Reflecting coloured lights

HBW

Macro Mondays

Bulb

100w craft daylight bulb

OK all week I've been singing CCR's "Down On The Corner", It's time to post.

Macro Monday Theme : Corner

First time using "Barn Doors" on my new light- I like the variety of control I had with the light. Lots to experiment with.

Turning Negatives film into Positives.

Camera: Robot II （Schneider Xenon 40mm F1.9）

Film: Ilford HP5 + 400ISO

Develop: ILFORD Multigrade Paper Develop

Process:

1. Develop #1 Ilford Multigrade 1+5 plus Hypo 3.6g/300ml 12mins

2. Wash

3. Bleach: Potassium Dichromate 3g/300ml + Sodium bisulfate 22.5g/300ml = 600ml 5mins

4. Wash

5. Cleaning: Sodium Sulfite -12g/600ml. 2mins

6. Wash

7. Exposure 100w lamp, each side 2mins

8. Develop #2 Ilford Multigrade 1+9 6mins

9.Wash

10. Fix 1+4 5 mins

11. wash

Scaner：Epson V800

© All Rights Reserved

Turning Negatives film into Positives.

Camera: Zeiss Ikon Tenax I

Film: Ilford HP5 + 400ISO

Develop: ILFORD Multigrade Paper Develop

Process:

1. Develop #1 Ilford Multigrade 1+5 plus Hypo 3.6g/300ml 12mins

2. Wash

3. Bleach: Potassium Dichromate 3g/300ml + Sodium bisulfate 22.5g/300ml = 600ml 5mins

4. Wash

5. Cleaning: Sodium Sulfite -12g/600ml. 2mins

6. Wash

7. Exposure 100w lamp, each side 2mins

8. Develop #2 Ilford Multigrade 1+9 6mins

9.Wash

10. Fix 1+4 5 mins

11. wash

Scaner：Epson V800

© All Rights Reserved

Turning Negatives film into Positives.

Camera: Robot Royal 24

(24x24)

Lens: Schneider - Kreuznach Xeon 40mm F1.9

Film: Kodak 5222

Develop: Kodak D-19

Process:

1. Develop #1 Kodak D-19 48g/300ml 1+2 , 10mins

2. Wash

3. Bleach: Potassium Dichromate 3g/300ml + Sodium bisulfate 22.5g/300ml = 600ml 6mins

4. Wash

5. Cleaning: Sodium Sulfite -12g/600ml. 2mins

6. Wash

7. Exposure 100w lamp, each side 2mins

8. Develop #2 Kodak D-19 48g/300ml 1+2 , 8mins

9.Wash

10. Fix 1+4, 5 mins

11. wash

Scaner：Epson V800

© All Rights Reserved

Turning Negatives film into Positives.

Camera: Robot II （Schneider Xenon 40mm F1.9）

Film: Ilford HP5 + 400ISO shot as 200ISO

Develop: ILFORD Multigrade Paper Develop

Process:

1. Develop #1 Ilford Multigrade 1+5 plus Hypo 3.6g/300ml 12mins

2. Wash

3. Bleach: Potassium Dichromate 3g/300ml + Sodium bisulfate 22.5g/300ml = 600ml 5mins

4. Wash

5. Cleaning: Sodium Sulfite -12g/600ml. 2mins

6. Wash

7. Exposure 100w lamp, each side 2mins

8. Develop #2 Ilford Multigrade 1+9 6mins

9.Wash

10. Fix 1+4 5 mins

11. wash

Scaner：Epson V800

© All Rights Reserved

Turning Negatives film into Positives.

Camera: Robot Royal 24

(24x24)

Lens: Schneider - Kreuznach Xeon 40mm F1.9

Film: Kodak 5222

Develop: Kodak D-19

Process:

1. Develop #1 Kodak D-19 48g/300ml 1+2 , 9mins

2. Wash

3. Bleach: Potassium Dichromate 3g/300ml + Sodium bisulfate 22.5g/300ml = 600ml 5mins

4. Wash

5. Cleaning: Sodium Sulfite -12g/600ml. 2mins

6. Wash

7. Exposure 100w lamp, each side 2mins

8. Develop #2 Kodak D-19 48g/300ml 1+2 , 8mins

9.Wash

10. Fix 1+4, 5 mins

11. wash

Scaner：Epson V800

© All Rights Reserved

Turning Negatives film into Positives.

Camera: Robot Royal 24

(24x24)

Lens: Schneider - Kreuznach Xeon 40mm F1.9

Film: Kodak 5222

Develop: Kodak D-19

Process:

1. Develop #1 Kodak D-19 48g/300ml 1+2 , 10mins

2. Wash

3. Bleach: Potassium Dichromate 3g/300ml + Sodium bisulfate 22.5g/300ml = 600ml 6mins

4. Wash

5. Cleaning: Sodium Sulfite -12g/600ml. 2mins

6. Wash

7. Exposure 100w lamp, each side 2mins

8. Develop #2 Kodak D-19 48g/300ml 1+2 , 8mins

9.Wash

10. Fix 1+4, 5 mins

11. wash

Scaner：Epson V800

© All Rights Reserved

Turning Negatives film into Positives.

Camera: Zeiss Ikon Tenax I

Film: Ilford HP5 + 400ISO shot as 200ISO

Develop: ILFORD Multigrade Paper Develop

Process:

1. Develop #1 Ilford Multigrade 1+5 plus Hypo 3.6g/300ml 12mins

2. Wash

3. Bleach: Potassium Dichromate 3g/300ml + Sodium bisulfate 22.5g/300ml = 600ml 5mins

4. Wash

5. Cleaning: Sodium Sulfite -12g/600ml. 2mins

6. Wash

7. Exposure 100w lamp, each side 2mins

8. Develop #2 Ilford Multigrade 1+9 6mins

9.Wash

10. Fix 1+4 5 mins

11. wash

Scaner：Epson V800

© All Rights Reserved

Turning Negatives film into Positives.

Camera: Zeiss Ikon Tenax I

Film: Ilford HP5 + 400ISO shot as 200ISO

Develop: ILFORD Multigrade Paper Develop

Process:

1. Develop #1 Ilford Multigrade 1+5 plus Hypo 3.6g/300ml 12mins

2. Wash

3. Bleach: Potassium Dichromate 3g/300ml + Sodium bisulfate 22.5g/300ml = 600ml 5mins

4. Wash

5. Cleaning: Sodium Sulfite -12g/600ml. 2mins

6. Wash

7. Exposure 100w lamp, each side 2mins

8. Develop #2 Ilford Multigrade 1+9 6mins

9.Wash

10. Fix 1+4 5 mins

11. wash

Scaner：Epson V800

© All Rights Reserved

Turning Negatives film into Positives.

Camera: Robot II （Schneider Xenon 40mm F1.9）

Film: Ilford HP5 + 400ISO shot as 200ISO

Develop: ILFORD Multigrade Paper Develop

Process:

1. Develop #1 Ilford Multigrade 1+5 plus Hypo 3.6g/300ml 12mins

2. Wash

3. Bleach: Potassium Dichromate 3g/300ml + Sodium bisulfate 22.5g/300ml = 600ml 5mins

4. Wash

5. Cleaning: Sodium Sulfite -12g/600ml. 2mins

6. Wash

7. Exposure 100w lamp, each side 2mins

8. Develop #2 Ilford Multigrade 1+9 6mins

9.Wash

10. Fix 1+4 5 mins

11. wash

Scaner：Epson V800

© All Rights Reserved

Turning Negatives film into Positives.

Camera: Zeiss Ikon Tenax I

Film: Ilford HP5 + 400ISO shot as 200ISO

Develop: ILFORD Multigrade Paper Develop

Process:

1. Develop #1 Ilford Multigrade 1+5 plus Hypo 3.6g/300ml 12mins

2. Wash

3. Bleach: Potassium Dichromate 3g/300ml + Sodium bisulfate 22.5g/300ml = 600ml 5mins

4. Wash

5. Cleaning: Sodium Sulfite -12g/600ml. 2mins

6. Wash

7. Exposure 100w lamp, each side 2mins

8. Develop #2 Ilford Multigrade 1+9 6mins

9.Wash

10. Fix 1+4 5 mins

11. wash

Scaner：Epson V800

© All Rights Reserved

Turning Negatives film into Positives.

Camera: Robot II （Schneider Xenon 40mm F1.9）

Film: Ilford HP5 + 400ISO shot as 200ISO

Develop: ILFORD Multigrade Paper Develop

Process:

1. Develop #1 Ilford Multigrade 1+5 plus Hypo 3.6g/300ml 12mins

2. Wash

3. Bleach: Potassium Dichromate 3g/300ml + Sodium bisulfate 22.5g/300ml = 600ml 5mins

4. Wash

5. Cleaning: Sodium Sulfite -12g/600ml. 2mins

6. Wash

7. Exposure 100w lamp, each side 2mins

8. Develop #2 Ilford Multigrade 1+9 6mins

9.Wash

10. Fix 1+4 5 mins

11. wash

Scaner：Epson V800

© All Rights Reserved

Wonderful relaxing night playing with my new light and softbox.

Along with a sip of Irish Whiskey (Jameson)

Flickr Friday Theme : Minimum

Backstage XP

chụp hơn 180 tấm , được duy nhất 1 tấm ưng ý , thương cái màng chập quá :((

Strobist : Table lamp daylight 100W 0,5m left

Metz 40AF-4F at 1/16 power 1,2m right

BG : Christmas Lamp 1m behind

Camera : ISO 160 , f4,5 , 1/100

Hoy necesitaba sacar de mi la furia que llevo dentro estos dias contenida,

necesitaba desahogarme de alguna manera que sacara de mi ese color rojo,

tan intenso que me ardia dentro... por fin encontre la receta... es muy sencilla...

1 APLIFICADOR DE MAS DE 100W, POR SUPUESTO DE VALVULAS...

1 BUENA GUITARRA DISPUESTA A SER MALTRATADA

1 DOSIS DE FUERZA INCONCICIONAL PARA PODER TOCARLA

Y COMO NO...!!!! UNA BUENA CANCION DE HENDRIX...

POR EJEMPLO.- SPANISH CASTLE MAGIC

www.goear.com/listen/7295cf3/Spanish-Castle-Magic-Jimi-He...

Am Gipfel der Lavarela (3055 m).

Dolomiten, 04.09.2021

Taken for 'MacroMonday' theme of 'sidelit'.

100w Reflector bulb in standard domestic fitting.

Russian Jupiter 9, f2 ......................................................... within 3"

processed to look like a shot from 1960

Model Holly J from Shoot DHS model agency

Assistant Milly Colley aka millypix

Lighting Lowel i-light 100w on a lighting stand 1m from model's right. Sunlight backlighting at sunset

Shot at Kenwood House, Hampstead

Taken during the Toronto Photo Walks group's 100th Walk on the Toronto Islands!

Been busy for a few days - building this!

Remember my last DIY Studio Flash? Well it's great but I thought it would be miles better if it was portable. So after realising I should've spent more time listening to my tutors when I studied electronics all those years ago I had another crack at building an inverter to generate 300 odd volts DC from a SLA battery.

Finally success!

This again is from scrounged parts, (as it's far cheaper and way more fun), and so far has cost less than £20 which suits me fine. The two strobe tubes are lying flat this time to make them less susceptible to damage, two inverters so that it charges much faster, (well there's two tubes so why not double up - much easier!), SCR power control and it was a tough job squeezing it all into this little box I can tell you!

Really wished I'd listened to my old tutors when it came to flyback inverter design, took about a dozen attempts at winding toroidal cores before I got it right!!

Wanted to go out and test it but typically it's raining again and the one thing I didn't do was make the damn thing waterproof! (I'm not that good.)

100 W/S Portable Flash powered by SLA battery in a 120w x 120h x 190l housing

Infinitely variable power control from 1W/S to 100W/S

Fixed anode voltage to tubes, duration of flash controlled by SCR

(This enables a constant 5600K colour output unlike variable voltage designs)

<3 seconds charge time at full power, at half power down can keep up with my Olympus dSLR's 3.5 frames per second rate, (very nice!)

Yet to check battery life.......

Just need to put the thing into practice now and see if she burns out ;-)

[disclaimer: Coca-Cola è un marchio registrato. La sua rappresentazione in questi scatti non deve intendersi a scopo di lucro]

[disclaimer: Coca-Cola is a registered trademark. It's representation in these shots not intended for profit]

Canon EOS

Canon EF 50mm f.1.8 II

SoftBox 60cm x 40cm [White Light  100W]

Photo editing – Adobe Lightroom

Sala Posa/Studio – “Officina Kreativa”

© All rights reserved. Using this photo without my permission is illegal.

© Le immagini contengono filigrana digitale per il copyright e l’autenticazione

© E’ vietata ogni riproduzione e/o utilizzo della/e stessa/e previo specifico accordo con l’autore che ne detiene tutti i diritti e si riserva di poter concederne uso in licenza secondo norme vigenti.

© MR PhotoArt - www.mikerphotoart.wix.com/book

© 500px - www.500px.com/MikeRPhotoArt

© Tumblr – www.mikerphotographer.tumblr.com

© Fb www.facebook.com/MicheleRallo.Fotografia

© Find me on Google+! „MR PhotoArt“

© Twitter @MikeR_Ph79

© Skype michele.rallo79

ODC - Flower(s) In Black and White. A new technique for me, using continuous light from a clamp lamp and 100W daylight bulb.

Creazioni a tema caffè. Obiettivo: contest.

+Canon EF 50mm f.1.8 II

+SoftBox 60cm x 40cm -> 100W light

Sala Posa/Studio - “L’Officina Creativa di Mike”

© All rights reserved. Using this photo without my permission is illegal.

© Le immagini contengono filigrana digitale per il copyright e l’autenticazione

© E’ vietata ogni riproduzione e/o utilizzo della/e stessa/e previo specifico accordo con l’autore che ne detiene tutti i diritti e si riserva di poter concederne uso in licenza secondo norme vigenti.

© MikeR. @ Photographer - www.mikerphotographer.webs.com

© MikeR. @ Photographer – www.wix.com/rallomichele/photographer

© Facebook: www.facebook.com/MicheleRallo.Fotografia

© Mike’s Blog – www.michelerallo.blog.tiscali.it

© Milan Cvetanovic

All rights reserved!

A summer shower candid snapped in Krakow.

2 100W LED's L&R and a little LED inside the dog house for Penguin goodness...

Project 365 (one photo per day for 2021 taken on 120 film)

Event: Project 365

Location: Yard at Home

Camera: Mamiya RB67 Pro-S

Lens(s): Mamiya Sekor C 90mm f/3.8

Film: Ilford Delta 100

Shot ISO: 80

Light Meter: Weston Master II

Exposure: 1s @ f/11

Lighting: 1 x 100W Tungsten Lamp

Mounting: Tripod - Manfrotto

Firing: Cable release

Developer: Ilford DD-X(1+4)

Scanner: Epson V800

Post: Adobe Lightroom & Photoshop (dust removal)

6:40am just stopped raining

I've been looking for this for several years on eBay... And now I've finally found it (in the Netherlands!). A colour head for my Meopta Opemus 5 enlarger (including original transformer), which I use for everything up to 6x6 cm negatives. Will be very interesting to test this against Ilford MG filters below the lens with the condenser (the colour head has a 12V 100W diffuser). Probably not so many more chances to get hold of this analog equipment.

I made the "chart" showing Yellow and Magenta settings for different B&W grades with this Meopta Meochrom 2 head from an Ilford document today :-).

I know what you are thinking............ Yes, my mouth is that big.

The hardest part of this shot was holding my nose, as my breath kept foggin up the lens. The lighting was quite taxing. Had a 100w halogen lamp pointing in my face. Nearly burnt my forehead. :-)

check out my Facebook Page

check out my Twitter

Ausblick von der Bella Tola (3025 m). Hinten links die Dent Blanche, in der Mitte der Mont Blanc de Cheilon (3870 m) und rechts der Mont Blanc (4810 m).

Walliser Alpen, 11.07.2021

🌴[City of Thebes]🌴

-----------------------------------------------------------------------------------------

🎶[Isis (Bob Dylan)] 🎶

🎶[Isis (The White Stripes)] 🎶

🎶[Isis (Jackie Greene)] 🎶

I married Isis on the fifth day of May

But I could not hold on to her very long

So I cut off my hair and I rode straight away

For the wild unknown country where I could not go wrong

I came to a high place of darkness and light

The dividing line ran through the center of town

I hitched up my pony to a post on the right

Went into a laundry to wash my clothes down

A man in the corner approached me for a match

I knew right away he was not ordinary

He said "Are you looking for something easy to catch?"

I said "I got no money." He said "That ain't necessary."

We set out that night for the cold in the North

I gave him a blanket, and he gave me his word

I said "Where are we going?" He said "We'll be back by the fourth."

I said "That's the best news that I've ever heard."

I was thinking about turquoise I was thinking about gold

I was thinking about diamonds and the world's biggest necklace

As we rode through the canyons through the devilish cold

I was thinking about Isis how she thought I was so reckless

How she told me that one day we would meet up again

And things would be different the next time we wed

If I only could hang on and just be her friend

I still can't remember all the best things she said

We came to the pyramids all embedded in ice

He said "There's a body I'm trying to find

If I carry it out it'll bring a good price"

It was then that I knew what he had on his mind

The wind it was a-howling and the snow was outrageous

We chopped through the night and we chopped through the dawn

When he died I was hoping that it wasn't contagious

But I made up my mind that I had to go on

I broke into the tomb but the casket was empty

There was no jewels no nothing I felt I'd been had

When I saw that my partner was just being friendly

When I took up his offer I must-a been mad

I picked up his body and I dragged him inside

Threw him down in the hole and I put back the cover

I said a quick prayer and I felt satisfied

Then I rode back to find Isis just to tell her I love her

She was there in the meadow where the creek used to rise

Blinded by sleep and in need of a bed

I came in from the East with the sun in my eyes

I cursed her one time then I rode on ahead

She said "Where ya been?" I said "No place special"

She said "You look different" I said "Well, I guess"

She said "You been gone" I said "That's only natural"

She said "You gonna stay?" I said "If you want me to, yes."

Isis oh Isis you're a mystical child

What drives me to you is what drives me insane

I still can remember the way that you smiled

On the fifth day of May in the drizzling rain

-Bob Dylan

------------------------------------------------------------------------------------------

🐕 💝 🐈

💗 Hope 💗

-------------------------------------------------------------------------------------------

Protect Your Right To Vote!

BLM 8 Minutes 46 Seconds

Democracy Dies in Darkness

Get Your Booster!, I Got Mine! 💉

I Am Not Ukrainian But I Support You! 🌻💙💛🌻

Women's Rights Are Human Rights 1973-2022 RIP

A firearm should not have more rights than a human

Love is Love

-------------------------------------------------------------------------------------------

iMac

Viewer: Firestorm version 6.5.6 (66221)

The Tools

Ratio 23:9

LUMIIPro: No

AnyPose: No

LeLutka Axis HUD : No

Firestrom Photo Tools

SE: **AK* Bayou 1 Custom (modified)

SEW : Nacon's Lake Water

Scene Gamma: 1.06

FOV: -

FL: -

Haze Horizon: 0.00

Haze Density: 1.74

Cloud Coverage: 0.58

Cloud Scale: 0.67

Shd Res: 4.00

Shd Clarity: 5.75

Photopea Tools

Poster Edge Filter

Flickr Tools

Filter: None

Blur: No

Brightness: 0

Saturation: +20

Contrast: +3

Gamma: +15

Clarity: +5

Exposure: +10

Shadows: -5

Highlight: 0

Temperature: +5

Whites: 0

Blacks: 0

Sharpness: 0

This is an edit that takes into account some suggestions from Saralonde and Peeperita

Strobist: Tangelo resting on a piece of black granite from Home Depot. Worklight camera left with 100W daylight balanced CFL. Snooted SB-600 back and camera left to backlight the slice of tangelo. SB-600 with blue gel on back foamcore to reflect blue in the granite. See setup shot here.

After working on tack sharp studio images with strobes for a long time, now I am experimenting soft paintery looking images. And this is the first try on this style.

I used continuous LED lights with bowens mount instead of strobes.

Strobist info (for LED lights)

1) 100W LED in 47" octa camera left looking directly right and slightly towards me . Feathering... feathering.... It is the key.

2) 2 100W LED lights camera right firing a V block

3) Large white reflector camera right in front of the subject.

www.facebook.com/TheMazePhotography

www.themazephotography.com/

©2016 Levent Eryilmaz

2x 100w spot lights and Yongnuo YN460-II Speedlight

EXPLORE FRONT PAGE :-)

Gracias a todos

Thank you so much

Ahora toca a las pompas, a ver que sale…

No esta viñeteada, es el efecto del cono puesto en el flash, hasta que fabrique el panel de abeja que mí amigo Edu me enseño. Espero os guste.

Strobist Info:

580EXII con #26 Light Red @ 1/64 frente a la cámara (a las 12) y por debajo del motivo para iluminar el fondo. Luz fija 6000ºK 100W bajo el motivo (la superficie de cristal)

Substrate: Watercolour paper 180gsm

Light sensitive anthotype dye: Turmeric in alcohol and water

Development: ~8% w/v Sodium bicarbonate solution.

Application: dip

Opaque layer: Leaves from unknown deciduous tree.

Exposure time: 4 days intermittent winter sunlight plus 1.5h 365nm 100W UV lamp @5cm above anthotype.

I know this has been done *many* times before...but imitation is the sincerest form of flattery, right?

Free desktop and mobile wallpapers of this photo can be found at Beyond the Focus.

Lighting: 8 1/2 clamp light, 100w bulb, camera right, about 3' away

The product of a play with a bottle of Sprite, a 100W lamp and a macro lens this evening

Rare lit 100W incandescent bulb lighting light blue lamp and shade.

Treatment: none

The ICOM IC-7300 is a popular HF radio

known for its innovative features and robust performance.

Output Power: 100W (25W AM)

Frequency Range: 0.030-74.800 MHz

Receiver Type: Direct sampling

Band-Pass Filters: 15 discrete filters

Display: Large touch screen color TFT LCD

Modes: SSB, CW, RTTY, AM, FM

Special Features: Real-time spectrum scope, IP+ function, high-resolution image

Still-life commerciale - [Demo]

Sala Posa/Studio – “Officina Kreativa”

[it] Disponibile in versione digitale JPEG alta definizione per la vendita/realizzazione stampa professionale per arredo.

Formato medio di stampa consigliato: 45x30cm

Formato minimo di stampa consigliato: 21x29cm

[en] Available in digital JPEG HD for sale / construction professional printing for furniture.

Average size recommended print: 45x30cm

Minimum size recommended print: 21x29cm

Digital-Store | www.viveredarte.it/profile/mrphotoart

Canon EOS

Canon EF 50mm f.1.8 II

SoftBox 60cm x 40cm [White Light  100W]

© All rights reserved. Using this photo without my permission is illegal.

© Le immagini contengono filigrana digitale per il copyright e l’autenticazione

© E’ vietata ogni riproduzione e/o utilizzo della/e stessa/e previo specifico accordo con l’autore che ne detiene tutti i diritti e si riserva di poter concederne uso in licenza secondo norme vigenti.

© MR PhotoArt - www.mikerphotoart.wix.com/book

© Fb www.facebook.com/MicheleRallo.Fotografia

© VivereD’Arte Store - www.viveredarte.it/profile/mrphotoart

© Instagram – “mrphotoart”

© 500px - www.500px.com/MikeRPhotoArt

© Tumblr – www.mikerphotographer.tumblr.com

© Find me on Google+! „MR PhotoArt“

© Twitter @MikeR_Ph79

© Skype michele.rallo79

1969 Marshall Super Lead 100 W gut shot.