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Sophia Al-Maria: Taraxos
“ * - Every asterisk a star. Every star a clock. Every clock a chime. Every chime a warning. Waking a cell, then a seed, then the germ of a weed getting ready to flower. – Sophia Al-Maria
Sophia Al-Maria considers the dandelion an emblem of freedom and resistance, as each seed has the potential to become an agent of resilience and change. Inspired by the life cycle and geometry of the dandelion (taraxacum officinale), the sculpture taraxos is a model for understanding and listening to the world.
Taraxos is a meditative place for anyone to slow down time for themselves. Visitors can sit beneath and stand amongst a constellation of 12 metal achenes, which take the form of futuristic dandelion ‘seeds’, and listen to the sculpture. Activated by the wind, the sculpture can also be played by touching the stems which are covered in copper, a material selected for its antimicrobial qualities.
At the top of each achene the asterisk* appears as shorthand symbolising a dandelion seed’s bracts, below it is inscribed into the ground in reference to the navigational tool of a meteorological wind rose. The punctuation mark of the asterisk* is a motif in Al-Maria’s work which emerged from her screenwriting practice in which the asterisk indicates rewriting and revision. The central node of taraxos is a piece of reclaimed titanium from an airplane. This durable yet light material, ideal for air and space travel mirrors that of the seemingly fragile airborne dandelion seed.
The Serpentine x Modern Forms Sculpture Commission focuses on Serpentine’s immediate environment as a space for artists to engage with the landscape of the park.
Sophia Al-Maria was selected for this new public sculpture commission by Hans Ulrich Obrist, Artistic Director, Melissa Blanchflower, Curator, Exhibitions and Public Art, Serpentine and Nick Hackworth, Director, Modern Forms.”
Text © The Serpentine Gallery 2021-22
Splotch/Asterisk opening at Off-Rhode Studio Gallery/Art Enables, Rhode Island Ave, Washington, DC, 2/9/2013 (ends 2/29/2013).
*photo courtesy of Austin at Eye Collector, for more, see here: www.eyecollector.com/archives/3581
See more Information: asterisk.apod.com/viewtopic.php?p=330278#p330278
The galaxy Messier 100, or M100, shows its swirling spiral in this infrared image from NASAs Spitzer Space Telescope. The arcing spiral arms of dust and gas that harbor starforming regions glow vividly when seen in the infrared.
is a classic example of a grand design spiral galaxy, with prominent and well-defined spiral arms winding from the hot center, out to the cooler edges of the galaxy. It is located about 55 million light years away from Earth, in the little-known constellation of Coma Berenices, near to the more recognizable Leo.
In the center, we can see a prominent ring of hot, bright dust surrounding the inner galactic core. Moving further out, the spiral arms peter out towards the edges of the galaxy, where thick webs of dust dominate. Beyond the edges of the dust clouds, a faint blue glow of stars extends to the edge of the galaxys disk.
Two small companion galaxies, known as NGC 4323 and NGC 4328, appear as fuzzy blue blobs on the upper side of M100. These so-called lenticular galaxies are virtually clear of any dust, so they lack any of the red/green glow seen in their bigger neighbor. The shape of M100 is probably being perturbed by the gravity of these galaxies.
M100 was discovered in 1781, and is now known to stretch roughly 160,000 light years from one side to the other, making it about one and a half times the size of our own Milky Way galaxy. By studying these infrared images of M100, astronomers can map out the structure of the stars and dust, and study the ways in which galaxies like our Milky Way were formed.
M100 is well-known to astronomers because of the five stars that have become supernovae within the galaxy between 1901 and 2006. These exploding stars are extremely useful for helping astronomers to calibrate distance scales in the universe, and to estimate the age of the universe since its creation in the Big Bang.
The red regions reveal dust clouds that light up under the illumination of the surrounding stars. The stars themselves shine most brightly at the shorter infrared wavelengths, showing up here in blue. The blue dots covering the entire image are stars that lie between us and M100.
Infrared light with wavelengths of 3.6 and 4.5 microns are displayed in blue and green showing primarily the glow from starlight. 8 micron light is rendered in red; the small contribution from starlight at 8 microns was subtracted out from the data to better show the dust structures near the galaxys center.
This was was a project for a marketing class -- creating a new brand of iceblock to compete with FruJu in the New Zealand market. This was project was in collaboration with Josh Barr (he did a lot of the work!)
Sophia Al-Maria: Taraxos
“ * - Every asterisk a star. Every star a clock. Every clock a chime. Every chime a warning. Waking a cell, then a seed, then the germ of a weed getting ready to flower. – Sophia Al-Maria
Sophia Al-Maria considers the dandelion an emblem of freedom and resistance, as each seed has the potential to become an agent of resilience and change. Inspired by the life cycle and geometry of the dandelion (taraxacum officinale), the sculpture taraxos is a model for understanding and listening to the world.
Taraxos is a meditative place for anyone to slow down time for themselves. Visitors can sit beneath and stand amongst a constellation of 12 metal achenes, which take the form of futuristic dandelion ‘seeds’, and listen to the sculpture. Activated by the wind, the sculpture can also be played by touching the stems which are covered in copper, a material selected for its antimicrobial qualities.
At the top of each achene the asterisk* appears as shorthand symbolising a dandelion seed’s bracts, below it is inscribed into the ground in reference to the navigational tool of a meteorological wind rose. The punctuation mark of the asterisk* is a motif in Al-Maria’s work which emerged from her screenwriting practice in which the asterisk indicates rewriting and revision. The central node of taraxos is a piece of reclaimed titanium from an airplane. This durable yet light material, ideal for air and space travel mirrors that of the seemingly fragile airborne dandelion seed.
The Serpentine x Modern Forms Sculpture Commission focuses on Serpentine’s immediate environment as a space for artists to engage with the landscape of the park.
Sophia Al-Maria was selected for this new public sculpture commission by Hans Ulrich Obrist, Artistic Director, Melissa Blanchflower, Curator, Exhibitions and Public Art, Serpentine and Nick Hackworth, Director, Modern Forms.”
Text © The Serpentine Gallery 2021-22
I first started photographing graffiti in 1999, and in 2000 I setup a website to share my photos. Initially a mix of different subjects, but it soon became almost entirely of graffiti. I uploaded over 6000 photos to this site. Eventually Flickr came along a few years later and I started using that instead, and stopped updating the website. I shut it down completely a few years ago.
I occasionally get requests from people for photos of pieces by specific graffiti writers, and I thought it might be a good idea to upload them all to Flickr.
Most of these photos were taken on film, scanned, and saved at a small size, back in the day when people were still using 56k modems to connect to the internet and small filesizes were desirable. So apologies for the quality and size for some of these. Someday I'd like to get them all scanned in again at a higher resolution.
Like my photos? Buy me a coffee!
8/10 This shows one section of the "asterisk" installed. Normal Fiat 850 Spiders have what's known as an X-Frame or Crossover members under the floorpan. If it rusts through the car can break in half, and is especially vulnerable to a rust-through at the crossing of the X.
This six spoke asterisk replaces the 4 spoke X.
Sophia Al-Maria: Taraxos
“ * - Every asterisk a star. Every star a clock. Every clock a chime. Every chime a warning. Waking a cell, then a seed, then the germ of a weed getting ready to flower. – Sophia Al-Maria
Sophia Al-Maria considers the dandelion an emblem of freedom and resistance, as each seed has the potential to become an agent of resilience and change. Inspired by the life cycle and geometry of the dandelion (taraxacum officinale), the sculpture taraxos is a model for understanding and listening to the world.
Taraxos is a meditative place for anyone to slow down time for themselves. Visitors can sit beneath and stand amongst a constellation of 12 metal achenes, which take the form of futuristic dandelion ‘seeds’, and listen to the sculpture. Activated by the wind, the sculpture can also be played by touching the stems which are covered in copper, a material selected for its antimicrobial qualities.
At the top of each achene the asterisk* appears as shorthand symbolising a dandelion seed’s bracts, below it is inscribed into the ground in reference to the navigational tool of a meteorological wind rose. The punctuation mark of the asterisk* is a motif in Al-Maria’s work which emerged from her screenwriting practice in which the asterisk indicates rewriting and revision. The central node of taraxos is a piece of reclaimed titanium from an airplane. This durable yet light material, ideal for air and space travel mirrors that of the seemingly fragile airborne dandelion seed.
The Serpentine x Modern Forms Sculpture Commission focuses on Serpentine’s immediate environment as a space for artists to engage with the landscape of the park.
Sophia Al-Maria was selected for this new public sculpture commission by Hans Ulrich Obrist, Artistic Director, Melissa Blanchflower, Curator, Exhibitions and Public Art, Serpentine and Nick Hackworth, Director, Modern Forms.”
Text © The Serpentine Gallery 2021-22
Asterisk Supper Club has been in Uptown for almost two years. They thrive on book lovers and ask if you take a book you bring a book to donate. If you’re in need of a place to study or just want to kick back and read a book, go over to Asterisk and enjoy some tea, or if you’re visiting around dinner time get some comfort food and make yourself feel right at home.
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Sophia Al-Maria: Taraxos
“ * - Every asterisk a star. Every star a clock. Every clock a chime. Every chime a warning. Waking a cell, then a seed, then the germ of a weed getting ready to flower. – Sophia Al-Maria
Sophia Al-Maria considers the dandelion an emblem of freedom and resistance, as each seed has the potential to become an agent of resilience and change. Inspired by the life cycle and geometry of the dandelion (taraxacum officinale), the sculpture taraxos is a model for understanding and listening to the world.
Taraxos is a meditative place for anyone to slow down time for themselves. Visitors can sit beneath and stand amongst a constellation of 12 metal achenes, which take the form of futuristic dandelion ‘seeds’, and listen to the sculpture. Activated by the wind, the sculpture can also be played by touching the stems which are covered in copper, a material selected for its antimicrobial qualities.
At the top of each achene the asterisk* appears as shorthand symbolising a dandelion seed’s bracts, below it is inscribed into the ground in reference to the navigational tool of a meteorological wind rose. The punctuation mark of the asterisk* is a motif in Al-Maria’s work which emerged from her screenwriting practice in which the asterisk indicates rewriting and revision. The central node of taraxos is a piece of reclaimed titanium from an airplane. This durable yet light material, ideal for air and space travel mirrors that of the seemingly fragile airborne dandelion seed.
The Serpentine x Modern Forms Sculpture Commission focuses on Serpentine’s immediate environment as a space for artists to engage with the landscape of the park.
Sophia Al-Maria was selected for this new public sculpture commission by Hans Ulrich Obrist, Artistic Director, Melissa Blanchflower, Curator, Exhibitions and Public Art, Serpentine and Nick Hackworth, Director, Modern Forms.”
Text © The Serpentine Gallery 2021-22
Sophia Al-Maria: Taraxos
“ * - Every asterisk a star. Every star a clock. Every clock a chime. Every chime a warning. Waking a cell, then a seed, then the germ of a weed getting ready to flower. – Sophia Al-Maria
Sophia Al-Maria considers the dandelion an emblem of freedom and resistance, as each seed has the potential to become an agent of resilience and change. Inspired by the life cycle and geometry of the dandelion (taraxacum officinale), the sculpture taraxos is a model for understanding and listening to the world.
Taraxos is a meditative place for anyone to slow down time for themselves. Visitors can sit beneath and stand amongst a constellation of 12 metal achenes, which take the form of futuristic dandelion ‘seeds’, and listen to the sculpture. Activated by the wind, the sculpture can also be played by touching the stems which are covered in copper, a material selected for its antimicrobial qualities.
At the top of each achene the asterisk* appears as shorthand symbolising a dandelion seed’s bracts, below it is inscribed into the ground in reference to the navigational tool of a meteorological wind rose. The punctuation mark of the asterisk* is a motif in Al-Maria’s work which emerged from her screenwriting practice in which the asterisk indicates rewriting and revision. The central node of taraxos is a piece of reclaimed titanium from an airplane. This durable yet light material, ideal for air and space travel mirrors that of the seemingly fragile airborne dandelion seed.
The Serpentine x Modern Forms Sculpture Commission focuses on Serpentine’s immediate environment as a space for artists to engage with the landscape of the park.
Sophia Al-Maria was selected for this new public sculpture commission by Hans Ulrich Obrist, Artistic Director, Melissa Blanchflower, Curator, Exhibitions and Public Art, Serpentine and Nick Hackworth, Director, Modern Forms.”
Text © The Serpentine Gallery 2021-22
See more information: asterisk.apod.com/viewtopic.php?p=322985
Overlay of the UV image from GALEX with the IR image from SPITZER in the area around the center.
This shows an interesting aspect: when IR and UV are superimposed, you can see that the bright stars from GALEX are practically all outside SPITZER's dust ring...
Original Image Source:
GALEX: NASA/JPL-Caltech
SPITZER: Serge Meunier ( de.wikipedia.org/wiki/NGC_4565#/media/Datei:NGC_4565_-_Sp... )
Sophia Al-Maria: Taraxos
“ * - Every asterisk a star. Every star a clock. Every clock a chime. Every chime a warning. Waking a cell, then a seed, then the germ of a weed getting ready to flower. – Sophia Al-Maria
Sophia Al-Maria considers the dandelion an emblem of freedom and resistance, as each seed has the potential to become an agent of resilience and change. Inspired by the life cycle and geometry of the dandelion (taraxacum officinale), the sculpture taraxos is a model for understanding and listening to the world.
Taraxos is a meditative place for anyone to slow down time for themselves. Visitors can sit beneath and stand amongst a constellation of 12 metal achenes, which take the form of futuristic dandelion ‘seeds’, and listen to the sculpture. Activated by the wind, the sculpture can also be played by touching the stems which are covered in copper, a material selected for its antimicrobial qualities.
At the top of each achene the asterisk* appears as shorthand symbolising a dandelion seed’s bracts, below it is inscribed into the ground in reference to the navigational tool of a meteorological wind rose. The punctuation mark of the asterisk* is a motif in Al-Maria’s work which emerged from her screenwriting practice in which the asterisk indicates rewriting and revision. The central node of taraxos is a piece of reclaimed titanium from an airplane. This durable yet light material, ideal for air and space travel mirrors that of the seemingly fragile airborne dandelion seed.
The Serpentine x Modern Forms Sculpture Commission focuses on Serpentine’s immediate environment as a space for artists to engage with the landscape of the park.
Sophia Al-Maria was selected for this new public sculpture commission by Hans Ulrich Obrist, Artistic Director, Melissa Blanchflower, Curator, Exhibitions and Public Art, Serpentine and Nick Hackworth, Director, Modern Forms.”
Text © The Serpentine Gallery 2021-22
30 units, 21x7 cm, no glue.
I fell in love with this model from the first sight. This is a frist stellation of a dodecahedron, made by pure origami means.
Diagram is in the 18th Tanteidan Convention book.