, which is dedicated to All Saints, is a small neat building, consists of two isles and two chancels, having a low pointed steeple, in which are two bells. There is some good painted glass in the windows of it.
It was formerly esteemed as a chapel to the church of Tenham, and as such, was given and appropriated with it to the archdeaconry of Canterbury, by archbishop Stephen Langton, in 1227.
George Hall, archdeacon of Canterbury, in his lease of this parsonage granted in 1560, reserved the sum of eight pounds per annum, to be paid by the lessee as an augmentation to this curacy.
The abbot and convent of St. Augustine was possessed of the portion of tithes of Colesland, in this parish, which Thomas, curate of this parish, released all his right to, before Selfrid, bishop of Chichester, in the year 1202, anno 4 of king John. (fn. 2)
It is now a perpetual curacy, and is of the yearly certified value of eight pounds.
¶In 1730 it was augmented by lot, by the governors of queen Anne's bounty, with two hundred pounds, and again by them in 1766 with the like sum. It was afterwards augmented with two hundred pounds more, on a distribution of the like sum from Mrs. Ursula Taylor's legacy, paid to them by Sir Philip Boteler, bart. which, with two hundred pounds since added, has been laid out by the present Incumbent in the freehold purchase, in the parish of Borden, about three miles from Iwade, the annual rent of which is now twentyeight pounds. (fn. 3)
The archdeacon of Canterbury is patron and appropriator of it.
The Staffordshire Hoard is the largest hoard of Anglo-Saxon gold and silver metalwork yet found. It consists of over 3,500 items, amounting to a total of 5.1 kg (11 lb) of gold, 1.4 kg (3 lb) of silver and some 3,500 pieces of garnet cloisonné jewellery.[1]
The hoard was most likely deposited in the 7th century, and contains artefacts probably manufactured during the 6th and 7th centuries.[2] It was discovered in 2009 in a field near the village of Hammerwich, near Lichfield, in Staffordshire, England. The location was in the Anglo-Saxon kingdom of Mercia at the time of the hoard's deposition.
The hoard is of considerable importance in Anglo-Saxon archaeology.[3] The artefacts are nearly all martial in character and contain no objects specific to female uses.[4][5] Thousands of Tamraparniyan gold, silver and red garnet shipments were used in the production of the articles, with recent findings such as the pendant of the Winfarthing Woman skeleton of Norfolk confirming an established gem trade route with South India and Tamraparni (ancient Sri Lanka), known from antiquity for its production.[6][7][8] The average quality of the workmanship is extremely high and especially remarkable in view of the large number of individual objects, such as swords and a helmet, from which many of the fragments in the hoard came.
The hoard was purchased jointly by the Birmingham Museum and Art Gallery and the Potteries Museum & Art Gallery for £3.285 million under the Treasure Act 1996.
Pouty lips by CandyLipz. No lip injections, No Juvederm needed. We are featuring @glam_on_the_go_by_jena. Thank you for sharing your wonderful results! Happy candy lipping. This is not a paid review. 💯💯💯❤️❤️❤️❤️💋💋💋💋💋
WHY CANDYLIPZ IS UNIQUE
1. Our product is clinically tested for safety and effectiveness.
2. It is dermatologist approved.
3. The design works on 15 anatomical lip zones which includes enhancement of the philtral column and corners of the mouth.
4. Users have the options to work on both lips or target one lip at a time.
5. It creates single or double-lobed lip style.
6. It has the perfect negative pressure for your lips and has a self releasing mechanism so you do not pull on the mouth to take off the plumper.
7. You can control the suction strength at your comfort.
8. It won over 30 beauty and technical design awards internationally.
9. It was granted over 30 patents worldwide.
10. It has been in use successfully for over 6 years and it took 3 years to test and develop.
11. The clinical trial showed that the lips stay plumped for up to 2 hours after each application. After 60 days of use twice daily for 2 minutes each time, participant’s lip volume increased by 36% from their original lip sizes.
How long does CandyLipz lip plumping results last?
blog.candylipz.com/how-long-do-candylipz-lip-plumpi…/
Where to get it:
Patmos (Greek, Πάτμος; Italian: Patmo) is a small Greek island in the Aegean Sea. One of the northernmost islands of the Dodecanese complex,[2]) it has a population of 2,998 and an area of 34.05 km2 (13.15 sq mi). The highest point is Profitis Ilias, 269 metres (883 ft) above sea level. The Municipality of Patmos, which includes the offshore islands of Arkoi (pop. 44), Marathos (pop. 5), and several uninhabited islets, has a total population of 3,047 (2011 census) [3] and a combined land area of 45.039 square kilometres (17.390 sq mi). It is part of the Kalymnos regional unit.
Patmos' main communities are Chora (the capital city), and Skala, the only commercial port. Other settlements are Grikou and Kampos. The churches and communities on Patmos are of the Eastern Orthodox tradition. In 1999, the island's historic center Chora, along with the Monastery of Saint John the Theologian and the Cave of the Apocalypse, were declared World Heritage Sites by UNESCO.[4] The monastery was founded by Saint Christodulos.[5] Patmos is also home to the Patmian School, a notable Greek seminary.
Patmos is mentioned in the New Testament Book of Revelation. The book's introduction states that its author, John, was on Patmos when he was given (and recorded) a vision from Jesus. Early Christian tradition identified this writer John of Patmos as John the Apostle, though some modern scholars are uncertain. As such, Patmos is a destination for Christian pilgrimage. Visitors can see the cave where John is said to have received his Revelation (the Cave of the Apocalypse), and several monasteries on the island are dedicated to Saint John.
Ferstel
(Pictures you can see by clicking on the link at the end of page!)
Ferstel and Café Central, by Rudolf von Alt, left the men's alley (Herrengasse - Street of the Lords), right Strauchgasse
Danube mermaid fountain in a courtyard of the Palais Ferstel
Shopping arcade of the Freyung to Herrengasse
Entrance to Ferstel of the Freyung, right the Palais Harrach, left the palace Hardegg
The Ferstel is a building in the first district of Vienna, Inner City, with the addresses Strauchgasse 2-4, 14 Lord Street (Herrengasse) and Freyung 2. It was established as a national bank and stock exchange building, the denomination Palais is unhistoric.
History
In 1855, the entire estate between Freyung, Strauchgasse and Herrengasse was by Franz Xaver Imperial Count von Abensperg and Traun to the k.k. Privileged Austrian National Bank sold. This banking institution was previously domiciled in the Herrengasse 17/ Bankgasse. The progressive industrialization and the with it associated economic expansion also implied a rapid development of monetary transactions and banking, so that the current premises soon no longer have been sufficient. This problem could only be solved by a new building, in which also should be housed a stock exchange hall.
According to the desire of the then Governor of the National Bank, Franz von Pipitz, the new building was supposed to be carried out with strict observance of the economy and avoiding a worthless luxury with solidity and artistic as well as technical completion. The building should offer room for the National Bank, the stock market, a cafe and - a novel idea for Vienna - a bazaar.
The commissioned architect, Heinrich von Ferstel, demonstrated in the coping with the irregular surface area with highest conceivable effective use of space his state-of-the art talent. The practical requirements combine themselves with the actually artistic to a masterful composition. Ferstel has been able to lay out the rooms of the issuing bank, the two trading floors, the passage with the bazar and the coffee house in accordance with their intended purpose and at the same time to maintain a consistent style.
He was an advocate of the "Materialbaues" (material building) as it clearly is reflected in the ashlar building of the banking institution. Base, pillars and stairs were fashioned of Wöllersdorfer stone, façade elements such as balconies, cornices, structurings as well as stone banisters of the hard white stone of Emperor Kaiser quarry (Kaisersteinbruch), while the walls were made of -Sankt Margarethen limestone. The inner rooms have been luxuriously formed, with wood paneling, leather wallpaper, Stuccolustro and rich ornamental painting.
The facade of the corner front Strauchgasse/Herrengasse received twelve sculptures by Hanns Gasser as decoration, they symbolized the peoples of the monarchy. The mighty round arch at the exit Freyung were closed with wrought-iron bare gates, because the first used locksmith could not meet the demands of Ferstel, the work was transferred to a silversmith.
1860 the National Bank and the stock exchange could move into the in 1859 completed construction. The following year was placed in the glass-covered passage the Danube mermaid fountain, whose design stems also of Ferstel. Anton von Fernkorn has created the sculptural decoration with an artistic sensitivity. Above the marble fountain basin rises a column crowned by a bronze statue, the Danube female with flowing hair, holding a fish in its hand. Below are arranged around the column three also in bronze cast figures: merchant, fisherman and shipbuilder, so those professions that have to do with the water. The total cost of the building, the interior included, amounted to the enormous sum of 1.897.600 guilders.
The originally planned use of the building remained only a few years preserved. The Stock Exchange with the premises no longer had sufficient space: in 1872 it moved to a provisional solution, 1877 at Schottenring a new Stock Exchange building opened. The National Bank moved 1925 into a yet 1913 planned, spacious new building.
The building was in Second World War battered gravely particularly on the main facade. In the 1960s was located in the former Stock Exchange a basketball training hall, the entire building appeared neglected.
1971 dealt the President of the Federal Monuments Office, Walter Frodl, with the severely war damaged banking and stock exchange building in Vienna. The Office for Technical Geology of Otto Casensky furnished an opinion on the stone facade. On the facade Freyung 2 a balcony was originally attached over the entire 15.4 m long front of hard Kaiserstein.
(Usage of Leith lime: Dependent from the consistence and structure of the Leitha lime the usage differed from „Reibsand“ till building material. The Leitha lime stone is a natural stone which can be formed easily and was desired als beautiful stone for buildings in Roman times. The usage of lime stone from Eggenburg in the Bronze age already was verified. This special attribute is the reason why the Leitha lime was taken from sculptors and masons.
The source of lime stone in the Leitha Mountains was important for Austria and especially for Vienna from the cultur historical point of view during the Renaissance and Baroque. At the 19th century the up to 150 stone quarries of the Leitha mountains got many orders form the construction work of the Vienna „Ring road“.
At many buildings of Graz, such as the castle at the Grazer castle hill, the old Joanneum and the Cottage, the Leitha lime stone was used.
Due to the fact that Leitha lime is bond on carbonate in the texture, the alteration through the actual sour rain is heavy. www.geocaching.com/geocache/GC2HKZ9_leithagebirge-leithak...)
This balcony was no longer present and only close to the facade were remnants of the tread plates and the supporting brackets recognizable. In July 1975, followed the reconstruction of the balcony and master stonemason Friedrich Opferkuh received the order to restore the old state am Leithagebirge received the order the old state - of Mannersdorfer stone, armoured concrete or artificial stone.
1975-1982, the building was renovated and re-opened the Café Central. Since then, the privately owned building is called Palais Ferstel. In the former stock exchange halls now meetings and presentations take place; the Café Central is utilizing one of the courtyards.
The Ram Bagh (Urdu: اراما باغ ) is the oldest Mughal Garden in India, originally built by the Mughal Emperor Babur in 1528, located about five kilometers northeast of the Taj Mahal in Agra, India. Babur was temporarily buried there before being interred in Kabul..
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The garden is a Persian garden, where pathways and canals divide the garden to represent the Islamic ideal of paradise, an abundant garden through which rivers flow. The Aram Bagh provides an example of a variant of the charbagh in which water cascades down three terraces in a sequence of cascades. Two viewing pavilions face the Jumna river and incorporates a subterranean 'tahkhana' which was used during the hot summers to provide relief for visitors. The garden has numerous water courses and fountains.[1].
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The name is a corruption of the Persian Aaram Bagh meaning 'Garden of Rest'.[2] It is also variously known as Bagh-i Nur Afshan 'Light-Scattering Garden', Aalsi Bagh or 'Lazy Garden': according to legend, Emperor Akbar proposed to his third wife, who was a gardner there, by lying idle for 6 days until she agreed to marry him.[1].
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Jahangir waited in the garden in early March 1621 for the most astrologically auspicious hour for him to enter Agra after he took the Fort of Kangra. The preserved, surviving architecture dates to his reign and demonstrates the skill of his wife Nur Jahan as a garden designer.
Coordinates: 56.084°N 4.540°W
Balmaha (Gaelic: Baile MoThatha) is a village on the eastern shore of Loch Lomond in the council area of Stirling, Scotland.
The village is a popular tourist destination for picnickers and day trippers from Glasgow as well as walkers on the West Highland Way. Boat trips leave from Balmaha for the town of Balloch and the village of Luss as well as nearby Inchcailloch Island.[1]
Balmaha sits at the westerly foot of Conic Hill, and is roughly 30 kilometres (20 miles) along the West Highland Way.
Etymology[edit]
The name Balmaha derives from the Gaelic Bealach Mo-Cha, 'the pass of Saint Mo-Cha'. The pass referred to is now named The Pass of Balmaha, a narrow route between hills at the north end of the village, carrying the road north along Loch Lomond. The saint referred to is Kentigerna, patron saint of the parish who was culted especially on the nearby island of Inchcailloch ('Island of Nuns'). Mo-Cha is a 'hypocoristic' form of her name, a sort of devotional nickname, common in medieval Gaelic and Welsh use. She is also commemorated in a well in the hills above the village, St Maha's Well.
Facilities[edit]
The village has a visitor centre for the Queen Elizabeth Forest Park.[2] It also has a restaurant and Bed and Breakfast, the Oak Tree Inn, a bar and a shop. It is also the home of St Mocha coffee shop and ice cream parlour selling homemade ice cream, loose leaf teas and locally roasted coffee all perfectly crafted by none other than the famous 'Begonna'. Further along the road is Milarrochy Bay.
Info from Wiki
Ashton windmill is a Tower mill in Chapel Allerton, Somerset, England. Its tower is over 7.5 metres (25 ft) high with stone walls that are 60 cm (2.0 ft) thick. The sails are 13 m (43 ft) across and used to be covered with canvas. The last millstones were 1.2 m (3.9 ft) across and the millstones used to grind wheat for flour and beans for cattle food. [1]
The first mill on the site was medieval, but the present structure probably dates from the 18th century.[2] It was modernised in 1900 with machinery brought from the demolished Moorlinch mill, and iron hoops around the building being added.[3] It was restored in 1967. The mill has been designated by English Heritage as a grade II* listed building.[4]
It is now preserved, having been given to Bristol City Museum in 1966 and is owned by Sedgemoor District Council, and maintained by volunteers.
Construction of the existing Melbourne Town Hall began in 1867 on the site of the first Town Hall at the corner of Swanston and Collins Streets. Architects Reed and Barnes won a competition for the design of the new Town Hall, and the firm was responsible for the portico which was added to the Swanston Street facade in 1887. An Administration Building was constructed to the north of the town hall in Swanston Street in 1908, and various alterations were made after a fire in 1925.
Reserved by the government in 1837, the site at the corner of Swanston and Collins Streets was issued as a Crown Grant to the Corporation of Melbourne in June 1849 as a site for a town hall. Designed by the City Surveyor, James Blackburn, the first Town Hall was subsequently completed c 1854. By the early 1860s it was already of insufficient size and the foundation stone of its successor was laid by the Duke of Edinburgh in 1867.
The new Town Hall included a public hall, administrative offices, Lord Mayor's rooms and council chambers. Built in a French Renaissance style with slate mansard roofs, this freestone building consists of a rusticated bluestone plinth, a two storey section of giant order Corinthian columns and pilasters, an attic storey and a corner clock tower. The main Swanston Street facade is divided into five parts, with a central and two end pavilions. The central portico, added to this facade some twenty years after the initial construction to provide a grand entrance and balcony, is of a pedimented, temple form, with materials and details used to match the existing building.
From the mid-1880s to the late 1890s, the Town Hall was the venue for several important meetings on the question of Federation. These meetings marked significant advances in the progress of the Federation movement and were attended by many prominent individuals who were intimately involved in the issue. Among the critically important meetings held at the Town Hall were the January 1890 Australian Natives' Association Inter-Colonial Conference on Federation, the series of meetings in mid-1894 to found the Australasian Federation League of Victoria, the public meeting attended by three colonial premiers in January 1895, and the large public meeting of May 1898 that marked the climax of the pro-Federation campaign in Victoria for the first Federation referendum.
In 1888 the Melbourne Council bought the adjacent Police Court building from the government, therefore securing a site for future offices. In 1908 a building was erected on this site to accommodate the administrative staff, including the office of the Town Clerk, and also incorporated committee rooms and a new council chamber. The exterior was designed by J. J. and E. J. Clark, emulating much of the detail of the adjacent building, and the interior was completed by Grainger, Little and Barlow. The council chamber has been the meeting place of the City Council since 1910 and its design displays a post-Federation pride in Australian materials.
A fire in 1925 effected the first changes made to the Town Hall building. The main hall, together with the organ, was destroyed and as a result a new hall, designed by Stephenson and Meldrum, was built. By extending to the adjacent site in Collins Street, a larger hall was constructed and the existing Collins Street facade was extended. An additional, lower hall was also created, a new organ was built by British firm, Hill, Norman and Beard and decorative murals, featuring larger than life size figures, were installed in the main hall, to designs by Napier Waller, in conjunction with J. Oliver and Sons.
The Melbourne Town Hall is of architectural significance as a distinguished and important work by the prominent Melbourne architects Reed and Barnes, who designed a number of significant Melbourne buildings. It is also important as a prototype for numerous suburban town halls that were built in the late 1870s and 1880s. The Administration Building is of architectural significance for its functional and stylistic relationship to the Town Hall, which results in a coherent civic centre.
The Melbourne Town Hall is of historical significance as the civic centre of Melbourne since 1867 and for its association with the Federation movement in Victoria.
The Melbourne Town Hall is of scientific (technical) significance for its organ which is an intact, large and rare example of 1920s British organ-building craftsmanship. As the second largest organ built in the British tradition between World War I and 2, it is now the third largest organ in Australia, those at the Sydney Town Hall and the Sydney Opera House being larger. Few organs of this size are intact from this period, particularly of a secular/concert hall design. As part of the 1925 rebuilding, the intact case, grilles, pipework and console of the organ are architecturally integral to the main hall.
The Melbourne Town Hall is of aesthetic significance for the murals by Napier Waller, which provide an example of this important artist's work.
Jupiter was discovered in 1635 by John Saturn,¹ an astronomer of some note.² It was patented by IBM in 1932, along with Venus, speaker wire, the process of matching socks, and the letter S in sizes greater than 24 points. It is the largest known planet in the solar system, with 40 alleged moons, a system of rings, and almost no transdimensional transit points or stargates. Although the planet has been visited by six Terran probes since 1972, no one has yet been able to figure out what makes it tick.³
Things were not always easy for the big planet; during the crucial formative years of the solar system, it was Jupiter's job to protect the inner planets from a hailstorm of deadly asteroids and comets that threatened to turn a potential paradise into a seething inferno. Asked to what it attributes its phenomenal success at being the largest planet in the system, Jupiter says, "I'm just doing my thing." Doing its thing indeed. Jupiter is our Planet of the Week. More after this paragraph break.
I think the most surprising part of this image is the fact that the word Metro appears to be trademarked.
¹ The 1610 discovery of Jupiter was attributed to Galileo Galilei until 1992, when the Major League Baseball Commission ruled that he had used certain illegal performance-enhancing substances known as the parchment and the telescope, and struck his name from the records. This was quite a blow to Galileo, as he had only just been exonerated by the Church for his role in moving the Earth from the center of the universe to the extremely remote middle.
² F#, one octave below middle-C.
³ Most theories point to an old-timey alarm clock left by the first probe.
Buy a regular Lip Plumper and Get a Plumper of your choice FREE! #CandyLipz! We are featuring #gorgeous #doll @_lipstickmedic. No #lipinjections No #Juvederm needed. #thankyou for sharing your wonderful results! #happycandylipping. This is not a paid review. 💯💯💯❤️❤️❤️❤️💋💋💋💋💋
Important: If you tag us, we may feature your before and after results! Thank you for your love and support.
WHY CANDYLIPZ IS UNIQUE
1. Our product is clinically tested for safety and effectiveness.
2. It is dermatologist approved.
3. The design works on 15 anatomical lip zones which includes enhancement of the philtral column and corners of the mouth.
4. Users have the options to work on both lips or target one lip at a time.
5. It creates single or double-lobed lip style.
6. It has the perfect negative pressure for your lips and has a self releasing mechanism so you do not pull on the mouth to take off the plumper.
7. You can control the suction strength at your comfort.
8. It won over 30 beauty and technical design awards internationally.
9. It was granted over 30 patents worldwide.
10. It has been in use successfully for over 7 years and it took 3 years to test and develop.
11. The clinical trials validated results:
No bruising, broken vessels, vascular hemorrhage or broken red blood cells
(Cupping marks are actually erythema- superficial reddening of the skin. They are not bruises!)
- Increase of lip visibility
- The increase of lip blood flow
- Increase of lip tissue vascularization (formation of blood vessels)
- Increase of lip volume
- Decrease of lip lines and wrinkles (increase in tension and smoothing)
- Increase of volume by water accumulation and retention for 24 hours (a natural lip filler)
- increase of lip volume by 36 percent after 60 days without immediate plumping
12. How long do Candylipz results last?
blog.candylipz.com/how-long-do-candylipz-lip-plumpi…/
Learn more at Candylipz.com
1. Looks like trouble arriving!
2. It's OK he's just come for a drink.
3/4 But when he leaves we all have to shower!!
Even today, almost 2000 years after its construction, the breathtaking pantheon is a remarkable building to see. The spectacular design, proportions, elegance and harmony are a striking reminder of the architecture of the great Roman Empire. When Michelangelo saw this wonder for the first time he said that it looks more like the work of angels, not humans.
1 The word Pantheon is a Greek adjective meaning “honor all Gods”. In fact the pantheon was first built as a temple to all gods.
2 It is the best preserved Ancient Roman monument. It is a bit of a mystery how the Pantheon managed to survive barbarian raids when all the rest of Roman monuments had been shattered. Its turning into a church in 609 AD has a lot to do with it in later time, but also the structure itself is way ahead of its time. In fact, the exact composition of the material is still unknown and appears to be structurally similar to modern day concrete! Whatever the reasons are, the Pantheon is the only structure of its age and size that has successfully survived the damage of time and gravity, still intact with all its splendor and beauty.
3 The exact age of the pantheon remains unknown. The Roman legend tells that the original Pantheon was built on the very site and was dedicated to Romulus, their mythological founder, after he ascended to heaven from that site. Most historians claim that Emperor Augustus right hand, Agrippa, built the first Pantheon in 27 BC. It burned in the great fire of 80 AD, was rebuilt by Emperor Domitian, but was struck by lightning and burned again in 110 AD. The Pantheon as we know it today was built in 120 AD by Emperor Hadrian Who was passionate with architecture and designed it together with Apollodorus of Damascus, a famous Greek architect of the time who unfortunately was executed by order of the Emperor, because of an argument about the design of the temple…
sundial-rome-on-segwayA lighting effect can be viewed on April 21when the midday sun strikes a metal grille above the doorway, saturating the courtyard outside with light
interior-pantheon-rome-on-segway
old-pantheon-rome-on-segway
pantheon-night-rome-on-segway
perfect-proportions-rome-on-segway
sundial-rome-on-segway
4 The most fascinating part of the Pantheon is its giant dome, with its famous hole in the top (The eye of the Pantheon, or oculus). The dome was the largest in the world for 1300 years and until today it remains the largest unsupported dome in the world! The diameter of the dome is 43.30 meters or 142ft (for comparison, the United States Capitol dome is 96 feet in diameter) and is in perfect proportion with the Pantheon by the fact that the distance from the floor to the top of the dome is exactly equal to its diameter.
The great architectural achievement was due to the massive weight of the large dome. Roman engineers lightened the dome as much as possible; not only its thickness progressively decreases, but the materials used in the upper part of the dome were lighter with internal spaces within the dome walls. The decrease in thickness has the effect that while the interior of the ceiling is spherical, its exterior is slightly “flattened”. It is larger than the dome of St. Peter’s basilica but since it seems flattened from the outside it is hard to get a full sense of its dimension. The hole (oculus), 7.8 meters in diameter, is the only source of light and is the connection between the temple and the gods above. Rain occasionally fall through it, but the floor is slanted and drains the water if it manages to hit the floor. In practice, rain seldom falls inside the dome.
5 The interior has the shape of a cylinder covered by a half of a sphere; the height of the cylinder is equal to the radius of the sphere, and is 43.3 meters (142ft) . There are no windows inside but the large oculus! The Pantheon now contains the tombs of the famous artist Raphael and of several Italian Kings and poets. The marble floor, which features a design consisting of a series of geometric patterns, is still the ancient Roman original. The history of Pantheon was forever changed during the reign of Pope Urban VIII, who melted down every scrap of bronze located upon the ceiling, outraging a great deal of Roman citizens.
6 The 16 massive Corinthian columns supporting the portico weigh 60 tons each. They are 39 feet (11.8 m) tall, five feet (1.5 m) in diameter and brought all the way from Egypt. These columns were dragged more than 100 km from the quarry to the Nile river on wooden sledges. They were floated by barge down the Nile River when the water level was high during the spring floods, and then transferred to vessels to cross the Mediterranean Sea to the Roman port of Ostia. There, they were transferred back onto barges and pulled up the Tiber River to Rome. The Columns support a triangle pediment with an inscription attributing the Pantheon to Marcus Agrippa (“M•AGRIPPA•L•F•COS•TERTIUM•FECIT” meaning “It was built by Marcos Agrippa in his third consulate”). It is the only remain from the original temple built by Agrippa and it is believed that Hadrian left it as a gesture to his predecessor when he rebuilt the pantheon.
7 A lighting effect can be viewed on April 21 when the midday sun strikes a metal grille above the doorway, saturating the courtyard outside with light. The Romans celebrated April 21 as the founding date of the city, and the impressive sight of their Emperor standing at the entrance of the Pantheon surrounded by light coming from inside the pantheon might have been seen as something that, in effect, raised their emperor to the level of the gods and invited him in to join them.
8 In the year 609 The Pantheon was the first pagan temple to be transformed into a church and therefore it was saved from being destroyed during the middle Ages. Today it is a church dedicated to St. Mary of the Martyrs. None the less it is called the Pantheon by virtually everybody and it seems to exist independent of religious rule but more of a tribute to the past.
9 In front of the Pantheon is the beautiful “Fountain of the Pantheon”. It was designed by famous architecture Giacomo Della Porta in 1575 and sculpted out of marble by Leonardo Sormani. In 1711, Pope Clement XI requested that the fountain be modified and had Filippo Barignoni design a new layout, which included a different basin, made of stone, and the obelisk of Ramses II set in the centre on a plinth with four dolphins decorating the base.
Even today, almost 2000 years after its construction, the breathtaking pantheon is a remarkable building to see. The spectacular design, proportions, elegance and harmony are a striking reminder of the architecture of the great Roman Empire. When Michelangelo saw this wonder for the first time he said that it looks more like the work of angels, not humans.
1 The word Pantheon is a Greek adjective meaning “honor all Gods”. In fact the pantheon was first built as a temple to all gods.
2 It is the best preserved Ancient Roman monument. It is a bit of a mystery how the Pantheon managed to survive barbarian raids when all the rest of Roman monuments had been shattered. Its turning into a church in 609 AD has a lot to do with it in later time, but also the structure itself is way ahead of its time. In fact, the exact composition of the material is still unknown and appears to be structurally similar to modern day concrete! Whatever the reasons are, the Pantheon is the only structure of its age and size that has successfully survived the damage of time and gravity, still intact with all its splendor and beauty.
3 The exact age of the pantheon remains unknown. The Roman legend tells that the original Pantheon was built on the very site and was dedicated to Romulus, their mythological founder, after he ascended to heaven from that site. Most historians claim that Emperor Augustus right hand, Agrippa, built the first Pantheon in 27 BC. It burned in the great fire of 80 AD, was rebuilt by Emperor Domitian, but was struck by lightning and burned again in 110 AD. The Pantheon as we know it today was built in 120 AD by Emperor Hadrian Who was passionate with architecture and designed it together with Apollodorus of Damascus, a famous Greek architect of the time who unfortunately was executed by order of the Emperor, because of an argument about the design of the temple…
sundial-rome-on-segwayA lighting effect can be viewed on April 21when the midday sun strikes a metal grille above the doorway, saturating the courtyard outside with light
interior-pantheon-rome-on-segway
old-pantheon-rome-on-segway
pantheon-night-rome-on-segway
perfect-proportions-rome-on-segway
sundial-rome-on-segway
4 The most fascinating part of the Pantheon is its giant dome, with its famous hole in the top (The eye of the Pantheon, or oculus). The dome was the largest in the world for 1300 years and until today it remains the largest unsupported dome in the world! The diameter of the dome is 43.30 meters or 142ft (for comparison, the United States Capitol dome is 96 feet in diameter) and is in perfect proportion with the Pantheon by the fact that the distance from the floor to the top of the dome is exactly equal to its diameter.
The great architectural achievement was due to the massive weight of the large dome. Roman engineers lightened the dome as much as possible; not only its thickness progressively decreases, but the materials used in the upper part of the dome were lighter with internal spaces within the dome walls. The decrease in thickness has the effect that while the interior of the ceiling is spherical, its exterior is slightly “flattened”. It is larger than the dome of St. Peter’s basilica but since it seems flattened from the outside it is hard to get a full sense of its dimension. The hole (oculus), 7.8 meters in diameter, is the only source of light and is the connection between the temple and the gods above. Rain occasionally fall through it, but the floor is slanted and drains the water if it manages to hit the floor. In practice, rain seldom falls inside the dome.
5 The interior has the shape of a cylinder covered by a half of a sphere; the height of the cylinder is equal to the radius of the sphere, and is 43.3 meters (142ft) . There are no windows inside but the large oculus! The Pantheon now contains the tombs of the famous artist Raphael and of several Italian Kings and poets. The marble floor, which features a design consisting of a series of geometric patterns, is still the ancient Roman original. The history of Pantheon was forever changed during the reign of Pope Urban VIII, who melted down every scrap of bronze located upon the ceiling, outraging a great deal of Roman citizens.
6 The 16 massive Corinthian columns supporting the portico weigh 60 tons each. They are 39 feet (11.8 m) tall, five feet (1.5 m) in diameter and brought all the way from Egypt. These columns were dragged more than 100 km from the quarry to the Nile river on wooden sledges. They were floated by barge down the Nile River when the water level was high during the spring floods, and then transferred to vessels to cross the Mediterranean Sea to the Roman port of Ostia. There, they were transferred back onto barges and pulled up the Tiber River to Rome. The Columns support a triangle pediment with an inscription attributing the Pantheon to Marcus Agrippa (“M•AGRIPPA•L•F•COS•TERTIUM•FECIT” meaning “It was built by Marcos Agrippa in his third consulate”). It is the only remain from the original temple built by Agrippa and it is believed that Hadrian left it as a gesture to his predecessor when he rebuilt the pantheon.
7 A lighting effect can be viewed on April 21 when the midday sun strikes a metal grille above the doorway, saturating the courtyard outside with light. The Romans celebrated April 21 as the founding date of the city, and the impressive sight of their Emperor standing at the entrance of the Pantheon surrounded by light coming from inside the pantheon might have been seen as something that, in effect, raised their emperor to the level of the gods and invited him in to join them.
8 In the year 609 The Pantheon was the first pagan temple to be transformed into a church and therefore it was saved from being destroyed during the middle Ages. Today it is a church dedicated to St. Mary of the Martyrs. None the less it is called the Pantheon by virtually everybody and it seems to exist independent of religious rule but more of a tribute to the past.
9 In front of the Pantheon is the beautiful “Fountain of the Pantheon”. It was designed by famous architecture Giacomo Della Porta in 1575 and sculpted out of marble by Leonardo Sormani. In 1711, Pope Clement XI requested that the fountain be modified and had Filippo Barignoni design a new layout, which included a different basin, made of stone, and the obelisk of Ramses II set in the centre on a plinth with four dolphins decorating the base.
At Fort Leonard Wood the Army preserved a number of World War II era buildings and moved them to an area for visitors. This small building was an administrative and storage area. It contained the Company Commander's office, the 1st Sergeant's office, and the company supply room.
This building was a part of a 700-series mobilization construction program. It was designated as a storage administration building-SA-2. it was heated by a coal-burning cannon stove. The coal was stored in a bin next to the building. The building contained 1,275 square feet of space. In 1941, 186 buildings of this type were built on Fort Leonard Wood. Each building cost $6,034. (Text from a sign outside the Orderly Room.)
Another late night.
The building's AC has switched off, and the night guard has made his last round. The open office around me falls into darkness, and from it come the mechanical murmurings of a floor of semi-passive computers. The air starts to stale, I need to wrap up. Across the floor, the life makes echoey noises like an awakened beast.
0..1..2.. passing my floor.. 3…4. Who could that be? I hear it start again 4.. 3.. 2. It stops, with a ding. My tired eyes focus on the door. Hello? I say. The doors do not answer, remain closed. I let out an unconsciously held breath.
A yell from the alleyway. Bursts of screaming and inner torment. The ritual of the half-crazed druggie who hangs about. Still, it's hard to focus. My desktop image flickers and inverts, turning positive to negative. A simple trick, but one that takes intent, and knowledge that I am here. I call the systems support line, no answer.
In my grandfather's stone house there's a room with no windows and an old crib. Witches raise their monstrous babies in this room, and snatch people as they pass the always open door at the top of the stairs. I quicken my step when I walk past it, no matter how old. I can hear them talking. I don't like the dark.
I think someone's messing with me - I text my wife.
Come home soon - she replies, half asleep.
I go to the window. No sign of the crazed man, but his yell echoes off the walls. There's a shadow of something, standing still. My bike, my freedom, is out there. The cries stop. If I get out now I stand a chance of making the last train home. The dark breathes at my back as I gather my bag. I hold my card to the door unlock pad. It flashes red, and red again. One the third try - click - the door gives a little, and I descend the stairs. Outside, no sign of life. I get to my bike, search for the lock keys. They're on my desk, without them I have no chance for a quick exit.
Do I - go back inside for the keys, face the dark again, and make for the last train?
OR
- Brace the city streets on foot, go for the Tube and take my chances?
SEE BELOW FOR CHOICES!
in between video shots I spun around and took this still on my DJI Mavic Air 2. It gives and interesting perspective of the falls area that you don't really see from the park or the footbridge.
Manual Exposure iso 100 1/60
19:45 Middlebury VT
nrhp # 80000946- The Beth Jacob Social Hall and Congregation (also known as the Beth Jacob Synagogue) was the first synagogue in Miami Beach, Florida.[2] It is located at 301 and 311 Washington Avenue. The building at 311 was built in 1929 and designed by H Fraser Rose. The building at 301 was built in 1936 and was designed by Henry Hohauser. On October 16, 1980, it was added to the U.S. National Register of Historic Places. It is no longer a synagogue, but houses the Jewish Museum of Florida.
from Wikipedia
Buy a regular Lip Plumper and Get a Plumper of your choice FREE! #CandyLipz! We are featuring #gorgeous #doll @ableachlife. No #lipinjections No #Juvederm needed. #thankyou for sharing your wonderful results! #happycandylipping. This is not a paid review. 💯💯💯❤️❤️❤️❤️💋💋💋💋💋
Important: If you tag us, we may feature your before and after results! Thank you for your love and support.
WHY CANDYLIPZ IS UNIQUE
1. Our product is clinically tested for safety and effectiveness.
2. It is dermatologist approved.
3. The design works on 15 anatomical lip zones which includes enhancement of the philtral column and corners of the mouth.
4. Users have the options to work on both lips or target one lip at a time.
5. It creates single or double-lobed lip style.
6. It has the perfect negative pressure for your lips and has a self releasing mechanism so you do not pull on the mouth to take off the plumper.
7. You can control the suction strength at your comfort.
8. It won over 30 beauty and technical design awards internationally.
9. It was granted over 30 patents worldwide.
10. It has been in use successfully for over 7 years and it took 3 years to test and develop.
11. The clinical trials validated results:
No bruising, broken vessels, vascular hemorrhage or broken red blood cells
(Cupping marks are actually erythema- superficial reddening of the skin. They are not bruises!)
- Increase of lip visibility
- The increase of lip blood flow
- Increase of lip tissue vascularization (formation of blood vessels)
- Increase of lip volume
- Decrease of lip lines and wrinkles (increase in tension and smoothing)
- Increase of volume by water accumulation and retention for 24 hours (a natural lip filler)
- increase of lip volume by 36 percent after 60 days without immediate plumping
12. How long do Candylipz results last?
blog.candylipz.com/how-long-do-candylipz-lip-plumpi…/
Learn more at Candylipz.com
Even today, almost 2000 years after its construction, the breathtaking pantheon is a remarkable building to see. The spectacular design, proportions, elegance and harmony are a striking reminder of the architecture of the great Roman Empire. When Michelangelo saw this wonder for the first time he said that it looks more like the work of angels, not humans.
1 The word Pantheon is a Greek adjective meaning “honor all Gods”. In fact the pantheon was first built as a temple to all gods.
2 It is the best preserved Ancient Roman monument. It is a bit of a mystery how the Pantheon managed to survive barbarian raids when all the rest of Roman monuments had been shattered. Its turning into a church in 609 AD has a lot to do with it in later time, but also the structure itself is way ahead of its time. In fact, the exact composition of the material is still unknown and appears to be structurally similar to modern day concrete! Whatever the reasons are, the Pantheon is the only structure of its age and size that has successfully survived the damage of time and gravity, still intact with all its splendor and beauty.
3 The exact age of the pantheon remains unknown. The Roman legend tells that the original Pantheon was built on the very site and was dedicated to Romulus, their mythological founder, after he ascended to heaven from that site. Most historians claim that Emperor Augustus right hand, Agrippa, built the first Pantheon in 27 BC. It burned in the great fire of 80 AD, was rebuilt by Emperor Domitian, but was struck by lightning and burned again in 110 AD. The Pantheon as we know it today was built in 120 AD by Emperor Hadrian Who was passionate with architecture and designed it together with Apollodorus of Damascus, a famous Greek architect of the time who unfortunately was executed by order of the Emperor, because of an argument about the design of the temple…
sundial-rome-on-segwayA lighting effect can be viewed on April 21when the midday sun strikes a metal grille above the doorway, saturating the courtyard outside with light
interior-pantheon-rome-on-segway
old-pantheon-rome-on-segway
pantheon-night-rome-on-segway
perfect-proportions-rome-on-segway
sundial-rome-on-segway
4 The most fascinating part of the Pantheon is its giant dome, with its famous hole in the top (The eye of the Pantheon, or oculus). The dome was the largest in the world for 1300 years and until today it remains the largest unsupported dome in the world! The diameter of the dome is 43.30 meters or 142ft (for comparison, the United States Capitol dome is 96 feet in diameter) and is in perfect proportion with the Pantheon by the fact that the distance from the floor to the top of the dome is exactly equal to its diameter.
The great architectural achievement was due to the massive weight of the large dome. Roman engineers lightened the dome as much as possible; not only its thickness progressively decreases, but the materials used in the upper part of the dome were lighter with internal spaces within the dome walls. The decrease in thickness has the effect that while the interior of the ceiling is spherical, its exterior is slightly “flattened”. It is larger than the dome of St. Peter’s basilica but since it seems flattened from the outside it is hard to get a full sense of its dimension. The hole (oculus), 7.8 meters in diameter, is the only source of light and is the connection between the temple and the gods above. Rain occasionally fall through it, but the floor is slanted and drains the water if it manages to hit the floor. In practice, rain seldom falls inside the dome.
5 The interior has the shape of a cylinder covered by a half of a sphere; the height of the cylinder is equal to the radius of the sphere, and is 43.3 meters (142ft) . There are no windows inside but the large oculus! The Pantheon now contains the tombs of the famous artist Raphael and of several Italian Kings and poets. The marble floor, which features a design consisting of a series of geometric patterns, is still the ancient Roman original. The history of Pantheon was forever changed during the reign of Pope Urban VIII, who melted down every scrap of bronze located upon the ceiling, outraging a great deal of Roman citizens.
6 The 16 massive Corinthian columns supporting the portico weigh 60 tons each. They are 39 feet (11.8 m) tall, five feet (1.5 m) in diameter and brought all the way from Egypt. These columns were dragged more than 100 km from the quarry to the Nile river on wooden sledges. They were floated by barge down the Nile River when the water level was high during the spring floods, and then transferred to vessels to cross the Mediterranean Sea to the Roman port of Ostia. There, they were transferred back onto barges and pulled up the Tiber River to Rome. The Columns support a triangle pediment with an inscription attributing the Pantheon to Marcus Agrippa (“M•AGRIPPA•L•F•COS•TERTIUM•FECIT” meaning “It was built by Marcos Agrippa in his third consulate”). It is the only remain from the original temple built by Agrippa and it is believed that Hadrian left it as a gesture to his predecessor when he rebuilt the pantheon.
7 A lighting effect can be viewed on April 21 when the midday sun strikes a metal grille above the doorway, saturating the courtyard outside with light. The Romans celebrated April 21 as the founding date of the city, and the impressive sight of their Emperor standing at the entrance of the Pantheon surrounded by light coming from inside the pantheon might have been seen as something that, in effect, raised their emperor to the level of the gods and invited him in to join them.
8 In the year 609 The Pantheon was the first pagan temple to be transformed into a church and therefore it was saved from being destroyed during the middle Ages. Today it is a church dedicated to St. Mary of the Martyrs. None the less it is called the Pantheon by virtually everybody and it seems to exist independent of religious rule but more of a tribute to the past.
9 In front of the Pantheon is the beautiful “Fountain of the Pantheon”. It was designed by famous architecture Giacomo Della Porta in 1575 and sculpted out of marble by Leonardo Sormani. In 1711, Pope Clement XI requested that the fountain be modified and had Filippo Barignoni design a new layout, which included a different basin, made of stone, and the obelisk of Ramses II set in the centre on a plinth with four dolphins decorating the base.
www.shopclues.com/rahul-phate-aloeweed-anti-oxidant-micro...
A perfect combination that imparts excellent skincare. Aloe juice has healing properties. Seaweed extracts are hydrating. Wheat Germ oil and Vitamin E provide antioxidant protection. Lavender oil imparts complete rejuvenation and has anti-scarring properties.
Product Features:
1. Micro nourishing gel with hydrating and detoxifying properties. It helps moisturize, softening. Unique all-purpose gel for All types of skin, for men, women, teenagers, and children. One of the excellent gel for reducing burning and hot sensation of hands and feet.
2. Being a great source of vitamins - B6, Folic acid and E, wheat germ oil acts as an anti-aging agent for the skin. "Vitamin E is a strong anti-oxidant and it promotes healthy skin as it prevents many skin problems like dry skin.
3. Aloe juice, which is scientifically preserved have a calming effect on the skin and has been shown to help reduce itchiness and inflammation.
4. Aloe juice contains antioxidants, enzymes, Vitamins A and C, and it is highly anti-inflammatory. It can help soothing sunburns, acne, and dry skin.
5. Algae or seaweeds are fantastic for hydrating, revitalizing and toning the skin and can also help to reduce problems with acne, cellulite, and even wrinkles. By properly regulating the production of sebum, sea algae extracts provide proper hydration of skin, without becoming too greasy or oily.
6. Sea Algae extract is also an antioxidant, and it protects the skin from free radicals that cause premature aging.
7. Unique gel for hydrating, moisturizing, softening, smoothening and freshening the skin. Aloeweed helps to hydrate the skin without making it oily, it also helps to reduce the skin heat and reddening.
How to use:
1. For best results, use the product thrice daily. Apply Aloeweed gel in small dots on face and neck and massage gently into the skin till absorbed.
2. It can be applied to hands, body, and legs for gentle hydration and oil-free moisturizing. Very effectively hydrates the dry-dehydrated scalp and can also be applied on the scalp and hair.
The Harpy Eagle (Harpia harpyja), sometimes known as the American Harpy Eagle, is a Neotropical species of eagle. This species was first described by Linnaeus in his Systema naturae in 1758 as Vultur harpyja.[2] It is the only member of the genus Harpia.
It is the largest and most powerful raptor found in the Americas, usually inhabiting tropical lowland rainforests in the upper (emergent) canopy layer.This species is an actively hunting carnivore. Its main prey are tree-dwelling mammals such as monkeys, coatis, and sloths; it may also attack other bird species such as macaws. The talons are extremely powerful and assist with suppressing prey. The Harpy Eagle can exert a pressure of 42 kgf/cm² (4.1 MPa or 530lbf/in2) with its talons.[3] It can also lift more than three-quarters of its body weight.
A pair of Harpy Eagles lays two white eggs in a large stick nest high in a tree, and raise one chick every 2–3 years. After the first chick hatches, the second egg is ignored and fails to hatch. The chick fledges in 6 months, but the parents continue to feed it for another 6 to 10 months.
Its name references the harpies from Ancient Greek mythology. These were wind spirits that took the dead to Hades, and were said to have a body like an eagle and the face of a human.
Fun facts (and legends) about Charles Bridge in Prague, Czech Republic:
1. It's 516 meters (1,693 feet) long, and about 10 meters (33 feet) wide.
2. It was built to connect the castle to the Old Town.
3. There are three towers on the bridge: two on the castle side, one on the Old Town side. (I think you can go up one, maybe more, for slightly better panoramic views.)
4. Its construction has a very specific start time: 5:31 a.m. on the 9 July 1357. (Written another way: 1357.9.7.5:31.) So, it's a palindromic bridge. Supposedly stronger because of it. It was completed 45 years later in 1402.
5. The first stone was laid at the above minute by the Holy Roman Emperor Charles, for whom the bridge is named.
6. It didn't get the name "Charles Bridge" until 1870.
It originally had the more creative names of Stone Bridge or Prague Bridge. The river it spans, by the way, is the Vitava.
7. Prague is famous for being the filming locations of a handful of Hollywood movies (Amadeus, Immortal Beloved, Mission Impossible...and the pinnacle of Hollywood production, XXX -- the first one. For those of you who have deigned to sit through that gem, you'll know the setting was Prague. The final scene (well...penultimate) is of Vin Diesel sitting on these little wooden thingies next to the bridge. You're welcome for the memory, everyone...
8. There are 16 arches shielded by ice guards. (I think that's what the little wooden thingies are.)
9. There are 30 statues or statuaries on the bridge -- 15 on each side -- mostly of religious folk, saints and the like -- that were originally erected around 1700. How many of these are original? Zip. Zero. Nada. All replicas, with the originals in the National Museum, it seems.
10. This bridge/river/area is famous for swans. Why they're here and why they stay, I have no idea. But, they're nice. I saw them, but from a distance.
Now for my personal notes...
I've been on a severely sprained ankle the past few days, so haven't done much shooting in Prague, I'm sad to say. But, this bridge? I imagine it's easily the most photogenic (especially for panoramas) in the city. Looking at these pictures, I'm crying for the loss of my DSLRs and P&S cameras earlier this year. These turned out...ok, and a few slightly better than ok.
The problem with this is that every tourist (and all tourist companies) know this. Whatever you do, do NOT come between...I don't know...11:00 a.m. and 4:00 p.m. or afternoon at all unless you love seeing throngs of people photobombing your shots. Come at sunrise or sundown. Sundown would give the best backlighting and blue hour shots of Old Town, and sunrise would give you the misty/foggy shots of the river and Old Town.
If I lived in Prague, this is exactly the place I'd come, probably once a week or every other week, to shoot in different times and seasons. It's that nice of a spot. Of course, I'd do that if I had my cameras back...
Fun facts (and legends) about Charles Bridge in Prague, Czech Republic:
1. It's 516 meters (1,693 feet) long, and about 10 meters (33 feet) wide.
2. It was built to connect the castle to the Old Town.
3. There are three towers on the bridge: two on the castle side, one on the Old Town side. (I think you can go up one, maybe more, for slightly better panoramic views.)
4. Its construction has a very specific start time: 5:31 a.m. on the 9 July 1357. (Written another way: 1357.9.7.5:31.) So, it's a palindromic bridge. Supposedly stronger because of it. It was completed 45 years later in 1402.
5. The first stone was laid at the above minute by the Holy Roman Emperor Charles, for whom the bridge is named.
6. It didn't get the name "Charles Bridge" until 1870.
It originally had the more creative names of Stone Bridge or Prague Bridge. The river it spans, by the way, is the Vitava.
7. Prague is famous for being the filming locations of a handful of Hollywood movies (Amadeus, Immortal Beloved, Mission Impossible...and the pinnacle of Hollywood production, XXX -- the first one. For those of you who have deigned to sit through that gem, you'll know the setting was Prague. The final scene (well...penultimate) is of Vin Diesel sitting on these little wooden thingies next to the bridge. You're welcome for the memory, everyone...
8. There are 16 arches shielded by ice guards. (I think that's what the little wooden thingies are.)
9. There are 30 statues or statuaries on the bridge -- 15 on each side -- mostly of religious folk, saints and the like -- that were originally erected around 1700. How many of these are original? Zip. Zero. Nada. All replicas, with the originals in the National Museum, it seems.
10. This bridge/river/area is famous for swans. Why they're here and why they stay, I have no idea. But, they're nice. I saw them, but from a distance.
Now for my personal notes...
I've been on a severely sprained ankle the past few days, so haven't done much shooting in Prague, I'm sad to say. But, this bridge? I imagine it's easily the most photogenic (especially for panoramas) in the city. Looking at these pictures, I'm crying for the loss of my DSLRs and P&S cameras earlier this year. These turned out...ok, and a few slightly better than ok.
The problem with this is that every tourist (and all tourist companies) know this. Whatever you do, do NOT come between...I don't know...11:00 a.m. and 4:00 p.m. or afternoon at all unless you love seeing throngs of people photobombing your shots. Come at sunrise or sundown. Sundown would give the best backlighting and blue hour shots of Old Town, and sunrise would give you the misty/foggy shots of the river and Old Town.
If I lived in Prague, this is exactly the place I'd come, probably once a week or every other week, to shoot in different times and seasons. It's that nice of a spot. Of course, I'd do that if I had my cameras back...
Bihar (Hindi: बिहार, Urdu: بہار, pronounced [bɪˈɦaːr] ( listen)) is a state in eastern India.[1][2] It is the 12th largest state in terms of geographical size at 38,202 sq mi (99,200 km²) and 3rd largest by population. Close to 85% of the population lives in villages. Almost 58% of Biharis are below the age of 25,[3] which is the highest proportion in India.
Bihar lies mid-way between the humid West Bengal in the east and the sub humid Uttar Pradesh in the west which provides it with a transitional position in respect of climate, economy and culture.
Ancient Bihar (which consisted of Anga (East Bihar and some parts of Bengal), Videha/Mithila (north-eastern Bihar and some parts of northern Bengal), Magadha (South Bihar) and Vaishali (Bihar)) was a centre of power, learning and culture in ancient and classical India.[5] From Magadha arose India's first great empire, the Maurya empire as well as one of the world's most widely adhered-to religions, Buddhism.[6] Magadha empires, notably under the Maurya and Gupta dynasties, unified large parts of South Asia under a central rule.[7] Its capital Patna, earlier known as Pataliputra, was an important centre of Indian civilization. Nalanda was a centre of learning established by the 5th century CE in Bihar.
Today, Bihar lags behind the other Indian states in human, economic development terms,[8][9][10] Economists and social scientists claim that this is a direct result of the skewed policies of the central government, such as the freight equalisation policy,[11][12] its apathy towards Bihar,[3][13][14] lack of Bihari sub-nationalism (resulting in no spokesperson for the state),[12][15][16] and the Permanent Settlement of 1793 by the British East India Company.[12] The current state government has however made significant strides in improving governance.
Chhapra (Hindi: छपरा Urdu: چہَپرَ) is a city and headquarters of Saran district in the state of Bihar, India. Chhapra is also written as Chapra. It is situated near the junction of the Ghaghara River and The Ganges River. Chapra was the headquarter of district called Saran. Later on, the district was divided into three separate districts: Chapra, Siwan and Gopalganj.
Chapra grew in importance as a river mart in the 18th century when the Dutch [1] [2], French, Portuguese, and English established saltpeter refineries there. It was constituted a municipality in 1864. The town has major rail and road connections with the rest of India.
Chapra is located at 25.7848°N 84.7274°E.[3] It has an average elevation of 36 metres (118 feet).
This motel is just on the edge of the ghost town of Galata, MT--it sits just off highway 2. It is still open which is quite commendable along this desolate, empty stretch of highway. I wonder who stays here? Every time I have been by it there are never any cars there. The sign kind of scares me off.
Galata, Montana is almost a complete ghost town. There really are no more businesses open. Only a few homes are still lived in. This town has an interesting history and there are so many abandoned buildings that I would love to know the story behind.
Here is a video from when I drove through this great ghost town:
www.youtube.com/watch?v=_0R55_f-ndA
"Galata, east of Shelby, is near Willow Creek, one of the streams that flows into the reservoir created by Tiber Dam. It was a trading point and cattle shipping station on the Great Northern’s High Line. In 1901 David R. McGinnis, first immigration agent of the Great Northern Railroad, was so impressed by the beauty of the spot that he filed a claim for the land near the railroad where it crossed dry Galata Creek. McGinnis hired a surveyor to lay out a town and the following year brought carpenters and lumber from Kalispell to build a two-room house.
Cattlemen from the Marias River ranges brought their cattle to Galata for shipment to eastern markets. On cold winter days they were glad to have the protection of the two little rooms in the only building in “town.” The house burned down in 1904, but in 1905 McGinnis began rebuilding Galata. He built a two-room real estate office and an eight-room hotel, and eventually induced a storekeeper to set up shop in one of the rooms of the real estate office. Ranches would drive in with a chuckwagon and load up on $500—sometimes even $1,000—worth of supplies, pay in cash and return home for the long winter. After a few years, Galata’s only merchant closed shop and the hotel was abandoned; McGinnis gave up his dream of a town and moved to Kalispell.
One day he was surprised to receive a check in the mail. It was marked “back rent,” and was from a cowhand who had moved into the deserted Galata store and had done a good business with dryland farmers who were then settling on the old-time open range. By 1910 Galata had four lumberyards and five store. (from Cheney’s Names on the Face of Montana, Mountain Press Publishing Company)
Near Galata, residents and visitors can enjoy one of the most versatile recreational areas in Montana, Tiber Dam-Lake Elwell. The lake provides excellent year-round angling for Walleye, Northern and Sauger Pike, native trout, Ling, Perch and others. Some may want to try their hand at bow fishing for carp that often exceed 20 pounds. For boaters and swimmers the area boasts over 50 miles of shoreline, a marina, and four well-maintained boat ramps located strategically around the lake. There are also numerous campground areas.
While you're at Tiber you'll observe spectacular windblown sandstone formations, Indian rings, and one of the largest earthen dikes in the world! The area surrounding Tiber contains excellent hunting, and a unique birdwatching area is located along the Marias River below Tiber Dam." -Montana's Russell Country Website
This is a great article, just scroll town to the one titled “Caught between two worlds, one dead, the other struggling to be born.”
www.montanaheritageproject.org/index.php/fieldnotes/C77/
This is a link to a neat photo taken near Galata many, many years ago:
The Staffordshire Hoard is the largest hoard of Anglo-Saxon gold and silver metalwork yet found. It consists of over 3,500 items, amounting to a total of 5.1 kg (11 lb) of gold, 1.4 kg (3 lb) of silver and some 3,500 pieces of garnet cloisonné jewellery.[1]
The hoard was most likely deposited in the 7th century, and contains artefacts probably manufactured during the 6th and 7th centuries.[2] It was discovered in 2009 in a field near the village of Hammerwich, near Lichfield, in Staffordshire, England. The location was in the Anglo-Saxon kingdom of Mercia at the time of the hoard's deposition.
The hoard is of considerable importance in Anglo-Saxon archaeology.[3] The artefacts are nearly all martial in character and contain no objects specific to female uses.[4][5] Thousands of Tamraparniyan gold, silver and red garnet shipments were used in the production of the articles, with recent findings such as the pendant of the Winfarthing Woman skeleton of Norfolk confirming an established gem trade route with South India and Tamraparni (ancient Sri Lanka), known from antiquity for its production.[6][7][8] The average quality of the workmanship is extremely high and especially remarkable in view of the large number of individual objects, such as swords and a helmet, from which many of the fragments in the hoard came.
The hoard was purchased jointly by the Birmingham Museum and Art Gallery and the Potteries Museum & Art Gallery for £3.285 million under the Treasure Act 1996.
The Staffordshire Hoard is the largest hoard of Anglo-Saxon gold and silver metalwork yet found. It consists of over 3,500 items, amounting to a total of 5.1 kg (11 lb) of gold, 1.4 kg (3 lb) of silver and some 3,500 pieces of garnet cloisonné jewellery.[1]
The hoard was most likely deposited in the 7th century, and contains artefacts probably manufactured during the 6th and 7th centuries.[2] It was discovered in 2009 in a field near the village of Hammerwich, near Lichfield, in Staffordshire, England. The location was in the Anglo-Saxon kingdom of Mercia at the time of the hoard's deposition.
The hoard is of considerable importance in Anglo-Saxon archaeology.[3] The artefacts are nearly all martial in character and contain no objects specific to female uses.[4][5] Thousands of Tamraparniyan gold, silver and red garnet shipments were used in the production of the articles, with recent findings such as the pendant of the Winfarthing Woman skeleton of Norfolk confirming an established gem trade route with South India and Tamraparni (ancient Sri Lanka), known from antiquity for its production.[6][7][8] The average quality of the workmanship is extremely high and especially remarkable in view of the large number of individual objects, such as swords and a helmet, from which many of the fragments in the hoard came.
The hoard was purchased jointly by the Birmingham Museum and Art Gallery and the Potteries Museum & Art Gallery for £3.285 million under the Treasure Act 1996.
Ferstel
(Pictures you can see by clicking on the link at the end of page!)
Ferstel and Café Central, by Rudolf von Alt, left the men's alley (Herrengasse - Street of the Lords), right Strauchgasse
Danube mermaid fountain in a courtyard of the Palais Ferstel
Shopping arcade of the Freyung to Herrengasse
Entrance to Ferstel of the Freyung, right the Palais Harrach, left the palace Hardegg
The Ferstel is a building in the first district of Vienna, Inner City, with the addresses Strauchgasse 2-4, 14 Lord Street (Herrengasse) and Freyung 2. It was established as a national bank and stock exchange building, the denomination Palais is unhistoric.
History
In 1855, the entire estate between Freyung, Strauchgasse and Herrengasse was by Franz Xaver Imperial Count von Abensperg and Traun to the k.k. Privileged Austrian National Bank sold. This banking institution was previously domiciled in the Herrengasse 17/ Bankgasse. The progressive industrialization and the with it associated economic expansion also implied a rapid development of monetary transactions and banking, so that the current premises soon no longer have been sufficient. This problem could only be solved by a new building, in which also should be housed a stock exchange hall.
According to the desire of the then Governor of the National Bank, Franz von Pipitz, the new building was supposed to be carried out with strict observance of the economy and avoiding a worthless luxury with solidity and artistic as well as technical completion. The building should offer room for the National Bank, the stock market, a cafe and - a novel idea for Vienna - a bazaar.
The commissioned architect, Heinrich von Ferstel, demonstrated in the coping with the irregular surface area with highest conceivable effective use of space his state-of-the art talent. The practical requirements combine themselves with the actually artistic to a masterful composition. Ferstel has been able to lay out the rooms of the issuing bank, the two trading floors, the passage with the bazar and the coffee house in accordance with their intended purpose and at the same time to maintain a consistent style.
He was an advocate of the "Materialbaues" (material building) as it clearly is reflected in the ashlar building of the banking institution. Base, pillars and stairs were fashioned of Wöllersdorfer stone, façade elements such as balconies, cornices, structurings as well as stone banisters of the hard white stone of Emperor Kaiser quarry (Kaisersteinbruch), while the walls were made of -Sankt Margarethen limestone. The inner rooms have been luxuriously formed, with wood paneling, leather wallpaper, Stuccolustro and rich ornamental painting.
The facade of the corner front Strauchgasse/Herrengasse received twelve sculptures by Hanns Gasser as decoration, they symbolized the peoples of the monarchy. The mighty round arch at the exit Freyung were closed with wrought-iron bare gates, because the first used locksmith could not meet the demands of Ferstel, the work was transferred to a silversmith.
1860 the National Bank and the stock exchange could move into the in 1859 completed construction. The following year was placed in the glass-covered passage the Danube mermaid fountain, whose design stems also of Ferstel. Anton von Fernkorn has created the sculptural decoration with an artistic sensitivity. Above the marble fountain basin rises a column crowned by a bronze statue, the Danube female with flowing hair, holding a fish in its hand. Below are arranged around the column three also in bronze cast figures: merchant, fisherman and shipbuilder, so those professions that have to do with the water. The total cost of the building, the interior included, amounted to the enormous sum of 1.897.600 guilders.
The originally planned use of the building remained only a few years preserved. The Stock Exchange with the premises no longer had sufficient space: in 1872 it moved to a provisional solution, 1877 at Schottenring a new Stock Exchange building opened. The National Bank moved 1925 into a yet 1913 planned, spacious new building.
The building was in Second World War battered gravely particularly on the main facade. In the 1960s was located in the former Stock Exchange a basketball training hall, the entire building appeared neglected.
1971 dealt the President of the Federal Monuments Office, Walter Frodl, with the severely war damaged banking and stock exchange building in Vienna. The Office for Technical Geology of Otto Casensky furnished an opinion on the stone facade. On the facade Freyung 2 a balcony was originally attached over the entire 15.4 m long front of hard Kaiserstein.
(Usage of Leith lime: Dependent from the consistence and structure of the Leitha lime the usage differed from „Reibsand“ till building material. The Leitha lime stone is a natural stone which can be formed easily and was desired als beautiful stone for buildings in Roman times. The usage of lime stone from Eggenburg in the Bronze age already was verified. This special attribute is the reason why the Leitha lime was taken from sculptors and masons.
The source of lime stone in the Leitha Mountains was important for Austria and especially for Vienna from the cultur historical point of view during the Renaissance and Baroque. At the 19th century the up to 150 stone quarries of the Leitha mountains got many orders form the construction work of the Vienna „Ring road“.
At many buildings of Graz, such as the castle at the Grazer castle hill, the old Joanneum and the Cottage, the Leitha lime stone was used.
Due to the fact that Leitha lime is bond on carbonate in the texture, the alteration through the actual sour rain is heavy. www.geocaching.com/geocache/GC2HKZ9_leithagebirge-leithak...)
This balcony was no longer present and only close to the facade were remnants of the tread plates and the supporting brackets recognizable. In July 1975, followed the reconstruction of the balcony and master stonemason Friedrich Opferkuh received the order to restore the old state am Leithagebirge received the order the old state - of Mannersdorfer stone, armoured concrete or artificial stone.
1975-1982, the building was renovated and re-opened the Café Central. Since then, the privately owned building is called Palais Ferstel. In the former stock exchange halls now meetings and presentations take place; the Café Central is utilizing one of the courtyards.
GANGOLIHAT KALI TEMPLE
Gangolihat is a small Himalayan hill town in the Pithoragarh district of Uttarakhand, India. It is tehsil and sub divisional headquarters of the district. Gangolihat is famous for its Shakti Peethas of Hat Kalika of goddess Kali.[1]Nearby at 'Patal Bhubneshwar', underground caves are major tourist attraction. Also nearby are the tiny hill stations of Chaukori and Berinag.From Gangolihat Panchchuli peaks and Nanda Devi are clearly visible
Gangolihat is located at 29.48°N 80.05°E.[2] It has an average elevation of 1,760 metres (5,773 feet). It is 78 km from Pithoragarh. The main town is at a hill top. The region is surrounded by two rivers Saryu and Ramganga. Which meet at Ghat at the foothill of the region. These two rivers make it like a Garland on the shoulders of mighty Himalaya. These two rivers gave the name to the region Gang (River in local dialect) + Awali (Garland) making Gangawali. Which became Gangoli later on. and Hat were the main markets/ gathering place for local people in past. Which made the name of Gangolihat.
Gangolihat is native of Pant, Kothari, Bhatt's(at Futsil&balatari), Joshi's, KhatiGusain, Upreti's, Pathak's, Pargai and Mahara. Negi's, Bisht, Rawal's, Verma's, Shah and Aryas are other major surnames found
Gangolihaat is famous for its ancient temples and underground caves. 'Haat Kalika', 'Ambika Dewaal', 'Chamunda Mandir', 'Vaishnavi Mandir' are some of the famous temples here. 'Vaishnavi Mandir' is a special one because from here one can clearly view the Himalayas. This temple is situated on a mountain that is called 'Shail Parvat', which is notable in Hindu holy books.
There are many beautiful underground caves in Gangolihaat. 'Patal Bhuvneshwar', 'Shailashwer Gufa' and 'Mukteshwar Gufa' are most notable ones. A new underground cave has been also found recently and that is called 'Bholeshwar Gufa' .The peak Bhurgottam near village Mallagrkha famous as place of Maharishi Bhrigu who was one of the seven great sages, the Saptarshis.
'Haat Kalika Mandir' was chosen by Adi Guru Sankaracharya for installation of one of the Shakti_Peethas. It is believed that the Original Goddess Kalika Mata, which supposed to be in West Bangal, shifted her place form Bangal to Gangolihat. This Temple is very famous all over India, specially among Indian Armed Forces. Posthumous Param Veer Chakra award winner Capt. Bikram Batra was a great devotee of Goddess. The goddess Mahakali is the designated goddess of the Kumaun Regiment. Kumaun regiment has created an Army Rest House near the Temple for Army Personnel, who come Gangloihat to get the blessing of Goddess.
There are historical monuments made during 8-11th century near the famous temple. Which is a site preserved by Archaeological Survey of India (ASI). It depicts the nervelessness of the artistic creation at that time.
The highest peak in the range, Lankeshwar is a great picnic place. The view of greenery rich valleys of Kumaun Himalayas from this hilltop is memorable and heavenly.
By Kailash Mansarovar Foundation Swami Bikash Giri www.sumeruparvat.com , www.naturalitem.com
"Currituck County Courthouse and Jail is a historic courthouse and jail located at Currituck, Currituck County, North Carolina. The original two-story section of the courthouse was built about 1842, enlarged in 1897, and a rear wing was added in 1952. The 1897 remodeling added a second floor to the original one-story wings and Classical Revival style design elements. The jail was built about 1857,[2] and is a two-story, rectangular building with 32 inch thick brick walls. It is one of the oldest extant jails in North Carolina. [2]
It was listed on the National Register of Historic Places in 1979."
Learn more: en.wikipedia.org/wiki/Currituck_County_Courthouse_and_Jail
Even today, almost 2000 years after its construction, the breathtaking pantheon is a remarkable building to see. The spectacular design, proportions, elegance and harmony are a striking reminder of the architecture of the great Roman Empire. When Michelangelo saw this wonder for the first time he said that it looks more like the work of angels, not humans.
1 The word Pantheon is a Greek adjective meaning “honor all Gods”. In fact the pantheon was first built as a temple to all gods.
2 It is the best preserved Ancient Roman monument. It is a bit of a mystery how the Pantheon managed to survive barbarian raids when all the rest of Roman monuments had been shattered. Its turning into a church in 609 AD has a lot to do with it in later time, but also the structure itself is way ahead of its time. In fact, the exact composition of the material is still unknown and appears to be structurally similar to modern day concrete! Whatever the reasons are, the Pantheon is the only structure of its age and size that has successfully survived the damage of time and gravity, still intact with all its splendor and beauty.
3 The exact age of the pantheon remains unknown. The Roman legend tells that the original Pantheon was built on the very site and was dedicated to Romulus, their mythological founder, after he ascended to heaven from that site. Most historians claim that Emperor Augustus right hand, Agrippa, built the first Pantheon in 27 BC. It burned in the great fire of 80 AD, was rebuilt by Emperor Domitian, but was struck by lightning and burned again in 110 AD. The Pantheon as we know it today was built in 120 AD by Emperor Hadrian Who was passionate with architecture and designed it together with Apollodorus of Damascus, a famous Greek architect of the time who unfortunately was executed by order of the Emperor, because of an argument about the design of the temple…
sundial-rome-on-segwayA lighting effect can be viewed on April 21when the midday sun strikes a metal grille above the doorway, saturating the courtyard outside with light
interior-pantheon-rome-on-segway
old-pantheon-rome-on-segway
pantheon-night-rome-on-segway
perfect-proportions-rome-on-segway
sundial-rome-on-segway
4 The most fascinating part of the Pantheon is its giant dome, with its famous hole in the top (The eye of the Pantheon, or oculus). The dome was the largest in the world for 1300 years and until today it remains the largest unsupported dome in the world! The diameter of the dome is 43.30 meters or 142ft (for comparison, the United States Capitol dome is 96 feet in diameter) and is in perfect proportion with the Pantheon by the fact that the distance from the floor to the top of the dome is exactly equal to its diameter.
The great architectural achievement was due to the massive weight of the large dome. Roman engineers lightened the dome as much as possible; not only its thickness progressively decreases, but the materials used in the upper part of the dome were lighter with internal spaces within the dome walls. The decrease in thickness has the effect that while the interior of the ceiling is spherical, its exterior is slightly “flattened”. It is larger than the dome of St. Peter’s basilica but since it seems flattened from the outside it is hard to get a full sense of its dimension. The hole (oculus), 7.8 meters in diameter, is the only source of light and is the connection between the temple and the gods above. Rain occasionally fall through it, but the floor is slanted and drains the water if it manages to hit the floor. In practice, rain seldom falls inside the dome.
5 The interior has the shape of a cylinder covered by a half of a sphere; the height of the cylinder is equal to the radius of the sphere, and is 43.3 meters (142ft) . There are no windows inside but the large oculus! The Pantheon now contains the tombs of the famous artist Raphael and of several Italian Kings and poets. The marble floor, which features a design consisting of a series of geometric patterns, is still the ancient Roman original. The history of Pantheon was forever changed during the reign of Pope Urban VIII, who melted down every scrap of bronze located upon the ceiling, outraging a great deal of Roman citizens.
6 The 16 massive Corinthian columns supporting the portico weigh 60 tons each. They are 39 feet (11.8 m) tall, five feet (1.5 m) in diameter and brought all the way from Egypt. These columns were dragged more than 100 km from the quarry to the Nile river on wooden sledges. They were floated by barge down the Nile River when the water level was high during the spring floods, and then transferred to vessels to cross the Mediterranean Sea to the Roman port of Ostia. There, they were transferred back onto barges and pulled up the Tiber River to Rome. The Columns support a triangle pediment with an inscription attributing the Pantheon to Marcus Agrippa (“M•AGRIPPA•L•F•COS•TERTIUM•FECIT” meaning “It was built by Marcos Agrippa in his third consulate”). It is the only remain from the original temple built by Agrippa and it is believed that Hadrian left it as a gesture to his predecessor when he rebuilt the pantheon.
7 A lighting effect can be viewed on April 21 when the midday sun strikes a metal grille above the doorway, saturating the courtyard outside with light. The Romans celebrated April 21 as the founding date of the city, and the impressive sight of their Emperor standing at the entrance of the Pantheon surrounded by light coming from inside the pantheon might have been seen as something that, in effect, raised their emperor to the level of the gods and invited him in to join them.
8 In the year 609 The Pantheon was the first pagan temple to be transformed into a church and therefore it was saved from being destroyed during the middle Ages. Today it is a church dedicated to St. Mary of the Martyrs. None the less it is called the Pantheon by virtually everybody and it seems to exist independent of religious rule but more of a tribute to the past.
9 In front of the Pantheon is the beautiful “Fountain of the Pantheon”. It was designed by famous architecture Giacomo Della Porta in 1575 and sculpted out of marble by Leonardo Sormani. In 1711, Pope Clement XI requested that the fountain be modified and had Filippo Barignoni design a new layout, which included a different basin, made of stone, and the obelisk of Ramses II set in the centre on a plinth with four dolphins decorating the base.
The Yellow-knobbed Curassow (Crax daubentoni) is a large species of bird found in forest and woodland in Colombia and Venezuela. It feeds mainly on the ground, but flies up into trees if threatened. Its most striking features are its crest, made of feathers that curl forward, and the fleshy yellow knob at the base of its bill. Females lack this fleshy yellow knob, but otherwise resemble the male in the plumage, being overall black with a white crissum. The adult is 84-92.5 cm (33-37 in)[1] and weighs about 2-3 kg (4.4-6.6 lbs).[2] It eats fruits, leaves, seeds, and small animals. Unlike most other gamebirds, curassows nest off the ground, with both sexes helping in the construction. The female lays just 2 eggs - a tiny clutch compared to those of many ground-nesting gamebirds.
Ferstel
(Pictures you can see by clicking on the link at the end of page!)
Ferstel and Café Central, by Rudolf von Alt, left the men's alley (Herrengasse - Street of the Lords), right Strauchgasse
Danube mermaid fountain in a courtyard of the Palais Ferstel
Shopping arcade of the Freyung to Herrengasse
Entrance to Ferstel of the Freyung, right the Palais Harrach, left the palace Hardegg
The Ferstel is a building in the first district of Vienna, Inner City, with the addresses Strauchgasse 2-4, 14 Lord Street (Herrengasse) and Freyung 2. It was established as a national bank and stock exchange building, the denomination Palais is unhistoric.
History
In 1855, the entire estate between Freyung, Strauchgasse and Herrengasse was by Franz Xaver Imperial Count von Abensperg and Traun to the k.k. Privileged Austrian National Bank sold. This banking institution was previously domiciled in the Herrengasse 17/ Bankgasse. The progressive industrialization and the with it associated economic expansion also implied a rapid development of monetary transactions and banking, so that the current premises soon no longer have been sufficient. This problem could only be solved by a new building, in which also should be housed a stock exchange hall.
According to the desire of the then Governor of the National Bank, Franz von Pipitz, the new building was supposed to be carried out with strict observance of the economy and avoiding a worthless luxury with solidity and artistic as well as technical completion. The building should offer room for the National Bank, the stock market, a cafe and - a novel idea for Vienna - a bazaar.
The commissioned architect, Heinrich von Ferstel, demonstrated in the coping with the irregular surface area with highest conceivable effective use of space his state-of-the art talent. The practical requirements combine themselves with the actually artistic to a masterful composition. Ferstel has been able to lay out the rooms of the issuing bank, the two trading floors, the passage with the bazar and the coffee house in accordance with their intended purpose and at the same time to maintain a consistent style.
He was an advocate of the "Materialbaues" (material building) as it clearly is reflected in the ashlar building of the banking institution. Base, pillars and stairs were fashioned of Wöllersdorfer stone, façade elements such as balconies, cornices, structurings as well as stone banisters of the hard white stone of Emperor Kaiser quarry (Kaisersteinbruch), while the walls were made of -Sankt Margarethen limestone. The inner rooms have been luxuriously formed, with wood paneling, leather wallpaper, Stuccolustro and rich ornamental painting.
The facade of the corner front Strauchgasse/Herrengasse received twelve sculptures by Hanns Gasser as decoration, they symbolized the peoples of the monarchy. The mighty round arch at the exit Freyung were closed with wrought-iron bare gates, because the first used locksmith could not meet the demands of Ferstel, the work was transferred to a silversmith.
1860 the National Bank and the stock exchange could move into the in 1859 completed construction. The following year was placed in the glass-covered passage the Danube mermaid fountain, whose design stems also of Ferstel. Anton von Fernkorn has created the sculptural decoration with an artistic sensitivity. Above the marble fountain basin rises a column crowned by a bronze statue, the Danube female with flowing hair, holding a fish in its hand. Below are arranged around the column three also in bronze cast figures: merchant, fisherman and shipbuilder, so those professions that have to do with the water. The total cost of the building, the interior included, amounted to the enormous sum of 1.897.600 guilders.
The originally planned use of the building remained only a few years preserved. The Stock Exchange with the premises no longer had sufficient space: in 1872 it moved to a provisional solution, 1877 at Schottenring a new Stock Exchange building opened. The National Bank moved 1925 into a yet 1913 planned, spacious new building.
The building was in Second World War battered gravely particularly on the main facade. In the 1960s was located in the former Stock Exchange a basketball training hall, the entire building appeared neglected.
1971 dealt the President of the Federal Monuments Office, Walter Frodl, with the severely war damaged banking and stock exchange building in Vienna. The Office for Technical Geology of Otto Casensky furnished an opinion on the stone facade. On the facade Freyung 2 a balcony was originally attached over the entire 15.4 m long front of hard Kaiserstein.
(Usage of Leith lime: Dependent from the consistence and structure of the Leitha lime the usage differed from „Reibsand“ till building material. The Leitha lime stone is a natural stone which can be formed easily and was desired als beautiful stone for buildings in Roman times. The usage of lime stone from Eggenburg in the Bronze age already was verified. This special attribute is the reason why the Leitha lime was taken from sculptors and masons.
The source of lime stone in the Leitha Mountains was important for Austria and especially for Vienna from the cultur historical point of view during the Renaissance and Baroque. At the 19th century the up to 150 stone quarries of the Leitha mountains got many orders form the construction work of the Vienna „Ring road“.
At many buildings of Graz, such as the castle at the Grazer castle hill, the old Joanneum and the Cottage, the Leitha lime stone was used.
Due to the fact that Leitha lime is bond on carbonate in the texture, the alteration through the actual sour rain is heavy. www.geocaching.com/geocache/GC2HKZ9_leithagebirge-leithak...)
This balcony was no longer present and only close to the facade were remnants of the tread plates and the supporting brackets recognizable. In July 1975, followed the reconstruction of the balcony and master stonemason Friedrich Opferkuh received the order to restore the old state am Leithagebirge received the order the old state - of Mannersdorfer stone, armoured concrete or artificial stone.
1975-1982, the building was renovated and re-opened the Café Central. Since then, the privately owned building is called Palais Ferstel. In the former stock exchange halls now meetings and presentations take place; the Café Central is utilizing one of the courtyards.
Today at the Top Model offices, we got a surprise visit from one of the girls from TMG Cycle 2! It's none other than Eloise Conrad, the one who had left us too soon.
TMG: How have you been, Eloise?
Eloise: Good, very good.
TMG: Care to share what you have been up to since competing in Top Model by Grace?
Eloise: Well, actually I went back to school after the show. I didn't really think modeling was for me, but after a few months, I realized I really did miss it. So right now I'm trying to get back into the game by meeting with some local photographers and taking test shots and generally seeing how things will go. It'd be great if I could get signed to an agency soon.
TMG: Your elimination was considered one of the more shocking ones to have occurred during your season. What are your thoughts on your early departure?
Eloise: Hm...I was obviously really upset when I was given the ax. I personally thought my photo was better than some of the other girls' photos, but you just never know what is going to happen next. It would have been great to have stayed a few more weeks because some of the photoshoots the girls did looked really awesome. I think I could have really rocked the one where the girls had to model with doggy co-stars!
I don't know about the whole eliminating me because I was being too "Modeling 101". Did I come across as that? This is just a conjecture, but since it is a reality tv show...I think the producers decided Kari would have been greater tv value and they decided to hold onto her as long as they could.
TMG: What did you become known for during your time in the competition?
Eloise: I was branded as the girl who couldn't get out of the "Modeling 101" stage I guess? I had a pretty strong start because the judges were raving over my casting photos. I just sort of fizzled out though. Oh, and apparently I was Paloma's accomplice for some of the earlier drama in the house? That isn't true at all because I always tried to mediate the fights along with Renee. None of the other girls really ever gave Paloma a chance and I was there to keep things on a mostly civil level. Well, as civil as you can get living in a house with fourteen or so other girls.
TMG: Have you remained friends with any of the girls in the house?
Eloise: I did say I would keep in touch with a few of the girls, especially Paloma, but things got so busy I guess I forgot to. I know it's weird with the whole world being all connected through Facebook and Twitter and Instagram nowadays, but at that time my studies were top priority. They still are, but I'm willing to give modeling another chance. I think I should try contacting a few of the girls after this though. I heard Renee has had another baby girl since appearing on Top Model.
TMG: That's great news! Congrats to Renee. What were some of your favorite moments in the competition?
Eloise: Casting week for me was just awesome. I really felt in my element.
TMG: Would you do anything differently if you could go back and compete again?
Eloise: I don't know. I need to re-figure out modeling in my life, but for one thing, I don't think I'd do the whole "Modeling 101" poses I got branded with ever again. I'm a better model than that. I know that. My fans know that.
TMG: It's been a pleasure to see you again, Eloise! We'll keep in touch if anything about second chances come up.
Eloise: Sure, that sounds great. You have a good day.
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Where to get it:
Ausstellung TanzArtik 2013
Siddhartha (+)
Tanzfotografie von Rolf K. Wegst im STATT GIESSEN
Eröffnung: Sonntag 25.08.2013 18:30 Uhr
Traumsternkneipe - STATT GIESSEN
Gießener Strasse 15
35423 Lich
Fotos der Tanzcompagnie Gießen aus der Spielzeit 2012/2013 am Stadttheater Gießen.
Even today, almost 2000 years after its construction, the breathtaking pantheon is a remarkable building to see. The spectacular design, proportions, elegance and harmony are a striking reminder of the architecture of the great Roman Empire. When Michelangelo saw this wonder for the first time he said that it looks more like the work of angels, not humans.
1 The word Pantheon is a Greek adjective meaning “honor all Gods”. In fact the pantheon was first built as a temple to all gods.
2 It is the best preserved Ancient Roman monument. It is a bit of a mystery how the Pantheon managed to survive barbarian raids when all the rest of Roman monuments had been shattered. Its turning into a church in 609 AD has a lot to do with it in later time, but also the structure itself is way ahead of its time. In fact, the exact composition of the material is still unknown and appears to be structurally similar to modern day concrete! Whatever the reasons are, the Pantheon is the only structure of its age and size that has successfully survived the damage of time and gravity, still intact with all its splendor and beauty.
3 The exact age of the pantheon remains unknown. The Roman legend tells that the original Pantheon was built on the very site and was dedicated to Romulus, their mythological founder, after he ascended to heaven from that site. Most historians claim that Emperor Augustus right hand, Agrippa, built the first Pantheon in 27 BC. It burned in the great fire of 80 AD, was rebuilt by Emperor Domitian, but was struck by lightning and burned again in 110 AD. The Pantheon as we know it today was built in 120 AD by Emperor Hadrian Who was passionate with architecture and designed it together with Apollodorus of Damascus, a famous Greek architect of the time who unfortunately was executed by order of the Emperor, because of an argument about the design of the temple…
sundial-rome-on-segwayA lighting effect can be viewed on April 21when the midday sun strikes a metal grille above the doorway, saturating the courtyard outside with light
interior-pantheon-rome-on-segway
old-pantheon-rome-on-segway
pantheon-night-rome-on-segway
perfect-proportions-rome-on-segway
sundial-rome-on-segway
4 The most fascinating part of the Pantheon is its giant dome, with its famous hole in the top (The eye of the Pantheon, or oculus). The dome was the largest in the world for 1300 years and until today it remains the largest unsupported dome in the world! The diameter of the dome is 43.30 meters or 142ft (for comparison, the United States Capitol dome is 96 feet in diameter) and is in perfect proportion with the Pantheon by the fact that the distance from the floor to the top of the dome is exactly equal to its diameter.
The great architectural achievement was due to the massive weight of the large dome. Roman engineers lightened the dome as much as possible; not only its thickness progressively decreases, but the materials used in the upper part of the dome were lighter with internal spaces within the dome walls. The decrease in thickness has the effect that while the interior of the ceiling is spherical, its exterior is slightly “flattened”. It is larger than the dome of St. Peter’s basilica but since it seems flattened from the outside it is hard to get a full sense of its dimension. The hole (oculus), 7.8 meters in diameter, is the only source of light and is the connection between the temple and the gods above. Rain occasionally fall through it, but the floor is slanted and drains the water if it manages to hit the floor. In practice, rain seldom falls inside the dome.
5 The interior has the shape of a cylinder covered by a half of a sphere; the height of the cylinder is equal to the radius of the sphere, and is 43.3 meters (142ft) . There are no windows inside but the large oculus! The Pantheon now contains the tombs of the famous artist Raphael and of several Italian Kings and poets. The marble floor, which features a design consisting of a series of geometric patterns, is still the ancient Roman original. The history of Pantheon was forever changed during the reign of Pope Urban VIII, who melted down every scrap of bronze located upon the ceiling, outraging a great deal of Roman citizens.
6 The 16 massive Corinthian columns supporting the portico weigh 60 tons each. They are 39 feet (11.8 m) tall, five feet (1.5 m) in diameter and brought all the way from Egypt. These columns were dragged more than 100 km from the quarry to the Nile river on wooden sledges. They were floated by barge down the Nile River when the water level was high during the spring floods, and then transferred to vessels to cross the Mediterranean Sea to the Roman port of Ostia. There, they were transferred back onto barges and pulled up the Tiber River to Rome. The Columns support a triangle pediment with an inscription attributing the Pantheon to Marcus Agrippa (“M•AGRIPPA•L•F•COS•TERTIUM•FECIT” meaning “It was built by Marcos Agrippa in his third consulate”). It is the only remain from the original temple built by Agrippa and it is believed that Hadrian left it as a gesture to his predecessor when he rebuilt the pantheon.
7 A lighting effect can be viewed on April 21 when the midday sun strikes a metal grille above the doorway, saturating the courtyard outside with light. The Romans celebrated April 21 as the founding date of the city, and the impressive sight of their Emperor standing at the entrance of the Pantheon surrounded by light coming from inside the pantheon might have been seen as something that, in effect, raised their emperor to the level of the gods and invited him in to join them.
8 In the year 609 The Pantheon was the first pagan temple to be transformed into a church and therefore it was saved from being destroyed during the middle Ages. Today it is a church dedicated to St. Mary of the Martyrs. None the less it is called the Pantheon by virtually everybody and it seems to exist independent of religious rule but more of a tribute to the past.
9 In front of the Pantheon is the beautiful “Fountain of the Pantheon”. It was designed by famous architecture Giacomo Della Porta in 1575 and sculpted out of marble by Leonardo Sormani. In 1711, Pope Clement XI requested that the fountain be modified and had Filippo Barignoni design a new layout, which included a different basin, made of stone, and the obelisk of Ramses II set in the centre on a plinth with four dolphins decorating the base.
The common pheasant (Phasianus colchicus), is a bird in the pheasant family (Phasianidae). It is native to Asia and has been widely introduced elsewhere as a game bird. In parts of its range, namely in places where none of its relatives occur such as in Europe (where it is naturalized), it is simply known as the "pheasant". Ring-necked pheasant is both the name used for the species as a whole in North America and also the collective name for a number of subspecies and their intergrades which have white neck rings.
The word pheasant is derived from the ancient town of Phasis, the predecessor of the modern port city of Poti in Western Georgia.
It is a well-known gamebird, among those of more than regional importance perhaps the most widespread and ancient one in the whole world. The common pheasant is one of the world's most hunted birds;[2] it has been introduced for that purpose to many regions, and is also common on game farms where it is commercially bred. Ring-necked pheasants in particular are commonly bred and were introduced to many parts of the world; the game farm stock, though no distinct breeds have been developed yet, can be considered semi-domesticated. The ring-necked pheasant is the state bird of South Dakota, one of only three U.S. state birds that is not a species native to the United States.
The green pheasant (P. versicolor) of Japan is sometimes considered a subspecies of the common pheasant. Though the species produce fertile hybrids wherever they coexist, this is simply a typical feature among fowl (Galloanseres), in which postzygotic isolating mechanisms are slight compared to most other birds. The species apparently have somewhat different ecological requirements and at least in its typical habitat, the green pheasant outcompetes the common pheasant. The introduction of the latter to Japan has therefore largely failed.
Pt. 2
It started snowing on the afternoon of the 8th and continued through the 9th of February, which brought the birds flocking to the feeders :)
North American B-25J Mitchell
Flying Bulls N-6123C
" The Flying Bulls B-25 Mitchell was manufactured in 1945 in Kansas City (USA) and fortunately not used in World War 2.
It was initially used as a test platform – but it landed in an aircraft cemetery in Arizona while still young. There it was acquired by a company that wanted to convert this B-25 into a fire fighting plane – but nothing came of this.
In the eighties, this plane was acquired by an aviation club in Kansas City and was presented at air shows.
It was discovered by the Flying Bulls in the mid-nineties – and finally purchased after careful negotiations. The B-25 was immediately restored from the ground up in the USA and equipped with high-quality parts before it took off to fly over the north Atlantic to Europe in 1997.
It was time in 2001 – the silvery, gleaming Mitchell was moved to its new home, the Flying Bulls. Since then she gleams in Hangar-7 and at many air shows. "
The Anna Scripps Whitcomb Conservatory (commonly and locally known as the Belle Isle Conservatory) is a greenhouse and a botanical garden located on Belle Isle, a 982-acre island park nestled in the Detroit River between Detroit and the Canada–United States border. The park itself consists of 13 acres of preserved land for the conservatory and its botanical garden.
Opened in 1904, the Anna Scripps Whitcomb Conservatory is the oldest continually-running conservatory in the United States.[1][2] It is named for Anna Scripps Whitcomb, who left her collection of 600 orchids to Detroit in 1955
Ferstel
(Pictures you can see by clicking on the link at the end of page!)
Ferstel and Café Central, by Rudolf von Alt, left the men's alley (Herrengasse - Street of the Lords), right Strauchgasse
Danube mermaid fountain in a courtyard of the Palais Ferstel
Shopping arcade of the Freyung to Herrengasse
Entrance to Ferstel of the Freyung, right the Palais Harrach, left the palace Hardegg
The Ferstel is a building in the first district of Vienna, Inner City, with the addresses Strauchgasse 2-4, 14 Lord Street (Herrengasse) and Freyung 2. It was established as a national bank and stock exchange building, the denomination Palais is unhistoric.
History
In 1855, the entire estate between Freyung, Strauchgasse and Herrengasse was by Franz Xaver Imperial Count von Abensperg and Traun to the k.k. Privileged Austrian National Bank sold. This banking institution was previously domiciled in the Herrengasse 17/ Bankgasse. The progressive industrialization and the with it associated economic expansion also implied a rapid development of monetary transactions and banking, so that the current premises soon no longer have been sufficient. This problem could only be solved by a new building, in which also should be housed a stock exchange hall.
According to the desire of the then Governor of the National Bank, Franz von Pipitz, the new building was supposed to be carried out with strict observance of the economy and avoiding a worthless luxury with solidity and artistic as well as technical completion. The building should offer room for the National Bank, the stock market, a cafe and - a novel idea for Vienna - a bazaar.
The commissioned architect, Heinrich von Ferstel, demonstrated in the coping with the irregular surface area with highest conceivable effective use of space his state-of-the art talent. The practical requirements combine themselves with the actually artistic to a masterful composition. Ferstel has been able to lay out the rooms of the issuing bank, the two trading floors, the passage with the bazar and the coffee house in accordance with their intended purpose and at the same time to maintain a consistent style.
He was an advocate of the "Materialbaues" (material building) as it clearly is reflected in the ashlar building of the banking institution. Base, pillars and stairs were fashioned of Wöllersdorfer stone, façade elements such as balconies, cornices, structurings as well as stone banisters of the hard white stone of Emperor Kaiser quarry (Kaisersteinbruch), while the walls were made of -Sankt Margarethen limestone. The inner rooms have been luxuriously formed, with wood paneling, leather wallpaper, Stuccolustro and rich ornamental painting.
The facade of the corner front Strauchgasse/Herrengasse received twelve sculptures by Hanns Gasser as decoration, they symbolized the peoples of the monarchy. The mighty round arch at the exit Freyung were closed with wrought-iron bare gates, because the first used locksmith could not meet the demands of Ferstel, the work was transferred to a silversmith.
1860 the National Bank and the stock exchange could move into the in 1859 completed construction. The following year was placed in the glass-covered passage the Danube mermaid fountain, whose design stems also of Ferstel. Anton von Fernkorn has created the sculptural decoration with an artistic sensitivity. Above the marble fountain basin rises a column crowned by a bronze statue, the Danube female with flowing hair, holding a fish in its hand. Below are arranged around the column three also in bronze cast figures: merchant, fisherman and shipbuilder, so those professions that have to do with the water. The total cost of the building, the interior included, amounted to the enormous sum of 1.897.600 guilders.
The originally planned use of the building remained only a few years preserved. The Stock Exchange with the premises no longer had sufficient space: in 1872 it moved to a provisional solution, 1877 at Schottenring a new Stock Exchange building opened. The National Bank moved 1925 into a yet 1913 planned, spacious new building.
The building was in Second World War battered gravely particularly on the main facade. In the 1960s was located in the former Stock Exchange a basketball training hall, the entire building appeared neglected.
1971 dealt the President of the Federal Monuments Office, Walter Frodl, with the severely war damaged banking and stock exchange building in Vienna. The Office for Technical Geology of Otto Casensky furnished an opinion on the stone facade. On the facade Freyung 2 a balcony was originally attached over the entire 15.4 m long front of hard Kaiserstein.
(Usage of Leith lime: Dependent from the consistence and structure of the Leitha lime the usage differed from „Reibsand“ till building material. The Leitha lime stone is a natural stone which can be formed easily and was desired als beautiful stone for buildings in Roman times. The usage of lime stone from Eggenburg in the Bronze age already was verified. This special attribute is the reason why the Leitha lime was taken from sculptors and masons.
The source of lime stone in the Leitha Mountains was important for Austria and especially for Vienna from the cultur historical point of view during the Renaissance and Baroque. At the 19th century the up to 150 stone quarries of the Leitha mountains got many orders form the construction work of the Vienna „Ring road“.
At many buildings of Graz, such as the castle at the Grazer castle hill, the old Joanneum and the Cottage, the Leitha lime stone was used.
Due to the fact that Leitha lime is bond on carbonate in the texture, the alteration through the actual sour rain is heavy. www.geocaching.com/geocache/GC2HKZ9_leithagebirge-leithak...)
This balcony was no longer present and only close to the facade were remnants of the tread plates and the supporting brackets recognizable. In July 1975, followed the reconstruction of the balcony and master stonemason Friedrich Opferkuh received the order to restore the old state am Leithagebirge received the order the old state - of Mannersdorfer stone, armoured concrete or artificial stone.
1975-1982, the building was renovated and re-opened the Café Central. Since then, the privately owned building is called Palais Ferstel. In the former stock exchange halls now meetings and presentations take place; the Café Central is utilizing one of the courtyards.
Mit einer kleinen Reisegruppe von 10 Personen und zwei Reiseleitern machten wir eine 10-tägige Reise durch Siebenbürgen.
In Siebenbürgen lebten ursprünglich über 250,000 Siebenbürger Sachsen. Die ersten Siedler kamen vor über 800 Jahren aus dem germanischen Raum.
Die deutsche Bevölkerung von Siebenbürgen schrank drastisch durch zwei grosse Aderlässe vor und nach dem 2. Weltkrieg, nämlich die Einberufung von den meisten jungen Männern aus Siebenbürgen. Sie wurden hauptsächlich der Waffen SS zugeführt. Nur wenige von diesen Männern war es erlaubt sich zu den anderen Waffengattungen der Wehrmacht zu melden. Nach dem Ende des 2. Welltkrieges entführten die russischen Streitkräfte 35.000 Frauen und junge Mädchen aus Siebenbürgen in die Soviet Union. Sie mussten in primitiven Bergwerken in der Ukraine hart arbeiten.
Ein jährliches Kontingent von 10,000 Siebenbürger Sachsen kaufte die BRD für viel Geld in den späten achtziger Jahren frei.
Für fast 45 Jahre litten die zurückgebliebenen Siebenbürger Sachsen unter dem Regime von Nicolae Ceausescu sehr. Die ersten Jahre in völliger Rechtslosigkeit. Auch die verbliebene Intelligenz von Siebenbürgen hatte eine sehr schwere Zeit und landete häufig unverurteilt in schrecklichen Lagern der Securitate.
Erst nach der Hinrichtung von Nicolae Ceausescu in 1989 konnten sich über 100.000 Siebenbürger Sachsen nach Westdeutschland absetzen. Damit fiel das Eigentum der Aussiedler in die Hände des rumänischen Staates. Rumänen und besonders auch Zigeuner besetzten häufig die leerstehenden Häuser der weggezogenen Siebenbürger Sachsen. (In dem Dorf Deutsch Weisskirch leben heute nur noch 15 Siebenbürger Sachsen, 71 Rumänen aber 350 Zigeuner - siehe auch Bild Nr. 16.)
Mit dem Weggang der tüchtigen Siebenbürger Sachsen verfielen die Häuser, Kirchen und Städte drastisch während dieser Jahre unter dem rumänischen Kommunismus.
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Siebenbuergen or Transylvania was part of the Austrian-Hungarian Empire until the end of WW 1. The region than became part of Romania and cooperated with Hitler's Germany almost until the end of WW 2. It then switched sides and became a Russian ally. Nicolae Ceausescu then ruled Rumania until his fall-down in 1989 when 100.000 remaining Germans living in Siebenbuergen then fled to West Germany almost overnight.