View allAll Photos Tagged 16mm

fpp bw Infrared film

Keystone A-7 16mm camera

Ringwood State Park NJ

SIGMA SD1 + 8-16mm F4.5-5.6 DC HSM

Zenitar f2.8 16mm fisheye lens on Sony a7

My latest UWA for my Sony.

Very nice lens, not too much fisheye distortion which can easily be corrected if needed and giving a fantastic FOV and perspective.

Lens is very sharp from f4 good at f2.8

Very cheap full frame MF lens, for those like me, who love UWA.

 

Pude presenciar el nacimiento de mi segunda hija, Olivia

SIGMA SD1 + 8-16mm F4.5-5.6 DC HSM

Kiev 30

Expired film stock

Kyiv 2019

HDR from 5 RAW files

Nikon D5000

Tokina 11-16mm

11mm

f/22 , ISO 100

  

Cámara: K3

 

Plus-X 50 ASA (vencido hace mas de 30 años)

revelado casero

Transfer 4K reducido a 2K

 

Plus-X (+30 years old)

home developed

4K telecine downscaled to 2K

SIGMA sd Quattro H + 8-16mm F4.5-5.6 DC HSM (Angle adjustment & Trimming)

Nikon F6

Sigma 16mm f/2.8 Fisheye

Fuji Acros 100

Zenitar 16mm F/2.8

SIGMA sd Quattro H + 8-16mm F4.5-5.6 DC HSM

Potentially could be an awesome self portrait frame...but I was too late to realize that.....

Also it was too dark to look around at that time.. ._. next time,then..

  

Nikon d5000 + Fisheye 16mm

First bit of sunshine in a while, so took the 16mm Zenitar lens (K mount) out for a spin in Brighton. All these were taken at f8

Washington DC, United States

 

Fujifilm X-T20 / 16mm f/1.4

I made this hdr pano with 5 different shots, each with 3 exp tonemapped with photomatix, then merged using photoshop cs4...I have to say I'm quite happy about the result...

16mm scale loco built by John Campbell

The Film Photography Project offers the largest selection of Double Perforated 16mm movie film in the universe!

Get out your Bell & Howell and start shooting!

filmphotographystore.com/collections/movie-film/double-pe...

 

polaroid object of mechanical art 16mm film 1933 analog instax mini classic multi exposure in studio and field 90 impossible project #instax #polaroid #film #filmisnotdead #16mm #Krasnogorsk3 #sovietfilm #impossible #polaroidoriginals #doublexposure

Prototype for a new style: Gradient, where one colour fades into another.

This pair is an Azure to Turquoise gradient. I'll be experimenting more gradients with in the future. :3

Hard edges, soft sky, 16mm.

Nothing special, just out for a lunchtime promenade shooting with my 16mm prime.

Torre Minerva e il nuovo faro a Punta Campanella, nella luce di una meravigliosa giornata di ottobre. Termini, Massa Lubrense, Italia.

Grazie a tutti per la visione, per il commento, per la preferenza.

 

Torre Minerva y el nuevo faro en Punta Campanella, a la luz de un maravilloso día de octubre. Termini, Massa Lubrense, Italia.

Gracias a todos por mirar, por el comentario, por la preferencia.

 

Torre Minerva et le nouveau phare de Punta Campanella, à la lumière d'une merveilleuse journée d'octobre. Termini, Massa Lubrense, Italie.

Merci à tous d'avoir regardé, pour le commentaire, pour la préférence.

 

Torre Minerva and the new lighthouse in Punta Campanella, in the light of a wonderful October day. Termini, Massa Lubrense, Italy.

Thanks to everyone for watching, for the comment, for the preference.

 

Torre Minerva und der neue Leuchtturm in Punta Campanella im Licht eines wunderschönen Oktobertages. Termini, Massa Lubrense, Italien.

Vielen Dank an alle fürs Zuschauen, für den Kommentar, für die Präferenz.

SIGMA sd Quattro H + 8-16mm F4.5-5.6 DC HSM

was trying the awesome Tokina(DX) on a bright sunny day at 16 mm on a D750. It works perfectly

Nikon Z6, 16mm, f/3.5, fish-eye, manual focus

ORWO 16mm film is in-the-house! 100 iso and 400 iso - 100ft on daylight spools. Load up your Bolex and go!

 

GET IT at the FPP on-line store!

Minolta 16

Kodak TriX 16mm film

Developed in Kodak D76

Die 24mm-Variante gibt es unter Clouds on the water

 

PS: Nur noch zwei Mal schlafen. :-)

“GEMINI XII EVA -- Astronaut Edwin E. Aldrin Jr., pilot of the Gemini XII space flight, performs standup extravehicular activity during the [redacted] four-day mission in space. Astronaut James A. Lovell Jr. was the command pilot. Gemini XII is docked to the Agena Target Docking Vehicle in background.”

 

The photograph is a frame taken by a 16mm Maurer movie camera that had been mounted by Aldrin on the outside of the spacecraft, directly behind his hatch.

 

onlineonly.christies.com/s/voyage-another-world-victor-ma...

Credit: Christie's website

 

Sold for $1125 March 2024:

 

historical.ha.com/itm/space-exploration/photos/gemini-12-...

Credit: Heritage Auctions website

 

Let’s see what he gets for it this time around:

 

www.bonhams.com/auction/30739/lot/14/gemini-xii-buzz-aldr...

Credit: Bonhams Cornette de Saint Cyr website

 

Despite the associated description per Bonhams:

 

“Historical context

 

A striking view of the fifth American spacewalker, Buzz Aldrin, standing on his seat with his upper body emerging into space during his first stand-up EVA. Captured by a 16mm Maurer camera he had mounted outside the spacecraft, this image shows Aldrin installing a handrail between Gemini XII and the Agena Target Vehicle—an EVA task he had meticulously rehearsed in underwater training. Gemini XII remains docked to the Agena in the background, with the breathtaking blue Earth below.

"One thing I know about Buzz—he's one of these guys that's a lot smarter than most of us. He had a nickname: Dr. Rendezvous."

—Apollo 12 astronaut Alan Bean (In the Shadow of the Moon, 2007)”

 

That doesn’t look like a handrail in his hand. Maybe the tether for the gravity gradient/tethered stationkeeping/artificial gravity inducing experiment?

 

Excellent:

 

www.collectspace.com/ubb/Forum29/HTML/001279.html

Credit: collectSPACE website

 

Finally, from the NASM website:

 

“On the second day in orbit, Aldrin did a “standup” EVA, floating in the hatch opening and doing scientific experiments such as astronomical photography with an ultraviolet camera. It was a technique first tried on Gemini X and XI. That was easy. Day 3 had the real test. First, he attached a movie camera to the Gemini spacecraft, pulling himself hand-over-hand to the spacecraft's nose on a handrail added for the purpose. He used a short tether attached to his waist to restrain himself as he hooked a big tether between the spacecraft and the Agena. Unlike Gordon’s experience trying to wrap his legs around the Gemini’s nose to stay in place, Aldrin had no trouble. Then he moved to the back of the Gemini spacecraft to work on his “busy box” of tasks. Two “golden slippers”—yellow, overshoe-like foot restraints—stabilized his position. He experimented with one or two waist tethers, worked with bolts and washers, and used a tool to cut metal. Then he moved back to the Agena, where he worked another “busy box” with electrical connectors and experimented with a power screwdriver. He took prescribed rest periods between tasks. Buzz was back in his seat after 2 hours and 20 minutes without incident. The next day he did another standup EVA.”

 

At/from:

 

airandspace.si.edu/stories/editorial/learning-how-work-sp...

1 2 ••• 4 5 7 9 10 ••• 79 80