Webrarian
The Basilica of the Holy Blood
The Basilica of the Holy Blood (Dutch: Heilig-Bloedbasiliek, French: Basilique du Saint-Sang) is a Roman Catholic minor basilica in Bruges, Belgium. Originally built in the 12th century as the chapel of the residence of the Count of Flanders, the church houses a venerated relic of the Holy Blood allegedly collected by Joseph of Arimathea and brought from the Holy Land by Thierry of Alsace, Count of Flanders. Built between 1134 and 1157, it was promoted to minor basilica in 1923.
The 12th-century basilica is located in the Burg square and consists of a lower and upper chapel. The lower chapel dedicated to St. Basil the Great is a dark Romanesque structure that remains virtually unchanged. The venerated relic is in the upper chapel, which was rebuilt in the Gothic style during the 16th century and renovated multiple times during the 19th century in Gothic Revival style.
During the 19th century, successive renovation campaigns gave to the chapel its final Gothic Revival aspect, with its characteristic mural decorations. The stained-glass windows in the choir date from 1845 and represent the sovereigns who reigned over the County of Flanders from Philip the Bold, duke of Burgundy, till Archduchess Maria Theresa of Austria, Holy Roman Empress.
The pulpit in the form of a globe dates was made in 1728 by Henry Pulinckx, inspired by its evangelical purpose : "Go into all the world and preach the gospel" Mark 16:15.
The large wall-painting behind the high altar was realized in 1905. In the upper part, the Mystery of the Cross depicts Christ shedding his blood, with, in the background, the towns of Bethlehem, where Christ was born, and Jerusalem where he died. The lower part depicts the transport of the relic from Jerusalem to Bruges: on the left, Thierry of Alsace receives the relic from Baldwin III of Jerusalem, King of Jerusalem; on the right, kneeling besides Countess Sibylla of Anjou, he hands over the relic to the chaplain.
The high altar used today for the Eucharist is decorated with a relief in alabaster from the beginning of the 17th century depicting the Last Supper. Typical attributes of a basilica, the tintinnabulum, the small processional bell, and the Umbraculum, the sunscreen in the form of a parasol in yellow and red silk, are displayed next to the high altar.
Laurent Delvaux completed in 1751 the white marble altar in Baroque style for the relic side chapel. The two adoring angels were made by Peter Pepers. The relic is kept in a magnificent silver tabernacle made by local silversmith François Ryelandt (1709–1774), representing the "Lamb of Christ". To the right of the altar, the painting of Jacob van Oost depicts the descent from the Cross. The relic is shown to the public every Friday and every day two weeks before Ascension Day.
Popular legend asserts that the phial was taken to Bruges during the Second Crusade of 1147–1149, by Thierry of Alsace, who returned from Jerusalem with the relic of the Holy Blood presented to him by his brother-in-law Baldwin III of Jerusalem, as the reward of his great services. However, recent research found no evidences of the presence of the relic in Bruges before the 1250s.
In all likelihood, the relic originated from the 1204 sack of Constantinople by the army of the Count of Flanders, Baldwin IX during the Fourth Crusade. Ever since, the phial has played no small part in the religious life of the city. Pope Clement V issued a papal bull in 1310 granting indulgences to pilgrims who visited the chapel to view the relic.
Recent investigations have showed that the phial, made of rock crystal and dating back to the 11th or 12th century, was a Byzantine perfume bottle made in the area of Constantinople. It was never opened since its arrival in Bruges. Its neck is wound with gold thread and its stopper is sealed with red wax. The phial is encased in a glass-fronted gold cylinder closed at each end by coronets decorated with angels. The date "MCCCLXXXVIII die III maii" (May 3, 1388) is engraved on the frame.
The Basilica of the Holy Blood
The Basilica of the Holy Blood (Dutch: Heilig-Bloedbasiliek, French: Basilique du Saint-Sang) is a Roman Catholic minor basilica in Bruges, Belgium. Originally built in the 12th century as the chapel of the residence of the Count of Flanders, the church houses a venerated relic of the Holy Blood allegedly collected by Joseph of Arimathea and brought from the Holy Land by Thierry of Alsace, Count of Flanders. Built between 1134 and 1157, it was promoted to minor basilica in 1923.
The 12th-century basilica is located in the Burg square and consists of a lower and upper chapel. The lower chapel dedicated to St. Basil the Great is a dark Romanesque structure that remains virtually unchanged. The venerated relic is in the upper chapel, which was rebuilt in the Gothic style during the 16th century and renovated multiple times during the 19th century in Gothic Revival style.
During the 19th century, successive renovation campaigns gave to the chapel its final Gothic Revival aspect, with its characteristic mural decorations. The stained-glass windows in the choir date from 1845 and represent the sovereigns who reigned over the County of Flanders from Philip the Bold, duke of Burgundy, till Archduchess Maria Theresa of Austria, Holy Roman Empress.
The pulpit in the form of a globe dates was made in 1728 by Henry Pulinckx, inspired by its evangelical purpose : "Go into all the world and preach the gospel" Mark 16:15.
The large wall-painting behind the high altar was realized in 1905. In the upper part, the Mystery of the Cross depicts Christ shedding his blood, with, in the background, the towns of Bethlehem, where Christ was born, and Jerusalem where he died. The lower part depicts the transport of the relic from Jerusalem to Bruges: on the left, Thierry of Alsace receives the relic from Baldwin III of Jerusalem, King of Jerusalem; on the right, kneeling besides Countess Sibylla of Anjou, he hands over the relic to the chaplain.
The high altar used today for the Eucharist is decorated with a relief in alabaster from the beginning of the 17th century depicting the Last Supper. Typical attributes of a basilica, the tintinnabulum, the small processional bell, and the Umbraculum, the sunscreen in the form of a parasol in yellow and red silk, are displayed next to the high altar.
Laurent Delvaux completed in 1751 the white marble altar in Baroque style for the relic side chapel. The two adoring angels were made by Peter Pepers. The relic is kept in a magnificent silver tabernacle made by local silversmith François Ryelandt (1709–1774), representing the "Lamb of Christ". To the right of the altar, the painting of Jacob van Oost depicts the descent from the Cross. The relic is shown to the public every Friday and every day two weeks before Ascension Day.
Popular legend asserts that the phial was taken to Bruges during the Second Crusade of 1147–1149, by Thierry of Alsace, who returned from Jerusalem with the relic of the Holy Blood presented to him by his brother-in-law Baldwin III of Jerusalem, as the reward of his great services. However, recent research found no evidences of the presence of the relic in Bruges before the 1250s.
In all likelihood, the relic originated from the 1204 sack of Constantinople by the army of the Count of Flanders, Baldwin IX during the Fourth Crusade. Ever since, the phial has played no small part in the religious life of the city. Pope Clement V issued a papal bull in 1310 granting indulgences to pilgrims who visited the chapel to view the relic.
Recent investigations have showed that the phial, made of rock crystal and dating back to the 11th or 12th century, was a Byzantine perfume bottle made in the area of Constantinople. It was never opened since its arrival in Bruges. Its neck is wound with gold thread and its stopper is sealed with red wax. The phial is encased in a glass-fronted gold cylinder closed at each end by coronets decorated with angels. The date "MCCCLXXXVIII die III maii" (May 3, 1388) is engraved on the frame.