directing
Walnut Grove Church
Highway 170
Prairie Grove, Arkansas
Washington County
I used the following texture. I took out some power lines. This is the first time I've cloned out something over brick.
When I'm shooting, and I find something with a creepy or eerie mood I immediately think of one of three men. Alfred Hitchcock, David Lynch, or Stephen King. If it's something historic/classic, in good condition, and isolated it makes me thing of Alfred Hitchcock. If it seems picturesque and dreamy I think of Lynch. If it's really out there I think of Stephen King.
Anyway, I can picture the church above being a location in a Hitchcock movie. The fog added to this. Can't you picture some lady wearing a matching suit dress and hat in a giant 1950s car careening up the driveway next to the church, abandoning the car with the door open, running up to the doors, and trying frantically to get in. Just then a man chasing her catches up to her as she tries to open the doors. The point of view would change to a view from inside the church facing out a stain glassed window. The viewer could see the lady's murder, but the glass would obscure any details that would make it grotesque. So this is the sort of things I think about when I'm taking pictures. How a directer would use the same scene to make a movie.
directing
Walnut Grove Church
Highway 170
Prairie Grove, Arkansas
Washington County
I used the following texture. I took out some power lines. This is the first time I've cloned out something over brick.
When I'm shooting, and I find something with a creepy or eerie mood I immediately think of one of three men. Alfred Hitchcock, David Lynch, or Stephen King. If it's something historic/classic, in good condition, and isolated it makes me thing of Alfred Hitchcock. If it seems picturesque and dreamy I think of Lynch. If it's really out there I think of Stephen King.
Anyway, I can picture the church above being a location in a Hitchcock movie. The fog added to this. Can't you picture some lady wearing a matching suit dress and hat in a giant 1950s car careening up the driveway next to the church, abandoning the car with the door open, running up to the doors, and trying frantically to get in. Just then a man chasing her catches up to her as she tries to open the doors. The point of view would change to a view from inside the church facing out a stain glassed window. The viewer could see the lady's murder, but the glass would obscure any details that would make it grotesque. So this is the sort of things I think about when I'm taking pictures. How a directer would use the same scene to make a movie.