View allAll Photos Tagged 141RC
Exif:1/30s f/13.0 at 20.0mm iso100,tripod used.
Place: Ladakh-Sangam~Zanskar & Indus
Remembering My Ladakh trip on June 2006...
Have a happy Sunday!
Cheers
Rathika
**Explored.
**Copyrighted Rathika Ramasamy and may not be used in
any form,website or print media without written permission of the Photographer.For any enquiry for the photographs please contact rrathika@gmail.com.
Standing out side, next to my, 141RC, Manfrotto lightning rod.
Parte di lato, accanto alla mia, 141RC, Manfrotto.
站在一边，旁边是我的141RC，Manfrotto避雷针。
私の横に立って、141RC、Manfrottoの避雷針。
Стоящая сторона, рядом с моим, 141RC, громоотвод Manfrotto.
De pie fuera, al lado de mi, 141RC, Manfrotto pararrayos.
Parque Nacional de Sierra Nevada, revuelto otoñal en las cumbres (Puntal de Vacares, 3.136 m, valle del Genil).
Conociendo el devenir de las nubes (para no quedarme envuelto en nieblas o con un cielo raso), solo es cuestión de abrigarse y buscar el encuadre deseado, disfrutando del espectáculo, todo con el fundamental ingrediente de la paciencia durante el resto de la tarde; y para postre, nada de prisas, para así no tropezar durante la nocturna bajada hasta la civilización, si es que no nos demoramos con la feliz idea de iniciar una pausada sesión de fotografía nocturna ... (y entonces sí que hay que armarse de una prolongada longanimidad). Por supuesto que en este tipo de tomas, e independientemente de los conocimientos nevadenses, es necesario un poco de lo que mundanamente se denomina "suerte". Pero la perseverancia también es una de las claves del éxito.
Sobre el encuadre, he situado la cumbre relevante en el dominante ángulo superior izquierdo, contrastando con el extremo opuesto, donde las "tinieblas" (oscuridad) capturan la luz entre sus lomas y profundos barrancos.
(De la galería de FOTONATURA.ORG, publicada el 21.3.2011)
Canon EOS 5D, EF 70-200mm f/2.8L IS USM (a 110 mm), 1/90 s, f:9.5, ISO 100, trípode Manfrotto 190PRO con rótula Manfrotto 141RC, nivel de burbuja.
Vlacherna Monastery & Pontikonisi, Moonlighted, Corfu, July 1991.
Film: Fujicolor 100 ASA.
Camera: Pentax ME-Super.
Lens: smc Pentax-M 50mm,1:1.4
Filter: Hoya Star-Six.
Tripod: Manfrotto 055+141RC head.
Exposure: f/16, Bulb: 2 minutes.
Megachile rotundata, the alfalfa leafcutter bee or lucerne leafcutter bee is a European bee that has been introduced to other regions. As a solitary bee species, it does not build colonies or store honey, but is a very efficient pollinator of alfalfa, carrots and some other vegetables.
Focus stack of 3 shots. The rear part blur is due to the bee moving.
See the notes for details.
In hindsight I should have covered the flashes with the cloth too (leaving enough space for the sigma to trigger) as you can make them out in the reflections. :-(
Interesting to see the temperature difference between the Sigma and the Canon speedlites. The Sigma is quite a bit cooler. Temp for this shot is 6700 +6 (as shot) - so the 5D3 is probably compensating for the Sigma. If I cool it to 5500 the Canon looks white and the Sigma is blue.
BEST VIEWED LARGE!
Unfortunately this image has suffered a little from JPEG compression, but I had to have a trade-off between quality and ridiculous file size!
I took the frames for this image while in Brisbane for a work trip in April 2010. I was going to drive to Mount Coot-Tha lookout which is a great vantage point to see the city from, but as I was driving across the Story bridge, this view greeted me and I couldn’t resist. It was 1am when I took this series and I stayed there until about 2. I only saw 2 other people and a few cars and trucks. Apart from that it was almost dead silent!
This is a blend of 21 images, then blended into 7 frames. Those 7 frames were then stitched together to create the panorama. Each frame was created by blending up to 4 images using Tufusion and then imported into Photoshop along with the darkest frame. I then used luminosity masking to extract just the brightest details from the darkest exposure.
Shot with a Canon EOS 40D using a Tamron 17-35mm lens. Manfrotto 190D/141RC Tripod and a KingPano panoramic tripod head. A cable release was used to trigger the shutter to avoid shake from bumping the camera.
Settings:
Aperture – F/5.6
Shutter Speed – from 1 second to 15 seconds per frame.
ISO – 640.
BEST VIEWED LARGE!
Unfortunately this image has suffered a little from JPEG compression, but I had to have a trade-off between quality and a huge file size!
I took the frames for this image while in Brisbane for a work trip in April 2010. I was going to drive to Mount Coot-Tha lookout which is a great vantage point to see the city from, but as I was driving across the Story bridge, this view greeted me and I couldn’t resist. It was 1am when I took this series and I stayed there until about 2. I only saw 2 other people and a few cars and trucks. Apart from that it was almost dead silent!
This is a blend of 15 images, then blended into 5 frames. Those 5 frames were then stitched together to create the panorama. Each frame was created by blending up to 6 images (3 RAW files from camera, then made into virtual copies in Lightroom with exposures changed by 1 stop increments to gain maximum detail) using Tufusion and then imported into Photoshop along with the darkest frame. I then used luminosity masking to extract just the brightest details from the darkest exposure.
Shot with a Canon EOS 40D using a Tamron 17-35mm lens. Manfrotto 190D/141RC Tripod and a KingPano panoramic tripod head. A cable release was used to trigger the shutter to avoid camera shake from pressing the shutter.
Settings:
Aperture – F/5.6
Shutter Speed – from 1 second to 15 seconds per frame.
ISO – 500.
En Fotografía de Naturaleza (al igual que en otras disciplinas) y por muy bueno que uno se piense que es (otro asunto es que lo sea), hay que tener claro que existe un parámetro fundamental, un a menudo sorprendente elemento que ya fue comentado en la anterior imagen subida a FOTONATURA: lo que popularmente se denomina “suerte”. Y esta imagen que hoy presento es fruto de ella y… de algo más. En primer lugar, voluntad y ausencia de pereza. Salir de Granada capital a las 2.30 h de la mañana es cierto que está al alcance de todos, pero en la práctica es un factor limitante. Alcanzar las cumbres con los primeros rayos (a veces hay que estar ya anclado en el lugar idóneo con los incipientes albores de luz) es fundamental para una serie de tomas, amén de otros factores que dan al traste con todos los planes: unas monteses que no debieran de estar allí, un inesperado pinchazo en el vehículo ,… En segundo lugar y dejando aparte la forma física (que si no se tiene se madruga más y se pasa hambre cargando la mochila con menor peso a costa de la comida, que no de los cachivaches fotográficos), es necesario un poco de conocimiento del medio (incluyendo la climatología, en este caso serrana) y, por supuesto, suspirar siempre por una abundante dosis de la citada “suerte”. Porque, ¿cuántas veces hemos pensado en que a esta foto le falta una real volando, o un mar de nubes, o un gran macho de pechos negros y arqueada cornamenta en el pico de la derecha, … Los que no somos amigos de “introducir artefactos” con la informática (esa inmoralidad de trasladar píxeles de una foto a otra) simplemente no capturamos la imagen pero disfrutamos con el solo hecho de estar allí. Es el caso de la imagen presentada hoy, que sin mar de nubes no hubiera sido realizada.
Retomando el madrugón y precisamente en estas salidas en las que no se prevean novedades climatológicas bajo el raso cielo, durante la nocturna y silenciosa subida hay tiempo para anhelar -rezar- por un imprevisible golpe de “suerte”. Y así fue. Acompañado por mi apreciado amigo Manolo (Manuel Titos Martinez), al que por supuesto costó convencer para semejante locura (ganar tiempo al tiempo), ya observamos una sospechosa nubecilla que por encima de Güejar-Sierra (a unos 1.600 m de altitud pero ya por debajo nuestra) vislumbramos con el resplandor de las luces de la urbe granadina. Efectivamente, al tiempo nos encontramos inmersos en un endiablado nieblazo por el que mi querido acompañante estuvo a punto de arrojar la toalla. Con la brújula natural del corazón-mente y perforando verticalmente el mar de nubes, pretendíamos “sacar la cabeza” atravesando esa doble oscuridad que suponía la niebla y nocturnidad, con mi absoluta certeza de que así sería, dada tanto la arquitectura y altitud de la para nosotros inmensa masa acuosa como de las fechas en las que nos encontrábamos (junio). Pero a punto estuvimos de no conseguirlo. Mi compañero de correrías serranas es mal amigo de estos notables eventos nubosos y ciertamente había una densa e indivisamente amplia nubosidad soldada a esta porción del suelo nevadense. Y tras varios amagos de regresar por nuestros pasos por parte de mi acompañante (debía entonces regresar con él, pues en esas situaciones no es conveniente dejar personas solitarias … salvo el fotógrafo de Naturaleza, que siempre tiene licencia), le propuse un pequeño y último esfuerzo hasta poco más arriba. Y allí precisamente fue donde comenzó una vaga claridad sobre nuestras cabezas que prometía la resolución de la angustia ajena al tiempo que me provoca una inmensa felicidad y una ansiedad por subir más y más. Y así fue. Lo demás, un espectáculo imposible de narrar, al menos para mis torpes palabras, al contrario que mi ilustrado amigo, feroz, hábil y rápido con la pluma, ingente y profuso escritor. Siempre lo he dicho, como indicaba Lewis Hine: si pudiera contarlo con palabras no me sería necesario cargar con la cámara.
(De la galería de FOTONATURA.ORG, publicada el 09.04.2011)
Canon EOS 5D, EF 24-70mm f/2.8L USM (a 35 mm), 1/180 sg, f:9.5, ISO 100, trípode Manfrotto 190PRO con rótula Manfrotto 141RC, nivel de burbuja.
Taken by Nikon D40X
NIKKOR AF 50 f/1.4D
Nikon SC-29
Nikon SB-900
30cm Reflector
Manfrotto 190Pro
Manfrotto 141RC
An early Christmas present.
Bushnell Elite 20-60 X 80mm spotting scope (Waterproof, ED Glass, Rainguard)
Bushnell Elite Camera Adaptor for SLR or DSLR Cameras
Connected to my Canon Digital Rebel (300D)
(Requires a T-Adaptor for Canon EOS mounts)
Manfrotto 190CLB Tripod
Manfrotto 141RC Tripod Head
Canon RS-60E3 Remote Switch
Now I just can't wait to get out and try my hand at Digi-scoping! I am told that it converts my camera to a minimum of 1000mm at F13...stand by! I also plan to use the scope with a Canon G2 point & shoot...
26/01/2014
Really I should of left this in it's original mirrored state, but hey-ho!
Canon 5D Mark III with grip and Canon 24-105mm F4L lens, Elinchrom EL-Skyport Eco and SpiderPro camera plate mounted on Manfrotto 141RC Head on Manfrotto 190XPROB legs.
Canon 40D with Canon 50mm f/1.4 and Hahnel Combi TF transmitter
Canon 70-200mm F4L with Tripod ring.
Canon 430EX II flashgun mounted on Hahnel TF Combi receiver.
A very dusty Sigma EF-500 DG-Super Flashgun mounted on Hahnel TF Combi Receiver.
Helios 44M-4 58mm f/2.
HTC One (in Red)
Datacolor Spyder Cube.
Elinchrom fit speedlite bracket.
12 LED headlight torch.
Hahnel wired remote trigger.
Adobe Photoshop Lightroom 5.
All lit by two Elinchrom D-Lite IT 4 heads (at lowest power) with softboxes, remotely triggered by the skyport on the 5D.
Notes now on picture.
Nikon D300
Nikkor 17-55mm f/2.8G AFS DX IF-ED
Nikkor 18-70mm f/3.5-4.5 ED
Nikkor 50mm f/1.8 D
Nikkor 70-200mm f/2.8 AFS VR IF ED
Sigma 150mm f/2.8 APO Macro DG
Nikon SB800 SpeedLight
Pocket Wizards II (x2)
Manfrotto 055ProB + 141RC
MC-30 Remote Cable
Sandisk Extreme III 4gb Memory Card
Lowepro Mini Trekker 200
Lowepro Vertex 200
ASUS F3Sc Laptop
Giottos Air Blower
Taken by Nikon D40X
NIKKOR AF 50 f/1.4D
Nikon SC-29
Nikon SB-900
30cm Reflector
Manfrotto 190Pro
Manfrotto 141RC
Viaggiare per terre sconosciute e conosciute.
Volare con la mente, essere forti davanti qualsiasi ostacolo,
siamo persone, donne e uomini, persone con un pensiero e uun anima che ci fa riconoscere davanti alle difficoltà.
Basta uno sguardo o un pensiero per vedere come tutto cambia quando il tuo pensiero cambia.
Sony A7s II - amzn.to/2xHmSOg
Sony Rx100 MkV - amzn.to/2x4G1cc
Nikon D810 - amzn.to/2dUpv22
GoPro Hero4Black - amzn.to/2dPvtEh
GoPro Hero 3+ - amzn.to/2dPuTX2
Yashica FX-3
Nikon D800 - amzn.to/2e36wnt
Nikon D810 - amzn.to/2dUpv22
GoPro Hero4Black amzn.to/2dPvtEh
GoPro Hero 3+ amzn.to/2dPuTX2
============================================
Sigma 10-20mm ƒ 5.6 DC HSMDX VR
Nikon 50 mm ƒ1.4 G - amzn.to/2dUsLug
Nikon 14-24 mm ƒ2.8 - amzn.to/2doVSVF
Nikon 24-70 mm ƒ2.8 - amzn.to/2doVSVF
Nikon 70-200 mm ƒ2.8
============================================
3X Nikon Sb-900 Flash
4X Phottix wireless trigger
2X Manfrotto stativo 5001B
1X Flash studio reflective diffuser umbrella, white
1X Softbox 45X45 Cm
----------------------------------------------------------------------------
Mafrotto tripod 190X Prob
Manfrotto testa 804RC2
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Mafrotto tripod (limited edition) 344BR
Manfrotto testa 141RC
----------------------------------------------------------------------------
Manfrotto base fluida amzn.to/2dPwTOT
Manfrotto testa fluida MVH502AHhttp://amzn.to/2dDvahv
Gimbal stabilizzatore GoPro 3 assi amzn.to/2dDILW1
----------------------------------------------------------------------------
Rode VideoMic Rycote amzn.to/2dDIX82
Zoom H4NSP amzn.to/2doVgj2
Microfono Lavalier Rode amzn.to/2e5pyMt
Sony MDR-EX450 Cuffie amzn.to/2d113z4
Rode Deadcat Peluche Antivento amzn.to/2e5BkX9
Day 5
Went to local market on a blistering hot summer Sunday (high of 38).
Walked into a stall and was on my way out when the seller said "ignore the prices, feel free to make me an offer."
I had another look and spotted the 190d manfrotto tripod with a 141rc head.
I showed some interest and he said it's got $70 on it, but you can have it for $30.
I hesitated and cheekily offered $25. He said yes without blinking an eye, and seemed genuinely happy to let it go for that price (!)
He'd even acknowledged that it's retail price is a lot more than that. (which I already knew as my manfrotto 141 I paid $80 secondhand for, which was considered an absolute steal back in the day)
I was with other people so didn't get a chance to chat, as I wanted to talk gear and see why he was letting it go etc. He simply said he has lots of gear and has moved on.
I actually have one of these already, but it is currently being used by my daughters to hold the phone during online piano lessons.
This way, I can still do photography things without having to readjust again for piano lessons.
And for $25 you can't really go wrong..
The next step is to find another plate.
Going to spend this afternoon digging through my gear to see if I've got a spare. But from what I can tell, I think I can get one off ebay for $20 delivered maybe.
Not sure who else will appreciate what I have for the price I paid. So this is my shot for the day.
Yes it's heavy and not carbon fibre. But it's a good brand and almost an exact replica of the one I own.
Pentax 110 50mm/2.8mm 5.6 lensbaby aperture disc
Nikon D70, Nikon 28mm f/2.8 lens, Hoya +1 & +2 close up lenses, Manfrotto 055PROB tripod and focus rack. Some manual fill in flash from Nikon SB-24. Foil windscreen sun protector, two pins and Hama pocket blower to clear wee bugs from the backing paper.
Lens, focussed manually, was stopped down to smallest aperture to give an exposure of around 2.5 seconds for the maximum depth of field. As the natural light wasn't too strong I dug out the reflector and manually triggered the flash gun midway through the exposure for some fill light.
The Manfrotto 055PROB and the Chinese made focus rack really helped with this shot.
The pins were to hold the stem of the bisected mushrooms off the paper so they would lay flat to the page and not give harsh shadows. The windscreen sun propector makes a great reflector and I really should sort out a dedicated area for this sort of work (though with the amount of bugs crawling out of the fungi it was handy I was outside).
Photo taken with a Sharp 902 mobile phone.
This is the end result.
Nikon D300
MB-D10
Nikkor 17-55mm f/2.8G AFS DX IF-ED
Nikkor 18-70mm f/3.5-4.5 ED
Nikkor 50mm f/1.8 D
Nikkor 70-200mm f/2.8 AFS VR IF ED
Sigma 150mm f/2.8 APO Macro DG
Nikon SB800 SpeedLight
Pocket Wizards II (x2)
Manfrotto 055ProB + 141RC
MC-30 Remote Cable
Sandisk Extreme III 4gb Memory Card
Lowepro Mini Trekker 200
Lowepro Vertex 200
Lowepro Slingshot 202 AW
Lenovo G550 Laptop
Giottos Air Blower
EN-EL3e (x2)
Gary Fong Lightsphere Collapsible
Not sure how the very fine detail was created!
intaglio printing (gravure) or lithography
I could not get the lens to resolve the fine detail on the collar that I could see with my single binocular lens I use as a hand lens.
It is a good lens test though.
Camera set on Manfrotto 141RC head and camera on 2sec delay to remove camera shake!
The Bathroom in my Sister's room/Grannyflat. HDR panorama consisting of 6 frames each containing 5 exposures per frame. Is there any way around the serious barrel distortion on shots like this? The room is tiny and I was standing in the doorway. I guess I could zoom out further, but then I would need a whole lot more shots to fit everything in!
Equipment used: Canon EOS 40D with EF-S 10-22mm lens set at 10mm on KingPano head mounted on Manfrotto 190D tripod/141RC head.
Post Processing: Photomatix to blend each of the exposures to .EXR files, Photoshop CS3's 'Photomerge' feature on auto to create panorama. Back to Photomatix for tone mapping then back to Photoshop for final curves adjustment/touch up.
I went out for a photo day with my Dad last Saturday. One of the images I created was a Panorama of some fields about 6km North of Strathalbyn, South Australia. Unfortunately at the time I didn't have a cable/remote release for my camera's shutter (my cable release suddenly stopped working about a week ago for some reason) and when I viewed the images full size, they all suffered from camera shake. I had expected this, but it was still frustrating nonetheless. :(
Fortunately, however, I had a job at Strathalbyn this morning, and a new cable release I had ordered arrived yesterday. So, I took my camera equipment - including pano head - and set my camera up at the same spot on the way home. The clouds were nowhere near as dramatic as the original shot from Saturday, but I still like it. I think I'll go back there again at some stage and re-shoot when there is a more dynamic sky.
Overall, I am quite happy with the end result.
For this picture I used my Canon EOS 40D camera with the EF-S 10-22 lens (at 22mm), KingPano Panoramic tripod head and a Manfrotto 190D/141RC tripod.
Settings for each frame: 1/500sec at F/11, ISO500. Live view was used.
8 shots were taken (single exposures) in RAW and then made into 25 shots (some of them I had to export more than once to deal with overexposure of some highlights). The frames were blended with Tufuse and the pano was stitched in Photoshop CS3.
Comments & critique welcome! (Best viewed large)
Lori is pretty awesome. she was nice enough to submit to my fumbling around the studio for a few hours today,
Lori is a wedding photog and a damned good one at that. you guys should all go check out her stuff.
thanks to becki for the lend of the glasses!
I just love this picture...talk about showing lots of intense attitude! LOL
Taken by Digiscoping
Bushnell Elite 20-60 X 80mm spotting scope (Waterproof, ED Glass, Rainguard)
Bushnell Elite Camera Adaptor for SLR or DSLR Cameras
Connected to my Canon Digital Rebel (300D)
(Requires a T-Adaptor for Canon EOS mounts)
Manfrotto 190CLB Tripod
Manfrotto 141RC Tripod Head
Canon RS-60E3 Remote Switch
The left one is my first tripod, the right one I just bought for my new wet plate camera which I will be able to mount on a tripod. I set it up today as I received it this afternoon and it's BIG and HEAVY!! Much more than I expected ;-)
Nikon D300
Nikkor 17-55mm f/2.8G AFS DX IF-ED
Nikkor 18-70mm f/3.5-4.5 ED
Nikkor 50mm f/1.8 D
Nikkor 70-200mm f/2.8 AFS VR IF ED
Sigma 150mm f/2.8 APO Macro DG
Nikon SB800 SpeedLight
Pocket Wizards II (x2)
Manfrotto 055ProB + 141RC
MC-30 Remote Cable
Sandisk Extreme III 4gb Memory Card
Lowepro Mini Trekker 200
Lowepro Vertex 200
ASUS F3Sc Laptop
Mississauga Valley Park, winter 2002.
Nikon F100, AF-Nikkor 85mm f/1.8D, Tiffen CPL, Fujichrome Velvia (RVP) - 50 on Manfrotto 190QC tripod and Manfrotto 141RC head
Mississauga, summer 2001.
Nikon F100, AF-Nikkor 50mm f/1.4D, Fujichrome Velvia (RVP) - 50 on Manfrotto 190QC tripod and Manfrotto 141RC head
Fotografía tomada en una visita a la Peluquería Francesa. Nikon D70+18-70 AFS+wireless remote control+ manfrotto 190 pro+ cabezal 141RC.
Port Credit Marina, summer 2001.
Nikon F100, AF-Nikkor 50mm f/1.4D, Fujichrome Sensia-II (RDP) - 100 on Manfrotto 190QC tripod and Manfrotto 141RC head
Photographing birds at the Heron Refuge.
My setup:
Canon EOS Digital Rebel XT (with body grip)
Manfrotto D055B Tripod
Manfrotto 141RC head
Canon EF 400mm f./5.6L USM
Lowepro Computrekker Backpack Bag
I just got the lense the morning of this shot and I LOVE IT!
It is SO SHARP and has a godly AF speed. Very highly reccomended!
Mississauga, summer 2001.
Nikon F100, AF-Nikkor 50mm f/1.4D, Fujichrome Sensia II (RDP) - 100 on Manfrotto 190QC tripod and Manfrotto 141RC head
all ready for my QLD trip...been little of a week and it has yet to come out of my bag
add a Canon 430EX Speedlite
Niagara Falls, autumn 2001.
Nikon F100, AF-Nikkor 50mm f/1.4D, Tiffen CPL, Fujichrome Sensia II (RDP) - 100 on Manfrotto 190QC tripod and Manfrotto 141RC head
Mississauga, summer 2001.
Nikon F100, AF-Nikkor 75-300mm f/4.5-5.6D, Fujichrome Sensia II - 100 (RDP) on Manfrotto 190QC tripod and Manfrotto 141RC head
Taken by Digiscoping
Bushnell Elite 20-60 X 80mm spotting scope (Waterproof, ED Glass, Rainguard)
Bushnell Elite Camera Adaptor for SLR or DSLR Cameras
Connected to my Canon Digital Rebel (300D)
(Requires a T-Adaptor for Canon EOS mounts)
Manfrotto 190CLB Tripod
Manfrotto 141RC Tripod Head
Canon RS-60E3 Remote Switch
Burnt out AU Falcon on Shelly Beach, Port Macquarie, NSW
5D + 17-40mm F4 L + Manfrotto 190B/141RC + ND8 + 0.9 Hard GND
with a 141RC head...
last piece of my ideal set of gear....
strobist: 430ex by ST-E2 / manual (1/4)
flash aimed at stainless range on right /
light diffused through oven door /
flash to right of subject /
Pan & tilt head detail.
(CC BY-SA which means anyone can use any size of this image anywhere provided accompanied by the credit: Image: George Rex Photography)
An early Christmas present.
Bushnell Elite 20-60 X 80mm spotting scope (Waterproof, ED Glass, Rainguard)
Bushnell Elite Camera Adaptor for SLR or DSLR Cameras
Connected to my Canon Digital Rebel (300D)
(Requires a T-Adaptor for Canon EOS mounts)
Manfrotto 190CLB Tripod
Manfrotto 141RC Tripod Head
Canon RS-60E3 Remote Switch
Now I just can't wait to get out and try my hand at Digi-scoping! I am told that it converts my camera to a minimum of 1000mm at F13...stand by! I also plan to use the scope with a Canon G2 point & shoot...
Cooksville Creek, winter 2002.
Nikon F100, AF-Nikkor 85mm f/1.8D, Tiffen CPL, Fujichrome Velvia (RVP) - 50 on Manfrotto 190QC tripod and Manfrotto 141RC head
My Sister's Room - a Grannyflat attached to my Parents' house which she has spruced up somewhat. My first HDR panorama (5 exposures per frame, and 7 total frames). I think I'll try to stand as far back as possible and in one corner next time so that everything goes from being really close to far away, hopefully the perspective won't be distorted as badly. If anyone else can point me in the right direction for Interior Panos I'd be greatly appreciative!
Equipment used: Canon EOS 40D with EF-S 10-22mm lens set at 10mm on KingPano head mounted on Manfrotto 190D tripod/141RC head.
Post Processing: Photomatix to blend each of the exposures to .EXR files, Photoshop CS3's 'Photomerge' feature on auto to create panorama. Back to Photomatix for tone mapping then back to Photoshop for final curves adjustment/touch up.
Niagara Falls, autumn 2001.
Nikon F100, AF-Nikkor 50mm f/1.4D, Tiffen CPL, Fujichrome Sensia II (RDP) - 100 on Manfrotto 190QC tripod and Manfrotto 141RC head